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Ghost Rider photo

I'm not going to sit here and pretend I've kept up with Agents of SHIELD. I had watched four episodes back in season one before I gave up, but I've been hearing that it got interesting around season two. But the fourth season...

Legion Trailer photo
Legion Trailer

Check out the trailer for Fox and Marvel's Legion TV series


Jul 24
// Nick Valdez
With X-Men doing so well in theaters, Fox has been wanting to do a television series for quite a while. But since Marvel holds the rights to X-Men TV shows, it had to wait until the two companies could work together. Thankful...
LEGO Batman Movie photo
LEGO Batman Movie

LEGO Batman Movie San Diego Comic-Con trailer has lots of Robin


Jul 24
// Nick Valdez
After The LEGO Movie pleasantly surprised, it naturally led to a number of planned sequels and spin-offs. With the actual follow up to the LEGO Movie not hitting theaters until 2019, our first taste is a spin-off featuri...
Doctor Strange SDCC photo
Odd.
Marvel's taken their strangest hero and given him quite an impressively stacked film. Not only is Doctor Strange packed to the brim with crazy talent (with Cumberbatch, Mads Mikkelsen, Rachel McAdams, Tilda Swinton, and Chiwe...


LOTHT Trailer photo
LOTHT Trailer

Watch the Legends of the Hidden Temple movie trailer from San Diego Comic-Con


Coming to Nickelodeon this fall
Jul 24
// Nick Valdez
With Nickelodeon tapping into the 90s kid frenzy with The Splat and shows like Hey Arnold! getting a resolution, they have also been re-working some of their old properties. Case in point is Legends of the Hidden Temple. Base...
Kong: Skull Island photo
Kong: Skull Island

Watch the Kong: Skull Island trailer from San Diego-Comic Con


The king has returned
Jul 23
// Nick Valdez
When Legendary Pictures, the company behind giant monster movies like Godzilla and Pacific Rim, moved King Kong over to Warner Bros in order to have him fight Godzilla eventually, I've been looking forward to the first look a...
LEGO Batman Movie photo
LEGO Batman Movie

New LEGO Batman Movie images show off Joker and Robin


Jul 23
// Nick Valdez
The LEGO Movie was one of the funnest animated films of the last few years, so naturally we were going to get a lot more of it. Luckily, first on the docket is the great looking LEGO Batman Movie. The first couple of trailers...
Justice League Action photo
Justice League Action

SDCC: First Justice League Action trailer is colorful and fun


Like a pocket Justice League Unlimited
Jul 23
// Nick Valdez
With as wonky of a movie universe it has. DC have really succeeded on the small screen. They've been dominating since Dini's run from Batman: The Animated Series to Justice League Unlimted and now CW's got a whole universe. S...
Blair Witch photo
The Woods is actually Blair Witch!
In an era where it's practically impossible to hide anything from the Internet, we were completely surprised by two projects kept under wraps. Joining 10 Cloverfield Lane is Blair Witch, a project only known as The Woods unti...

Shrek  photo
Shrek

Hey now, Shrek 5 is set for 2019


someBODY
Jul 21
// Nick Valdez
Well, the years start coming and they don't stop comingFed to the rules and I hit the ground runningDidn't make sense not to live for funYour brain gets smart but your head gets dumbSo much to do, so much to seeSo what's wrong with taking the back streets?You'll never know if you don't goYou'll never shine if you don't glow Shrek is love. Shrek is life. [via THR]
Saw VIII photo

So a few months ago, my roommates and I spent a week watching the seven Saw films. Little things we noticed? Each film was basically the same, each film began and ended with the same cheesy score and "big reveal," and you cou...

Pennywise photo
Pennywise

Here's the first look at the It reboot's new Pennywise


No Tim Curry, but that's not too bad
Jul 13
// Nick Valdez
The re-adaptation of Stephen King's It has been through some rough times. New directors (currently under Mama's Andrés Muschietti), and creative and studio differences changed the project from two films (adapting ...
Digimon  photo
Digimon

New Digimon Movie getting US release


DIGIMON ARE THE CHAMPIONS
Jun 30
// Nick Valdez
If you're one of those kids that watched Digimon on Fox Kids every Saturday morning like me, this next bit of news should excite you. In celebration of the series' 15th anniversary, Toei Animation released their new project, ...
Ouija: Origins of Evil photo
Ouija: Origins of Evil

First trailer for Ouija: Origin of Evil spells out B-L-A-N-D


Stop trying to make Ouija happen, Hasbro
Jun 23
// Nick Valdez
Remember Ouija? As part of toy company Hasbro's world domination, they teamed up with Blumhouse productions (Paranormal Activity, The Purge) and first, and only, time director Stiles White and released a terribly blah foray i...
Ghostbusters photo
Ghostbusters

Listen to the new and terrible Ghostbusters theme from Fall Out Boy and Missy Elliott


Eh eh eh eh eh eh eh eh eh eh eh eh eh
Jun 23
// Nick Valdez
Regardless of how you feel about the Ghosbusters or the upcoming reboot (which I hope succeeds so we get more movies like it), we can all at least agree that the original film's theme was pretty good right? In terms of recogn...
Power Rangers photo
Power Rangers

Bryan Cranston cast as Zordon for the Power Rangers reboot


"May the power protect you."
Jun 21
// Nick Valdez
About a month back I wrote a long editorial about Saban and Lionsgate's upcoming Power Rangers reboot. Until I had seen the costumes, I was pretty much all in for the film. It was making good moves otherwise. The team is comp...
Moana Trailer photo
Moana Trailer

Here's the first trailer for Disney's Moana


Favorite film of 2016, calling it now
Jun 13
// Nick Valdez
Disney's animation studio has been on a Pixar like roll lately with Frozen, Big Hero 6, and Zootopia netting huge critical and financial success. Their newest princess film Moana already blows those films out of the water.&nb...

Review: The Conjuring 2

Jun 10 // Nick Valdez
[embed]220610:42965:0[/embed] The Conjuring 2Directors: James WanRating: RRelease Date: June 10, 2016  Inspired by the events of the Enfield Poltergeist in 1970s London, and six years after the events of the first film, Ed (Patrick Wilson) and Lorraine (Vera Farmiga) Warren find themselves in London where single mother Peggy (Frances O' Connor) and her four children are experiencing paranormal activity in their home. When the youngest, Janet (Madison Wolfe), begins acting strangely and claims to be the home's deceased previous owner, Ed and Lorraine are dispatched by the church to prove whether or not there's actually a spirit in their home. But in that search, darkness from the Warren's past comes back to wreck things for everyone.  As a sequel, Conjuring 2 makes a few interesting choices. First of all, it's left behind the metaphysical horrors of the first film and instead chooses a more physical force for the Warrens to combat with. In comparison, the only physical interaction the Warrens had with a ghost in the first film were a few things flying around the finale's exorcism. With a physical force resembling something from Wan's other well known horror series, Insidious, Conjuring 2 is directed with a more action heavy flow. The film's opening scene, which is the most important, tone establishing scene of any horror film, is punctuated by snaps so loud and at such a high frequency the scene loses the terror momentum. It abuses the "jump scare" (a sudden appearance of something punctuated by a loud noise) so much it exaggerates the action of the scene rather than revel in the horror. That's not necessarily a bad thing since the rest of the film adapts to this newer, more heightened pace and tone, but there's definitely a loss.  The newer direction undervalues the film's particularly creepy visuals. Now that there is something concrete to defeat, the tension comes from whether or not the Warrens can defeat the foe rather than the poltergeist in question getting under the audience's skin. Wan directs the brunt of the film's fear factor toward its characters and thus makes it "less scary" overall to the audience. It's fulfilling the need for suspense (and does make for a more gripping film once it gets going), but backs away from true terror. I am also not sure why it's rated R to begin with since most of the film's horror visuals are toned down in favor of this new, more exciting direction. This is also the reason comparisons to the first film are apt since it tends to cruise through the same plot points, hoping this new tone would make the story different. But try as it might to change itself, The Conjuring 2 never fully commits to either direction. It loses horror for its action, but never makes that action as compelling as it could be.  Conjuring 2 is just confused. What's most interesting about this confusion is that it births interesting elements where a more focused take would have benefited. When Wan truly dives into the horror setting, you get some unique and revelatory sequences (like with the upside down crosses or the painting scene). But it is in between horror build up that lacks the necessary pace to keep the film enthralling until the Warrens get there. For a chunk of the film I found myself waiting for the Warrens to pop in again rather than being creeped out by the setting. With such a confused take, nothing in the film quite grabs. The setting, the plot, and every character but Ed and Lorraine are entirely unremarkable. But when the Warrens finally show up to do some things, the film's action-y pace takes hold and it gets a shot in the arm.  Since The Conjuring 2 loses its horror focus, it is not too compelling when an action isn't taking place. But in that same breath, there are enough unique individual elements to make it enjoyable overall. To put it bluntly, the first film was "scarier" but the sequel handles itself better. It makes the kind of choices with its direction that serve to better the series moving forward.  To think we will get a series where an exorcist couple throws witty banter back and forth as they fight demons three or four films from now. There is just too much potential to miss. 
The Conjuring 2 Review photo
Conjures a good time
The Conjuring became quite the hidden gem when it was released three years ago. A nostalgic return to classic horror haunting roots, it breathed new life into the genre by shifting the focus to paranormal hunters Ed and ...

Review: The Angry Birds Movie

May 22 // Nick Valdez
[embed]220589:42956:0[/embed] The Angry Birds MovieDirectors: Clay Kaytis and Fergal ReillyRating: PGRelease Date: May 20, 2016  At the center of The Angry Birds Movie is Red (Jason Sudeikis), a bird with an unchecked anger issue because he's been alone his entire life. He's been separated from the rest of the birds in town until he's forced to spend time in anger management which leads him to his future partners in crime Chuck (Josh Gad) and Bomb (Danny McBride). When a ship full of pigs, led by the sneaky Leonard (Bill Hader), pulls up to bird island claiming to be friendly, Red leaves in search of the legendary hero known as Mighty Eagle (Peter Dinklage) for help. After shenanigans from the pigs, it's up to Red, Chuck, and Bomb to find the hero and save the island.  Before getting into the nitty gritty, I want to take some time out to comment on how much work went into Angry Birds. It is honestly refreshing to see decent production and time on what seemed like a total cash-in project (from its inception to its last couple of trailers the film reeked of things other than quality) has . The animation is slick, the bird designs have a simple, easy to manipulate geometry (utilizing both hard angles and softer, cutesy spherical shapes), and the cast handles the material as well as they can. Sudeikis has already proved his capacity to lead a film time and time again, and now he can add voice over work to that list. Red's as charming as he needs to be without the script resorting to the same types of "kooky" dialogue the rest of the characters are subjected to. None of the actors come across as phony, with the weakest performance coming from Hader's Leaonard. Then again, even a weak Hader is better than you'd expect so it's a roundabout positive.  Once you get past the bread, you realize there's not a lot of meat on this chicken sandwich. Trying as hard as the visuals might, The Angry Birds Movie simply can't shake off how generic it is. It may not have the luxury of a videogame narrative to adapt, but that doesn't excuse a lot of its choices. While the freedom of a creating a whole universe brings about some neat little oddities differentiating it from other animated films (like anger management having weight in the plot, for example), the same is true for the opposite end of the spectrum. Quite a few quirks and dialogue choices should have been reconsidered. At one point, Angry Birds crosses the line into full-on annoying territory when Chuck and Bomb degenerate into incessant noise making machines for two minutes just so it can get a reaction from its kid audience.  The Angry Birds Movie is at a constant state of flux. Battling between originality and what's easier to write, the film is always holding itself back. In fact, it even takes a hit whenever it has to reference the videogame series. Like when the series' famous slingshot is introduced, it feels forced in. But in that same breath, that very slingshot leads to a well storyboarded climax. So it's an odd toss up between the film's potential audiences. Rather than create a film that's ultimately appealing to the widest demographic possible, you have a film that appeals to folks with select scenes. Some scenes will appeal to the two year olds who like to repeat funny sounds, the three year olds who like gross out humor, the adult who appreciates good animation, or that one parent in my screening who lost his mind the entire time. I'm glad at least that guy had a good time.  I'd hate to end a review with nothing more than an "it could've been worse" sentiment, but honestly that's all I feel about The Angry Birds Movie. It came, it went, it's probably coming back (or at least confident in a sequel enough to promote it during the credits and the extra scene available on mobile phones), and yet it doesn't really deserve any hearty emotions.  The Angry Birds Movie is not terrible enough to earn your rage, but it's not good enough to earn your praise either. A decent outcome from a numerous range of negative potential outcomes earns the film a small victory. 
Angry Birds Review photo
Nothing to get too angry at
With videogame adaptations becoming more common, it was only a matter of time before we would end up in this situation. A videogame popular for its gameplay and mechanics rather than its story would get the big screen treatme...

Review: Neighbors 2: Sorority Rising

May 20 // Nick Valdez
[embed]220574:42953:0[/embed] Neighbors 2: Sorority Rising Director: Nicholas StollerRating: RRelease Date: May 20, 2016  A few years after the events of the first film, parents Mac (Seth Rogen) and Kelly (Rose Byrne) are selling their home because they're expecting their next child. But not realizing what they had agreed to, the two end up in escrow. Meaning they have to keep their home buyer friendly for 30 days lest they end owning two homes. At the same time, Shelby (Chloe Grace-Moretz), Beth (Kiersey Clemons), and Nora (Beanie Feldstein) are three college girls who find out sororities aren't allowed to throw parties. Deciding to start a sorority of their own, and with the help of first film antagonist Teddy (Zac Efron), they move in next door to Mac and Kelly. After a series of shenanigans, Mac and Kelly once again find themselves in a prank war against the rowdy college kids next door.  Although Neighbors 2 tries its best to be different, it falls into the same traps most comedy sequels do. Given the nature of comedies in general, with each of them intentionally being a one-off story, all any sequel can do is try and capture what worked before and improve what did not. So if you enjoyed the first film, you might not enjoy this one. Everything's basically the same between the two films and there's not a lot added here to differentiate. There's the same air-bag gag, the same weak jokes about Rogen's body compared to Efron's, and despite poking fun on the mysoginistic voice of the first film, there's the same type of penis jokes. Which means that what it's trying to do thematically, presenting a "feminist" comedy (despite being written by five white men), is already worse for wear. It's hard to take anything seriously when one huge sequence ends with Zac Efron dancing until he shows his privates to a huge crowd.  Even if it doesn't change much of the story elements, Neighbors 2 still does an admirable job in turning the comedy sequel on its head. Simultaneously ridiculing and reveling in the premise, each of the characters have been surprisingly developed. Capitalizing on the character's ages (and further expanding on the "Dad Rogen" type introduced in the first film), there's a slightly compelling emotional current underneath all of the penis jokes. As everyone tries to figure out their identity in the film (whether Mac and Kelly can admit to being bad parents or Zac Efron's Teddy realizing he needs to move forward in life after being stuck in his millenial childlike state), Neighbors 2 touches on a slightly more level headed take on uncertain futures. But sadly this is all in between bursts of juvenile story telling. It's a shame too because when Neighbors 2 does distance itself from standard bro comedy jokes, it's quite refreshing. Despite being a film where terrible people do terrible things to one another, the few moments where it acknowledges the shortcomings are pretty great. Once again, Zac Efron steals the show. Elaborating on the lovable loser story from the first film, Teddy's become even more pathetic as he's basically aged out of the genre. A lot of the jokes in this revolve around how the entire crew would rather be doing something else (down to Mac and Kelly's terrible absentee parenting) and this nihilism is charming in a roundabout way. If you look in a little deeper, it's almost as if the film is telling Zac Efron to go ahead and move on to even bigger roles. It's pretty much time anyway. In that same breath, he's the only one that gets this kind of attention. Every other character is practically window dressing to Teddy's evolution, and it only makes you wish for a film that focused on this theme alone. I want to reward these attempts at new types of humor and themes, but they never quite go anywhere. For example while the sorority in the film is sincere and founded on equal rights ideals, the girls themselves aren't characterized well enough to truly make an impact of any kind. It's impossible for a comedy to accomplish that within 90 minutes, so these ideals feel like an afterthought. It feels like the change from a fraternity to a sorority is more cosmetic and a feminist lead character was only added only to be a plot contrivance to start the whole prank war. In fact, one character in the film literally says the sorority is "untouchable" in order to speed up the extremeness of Mac and Kelly's actions. Neighbors 2 does deserve credit for adding these elements when it could've been just another bro comedy, but it's not enough to acknowledge issues or inherent problems with the bro comedy genre while still trying to utilize the cruder elements of it.  Neighbors 2: Sorority Rising isn't the best film, or the funniest, but it's at least visibly trying to do something different. It's a groundbreaking comedy sequel in that it's not just doing the exact same thing over again for quick money. I mean it is still doing a lot of the same stuff, and while the new ideas aren't explored enough to warrant any kind of real change, the fact there is a refreshing seeming film at the end of the day is pleasant.  The only problem overall is both films just aren't memorable. It's not like you'll be quoting its jokes years later or even remember what happened a week down the line. 
Neighbors 2 Review photo
Well, at least it tried
In my long tenure here at Flixist I've carved out a niche for myself. If you see a review for a Seth Rogen film or a sequel to a comedy, chances are it's my words you're reading. So little did I know I'd stick around here lon...

Tran5formers  photo
Tran5formers

Transformers 5 gets an official title and teaser image


Sadly not Tran5formers or Transformer5
May 17
// Nick Valdez
Because the Transformers films still make more money than the GDP of many small countries put together (and with Age of Extinction holding strong as China's biggest box office opening ever). work on the next film in the franc...
Tetris Trilogy photo
Tetris Trilogy

Tetris is getting a big budget, Chinese trilogy


Form rows in the theater for points
May 17
// Nick Valdez
This year we have four videogame adaptations hitting theaters and there's no sign of stopping anytime soon. The only problem with this is none of these films look particularly gripping with Warcraft, Assassin's Creed, an...
Voltron Trailer photo
Voltron Trailer

Here's a trailer for Netflix's Voltron: Legendary Defender


May 13
// Nick Valdez
Adding to the mass of nostalgia, and to Netflix's ever growing original programming, is Voltron: Legendary Defender. Studios have been trying to figure out what to do with Voltron for years with a movie in mind and a failed N...
Black Panther  photo
Black Panther

Lupita Nyong'o and Michael B. Jordan join Black Panther


May 13
// Nick Valdez
Captain America: Civil War may have technically been Captain America's movie, but the shining stars were definitely Spider-Man and Black Panther. In fact, I'm more excited for Black Panther's solo outing than anything else in...
Assassin's Creed Trailer photo
Assassin's Creed Trailer

First Assassin's Creed trailer parkours into my heart


With arms wide open
May 12
// Nick Valdez
I guess Jimmy Kimmel Live is the place to go for trailer premieres since the first trailer for Assassin's Creed hit last night. Regardless, I've been interested in this for a while. Based on Ubisoft's Assassin's Creed videoga...

Power Rangers, reboots, and you

May 10 // Nick Valdez
We are currently in the midst of a 90s nostalgia boom. Just as the last decade was obsessed with capturing the vibe of the 80s, cocaine and all, the 2010s have seen an increase in 90s pop culture revivals. Because "90s kids" like myself have grown into a subculture with true buying power, cinema is trying its best to cater to that market, So that means stuff you used to love as a kid now has a chance of coming back. I'm sure you've seen some of the fruits of nostalgia lately: a new Powerpuff Girls series, Samurai Jack is returning to Cartoon Network, Hey Arnold is returning to Nickelodeon for a TV movie, Space Jam is finally getting that sequel, Gilmore Girls' new season, Fuller House and Netflix's upcoming slate in general. It has gotten so ridiculous there is even talk of more Star Kid, Cruel Intentions and The Craft. If you saw it on VHS as a kid, there's probably a new version of it in the works.  Given the reboot crazy nature of cinema at the moment, it was only a matter of time before Power Rangers would get the film treatment as well. As a property, it's a film company's dream. Sure it's going to be expensive, but Power Rangers has a rabid (and largely untapped) fanbase, name recognition, and more importantly, there are the toys. Saban has a history of focusing on toys more than everything else given that much of their production is reliant on Toei, the Japanese parent company that owns all of the footage Saban decides to use. From the beginning, any original idea Saban came up with was influenced by toy sales. The original Mighty Morphin ran for as long as it did (combining footage from two different Super Sentai series) because it was still a money-making juggernaut. So for the first few seasons, they kept the suits but changed most everything else.  Completely American additions such as Lord Zedd, the Tenga Warriors, Rito Repulsa, their shark cycles, the few times the Ninja Megazord combined with the first season zord Titanus, their weird sparkle suit power up, and even as far as keeping Jason David Frank on as the Green, and later White, ranger despite the sixth ranger being written out of the series early on were all a result of toys sales. This mentality followed the series through its entirety due to the superhero boom. Power Rangers has always competed with some sort of superhero material, and it has only gotten more egregious thanks to Marvel essentially dominating shelves. Thus Saban and toymaker Bandai are used to changing designs as they see fit in order to compensate. Back when Saban reacquired the Power Rangers license in 2011 and released Power Rangers Samurai, they tacked on original, "mega" armors each episode in order to not seem plain compared to the numerous Avengers toys littering the shelves.   With the toy design first mentality in mind, it is time to discuss the issue at hand. A few days ago, Entertainment Weekly revealed how Saban and Lionsgate's Power Rangers will look and it didn't exactly light the world on fire. The fans seemed divided between "Oh man, this is the mature Power Rangers I've always wanted" and "They're all Iron Man." Unfortunately, everyone is kind of right in this situation. Given the design, the upcoming reboot will most likely be a little darker. Hopefully not so dark as to either scare kids away or fill it with subjects that will fly over their heads, but it is definitely not being made with kids in mind. Given the sultrier design of Rita Repulsa (thus taking the meaning out of her name) and the rangers themselves, and the tone of the images released thus far, I'm not expecting anyone in this movie to say "morphinominal" or indulge in any of the goofiness the series made itself known for.  The "Iron Man" designs are, once again, reflective of Saban and Bandai's toy first outlook. Since the film is wholly an American creation, and since it cannot rely on the popularity of a currently running series like the first movie did, we've gotten designs reflective of it. Although the suits look terrible, expect a line of  light up chest toys or maybe the red, blue, and black rangers in a set in the same aisle as next year's Marvel films. That's also why these rangers, along with some leaked photos of their zords (which I'll post here once there's an official release), look alien and Transformer-esque. Saban is merely reflecting what is popular now, just as they did back when the first movie released. And although these designs are reminiscent of the original movie's suits, they lose what makes the property distinct. As production chases current pop culture and design, it further digs itself into a hole. Power Rangers is trying so hard to stand out among the rest of the toys, it is doing the exact opposite.  If the merchandise does not catch kids' attention, it's pretty much a death sentence. The first film may make enough money to warrant a sequel, due to folks appeasing a curiosity, but without the toy sales and child audience that keeps the TV show afloat the reboot and franchise potential will stagnate. That's why it is so important to keep the light and airy feel of the show intact. If you make the property more "grounded" or "mature" in order to appeal to the rose colored glasses of fans my age, it will lose the goofy stuff which made it fun to reenact at playtime. One of my favorite memories was playing with the morpher and blaster as a kid and pretending I was cool enough to be a "teenager with attitude." It was because everything was so brightly colored, and admittedly stupid, my parents didn't mind that I was actually watching a show with a lot of violence. Blood replaced by sparks, the kung-fu lite fight choreography on guys in suits was deemed "TV-Y7," and the people therein were talented and attractive enough (even Billy the "nerd" was jacked) to draw attention. But that is not the path the reboot is headed in. Instead it is already closing itself off.  At its core, Power Rangers has always been about equal opportunity power and this was reflected at playtime. Although the first American team featured two women in conventionally feminine colors like pink and yellow, it was a response to the lack of women in the Japanese version of the show, Kyoryu Sentai Zyuranger. Realizing they wanted more girls to buy their toys, they cast a woman for the male yellow and the footage went on just fine. It was a show breaking ground in more ways than one. Multi cultured teams and a strong foundation of teamwork and gender equality. The first season may be filled with weak plots and PSAs a la Captain Planet, but as they got their footing things improved. As the show evolved over the years, it was also better to its women. Character development improved, they wore more masculine colors, and more toys depicting these women were made. The Japanese design of the suits themselves always were minimalist. The only way to really tell them apart was a skirt sometimes. In the reboot, the suits are definitely not appealing to little girls. The reboot design may take on the tightness of the original spandex (replaced by the alien technology the reboot is pushing), but they're far too detailed. The boob plates and heels are definitely unnerving and little girls are way smarter than that. And since the pink and yellow rangers look so feminine, it's going to mean boys won't want them either. Rather than the collect them all frenzy of the original rangers, boys are only going to want those rangers specifically designed with them in mind. And if boys don't buy the pink and yellow rangers, their toys will be produced less and they will get less development as a whole moving forward. Since this trend has a precedent in the way the TV show has been marketed, it only worries me more so. When Power Rangers Super Megaforce, the "anniversary" series, released, Bandai produced a line of "Legendary Ranger" keys. In the show, these keys were used to transform into any of the heroes from years past and they were definitely a money-making idea. But each set released only featured the red, blue, and black rangers from each team and neglected to include the women. Even their current running series, Dino Charge, has a weird production ratio. For every five red, blue, and black rangers, there are only one or two pink ones. And while that show has been better at capturing that feeling of nostalgia than the reboot likely will be, only two of the series's ten (TEN) Power Rangers are women. Despite the gender swap casting it has done in the past, Saban refuses to do so again because they have dug themselves into such a non-inclusive hole that they only safe way to make money is to double down on what little masculine audience they have left.  The Power Rangers are so dear to me, I really want the reboot to succeed. But seeing Saban make the same mistakes yet again on a larger scale is troublesome. In trying to put its best foot forward among the litany of comic book films and other nostalgia ridden properties, it is merely becoming a carbon copy of those that came before. But instead of doubling down on a troubling methodology, the production should double down on what really helped the original series succeed for as long as it did. After losing the rights to Disney, and only getting them back five years ago, Saban has never quite reached the same levels it used to.  Sure the show had bad writing or bad acting at times, but Power Rangers managed to capture the zeitgeist of living in the 90s. It truly understood what growing up at the time meant. It meant obnoxious colors, obnoxious sayings, and even more obnoxious styles. Part of what dates it also makes it that much more relevant. True nostalgia is all about recapturing the feeling of those halcyon days of youth. We have enough cinema making a statement or delving into gritty themes (just take a look at what are supposed to be the most comic booky films of the year, Captain America: Civil War or Batman v Super: Dawn of Justice), but we don't have enough films where teens just beat up on monsters while making forced puns. I mean, the reboot is so serious it doesn't even carry the Mighty Morphin' moniker.  As it stands, the Power Rangers reboot won't appeal to anyone. Not even adding the original show's theme to a trailer will save it. 
MMPR Reboot photo
Reboots with a negative attitude
I f**king love Power Rangers. When I say love, I mean I've been following the show for twenty-two years. Every awkward season, every bad theme song (Operation Overdrive has a rap, if you were wondering which one was the worst...

Inferno Trailer photo
Inferno Trailer

First trailer for Ron Howard's Inferno teases more clues


I'd rather it be a disco inferno
May 09
// Nick Valdez
Look, I have to be honest. I hated Dan Brown's The Da Vinci Code. It's dumb, only has like two good ideas, and it made so much money there had to be a film adaptation of it and its two sequels eventually. Since the first two ...

Tribeca Review: Rebirth

Apr 26 // Nick Valdez
RebirthDirector: Karl MuellerRating: NRRelease Date: April 17, 2016 (limited) Rebirth stars Fran Kranz as Kyle, a husband and father who's lives a well off life. But he's been a bit unfulfilled lately as his college dreams have been pushed aside in favor of his family and a boring desk job. When his old college buddy Zack (Adam Goldberg) invites him to a retreat for a weekend, and won't stop talking about how great this "Rebirth" seminar is, Kyle decides to go for it. But Kyle soon realizes that "Rebirth" might be a more twisted program then they initially let on. Despite their mantra of "You're free to leave whenever you want" escaping the seminar proves tough.  Rebirth is a Netflix Original production and the choices within reflect that. It's full of these quirky little details that releasing on streaming services would help it get away with. The film is open to to risks and, more often than not, those risks pay off. Unfortunately, the entertainment is too reliant on those little quirks to succeed. The film is fairly predictable and you can pretty much guess how it's going to get from point A to B, and because of this, the little detours every now and again are that much more interesting. They're often non-sequiturs, so as to not derail the main plot, so these little jokes feel more refreshing. For example, Kyle ends going through several different types of seminar rooms during his escape attempt. Each room has its own theme with the ultimate goal of keeping Kyle around, so the film spends time with each room and plays around with how they'd try and brainwash Kyle. Each of these moments are inconsequential, but fun.  These little touches may not be needed, but they help elevate the rest of the film. It's dark blend of humor and chills turns out to be the perfect take on its premise. And its loose structure of stumbling on room after room, along with Kranz's key performance, amplifies the plot's inherent frustration. You'll start feeling frustration as Kyle continues to fail and seeing how goofy some of the rooms and Rebirth's denizens are will only make you angrier. So while they're inconsequential to the plot, it helps the film's overall vibe and tension. What also helps is just how game everyone is with the film. Each actor turns in a kooky performance as the know exactly what kind of film Rebirth wants to be.  I love Adam Goldberg, and it's always a pleasure to see him pop up in a project. He's slightly underutilized here, but seeing as he steals every scene he's in that's probably best. Fran Kranz does a great job leading the film along, however. His neurotic, terrified performance gives the premise the credibility and weight it needs even when the seminar doesn't seem as dangerous as he's perceiving it to be. Rebirth is also shot in an interesting way with long periods of stillness coupled with short bursts of following Kyle through the dingy house the seminar is in. We're effectively put into Kyle's shoes and when the film truly goes off the rails, we're along for the ride.  Rebirth isn't a bad film at all, but it's not necessarily great either. But it's got such a well crafted personality and it doesn't take itself too seriously. It's a fun little romp that doesn't overstay its welcome. You won't exactly feel a rebirth afterwards, but you won't die either. 
Rebirth Tribeca Review photo
Cult of personality
Festivals are a great time to try out films you would never consider in your personal time. Like a Netflix queue, the options are endless and each film only has a short premise and cast listing to get our attention. Since m...

Tribeca Review: Nerdland

Apr 25 // Nick Valdez
[embed]220434:42928:0[/embed] NerdlandDirector: Chris PrynoskiRating: NRRelease Date: April 14, 2016 (limited) At the heart of Nerdland is veritable slacker stereotypes, Elliot (Patton Oswalt), an aspiring screenwriter who'd rather spend his days masturbating than write, and John (Paul Rudd), a film blogger who dreams of pursuing an acting career. When the two of them lose their jobs, they decide they've had enough with failure and venture on a last ditch effort to get their work recognized. The two slackers are willing to literally throw their lives away blindly hunting for fame and they'll do whatever to whoever to get what they want.  Nerdland has a strong core concept. Initially setting out to be a parodic take on the new wave of entitlement that's come from the digital age and increased publicity for the 'nerd' archetype, the film shines an ugly light on an ugly subset. This take works for a while as every aspect of the film contributes to this ugliness. The grungy art style and gross out humor establish an icky setting, Oswalt and Rudd adopt darker tones for their voice acting (but Rudd borders on being completely absent), and every character is a vapid shell of some kind. The style is a grand pastiche of the Hollywood/Tinseltown thought era, but all of that goes out the window the second a character speaks. Clearly the film's style and writing weren't developed jointly. There's definitely a better, or even good film lying underneath all of the garbage but it's being crushed.  Nerdland is trying its best to be a quirky dark comedy, but it reaches so far it becomes unintelligible. For one, there's no cemented plot. It's just a set of disjointed scenes with plot points capable of carrying several movies. The main story arc is intended to highlight how far Elliot and John fall, but even that arc is sullied by how nonsensical the plot seems. The character decisions are no longer informed by desperation but by how twisted the plot needs them to be at any given moment. Rather than a sign of devolution, their growth lacks fluidity and always breaks the flow of whatever plot Nerdland wants to cook up at the time. In a weird way, it's like the film realizes its own faults and resorts to just throwing whatever idea they have at a dartboard and hope one of those ideas leaves a lasting impact.  Treating your film with reckless abandon may be worth some credit, but it's absolutely worthless to the viewer. When the film literally becomes a veritable orgy of bad ideas, it's debilitating. There's a scene in Nerdland, about an hour in, so devoid of thought or even dark humor it sapped all good will I had. Since there's no natural progression of character or plot, the scene sticks out so much it's almost as if they created an entire film just to show two minutes of pure inanity. Don't get me wrong, it's not the concept I have a problem with it's the execution. There's an difference between mining a dark subject for humor (and the original thought behind it seems to be exaggerating violence in animation would merit a laugh) in a mature way and focusing on the most juvenile, low hanging fruit of a subject.  I'm not sure where Nerdland went so wrong. It's such a complicated mess of a film, so juvenile, so low reaching that it sets back adult animation for several years. You know, it's not even egregious enough to be offensive. It just kind of happens to you whether you like or not. It's so boring, so paper thin, that Nerdland is offensive to the very people who made it. It'd be a blight on everyone's career if it weren't guaranteed forgotten a few days after its release.  At least Hannibal Buress is good in it. Love that guy. 
Nerdland Tribeca Review photo
Nerds don't rule after all
Nerdland was the first film to stand out to me when I first signed on to cover the Tribeca Film Festival this year. Everything about it appealed to me. It's the first full length feature from Titmouse, an animated company mos...

Review: Green Room

Apr 25 // Nick Valdez
[embed]220533:42929:0[/embed] Green RoomDirector: Jeremy SaulnierRating: RRelease Date: April 22 and 29, 2016  At the center of Green Room is small town punk band The Ain't Rights, four kids Sam, Pat, Reece, and Tiger (Alia Shawkat, Anton Yelchin, Joe Cole and Callum Turner respectively). Everything goes awry during a performance at a Neo-Nazi den when they suddenly witness a murder and now they've got a veritable army of Nazis and their leader Darcy (Patrick Stewart) hunting them. Deciding to hole themselves up in the venue's green room, The Ain't Rights and their new ally, the mysterious Amber (Imogen Poots), try to survive the terrifying night to come.  To put it bluntly, at its core, Green Room is a film you've seen before. With its premise, it's easy to make comparisons to home invasions films or anything where it's one against many (Assault on Precinct 13 or even Die Hard come to mind), but that's where all of the similarities and predictability ends. Green Room takes the time to build an entire world around its tiny setting and it's all the more effective because of it. The film feels lived in, and it's almost as if we're jumping into a point of these kids' lives. The Ain't Rights themselves have a wonderful chemistry. An almost effortless gelling informs their life long friendship and I bought into it immediately. The four are given enough time as their characters to get comfortable and let each actor imbue themselves with little quirks and touches. In fact, some of the film's finest moments are early on when we're just getting to know the band. Because of the attention to the build up, it's all the more devastating when things come down around them.  I don't feel like I can stress this enough. Green Room is entirely unpredictable. The initial transition from humor to horror is seamless. Because of the care put into the characters, the audience essentially ends up in the confined space with them. The emotional stakes rise almost instantly and there's nary a bump in the production. It's like an emotional punch to gut, and that's before any violence takes place. Anton Yelchin and Patrick Stewart own these scenes in particular when the two of them speak on opposite ends of a door. Yelchin is constantly on the verge of tears (thus making us closer to him on a whole) while Stewart's eerily calm demeanor hides sinister motives. And just when you think you've got the film figured out, it changes tone completely. With controlled spontaneity through violence, Green Room continuously raises its stakes and never once feels overbearing in its tension.  The entire film's production is lined with a chilling vibe. From its metal and punk heavy soundtrack, its lighting (making sure everything is just dark enough to be unnerving while still making sure everything is visible and digestible), there's a special sense of dread permeating throughout and it's naturalistic. The crafted tone grounds its characters and setting begetting fear from a human place. Darcy's frightening introduction and speeches juxtapose Stewart's unassuming demeanor. It's kind of like how Breaking Bad slowly transformed Bryan Cranston's Walter White into Heisenberg over six seasons instead crammed into less than 90 minutes. Sometimes it doesn't work completely, but it's still utterly effective and damning. Thanks to the cast playing off of each other in such a tight space (and a stellar performance from everyone involved), it's an emotional thriller rather than a physical one. There are certainly visceral payoffs (and they're increasingly shocking in their brutality), but if you don't enjoy the film's emotional stakes then you won't connect as much overall.  Before seeing Green Room you need to know what you're getting yourself into. It's a nail biting thriller for sure, but if you're expecting some sort of all out knuckle brawl you'll be severely disappointed. This film is a thriller horror film in the traditional sense, so there's very little "action." When it does finally resort to such measures, Green Room excels. It's satisfying in such a weird, weird way.  And that's Green Room in a nutshell. It's disarming, gruesome, macabre, hilarious, cartoonish, will make you squirm, but it's a fun experience through and through. I'm going to remember this one for a while.
Green Room Review photo
Spontaneously brutal
Over the last few years, A24 has quickly become my favorite production studio. They've overseen everything from huge award winners like Room, Amy, and Ex Machina, critical darlings such as Spring Breakers and The End of the T...


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