Note: iOS 9 + Facebook users w/ trouble scrolling: #super sorry# we hope to fix it asap. In the meantime Chrome Mobile is a reach around


Spider-Man Trailer photo
Here comes Marvel's Spider-Man
After his debut in Captain America: Civil War, we've all been itching to see more of Tom Holland's take on Spider-Man. Being an unprecedented co-operative effort from Sony and Marvel, we're finally going to see what Marvel wa...

Flixist Discusses: An Analysis of Denis Villeneuve's Arrival [Part 1]

Dec 08 // Alec Kubas-Meyer
[embed]221081:43252:0[/embed] Alec: So, before we get into this, I want to give some context about my own expectations, because I think expectations ultimately matter a lot here (probably more than they should). Denis Villeneuve is one of my favorite working directors. Sicario is one of the best films of 2015, and both Prisoners and Enemy are really good and extremely interesting. (I’m not fully versed on his pre-English work yet, but I’ll get there.) Anyways, his name gets attached to a project and I’m sold on it. It means I don’t need to learn anything about it and that I won’t watch trailers. I didn’t see the trailer for Arrival, though I knew the basic concept: Aliens arrive. How do we communicate with them? I also knew what other people thought. The downside to having a lot of critic friends on Facebook is that you know what people think about things the instant they get screened. Whether it was the festival premiere or when it actually hit theaters, my feed got inundated with various takes. Most of them were glowing, and I saw a lot of “brainy” and “thought-provoking” pull-quotes, but I didn’t read any further. I also knew that one of my day-job colleagues hated it (this person also hated Carol, for what that’s worth) and another thought it was fine, he guesses (this person hates Guardians of the Galaxy, for what that’s worth). I was fairly sure I’d love it, though. The only thing that surprised me was just how much I loved it. Had you read up, Hubert, or did you go in relatively blind as well? Hubert: I went into Arrival knowing the buzz and seeing the blurbs out of the Venice Film Festival and the Toronto International Film Festival, but I intentionally avoided reading the full-length reviews. Certain movies I’ll read up on extensively and spoil everything for myself and it won’t dampen the experience of seeing the movie. Some movies you’ve already seen before sitting down to watch them, if that makes sense. I even avoided reading the Ted Chiang short story it’s based on in his book Stories of Your Life. I’m glad I went in relatively blind. Arrival’s all about that act of discovery and revelation, and a couple scenes had me silently geeking out as I began to understand the shape of the narrative, and how little lines or images are clues about the nature of the movie. In a sense, Arrival is a causal loop time travel story. It’s not about time travel in a traditional sense, but rather more about folding a moment in the future back like a piece of paper onto the past--a Möbius strip. Even the look of the heptapod language is a closing circle, like the ouroboros, which made me think about time and cycles of existence. By around the halfway point of the movie, I kind of realized that Louise was seeing flashforwards rather than flashbacks, which was all really set-up in Amy Adams’ opening voice over about beginnings and ends. But even suspecting and discovering that on my own, it didn’t damped my emotional reaction at all. (Given the implications of Arrival, in the world of that film, maybe all movies are movies you’ve seen before you sit down to watch them.) Had I read reviews about the movie, I’m sure some critic somewhere would have mentioned a little too much about one detail or another, and the whole game of Arrival would be given away in my head. Alec: I’ve been wondering that, actually, how much I think knowing the game would have spoiled my experience. I’m glad I went in blind, but I’m not entirely convinced I needed to. The other day, I read an article by Todd VanDerWerff at Vox about twists in the modern TV era. It talks a lot about Mr. Robot, which often telegraphs its big moments pretty heavily, so people aren’t all that surprised when things come. And Sam Esmail says that’s intentional, because then it allows you to think about the thing that just happened and not only be shocked by it. This then led me to another VanDerWerff article, which is ostensibly a review of a movie that you didn‘t like but actually has little to with Goodnight, Mommy at all. It’s about the nature of twists and gets to an interesting question: Is there a difference between a “twist” and a “reveal,” and where does Arrival fall on that line? I actually think the answer changes depending on your interpretation of the events and of Dr. Banks’ fascinating brain. In one of them, Banks knows everything that has happened and will happen simultaneously (the Heptapods experience this). In this, the reveal is fundamentally a Twist, because it’s information that the character knows being hidden from you; in another, she experiences time in a non-linear fashion but she doesn’t fully understand it until she’s been taught to understand it. In this, she learns at the same time we do that her daughter is her future daughter and not her current one and then follow all of that. It’s not until the phone call with Shang that it becomes truly clear, but by the time we got to the “non-zero-sum game” sequence, I had figured out where it was going. And so when it came, my thought was, “Damn, this could have gone bad in so many different ways. Good on you team!” and not “WHHAAAATTT?! NO WAY!” and I think I had the right response. Because, like, oh man, there are so many ways the non-linearity thing could have gone wrong, especially with the way it deals with Banks’s daughter. There was so much potential for it to feel ugly and emotionally manipulative, but no, I think it nails the whole damn thing. Hubert: It’s a definitely a reveal rather than a twist--that’s a good distinction with the language. And yeah, a lot of that has to do with how much of the film is anchored into Louise’s point of view, and how the audience is learning the information as she is through most of the movie. Her brain is rewiring and her perception of time is changing, and the audience is starting the see this narrative in a different way. In the same way that Louise is learning to read heptapod language and learning to interpret time, the movie is teaching the audience how to read the movie. Such a fascinating parallel. With twists, like in Goodnight, Mommy or High Tension, there’s no sense of learning how to read the text of the film, at least not in the way that would suggest the twist. Usually there’s just a quick explanation at the end. On the note of Todd VanDerWerff (let’s make this a trifecta), he wrote a new piece on Vox about the pivotal phone call scene. His big takeaway is that Louise is omniscient when she makes the call and meet with Shang in the future, and that she’s playing a role to get the information she needs. I personally think there’s a much different interpretation of that moment: Shang himself learns hetapod and taps into non-linear time, and that takes place after he gets the phone call but before he meets Louise. When he meets Louise in the future, he realizes that it is contingent upon him to give her his cell phone number and a message that will convince his past self (whose view of time is pre-non-linear) to avoid conflict and make this future moment possible. The past is contingent on the future and vice versa, which creates this smaller causal loop in the bigger narrative. We got sidetracked to the ending (how non-linear of us), so maybe let’s get into the meat of the movie and its ideas of communication. There’s this line by philosopher Ludwig Wittgenstein that if a lion could speak to us, we wouldn’t be able to understand it. The idea is that even if a lion used English, its worldview is so non-human and its use of words/grammar so potentially unfamiliar that we would not necessarily comprehend the meaning of the lion’s sentence. This also means that the interior lives of lions are alien to us. With Arrival, it seems to suggest that seeing the world like a lion might help us understand their language better, and their values. Arrival is a movie about a lot of things, but extrapolating that idea, I think the movie stresses this belief in empathy. Alec: I think that's true. If science fiction is a way to use unreal narratives to comment on very-real societal issues, I don't think there's a more appropriate film for 2016. The entire world is moving rapidly in an isolationist and nationalist direction, so a film about trying to overcome the fundamental barriers of understanding and the need to work together is, to say the least, timely. That lion thought is an interesting one to consider when put up against what I think is one of the most crucial moments in the film: the reveal of the word “weapon.” In our version of English, that has a very specific meaning and it only ever means something to be used for violent purposes. But the heptapods don't have that context. They, as far as anyone can tell, seem to see “tool” and “weapon” as equivalent words. And so we get into a theme of patience. Some have complained about the methods they use and how it seems like they could have used more videos or other aids right at the start to speed up the process, but that misses the point. Underneath the whole experience is a respect for time and taking the time to do a thing. She wants to get it right, and getting it right requires long, boring demonstration. And that minimizes, theoretically, the chance of a miscommunication. (See the film’s discussion of how the Chinese use war games to learn communication and the pitfalls therein.) But when miscommunication comes, we need to be careful and see it as that. Dr. Banks’ pleas to not jump to conclusions, to point out that the heptapods lack true context for “weapon” is oh-so-relatable to right now. Governments all around the world are being forced to deal with an equivalent problem, where they need to know if something that has been said or done is a result of ignorance on the part of our president-elect or actually means a tectonic change in American policy. And they're dealing with someone who may as well be an alien politically AND for the most part speaks a different native language. (You just have to hope that every government has a Dr. Banks to say, “Let's not go to war just yet. Let's make sure we and they all understand each other correctly.) And looking back on what I just wrote, it appears that I'm thinking of the film’s themes about communication in purely political (or perhaps strategic) terms, which I don't think is quite right and is almost definitely me bringing my own baggage into it. Hubert: Right now, political baggage is personal baggage, so I think that political read of the film is warranted. The movie even braids global conflict with Louise’s unavoidable personal tragedy. I’m sure we’ll talk about the implications of time and fate in the film eventually, but on the note of unavoidable things, our president-elect is sorely lacking in patience and language skills. With patience and empathy comes nuance and mutual understanding. And like you said, you need room for there to be nuance, whether it’s to find the context of “weapon” or to understand why a gesture can be taken as an insult or provocation by another culture. That takes more than 140 characters. Meaningful language is generally not found on bumper stickers or baseball caps. What a weird time to be alive. Since science fiction can reflect societal fears, I wonder what other types of science fiction movies we might be seeing in the coming years as the world faces this wave of nationalism, isolationism, bigotry, and uncertainty. I think the appeal of authoritarianism in general is that it ignores nuance and complexity and reduces the world into manichean problems with simple answers and plenty of convenient scapegoats. In some ways, we’ve never really left the world-on-the-brink feeling of Children of Men. We’re just getting closer to the film (well, except babies are still getting made). So much anxiety about potential global conflicts. Maybe we’re going to go through that Cold War/Atomic Age cycle of sci-fi. There’s this old theory about science fiction movies that’s pretty interesting. I can’t remember who first said it or if it’s necessarily true, but it goes like this: If the aliens come to Earth and want to harm us, the film’s politics are conservative; if the aliens come to Earth and they [don't] want to hurt us, the film’s politics are liberal. Arrival’s firmly in the latter camp, especially if it’s stressing a form of patient diplomacy to fight humanity’s innate tribalism and nativism. I guess there’s a sadness bundled up in all this since so much of the real world wants to shut off communication and take care of its own affairs. That’s a bumper sticker or baseball cap answer to problems. By contrast, Arrival is a type of humane and life-affirming wish fulfillment, a Star Trek-esque utopianism. (As an aside, three movies that Arrival reminded of: The Day the Earth Stood Still, Dawn of the Dead, and Star Trek IV: The Voyage Home.) [Check back tomorrow for Part 2!]
Arrival Discussion Part 1 photo
Premonitions, Politics, Aliens (Oh my!)
If you haven't seen Arrival yet, you should do so immediately. Not just because this thing right here spoils the hell out of the movie and won't really make any sense if you haven't seen it; see it because it's a genuinely fa...

Brooklyn Horror Film Fest photo
Brooklyn Horror Film Fest

Submissions are now open for the second annual Brooklyn Horror Film Festival


Showcase your short or feature
Dec 08
// Hubert Vigilla
The inaugural Brooklyn Horror Film Festival (BHFF) was a good time, and screened a number of solid horror films around Williamsburg, Greenpoint, and Bushwick. This highlight for me was the Emiliano Rocha Minter's nasty a...
Baywatch photo
Those ABS
I'm not sure anyone was actually looking forward to the Baywatch movie. We heard Dwayne Johnson and Zac Efron signed on to star, but it wasn't on anyone's radar until now. This first trailer for the upcoming reboot actually g...


 photo

Duck Tales teaser promises summer 2017 return


Dec 08
// Rick Lash
Long live the king. Move over Aflac Duck, there's a new (old) richest duck in town. Sure Scrooge McDuck has been on hiatus since 1990, but the nostalgia effect is in full force for children of the 80s and 90s and as such cont...
Walton Goggins TombRaider photo
Walton Goggins TombRaider

Walton Goggins cast as the villain in the Tomb Raider reboot


The Tombful Raid
Dec 08
// Hubert Vigilla
The Tomb Raider reboot is coming together nicely. Yesterday, Walton Goggins (The Hateful Eight, Sons of Anarchy) was cast as the villain of the film. He will be taking on Alicia Vikander as the new Lara Croft, with Norwegian ...
Phantasm Xmas ornament photo
Phantasm Xmas ornament

This Phantasm sphere Christmas ornament is not a dream... BOOOOOOY!


Deck the balls with Tall Man mayhem...
Dec 07
// Hubert Vigilla
Phantasm is one of the great influential cult horror movies. Released in 1979, the film unfolds like a strange teenage nerd dream--a little bit B-movie, a little bit Something Wicked This Way Comes. In some ways, 2016 was the...
"Where's its scrotum?!"

These Inside Llewyn Davis trading cards are kind of the best


Get em all, support Planned Parenthood*
Dec 07
// Hubert Vigilla
The Coen brothers' Inside Llewyn Davis is one of the great, unsung movies of 2013. It's bitter, brilliant, and ignored, which is sort of like its title character, come to think of it. I often think of the movie fondly and sad...
 photo

Netflix advises you to look away from its newest 'Unfortunate Events' trailer


You were warned
Dec 07
// Matt Liparota
Netflix knows you all responded to its most recent high-profile revival with a collective shrug, so its time for them to hype its next big original series with a new trailer. Check out the latest peek at the streaming service...
Rogue One jackets photo
Rogue One jackets

Columbia's Rogue One jackets let you dress like a stylish Star Wars nerd


Is it just me, or do these look good?
Dec 07
// Hubert Vigilla
Merchandising, merchandising, where the real money from the movie is made! Rogue One-the T-shirt! Rogue One-the Coloring Book! Rogue One-the Lunch Box! Rogue One-the Breakfast Cereal! Rogue One-the Flame Thrower! And now, fro...
Suicide Squad sucks photo
Suicide Squad sucks

Honest Trailers gets brutally honest about Suicide Squad


No holds barred
Dec 07
// Hubert Vigilla
Suicide Squad, oh, Suicide Squad--what an odd duck of a movie you are. Hype after an initial movie trailer, generally hated and rightfully crapped on upon release. Even the mixed reviews had to admit you were a poorly constru...
 photo

Will Ferrell will star in a new comedy about esports


This isn't going to end well
Dec 07
// Matthew Razak
Look, I'll stand up for Will Ferrell any day. The man has delivered some of the best comedies of the past two decades, but he's been in a bit of a slump at the moment, and that's just one of the reasons why that the news of h...
Kodoku Meatball Machine photo
Kodoku Meatball Machine

The trailer for Kodoku: Meatball Machine is blood-soaked and absolutely bonkers (NSFW)


Content and title are a perfect match
Dec 06
// Hubert Vigilla
If GWAR in its classic form decided to remake Tetsuo: The Iron Man, it might look like Yoshihiro Nishimura's Kodoku: Meatball Machine. That is all I can really say. There are no words. Just feelings. Strange, strange feelings. Seriously, watch this f**king trailer, dudes. Note: There is a lot of blood and some (maybe fake?) nudity.
Chinese Rogue One trailer photo
Chinese Rogue One trailer

Chinese Rogue One: A Star Wars Story trailer features an intro with Donnie Yen & Jiang Wen


Another final Rogue One trailer
Dec 06
// Hubert Vigilla
There will never be a final trailer for Rogue One: A Star Wars Story. There was the final trailer a little while ago. And then a second final trailer last week. And now here's a Chinese trailer for the film. It's like one of ...
Sega Films and TV photo
Sega Films and TV

Walking Dead producers working on Streets of Rage, Altered Beast adaptations


Part of Sega's major film and TV push
Dec 06
// Nick Valdez
Sega and Stories International announced plans to adapt more than 40 Sega properties (including the likes of Golden Axe and Crazy Taxi) a few years ago, but we haven't heard many rumblings until this year with films...
Rogue One creatures photo
Rogue One creatures

Featurette showcases some practical effects creatures from Rogue One: A Star Wars Story


It's a trap! And a mask! And a trap!
Dec 06
// Hubert Vigilla
While I've been anticipating Rogue One: A Star Wars Story all year, I'm sort of glad that the marketing blitz for the film has been mostly concentrated into this last few weeks. Maybe I've just been avoiding all of the market...
The Mummy featurette photo
The Mummy featurette

The Mummy reboot featurette has Tom Cruise getting bruised behind the scenes


FruityYummyMummy I got love in my tummy
Dec 06
// Hubert Vigilla
The first trailer for The Mummy reboot with Tom Cruise dropped the other night. It had Tom Cruise running, so you knew it was a Tom Cruise movie. Universal hopes to spin this out into a full-fledged movie universe--the Univer...
HTTYD3 photo
HTTYD3

How to Train Your Dragon 3 delayed yet again


Bad dragon! No! No!
Dec 06
// Matthew Razak
Remember when we were all supposed to have already seen How to Train Your Dragon 3 in June of this year? Yea, that didn't happen. Then we were supposed to get in sometime in 2017. Then 2018. Now, and hopefully finally, t...
Mononoke back in theaters photo
20th anniversary, 76th birthday
Hayao Miyazaki (who is no longer retired from filmmaking) turns 76 years old on January 5th. His film Princess Mononoke turns 20 years old in 2017. To celebrate these two landmark occasions, GKIDS and Fathom Events are bringi...

Trans-five-mers photo
I'm so confused, man
Well, that was certainly something. Not content to leave the series as he claimed, Michael Bay has returned to direct Transformers: The Last Knight, a movie featuring a very serious plot about very serious things. But will al...

Final Space photo
Final Space

Conan O'Brien brings Olan Rogers' Final Space to TBS: Watch the animated show's teaser/pilot


More Conan-related stuff on TBS
Dec 05
// Hubert Vigilla
Conan O'Brien is staking more territory over at TBS. In addition to his own talk show, Conanco (O'Brien's production company) is set to produce an all new animated television show called Final Space. Created by Olan Rogers an...
Luke Cage photo
Luke Cage

Luke Cage season 2 is now confirmed


Things we already knew
Dec 05
// Matthew Razak
I am behind. Way behind. My wife and I got caught up watching West Wing since we'd never done that and now we're behind on every show ever, including Luke Cage. Soon, though, I will be caught up and then I'll be done wit...
Aquaman release date photo
Aquaman release date

The Aquaman movie has an official release date (at least for now)


Tuna piano
Dec 05
// Hubert Vigilla
The DC Cinematic Universe isn't going as swimmingly as Warner Bros execs might have hoped. Both Batman v Superman: Dawn of Justice and Suicide Squad were flooded with negative reviews, and it looks like The Flash movie with E...
Rogue One and Ep 8? photo
Rogue One and Ep 8?

New Rogue One clips, and a possible connection to Star Wars: Episode VIII


Curiouser and curiouser
Dec 05
// Hubert Vigilla
Rogue One opens next week. Can you believe it? I'm legitimately getting more excited for this movie as the release draws near. Over the weekend, two new clips for the film surfaced, as well as some indication that Rogue One w...

Trailer for The Mummy with Tom Cruise reveals a new world of gods and monsters

Dec 04 // Hubert Vigilla
Makes me wonder if Tom Cruise will make appearances in other Universal Monster Movie universe movies. (The UMMUM, as the cool kids call it. Cool kids meaning me, mostly.) Here's an official synopsis for The Mummy: Tom Cruise headlines a spectacular, all-new cinematic version of the legend that has fascinated cultures all over the world since the dawn of civilization: The Mummy. Thought safely entombed in a tomb deep beneath the unforgiving desert, an ancient princess (Sofia Boutella of Kingsman: The Secret Service and Star Trek Beyond) whose destiny was unjustly taken from her is awakened in our current day, bringing with her malevolence grown over millennia and terrors that defy human comprehension. From the sweeping sands of the Middle East through hidden labyrinths under modern-day London, The Mummy brings a surprising intensity and balance of wonder and thrills in an imaginative new take that ushers in a new world of gods and monsters. The Mummy hits theaters on June 9, 2017. Check out a poster for the film below.
The Mummy trailer photo
Run, Tom Cruise, run!
The Mummy reboot with Tom Cruise teased a trailer last week with a short preview and a movie poster. The trailer for the film just dropped, and it looks much darker than the kooky, happy-go-lucky Mummy movies with Brendan Fraser. Also, you get to see Tom Cruise running in this trailer, because of course you do. It's a Tom Cruise movie. Check out the trailer below.

Rogue One 60-minute Q&A photo
Rogue One 60-minute Q&A

Watch a 60-minute Q&A with the Rogue One: A Star Wars Story cast and director


More questions and anwers with the team
Dec 04
// Hubert Vigilla
The 30-minute Facebook Q&A with the Rogue One cast and director Gareth Edwards wasn't the only appearance the team made in the Bay Area. There was a 60-minute Q&A/panel with the same talent in San Francisco. Twitter, ...
Science v Cinema: Arrival photo
Science v Cinema: Arrival

Video: Science vs. Cinema weighs in on Denis Villeneuve's Arrival (SPOILERS)


Find out if the science holds up
Dec 04
// Hubert Vigilla
I mentioned last week that Denis Villeneuve's Arrival is one of the best movies of 2016. Artist Peter Konig shared some concepts and designs that demonstrate the craft involved in the film. But if you're a hardcore sci-fi gee...
Rogue One 30-minute Q&A photo
Rogue One 30-minute Q&A

Watch a 30-minute Q&A with the Rogue One: A Star Wars Story cast and director


Facebook employees getting all the perks
Dec 04
// Hubert Vigilla
Last week, the cast members of Rogue One: A Star Wars Story and director Gareth Edwards dropped by Facebook HQ in Menlo Park, CA for a Q&A and special 28-minute preview of the film. A video of the Q&A session was post...
Assassin's Creed clip photo
Assassin's Creed clip

New Assassin's Creed clip features a carriage chase, horses, swashbuckling


Giddyup
Dec 04
// Hubert Vigilla
December 21st is fast approaching, which means the marketing for the Assassin's Creed film is in full effect. In the last week we've seen a clip featuring the souped-up Animus as well as the launch of an Assassin's Creed VR e...
I AM GROOT VOL GROOT photo
We are Groot
All right, a-holes, here it is. The official trailer for Guardians of the Galaxy Vol. 2 has arrived. Everyone's back, it sounds like we've got a new track from the second Awesome Mix, and Groot's a baby. (Which means Vin Dies...


Auto-loading more stories ... un momento, corazón ...