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comedy

Ghostbusters photo
Ghostbusters

First Ghostbusters trailer doesn't know who to call


Something strange in this trailer
Mar 03
// Nick Valdez
I've been going back and forth with Paul Feig's Ghostbusters reboot each time we get a new look at the film. On the one hand, it's a new Ghostbusters so it'll at least be entertaining (and coupled with the fact they're a grou...
Pee Wee Herman Netflix photo
Pee Wee Herman Netflix

Watch the trailer for Pee-wee's Big Holiday, coming to Netflix in March


Faster, Pee-wee! Kill! Kill!
Feb 16
// Hubert Vigilla
After years in production hell (and a successful Broadway stage show), Paul Reuben's manic manchild Pee-wee Herman is back again an all new adventure thanks to Netflix. And it looks sort of like Pee-wee's Big Adventure. ...
Depp as Trump photo
This is a yuge, luxurious parody
This is a pleasant surprise. Funny or Die just dropped The Art of the Deal: The Movie, a 50-minute mockumentary that lampoons Donald Trump's general douchebaggery. Starring Johnny Depp as The Donald, the parody also features ...

Why the Coen brothers' Hail, Caesar! should have been a series instead of a movie (SPOILERS)

Feb 09 // Hubert Vigilla
[embed]220337:42831:0[/embed] Both Tasha Robinson at The Verge and Lesley Coffin at The Mary Sue mentioned in their reviews that Hail, Caesar! feels more like a TV pilot than a film, which is accurate. The film introduces a rich cast of characters, many of which could have carried their own films about the trials and tribulations of 1950s Hollywood. There's Eddie Mannix (Josh Brolin), a studio head and fixer dealing with the difficult day-to-day grind of running Capitol Pictures and managing his talent. There's Baird Whitlock (George Clooney), a leading man who's kidnapped by a group of subversive Communist screenwriters while he is shooting a swords and sandals epic about Jesus told from the Roman point of view. There's Hobie Doyle (Alden Ehrenreich), a singing-cowboy who's trying to be turned into a debonair leading man. There's DeeAnna Moran (Scarlett Johansson), a pregnant starlet trying to figure out how to keep her situation under wraps. There's Thora Thacker and Thessaly Thacker (both played by Tilda Swinton in increasingly ridiculous hats), twin sisters and rival gossip columnists. There's Laurence Laurentz (Ralph Fiennes), a high-toned director of stylish pictures. And there's Burt Gurney (Channing Tatum), a tap dancing leading man who looks great in a sailor outfit. It's almost like Joel and Ethan Coen had about six or seven ideas about different Hollywood movies they wanted to do and just decided to jam them all together in one picture. It's no wonder everything feels just half-developed with that ensemble; at a certain point, the characters felt more like cameos, and Hail, Caesar! feels less like a story with actual stakes and more like a pretext for fun gags (one of the standouts is a theological debate over a script), amusing scenes (Hobie killing time before a film premiere by twirling a lasso around), and extended homages to Hollywood's past (overt nods to On the Town, ditto Esther Williams water ballets). When I think of The Big Lebowski, it feels like a film even though it's so packed with colorful characters, but Hail, Caesar! feels like the start of something rather than a self-contained story. I'm obviously in no position to tell the Coen brothers' how to do what they do, but in my head, I could envision Hail, Caesar! as a six-episode miniseries on Netflix, with each episode running 45 minutes. The entire series would still, like the film, take place in just one day, but each episode would focus on a particular plot in the film anchored to a character or group of characters. One episode could cover Baird's kidnapping and the whole Communist conspiracy subplot. One episode would be about the dueling Thacker sisters trying to out-scoop each other. Another about DeAnna's dilemma, what it was like to be an over-scrutinized starlet at that time, and how she winds up with Jonah Hill's character by the end. (About 95% of Hill's total screentime is in the trailers and commercials.) Another episode could be about Lorentz and Burt, their possible clandestine relationship, and the experience of closeted gay talent in Hollywood during this era. Hobie's episode would be a comedy of manners as he drifts between high and low genres as well as casual and formal situations. And of course, there'd be an episode about Mannix and his choice of being the fixer of a studio or accepting a better and easier position at Lockheed. Each episode would occasionally intersect with other episodes, presenting the same scene, but possibly offering a different point of view of that scene. (Think Elephant or Jackie Brown.) The constant in every show, however, would be Mannix. He's the moral core and center of the studio, and without him these lives would fall apart. The final episode, which would be Mannix's episode, would cover all of the things he did in the day that weren't in the other episodes, like the bookending confessions, his theological meeting, his big decision about the Lockheed gig, etc. It would also give a chance to see more interactions with his wife (a wasted Allison Pill), his secretary (Heather Goldenhersh), and an editor (Frances McDormand). The Coen brothers have shown a knack for aesthetic shapeshifting, and had Hail, Caesar! been a series instead of a movie, they could have made each episode have its own style and mood befitting the character and plot being covered. Most importantly, though, the characters would all be given their due and have their stories told--plots rather than subplots, an ensemble cast rather than a collection of cameos. We're in a golden age of television, streaming, and episodic storytelling. It would have been great to see the Coen brothers pay homage to that waning golden age of Hollywood in a serialized medium that is now coming into its own.
Hail, Caesar! as a series photo
The Golden Age of Hollywood: The Show
The Coen brothers' Hail, Caesar! is not a bad film. The Coen brothers are such expert craftsmen that they are incapable of making a bad movie. They're always at least watchable. If you look at their filmography, they have mad...

Larry David #FeelTheBern photo
Larry David #FeelTheBern

Watch Bernie Sanders appear on SNL and make Larry David #FeelTheBern


Totes biffles and bros
Feb 08
// Hubert Vigilla
The presidential race is heating up for the Democrats and Republicans, with the New Hampshire Primary taking place tomorrow. Vermont Senator Bernie Sanders got away from the campaign trail and made a brief stop in New York to...
Deadpool Superb Owl photo
Deadpool Superb Owl

Deadpool talks about the football in this here Superb Owl TV spot


Chimichangas
Feb 08
// Hubert Vigilla
I think we all can agree: the Superb Owl is one of the best sporting events in all sport. To explain his love of sportball, here's Deadpool (Ryan Reynolds) talking about his athletic aspirations. Remember, sports fans: there...

Review: Hail, Caesar!

Feb 05 // Alec Kubas-Meyer
[embed]220336:42811:0[/embed] Hail, Caesar!Directors: Joel and Ethan CoenRelease Date: February 5th, 2016Rating: PG-13  I feel for whoever it was who had to cut together the trailer for Hail, Caesar! I imagine it was a nightmare scenario, trying to take what is really just a series of occasionally linked comedic sequences and turn it into something that appears to be dramatic and compelling. And so whoever it was built a narrative, one where George Clooney, a big-name actor who sometimes forgets his lines at key moments, is kidnapped by a mysterious organization, and stars like Channing Tatum and Scarlett Johansson are enlisted to help get him back. Cameo appearances by Tilda Swinton and Jonah Hill and the like just serve to make it all one big star-studded Hollywood mystery. But… no. That’s not what Hail, Caesar! is at all. A couple of those things happen, but the context presented in the trailer is, to put it bluntly, bullshit. In fact, that opening, with George Clooney’s big speech? That takes place less than ten minutes from the end of the film. Yeah. That’s not the introduction to that character. It’s the resolution. In fact, much of the trailer comes from the second half of the film, and it almost feels like it went in reverse chronological order. The “reveal” of the secret society that ends the trailer feels like a big end-of-act reveal. Maybe the end of the first act? And sure enough, that does happen around then. Problem is, all of the imagery the trailer subjected us to up until that point takes place after we already know who they are. Because it’s not even really a secret. I’m not going to tell you, but that’s pretty much entirely because you’ve already had the ending spoiled, so why not give you something?  You don’t watch Hail, Caesar! for the narrative, because there is no narrative. As I said, it’s a series of occasionally linked comedic sequences. That’s honestly the best way to describe it. Characters come in, do their funny thing, and then are never seen from again. Or they come in briefly a handful of times, all teasing some far more interesting existence than the one we’re seeing. It’s all potential. This is a film of unending potential. Each character has a backstory that seems rich enough to justify not necessarily a movie, but certainly an episode of a series. I would watch Hail, Caesar! the series. None of the myriad characters really gets their due, and it’s such a shame. I wanted more of damn near everyone. And arguments could be made that being left wanting is better than the alternative, but I have to wonder: What’s the point of it all? It’s like a cupcake with a nice foil wrapper. You look at it, and it looks good. You take a first bite, and it is good. But then you pull back the foil wrapper, and you realize that there’s nothing more to the cupcake. It’s just air. You liked those couple of bites you got, but you’re so disappointed that that’s all there was. No cream filling? Heck, you would have even accepted just more cake! But you don’t get that. Instead, you just have a well-crafted cupcake top in the guise of something more. Of course, what is there is good. Let’s not pretend otherwise. The Coen Brothers are beloved for a reason: They know how to make good movies. Hail, Caesar! is pretty, funny, fun, and any number of other adjectives, but that’s just baseline. There’s nothing more here to remind you of why the Coen Brothers are a household name. You get some really fun sequences – and I sincerely hope that the musical numbers are practice for a full-blown musical film that they’ve got up their sleeves – but there’s nothing to really bite into. You go from fun thing to fun thing, always expecting more. Always hoping for more. Always feeling that there is more, but the Coen Brothers don’t think you’re cool enough to see it. When I think about the movie, I don’t really have any “complaints,” per se. I have my big fundamental issue, but from moment to moment, there’s not really much negative to say. But there’s also nothing wildly positive to say. This is a movie that is Good and nothing more. It doesn’t even really aspire to be more. It seems content in its Goodness. I don’t have a problem with Good movies – I appreciate any movie that has the audacity to be simply enjoyable – but I wanted this to be great. And it just isn’t. I never thought that word, or felt it, but I wanted to oh so badly. I felt like there were times where I should have thought, “Wow! That was great!” but I just… didn’t. And from the Coen Brothers, that stings. They’ve made so many classics, comedic and otherwise, that something merely Good from them feels lazy. This is a Coen Brothers puff piece, some something they did to fulfill a contract. And a Coen Brothers puff piece is still worth seeing, but it’s certainly not something worth celebrating.
Hail, Caesar! Review photo
Act One?
Joseph Kahn, director of Detention, the best film ever made, is an exceedingly well respected music video director. Most recently, he’s known as the guy who makes all those amazing Taylor Swift music videos. Together, t...

Trump vs. Trump photo
Trump vs. Trump

Watch Stephen Colbert moderate a Donald Trump vs. Donald Trump debate


Giant Douche vs. Turd Sandwich
Jan 29
// Hubert Vigilla
This year's presidential primaries have been fascinating and occasionally terrifying if you're a political junkie like me, especially watching the rise of unbridled derp on the Republican side. If you've been following the le...
The Chickening photo
The Chickening

Watch The Chickening, a NSFW and WTF parody of The Shining


What has been seen cannot be unseen
Jan 27
// Hubert Vigilla
Nick DenBoer and Davy Force's The Chickening is a poultry-centric parody of Stanley Kubrick's The Shining. I want you to pause a moment, read that sentence again, and then just watch the NSFW video below. That was the Citize...
Awwwww photo
Awwwww

Red Ban trailer for Keanu brings us Key and Peele and kitten


Greatest movie name since Die Harder
Jan 21
// Matthew Razak
Parody movies come in all shapes and sizes, but most of us think of something like Scary Movie when we think of them.Those can be funny, but truly great parody comes from creating something original that riffs on tropes...
Neighbors 2 Trailer photo
Neighbors 2 Trailer

First trailer for Neighbors 2: Sorority Rising is Neighbors all over again


Jan 20
// Nick Valdez
Remember Neighbors? It was the decent Seth Rogen and Evan Goldberg produced film released in-between juggernauts This is the End and The Interview. Well, if you've forgotten about that movie than Neighbors 2: Sorority Rising ...
Groening/Netflix photo
Groening/Netflix

The Simpsons' Matt Groening developing animated series for Netflix


Jan 18
// Nick Valdez
We're pretty big fans of The Simpsons here at Flixist. We've done lists, we've made every possible reference we could, and poke around our posts long enough and you'll find at least 65% of them have Simpsons gags as the lede ...
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See Kung Fu Panda 3 early and free


Washington DC, Baltimore and Norfolk
Jan 14
// Matthew Razak
Has the shine worn off the Kung Fu Panda franchise yet? It's a long time between these sequels and I've just gotten less and less enthused about the series, but both 1 and 2 were enjoyable so maybe three will w...
Rush Hour TV trailer photo
Rush Hour TV trailer

Rush Hour TV series trailer reminds me how much I liked Martial Law with Sammo Hung


What's Cantonese for "shark sandwich"?
Jan 13
// Hubert Vigilla
The three Rush Hour films starring Jackie Chan and Chris Tucker earned more than $849 million worldwide. The trilogy combined some pretty solid action and the odd couple/buddy cop formula. So why not try to turn that into TV ...

Review: Sisters

Dec 18 // Matthew Razak
[embed]220235:42741:0[/embed] SistersDirector: Jason MooreRated: RRelease Date: December 18, 2015  Sisters is about Tina Fey and Amy Poehler playing sisters Maura and Kate Ellis. Maura is the goody-two-shoes and Kate is the partying train wreck and despite the fact that they clearly didn't do anything together as children they grew up the best of friends. But now their parents are going to sell their childhood home and so the two decide to throw one last "Ellis Island" party recapture their youth and get Maura a new man.  The comedy revolves around the somewhat tired trope of old people doing young people things. Because of this the movie really only survives on the strength of its two leading stars. As is par for the course Poehler and Fey turn it performances and chemistry that elevate the quality of the entire film. A lot of the jokes would just be flat out bad if you they weren't the ones delivering them, and the fact that they clearly act like sisters in real life makes it all the more fun to watch them joke around on screen. There's nothing special about the comedy here, but they make it work. The rest of the film is kind of perfunctory at best. The usual cast of SNL alum march out to deliver whatever comedy they've been assigned and most of the movie is taken up by the big party, during which a ludicrous amount of things go on. This includes the destruction and complete drywalling of an attic ceiling as if it was a ten minute project. I can suspend disbelief for most things, but as someone who has put up drywall this is just completely unbelievable. Thankfully it was followed up by a pretty hilarious scene where Ike Barinhotz gets a ballerina music box stuck where the sun don't shine. It's this really weird balance of Fey and Poehler's honest comedy and the far out slapstick that makes Sisters feel entirely unbalanced. At one point you're enjoying it thanks to the cast and at the next you're wondering how you accidentally started watching Grown Ups 2. That's not entirely fair. One shouldn't just throw around an insult like that. I went to far and I apologize. The point being that Sisters is a movie with some jokes that work and some jokes that don't. It features funny comedians who can take tepid content and turn it into something decent to good. You will laugh and you might even at some point feel something, despite the movie's insipid ending.  To conclude: this is a movie that is not Star Wars and there really isn't much more to say. 
Sisters Review photo
Movies that aren't Star Wars
For some reason someone out there thought that releasing a film the same week as Star Wars: The Force Awakens was a good idea. You can kind of see the logic in releasing Sisters this week, I suppose. The studio is h...

Ghostbusters photo
Ghostbusters

Four new Ghostbusters photos accompany first official image


No beams crossed yet
Dec 17
// Matthew Razak
The new, all-female Ghostbusters is coming and it is probably going to fantastic considering the cast is awesome and Paul Feig is directing. However, we haven't had any official looks outside of a few social media posts....
MST3K Kickstarter photo
MST3K Kickstarter

MST3K is back with 14 new episodes, breaking Kickstarter records


Rowsdower!
Dec 13
// Hubert Vigilla
The Bring Back Mystery Science Theater 3000 Kickstarter campaign has been a resounding success, earning $5.7 million as well as some additional cash in "add-on donations" for a grand total of $6.3 million. This is the most mo...
Screenings photo
Screenings

See Daddy's Home early and free


Washington DC screening
Dec 10
// Matthew Razak
A little while ago Mark Wahlberg and Will Ferell made a fantastic comedy called The Other Guys. I think we were all looking forward to them teaming up again, but I don't know if Daddy's Home is the movie we were hoping for. W...
Patton Oswalt joins MST3K photo
Patton Oswalt joins MST3K

New MST3K cast is Jonah Ray, Felicia Day, Patton Oswalt, Hampton Yount, and Baron Vaughn


Crud BoneMeal! Fridge LargeMeat!
Dec 01
// Hubert Vigilla
The Bring Back MST3K Kickstarter is continuing to be successful. Joel Hodson has raised more than $3.4 million with 10 days to go, which means that six episodes of the new Mystery Science Theater 3000 will be made. If they hi...

Review: The Night Before

Nov 26 // Nick Valdez
[embed]220167:42716:0[/embed] The Night BeforeDirector: Johnathan LevineRated: RRelease Date: November 20th, 2015 When Ethan's (Joseph Godon-Levitt) parents pass away, his friends Isaac (Seth Rogen) and Chris Roberts (Anthony Mackie) decide to start a new holiday tradition where they combine all of their usual traditions and party. 14 years later, that tradition is coming to an end as Isaac's becoming a father and Chris is now too famous an athlete to hang out. As their lives drift apart and Ethan's seems to be going nowhere, he clings to the last hope for their tradition: The Nutcracker Ball, a secret super party which the three have been trying to go to for years. As they look for the party, drug laced Christmas shenanigans ensue.  Night Before is incredibly nostalgic. From the outset you'll notice plenty of shout outs to films of Christmas past (like Home Alone and It's a Wonderful Life), but your enjoyment of these references and gags only really work if you remember them well enough. These gags don't have much at face value, but utilize that nostalgic work around to get a pleasant chuckle every now and then. Thankfully the film doesn't do this too much, but the gags that don't work because of this stick out even more so when the original jokes land much better. These little references feel too much like an afterthought, so I'm just left trying to figure why'd they'd even include these in the first place. It brings the film down a notch since this noticeable roughness often comes paired with bouts of awkward silence rather than laughs.  We could debate taste in humor all day, but the main core of the film is decidedly within its three main characters. Each one having their own little adventure, with only two getting true resolution, Ethan, Isaac, and Chris are crafted well. Thanks to the writing, and how comfortable the trio of actors is with one another, these guys feel lived in. Each character has a strong emotional, and most importantly human, center that helps anchor the film when it goes off the rails. Unfortunately, there are points when they get a bit cartoonish (especially during most of Isaac's drug binge or Chris' encounter with a strange thief) and the story goes through these weird non-sequitors which only serve to diminish the film's actual plot. It just seems weird to, at one point, focus on cocaine shenanigans and then try and remind us there's a Christmas story being told. Rogen and Goldberg's films do this all the time, but I guess there's just a more noticeable juxtaposition when the main story is all about holiday niceties.  Johnathan Levine, who's directed Rogen and Gordon-Levitt before in 50/50, captures the spirit of the holiday film quite well. The little details sprinkled throughout the film like the trio's holiday sweaters, the entrance to the Nutcracker Ball feeling appropriately magical, or even not including any holiday music to keep it all inclusive, help to make it timeless, but there are some odd cameos that really date the film and will set it back. And I know the trio have to separate to serve the story, but I wish we were able to enjoy Rogen, Gordon-Levitt, and Mackie in the same room more. Each of their scenes together is an absolute highlight as they bounce jokes off one another and generally charm up the place. Even some of the film's occasional wonky dialogue comes across natural for them. It's pretty neat to see in action. I hope they find themselves all together in another project someday. Also, if they could somehow get another appearance from the actor that plays Mr. Green, I'd be there day one.  In the end, there's not really much else to say about The Night Before. I had a good time watching, even if there were a couple of times I found myself scratching my head over their comedic choices. If you've seen Rogen and Goldberg's films in the past, you already know what to expect and have decided whether or not to see this already. The addition of Anthony Mackie and Joseph Gordon-Levitt to the mix helps take the film to a more emotional place than usual, but you're constantly reminded that this is another film in a long line of others like it. It's like that one Christmas where you got a cool Nintendo 64, and you're older cousin keeps telling you he got one first. You're going to have a good time, but it's a little less fun than it should be. 
Night Before Review photo
A partridge in a burning tree
When Seth Rogen and Evan Goldberg produce a film, you pretty much know what you're going to get. As the duo have made their way through the romantic comedy, high school buddy film, stoner comedy, old Hollywood existential, su...

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Check out the trailer for Adam Pally's new movie, Night Owls


A hell of a one-night stand
Nov 24
// Matt Liparota
Tons of people have stories of bad or awkward one-night stands, but it might be hard to top this one. The upcoming comedy Night Owls sees Kevin (The Mindy Project's Adam Pally) wake up after a one-night stand to discover he's...
MST3K Kickstarter cast photo
MST3K Kickstarter cast

MST3K Kickstarter: Felicia Day is new mad, Hampton Yount is Crow, Baron Vaughn is Tom Servo


TUSK!
Nov 24
// Hubert Vigilla
The Bring Back MST3K Kickstarter has already met its $2 million goal. Last week we reported that Jonah Ray is the new host of MST3K, and noted some rumors about who the rest of the new Mystery Science Theater 3000 cast would ...
Parody photo
Parody

Fifty Shades of Black trailer actually plays parody well


The Wayans can get it right sometimes
Nov 19
// Matthew Razak
We have to thank the Wayans family. If it weren't for them the movie spoofing genre would have completely died with Leslie Nielsen. Now you may be thinking, "Matt, that would be a good thing," but believe it or not there some...
NSFW photo
NSFW

Dirty Grandpa red band full of a dirty grandpa


Cussing is evidently comedy
Nov 19
// Matthew Razak
I'm going to take a stab at this one and say that Dirty Grandpa isn't going to be very good. When the basis for most of your comedy is Robert DeNiro cussing you've got some work to do. The new red band trailer does show ...
Zoolander 2 trailer photo
The beautiful people, beautiful people
A wise man once said "There's a fine line between stupid and clever." That probably best describes the first Zoolander. Well, Zoolander is back, and if this first trailer for Zoolander 2 (2oolander) is any indication, it's as...

Screenings photo
Screenings

See The Night Before Early and free


Washington DC, Baltimore and Norfolk
Nov 16
// Matthew Razak
As far as Christmas comedies go we haven't had a good one in a while, but that could change with The Night Before. It's got the casts and the director to become an instant classic... for adults. Sometimes you need a little cu...
Ash vs Evil Dead online photo
Ash vs Evil Dead online

Watch the first episode of Ash vs Evil Dead for free online


This is legit, guys
Nov 03
// Hubert Vigilla
Ash vs Evil Dead debuted on Starz over the weekend, and the reviews have been fantastic. What's that? You don't have Starz? And you want to see the show? Well, you can now watch the first episode of Ash vs Evil Dead for free ...

Interview: Bruce Campbell (Ash vs. Evil Dead)

Oct 30 // Hubert Vigilla
Bruce, could you put this in perspective for us: a couple years back there was a very pleasant surprise when we see your character at the end the Evil Dead remake. What sort of happened between that and the series? Did you already know that the show was percolating? Bruce Campbell: No, this happened fast. This happened really fast. Shockingly fast for this industry. These things are usually developed for years. We did a remake because people would not shut up about it, and we wanted to give them something. Sam didn't want to direct the remake himself but he thought, "Let me handpick a guy, Fede Alvarez, and let him have a shot at it." We think he did a great job, and it made a lot of money around the world, which at least convinced us that people are out there, the fans are still out there somewhere, but they want Sam and they want Ash. So, we're going to give it to them. We're tired of fighting it. But, the economics of making another movie... We could get enough money to make a remake directed by a first-time director, but we couldn't get enough money to make another one directed by Sam Raimi. I mean, as famous a director as Sam has become, he needs money. Sam thinks big, really big. So TV made sense. Rob Tapert had worked with Starz on Spartacus. I worked in television for years on Burn Notice. So we were TV guys. I feel like I'm a TV guy as much as a feature guy, so I couldn't wait for this. We pitched it to Sam, we went over to try and bend his ear. How was it working in unrestricted TV land? Bruce Campbell: Fantastic! It's where you need to be. You know, we don't have to do an alternate take to say something. "Gosh! Golly! Darn it! Put that over there!" None of that bulls**t. You can just talk like an adult, Ash can talk like he needs to talk. I like it a lot. The first two Evil Dead movies were unrated; only Army of Darkness had a rating because it was made for a studio and we had to have a rating. This is how people need to see it. I can't wait. Has Ash changed— Bruce Campbell: This is glorious violence, by the way. This is like, when our blood goes, it's celebratory. [laughs] Bruce Campbell: You know what I mean? This is not going to be dreary violence. This is going to be, if it's possible, fun violence. This is not going to warp your life. We take the horror seriously, but there's other things to like. We want to keep Ash the trash-talking hero, so there's going to be plenty of that. Over the years you and Sam talked about how you enjoy the Marx Brothers, classic comedy, things like that— Bruce Campbell: Yeah. The Stooges. Are you more free with the show to do more of that? Bruce Campbell: We can do whatever we want. I mean, the coolest thing ever is to be able to show up on a set and to know that you have no restrictions. You have an idea, you shoot it. If it works, you keep it, knowing that if it doesn't work you get rid of it. You know what I mean? So it's a great way to work as an actor or anybody in the arts. You want to function in an environment that's creative. And you'd be surprised how many environments you get into that are not really that creative, where someone is very controlling ,or a writer doesn't want you to change anything, or a director treats you like his little pawn and he wants to put you here and he wants to put you there, or certain DP/camera guys want to shoot things in a certain way. I'm like, "F**k you, let's make this show!" You know what I mean? Creatively, that's what I'm all about. I'll go to the ends of— I'll go to New Zealand to do that. Was there a lot of ad-libbing? Bruce Campbell: Oh yeah. Oh yeah. Bruce Campbell: And the kids—I call them "the kids," Ray and Dana—they're getting on board. Not like it's a competition, but there will be things that occur to their character to say. A lot of times a writer won't do what I call "a button." You know, like button up a scene. Sometimes there are things that just make sense. Do you have any favorite ad libs you remember but didn't necessarily make it? Bruce Campbell: Umm, no, they just keep coming. So that's the beauty of TV—there's plenty of it. One of the great things about Ash in this is that he's sort of acknowledging that he's a little bit longer in the tooth. Bruce Campbell: Yeah, he's over the hill. Yeah, I love it! Got to put on a man-girdle and pop his dentures in. I mean, that's hilarious. Sam was talking about putting a box of Depends in the trunk. [laughs] Bruce Campbell: And you just see the box. You don't really talk about it. Or Ash says, "Pull over." "Why?" "I gotta get something." "What?" "Don't worry about it, just pull over." You know, and he throws the Depends in the back, and he doesn't have to say anything. I think that's awesome! Why not? Why do our heroes have to be so perfect? What a bore. Jesus Christ! What was it like getting back into this demanding of a role again. Bruce Campbell: Hard. Hard and painful. I usually have a good time on film sets, and the Evil Dead movies never are really a good time. That's okay, because I find the, very creatively satisfying, but none of them are comfortable or fun. You've covered with blood and s**t 12 hours a day. It gets old fast. Wearing stunt rigs, and you can't breathe, and every time you scratch your head you pull the hair out of you arms because of the dried blood. And you get ants all over you because you're wet and sticky and sweet with the fake blood. You attract rodents, that type of thing. [laughs] You've worked with Lucy Lawless in the past. Bruce Campbell: 20 years ago Were you guys searching for a project together? Bruce Campbell: Well, the second we knew we were going to shoot in New Zealand, I'm like, "We've got to get Lucy as part of this deal. ASAP." And so we're trying to make the show worth her time now. So upcoming season, she's going to get busy, and we like that, because she's such an ass kicker. Ash needs some more ass-kicking help, and why not get f**king Lucy Lawless? [editor's note: In retrospect, I wonder if this was some early indication that Ash vs Evil Dead was going to be renewed for a second season.] [laughs] We asked Sam before if he'd taken it a little bit easier on you now than he has in the past. And when I asked him, there was a slightly sadistic glow to his eyes. Bruce Campbell: Oh sure! It would suggest probably not. Bruce Campbell: But thank goodness he's getting older so he doesn't have as much punch anymore. He doesn't have the right hook that he used to have. Now he has people do it for him. No, Sam's always the blood deliverer. If someone's getting the blood in the face, he's the one doing it. Of the Three Stooges, Moe was always the guy who threw the pies. He just had the touch. He was like, "Get out of the way," to the prop guys and he would take the pie. BAM! He would hit it dead on every time. Sam's got that touch. [turns to me and gestures as if repeatedly throwing a cup of fake blood in my face] Because you can't get into the frame. It's a very delicate line, literally. So he knows where the edge of that frame is, and his cup is right there. He never goes in, it's perfect—he hits you every time. Because you don't want to redo that. You got to practice it to get it once. So is Ash your favorite character that you've played? Bruce Campbell: I'd say so. Especially now. I'd say it's been cemented now, because he's much more of a full-blown character. And if we can do this for a couple of years, then we can really kick some Ash, and really bring that character full throttle. And I can't wait. You do a TV show and you're going to have to throw that son of a bitch into all kinds of scenarios that you never had to before. You have to tell a lot of story for the show, so we'll see what happens to our hero. I'm looking forward to it. I hope ridiculous things happen. This is going to sound like a really goofy question, for which I apologize profusely, but do you reconcile the Ash we see at the end of the Evil Dead films with the one we see in the TV series, or is it a clean break between film and television? Bruce Campbell: Same guy, he just didn't do s**t for 25 years. [laughs] Bruce Campbell: Same guy! What has Ash been up to? Bruce Campbell: Nothing! [laughs] Bruce Campbell: Drinking at bowling alleys at closing time, lying to women about how he lost his right hand. [laughs] That's what he's doing—he's doing nothing. People love to ask, "Oh, what kind of character development?" We don't have any! [laughs] Bruce Campbell: He's the same guy. Now, you'll see him develop over the course of the show. He has to become a hero. When we find him, he is not a hero. He thinks he's a hero, but he is so lost. He's lost his edge, he's lost everything.
Interview: Bruce Campbell photo
Hail to the king, baby
Bruce Campbell didn't just enter the room—he swaggered. As he made his way to the first roundtable interview, he nodded to the various tables and press. "I will get to you all eventually," he said with equal parts mock-...

Interview: Sam Raimi and Craig DiGregorio (Ash vs. Evil Dead)

Oct 29 // Hubert Vigilla
What's the motivating factor for returning to territory that's so early in your career, Sam? [gesturing to DiGregorio] And why did you drag this guy along? Craig DiGregorio: [to Sam Raimi] Why'd you drag me into this? [laughs] Sam Raimi: [gesturing to DiGregorio] This guy! Craig was the best man for the job, and he still continues to be, and he's learned the main voice of the character. He's a good leader for the writers, it turns out. I mean, the time you hire a showrunner you don't know if they are the best man for the job, but he turned out to be. You've got to have so many skills of leadership for the team, recognition of all these egos of the writers and dealing with them, good communication skills with the studio and production that's happening elsewhere, and being able to juggle the budgets and the timecrunch that's coming down on you. And then having to take the script and re-write it overnight. Too many talents and skills to ask for in one person, and that's why we settled with [Craig]. Craig DiGregorio: I haven't thought of those. [laughs] Sam Raimi: [laughs] As far as the first question, Sam, what made you return to this character from very early in your career? Sam Raimi: Five words: The fans... [long pause] [laughs] Sam Raimi: The fans... [long pause, counts on his fingers] The. [laughs] Sam Raimi: So, umm, they've been demanding this. I didn't want to return to it for many years. I wanted to go on and make Spider-Man movies, other characters, other stories, and I've already made three of them. I love Bruce, but I just didn't know if there was more to do. But they really wanted it, and so we listened to them. It's never happened to me before like that. I think that's— I just didn't know we made movies based on the audience's desire to see them. It's very rare for me. Like nobody asked me to make another Spider-Man picture, nobody asked me to make another Darkman picture, or a Simple Plan sequel, or whatever I did. Just this one. So it was really me finally listening to them, and that's it. That's the only motivation. Did the series break down from an Evil Dead 4 movie that you had in the works? Sam Raimi: Yes. For many years my brother Ivan and I were writing an Evil Dead 4 movie. Different versions of it, some great ideas. And we just realized that no one would really want to distribute an Evil Dead 4 movie. It would be really big and it'd another fake-spectacular, but it would be too expensive. It would never really make much money. Then Rob [Tapert] said, "Oh, the economics might work out for TV." And that's how it started. How does the mindset change going from a film to a television show? Are you freed up? Do you feel like there aren't any restrictions for you? Sam Raimi: There's no restrictions from Starz. They really want us to make something as wild and crazy as we'd like. They want the flavor of whatever Evil Dead was brought to the small screen in a big way. They've only been really supportive and we don't really have restrictions. There are the budget and time constrictions of TV. I can't set up those— I only directed the pilot, but as a team, we can't take the time to set up all these really cool camera shots to suggest the supernatural in abstract or artistic ways. Craig DiGregorio: You have to pick your spots. Sam Raimi: Yeah, you have to pick your spots to direct. And instead we focused on the character of Ash, which I think the audience really likes anyways. What was the decision to shoot in New Zealand versus shooting in the States? Sam Raimi: [to DiGregorio] What do you think? Craig DiGregorio: There are a couple of things. I mean, I think your money goes a really long way there, so you can really get a big show for whatever your budget is. Also, the crew we have down there is amazing, and they can turnover horror and action and give us more of those cool camera shots just in the time that we have. And also Sam's longtime producing partner, Rob Tapert, lives down there and has an infrastructure built-in already, and he's very comfortable getting the scripts and feeding it into his machine. I think that's also part of it. So, you know, practical, financial, and also creative. Building on that, how beneficial was it to have that great core of makeup effects artists already there for you? And what was it like working with them to create this sort of world? Sam Raimi: It was great having a team of makeup effects artists that have worked with Rob and have proven to be able to deliver on a TV schedule. The demands that it encompasses—they survived it and excelled. So Rob already had a great relationship with this team and it made things wonderful. Wonderful. There were already 30 people on employ when we began, from another project. It was great. They were up and running. Is this a show that's going to be accessible if you've never seen the properties before? People who've never seen the movies, can they come in and know what's going on? Craig DiGregorio: I mean, I've never seen the movies and I like it. [laughs] Sam Raimi: It continues for the Evil Dead fans. And we hope that they'll be good with it. We really pray that they really will, it's made for them. But we've also taken steps to introduce new audience members to characters in the pilot. Craig DiGregorio: I've talked to people who've seen the first episode—fans versus people who've never seen Evil Dead before—and I think it's equally liked, because it's such a fun, weird universe to put yourself into, and I think people just like that. It's different from a lot of things on television. So I think even new viewers who haven't seen the movies enjoy being put in an interesting place. We're helping catch people up or let them know what the world is at the same time. And I have seen the movies. [laughs] In terms of doing a series as opposed to doing a film. In films, you could basically kill off a lot of lead characters that people have really started to really get a rapport with, whereas if you do that with a series it creates a problem that you're replenishing your cast every couple of weeks. Sam Raimi: Well, I think that's absolutely right, and we feel that we've got to kill some characters so the threat of the Evil Dead is real. There's going to have to be some suffering and missing of characters in this equation. Craig DiGregorio: Yeah, so I don't think it's a complete replenishment, but for the danger to be real, you have to let [some characters be killed]. Especially people close to Ash always end up dying. Sam Raimi: Yeah. It's harder in TV, I agree. What was Bruce's reaction when you came to him and said, "Hey, guess what? We're going to have you play the same action character you played 30 years ago?" Sam Raimi: Well, it wasn't really a surprise. People would always ask Bruce about it. "When are you coming back [to the Evil Dead franchise]." And he'd say, "I don't know when I'm coming back. Sam keep dragging out his Spider-Man movies and..." So it's always been in the air. And I would tell Bruce and Rob that I'm writing with my brother. And ummm still writing with my brother. And then at some convention for Spider-Man a fan said, "When are you doing another Evil Dead movie?" I said, "Okay, I'm writing it this summer with my brother." [editor's note: it was actually an Oz the Great and Powerful press conference. You can read our old report about it here.] And so Bruce saw that, so he wasn't really surprised. The information that came out told him what was coming. Craig DiGregorio: But as far as how Bruce reacted, he started working out. Getting in shape. Sam Raimi: Yes, you're right! Craig DiGregorio: He really did! [laughs] Going from Burn Notice to— Craig DiGregorio: He just looks like an action hero now. [looks over to Bruce Campbell at another table.] Look at that guy! He looks really good! Early on in the writers' room, there's some jokes in the script about Ash being really overweight and looking rough, and Bruce came into the writers' room and said, "F**k you guys! I'm gonna make you eat your words!" And he went and, well, he looks damn good. Started putting himself together. [turns to Raimi] I feel like we kind of turned his life around. [laughs] The amount of misery you're able to inflict on Bruce—have you sort of curtailed that in recent years because you don't want him to break a hip or something? Or has it gotten worse? Sam Raimi: We got to inflict a little pain on him in the pilot, and a little bit all through the series so far. And I'm kind of waiting to hear whenever the last show is, you know, depending how many seasons we go. God help Bruce for those last three episodes, because I'm taking all that's left out of him! [laughs] Craig DiGregorio: [to Raimi] Is this how you kill your friend? [laughs] Sam Raimi: I'll make him wish he was dead! [laughs]
Interview: Sam Raimi photo
The director and showrunner talk Ash
It's been nearly 40 years since Sam Raimi directed Within the Woods, the $1,600 horror short that would become The Evil Dead. Decades later, Raimi has returned to the series that kickstarted and defined his career, directing ...

Ash vs Evil Dead II photo
Ash vs Evil Dead II

Ash vs Evil Dead renewed for a second season on Starz


Good, bad, I'm the guy with a 2nd season
Oct 28
// Hubert Vigilla
Just a few days away from the series premiere on Halloween, Starz has already renewed Ash vs Evil Dead for a second season. The new season will feature the return of Bruce Campbell and Lucy Lawless, with Campbell, Sam Raimi, ...

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