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Action

Mad Shelia photo
Mad Shelia

Witness the trailer and poster for Mad Shelia, a Chinese Mad Max rip-off


MEDIOCRE!
Nov 28
// Hubert Vigilla
Mad Max: Fury Road is one of the best action movies of the 21st century, and was one of the best movies of 2015 by far. We were bound to see some movies trying to capitalize on the look, feel, and stuntwork of George Miller's...
The Predator photo
The Predator

Olivia Munn to star alongside Boyd Holbrook in The Predator


Let's try this again
Nov 04
// Matthew Razak
The Predator was actually looking like a solid reboot with director Shane Black on board and Benitio del Toro set to star, but the actor left the project to be replaced by Boyd Holbrook. That's kind of a letdown, and now...

Review: Doctor Strange

Nov 02 // Hubert Vigilla
[embed]221002:43178:0[/embed] Doctor StrangeDirector: Scott DerricksonRating: PG-13Release Date: October 25, 2016 (UK); November 4, 2016 (US) There's a philosophical template to many martial arts stories: an arrogant, inherently talented person becomes an unruly disciple to wise master, trains in a martial art, confronts their weaknesses (typically the ego), and unlocks their better self through discipline and mastery. Many times the student will surpass their master through an act of invention--combining or creating fighting styles, for instance, constructing a new weapon, or some higher-level use of the imagination. Dr. Stephen Strange (Benedict Cumberbatch doing his Benedict Cumberbatch shtick) starts the movie as a hotshot neurosurgeon who's fame-obsessed and failure-averse. A near-fatal car accident causes severe nerve damage to his hands. He's got the shakes now. That's the end his lucrative career. Strange hears rumors of a monastery in Nepal that may be able to heal him. He travels to the east where he gets thrown into a world of sorcery, one at war with a former student named Kaecilius (Mads Mikkelsen). Like most Marvel villains, Kaecilius is sort of a non-entity--just a bad guy doing bad guy things. Tilda Swinton plays The Ancient One, the master of the monastery who teaches Strange the ways of sorcery and opens his eyes to the world and its possibility. Mordo (Chiwetel Ejiofor) offers an assist as a trainer, emphasizing strength and force. The only top-billed Asian actor is Benedict Wong who plays the stoic keeper of the arcane library. There's been a lot written in the last few months about the whitewashing of The Ancient One. I also foresee a lot of thinkpieces about cultural appropriation given how much of the movie feels like a kung fu film. I wasn't bothered by any of this, but everyone's mileage varies. There's enough that works in the film for me, and I think Swinton's air of otherworldliness and oddness fits with her character. When Doctor Strange is at its best, it's a fast-paced martial arts adventure that fills the screen with Escheresque imagery. Some moments have the vertiginous feel of Christopher Nolan's Inception or the finale of Interstellar, and others remind me a little of Alex Proyas' Dark City. There's an exhilirating chase through New York City streets in flux, where buildings and roads become a maddened, tilting, shifting clockwork world. When not spinning mandalas and fractals on screen, Doctor Strange recreates the blacklight psychedelia of Steve Ditko's comic book art. Director Scott Derrickson gives Doctor Strange its own visual grammar to differentiate it from the rest of the MCU. The film even finds a cool way of marrying the martial arts, the somatic components of spells, and the way magic manifests itself on screen. Unfortunately, Doctor Strange is a martial arts movie with badly shot fight scenes. The magic battles and traditional action is competent, allowing viewers to follow the actors on screen as the mirror-like gears of reality spin around them. Yet aside from one satisfying and inventive battle of astral projected forms (!), the fights are shot close up and with shaky cam, obscuring the choreography. It's a waste of Scott Adkins, who plays one of Kaecilius' goons. For all the philosophical lessons taken from Shaw Brothers movies, Doctor Strange ignores the practical lessons of quintessential Shaw Brothers directors Chang Cheh and Lau Kar-Leung. Derrickson could have easily pulled his camera back, kept it steady, and allowed the performer's in-camera movements and rhythms to define his shots and the editing. Characters in martial arts movies communicate who they are through their fighting style, and so action filmmakers should allow their characters to describe themselves in combat. And of course there's a not-too-good romance subplot between Strange and Christine Palmer (Rachel McAdams). It's there, it's not particularly engaging, and it's short enough. McAdams isn't given much to do, and there's not much reason to feel anything between Chrinstine and Strange. What is it about perfunctory love in movies? Does six minutes of a sketched romance really matter much? Platonic on-screen relationships are more satisfying than a forced romance, and they tend to be more dynamic. Stop trying to make romance subplots happen--it's not going to happen. Strange, The Ancient One, and Kacelius are so obsessed with time, its limits, and how it can be used. It drives their search for power. And on that note I felt like Doctor Strange could have benefited from an additional 10 minutes. (Maybe they could have shaved off some of that love stuff.) So much of this world is built up and breezed through that there's little time to breathe it in and appreciate what's there. Perhaps they wanted to keep the movie just under two hours, and yet that 10 minutes of breathing room could have opened things up a bit more. There's a major action sequence before the film's finale that occurs off-camera, which was a wasted opportunity for a classic martial arts set piece. Then again, given how they filmed the rest of the fight scenes, maybe it's for the best. There's a surprisingly good breather in the film between The Ancient One and Strange. The Ancient One ruminates as Strange listens, and the world around them achieves a gorgeous stillness. It's an unexpectedly thoughtful moment in the movie, thematically tied to characters and the overarching story and yet its own thing. Punching robots is fine, I guess, but I wouldn't mind more movies like Doctor Strange in the MCU. Good tea.
Review: Doctor Strange photo
Whoa--I know magic fu!
My favorite movies in the Marvel Cinematic Universe so far have been the ones that don't feel like standard-issue superhero movies. The Avengers was basic, and Avengers: Age of Ultron was a bigger, dumber, basic-er redux of t...

Assassin's Creed photo
Assassin's Creed

Behind-the-scenes Assassin's Creed featurette focuses on stunts, parkour, practical effects


Kick, punch, it's all in your mind
Oct 27
// Hubert Vigilla
2016 is drawing to a close, which means we're that much closer to the Assassin's Creed film adaptation. In this recently released behind-the-scenes featurette, we see star Michael Fassbender and director Justin Kurzel talk ab...
Uncharted film adaptation photo
Uncharted film adaptation

Shawn Levy will direct the Uncharted film adaptation


Ben Stiller as Nathan Drake?
Oct 26
// Hubert Vigilla
It looks like that Uncharted adaptation is moving forward again. Sony has tapped Shawn Levy (Night at the Museum, Real Steel) to direct the film from a script by Joe Carnahan (The Grey). Carnahan was at one time attached to d...
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Jack Reacher: Never Go Back should have gone back to the formula that made the original Jack Reacher work. Audiences, only familiar with the character through the first movie (and not the Lee Childs book series) may find...

Review: The Accountant

Oct 14 // Alec Kubas-Meyer
[embed]220965:43147:0[/embed] The AccountantDirector: Gavin O'ConnorRelease Date: October 14th, 2016Rating: R  The Accountant feels like a television pilot, an origin story with a little bit of Case of the Week madness thrown in. Ben Affleck plays the eponymous accountant, constantly creating new identities based on famous people who were interested in math (at the start of this story: Christian Wolff) and then discarding them whenever his situation becomes compromised. And why would it do that? Because he works for some of the most dangerous people in the world: terrorists, thieves, cartels, you know name it and he does their books. Key to his success is his autism, which causes a number of problems but also unlocks an incredible ability to solve puzzles and make connections. He can do the work of a half-dozen neurotypicals in half the time. And he always finishes what he starts. I can only think of one other action movie with an autistic star, which would be Thai film Chocolate, by Prachya Pinkaew. In that film, an autistic girl watches martial arts movies and becomes a master. I bring it up solely because I think you should see it, because The Accountant isn't really like it at all, though Mr. Wolff is a more-than-capable fighter. He was trained by his father, a military man, and the men that his father hired to make sure he could take care of himself. The flashbacks to his younger self, often at his worst, in the midst of meltdowns or other crises, demonstrate the difficulty of having a child with autism while also showing a fascinating sort of respect for what it can do. I'll admit that my experience with autism is fairly limited, but what I saw felt pretty right. On the whole, the film is trying to make a pretty clear point: Autism is not a disorder or an illness; it's just a different way of being. It's not worse or better, just its own thing. And credit where credit is due: That's awesome. How many times have we seen an autistic protagonist who can genuinely take care of themselves in a major motion picture? Have we ever seen that? I'm honestly curious, so someone please tell me if that's a thing. Certainly it wouldn't be something like The Accountant. No, The Accountant is different. I mentioned in the intro that this is a film with a genuinely strange structure, and what I mean by that is that the story itself comes out in bursts that feel sort of haphazardly placed. After big action sequences we'll end up with long stretches of exposition that totally kill whatever intense pacing the film may have been building up. There is a lengthy subplot involving a pair from the Treasury trying to track him down, and as that story develops, we learn a lot about J.K. Simmons' character. None of that really felt necessary, and it kind of bogs down the movie in its second half, but it also felt a little bit like, "Why not?" The characters in general feel like they're being introduced for something grander, and we'll learn more about them in future episodes. J.K. Simmons is set to retire, so this is probably the last we'll be seeing of him. It was his time in the spotlight. Next week, we'll learn more about someone else. And while we're getting a lot of character exposition about Affleck and Simmons, we're getting pretty much nothing about the actual story itself. So, blah blah blah someone is cooking books. Affleck finds out about it. People need to die. Etc. We learn about the motivations of the bad guy, but his actual place in the film is so minor (and ultimately inconsequential) that the film may as well have no story at all. You might think that one of Wolff's obviously dangerous clients is after him, but that isn't it at all. As far as the film is concerned, he has successfully stayed off the grid. No one knows where to find him, so he only has to worry about the people right in front of him.  Which means that we're probably in for a franchise, assuming The Accountant does well at the box office. It doesn't end on a cliffhanger or anything, and it doesn't need a sequel, but the character and his work is structured in such a way that it would be exceedingly easy to make one. You'd think that Affleck's got his hands full with the whole Batman thing, but I imagine the dramatic work involved in The Accountant is a bit more satisfying. It's possible that the action is too, because the movie actually has some pretty great fight scenes, ones that don't need a whole bunch of purdy CGI to be cool. (Think Batman v. Superman's warehouse fight, which is easily the best part of that movie (except it's okay when Batman kills people in this one).) And so I hope this does become a franchise, and I hope we get to see more of Anna Kendrick in fights, because in the one fight where she has a minor role, she's a total badass about it. I heard a guy complaining after the film that she didn't seem Damsel-in-Distress-y enough. And thank gosh; she's way more interesting that. And I have to give the film credit for that, too. It treats pretty much all of its characters with a certain amount of dignity; they are (well, most of them) more complex than I had expected, and that made some of those slow, exposition-heavy moments a lot more bearable than they could have been. There are many things about The Accountant that I genuinely loved and nothing that I really disliked. Sure, some of its issues, particularly around structure and pacing, are irritating. They keep The Accountant from being truly brilliant. But they don't keep it from greatness. Bring on The Accountant Chapter 2. 
The Accountant Review photo
Ben Affleck's John Wick
I remember seeing the first trailer for The Accountant a few months back and thinking, "That's a hilarious premise that looks like it could be terrible, but I bet it's going to be awesome." It seemed like the kind of bizarre ...

NYCC: John Wick: Chapter Two takes place four days after the original

Oct 11 // Nick Valdez
If you were somehow worried the sequel wouldn't have the same amount of love as the original, there's no need to worry. One thing the panel highlighted was how much care was going into Chapter Two. Before the panel proper we were treated to a behind the scenes video showing off the film's stunt work (and a couple of the set pieces). Things I could skim from the video were another prominent car fight, and a bit more of that lobby and alleyway shootouts in the trailer. But the important fact is that each of these stunts is very real. Director Chad Stehelski emphasized the practicality of the effects and that each actor was put through the ringer in order for the film's action to feel as real as possible. Common even mentioned how this film is the most intense action he's been a part of (and after a look at his fight with Reeves, that's definitely an understatement). But the better part of the panel went into a good amount of juicy story details.  The best part of the first John Wick was the Continental Hotel, and it's making a return in the sequel. Ian McShane also noted how there's an Italian version of it and fighting through it leads to Wick killing "about 80 Italians." The specificity of the statement was a bit weird, but whatever it's all good. Keanu Reeves detailed the plot as such: When Wick first left the assassin world, he made a deal with someone in order to hide his existence completely (using the specific "blood oath" phrase). And as such, when returned to action he broke that oath and now someone is out to "cash in" on that deal. Not only does he have to deal with someone chasing him down, Reeves also teased a new mysterious organization called The High Table which may or may not be connected to the Continental. And the kicker? The sequel takes place just four days after the original film. John Wick gets no rest.  Other things of note are the new setting and new dog. The sequel is headed to Italy for stylish killing action, and director Stehelski couldn't confirm whether or not this new dog was going to be safe. It's a high point of contention for some people in the first one, but although he couldn't confirm whether or not the new dog was going to be safe he did say we'd like it. So, I'm sure this new doggo will be just fine. Maybe cutely falling asleep through everything or something.  That's all from Lionsgate's Power Rangers/John Wick: Chapter Two panel! The film releases next February and it's going to be a hell of a wait. 
John Wick 2 photo
More guns, more hotel, more...Italians?
Lionsgate had a weird, disjointed panel at New York Comic Con. With two properties that couldn't be more disparate.there wasn't a proper amount of hype or negativity. Thankfully after Power Rangers' lackluster showing, John W...

Iron Fist photo
Fisting all over the place
When Marvel announced their series of shows that would eventually lead up to a Defenders show the biggest question mark was definitely Iron Fist. Since then Netflix and Marvel have been pretty open with the other series,...

John Wick 2 photo
"Yeah, I'm thinking I'm back!"
John Wick was one of the biggest surprises of 2014. What looked like a B movie starring Keanu Reeves turned out to be one of the most confident and competent action films of the last few years. Flixist as a whole has been loo...

Underworld photo
Underworld

NYCC: Underwold: Blood Wars gets its first trailer


Vampires and things
Oct 07
// Matthew Razak
The first film in the Sony panel was Underworld: The Blood Wars. There was some discussion on the movie itself, but it was mostly just banter about how sexy everyone was, which is admitedly true. No spoilers or plot points were really dropped, but this trailer was. It looks a lot like an Underworld movie full of blue, leather and dead mythic creatures. Check it out.   
Resident Evil photo
Resident Evil

NYCC: Resident Evil: The Final Chapter really is the final chapter


... or not
Oct 07
// Matthew Razak
One of the bigger spots for NYCC was the upcoming Resident Evil: The Final Chapter. Somehow this franchise has survived and brought us kicking and screaming with it through the ups and downs. We've seen the first trailer, but...

NYCC: War of the Planet of the Apes is going to be dark

Oct 06 // Matthew Razak
At the event Reeves, Serkis and the series' producer Dylan Clark talked a bit about the making of the new film (and the previous two) while showing off the first teaser and a seven minute, unfinished clip. The basic theme for the night though was that War is really big in every way possible. First it's a war so it's a much bigger film than the previous two in terms of scope, but more importantly for Reeves and Serkis it's bigger in emotional power.  "“It has been the most psychologically intense and physically challenging part of this arc," Serkis said. That's probably because Serkis' character, Caesar, is going to go through some tough stuff this time around. The movie picks up two years after the last film and Caesar is steadily becoming more and more jaded thanks to the war with the humans and his guilt over not being able to stop it from starting. The filmmakers likened him to a much more vengeful Dirty Harry -- a but more action and violent oriented.  In the clip we saw he and a few other apes from the past films come upon a house where they encounter a man. Caesar shoots the man after he attempts to pull a gun on them, but then finds out that he was simply a father trying to defend his daughter. Unlike in the previous films Casesar's empathy is fading as he goes on a suicidal quest to kill off Woody Harrelson's character.  It was actually really interesting seeing the unfinished product as animation moved in and out of the shots and the actors, in their dots and motion capture suit, popped in. A major focus of the event was applauding the performance of the mocap actors, especially Serkis. The mention of academy award nominations was once again brought up, but the reality of that happening is pretty slim still... even if it should.  Finally, we saw a teaser for the film. Oddly, after all three men spoke most of the event about how the movie was more emotional and about the apes not the humans the first teaser trailer was focused on the action and the humans. We saw a group of soldiers hunting in a cave before being taken out by Caesar and some other apes. Then a monologue  by Harrelson's character played over the rest of the film as apes and humans clashed. The end result is a trailer that plays up the action and battle and not the humanity. Hopefully the film itself is more like the event and less like the trailer. 
Planet of the Apes photo
Also there will be war
The Planet of the Apes franchise took an interesting turn when Dawn of the Planet of the Apes came out: it got really good. Like, really, really good. Director Matt Reeves somehow turned a stale franchise into an emotion...

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John Wick 2 has a new poster with sexy Keanu Reeves


Sep 22
// Rick Lash
Here at Flixist, we appreciate the fine art of releasing one sheet teaser posters featuring an aging star hinting at everything (read: being incredibly vague) to come. Usually, this specific genre involves said aging actor gr...
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Jumanji 2 first look with The Rock, Jack Black, Kevin Hart & Tombraider


Sep 21
// Rick Lash
Kevin Hart posted an exclusive first look image from the set of Jumanji 2 and the internet quickly ate it up. Not because diminutive Kevin is bite-sized (he is), but because amongst the characters wearing practical jungle att...
Passengers photo
Also Jennifer Lawrence and Chris Pratt
There are very few genres that Passengers, the new film from The Imitation Game director Morten Tyldym, doesn't seem to want to fit into. It starts out as a rom-com in space and then delves deep into science fiction...

Birth of the Dragon photo
Birth of the Dragon

Trailer: A fictionalized Bruce Lee fights hard in Birth of the Dragon


Kick, punch, it's all in your mind
Sep 19
// Hubert Vigilla
Martial arts movies have a long history of fictionalizing real-life people. It's happened countless times with Wong Fei-hung, who's been portrayed on film by Jet Li, Jackie Chan, and Sammo Hung, among others. There's also Sha...
Level Up photo
Level Up

Check out this exclusive clip of Level Up


Gamer gets into actual game
Sep 18
// Matthew Razak
Level Up is kind of a weird beast. It's about a "gamer" who gets caught up in a "game" after his girlfriend his kidnapped by a mysterious group. As you can see in the clip they start making him do some weird things like ...
Mad Max goodies photo
Mad Max goodies

Mad Max High Octane Collection and B&W Fury Road coming December 2016


Shiny, chrome, and just in time for Xmas
Sep 15
// Hubert Vigilla
We've waited a long time for a black and white version of Mad Max: Fury Road, and this December we'll finally get it. On December 6th, Mad Max: Fury Road - Black and Chrome Edition will hit Blu-ray. All will be right with the...
Lee, Stan Lee photo
Lee, Stan Lee

Fox making James Bond-style action movie about comics legend Stan Lee


Excelsior, not stirred
Sep 14
// Hubert Vigilla
Fox has acquired the life rights of Marvel Comics writer Stan Lee. The studio is planning to make a fictionalized period action-adventure film about Lee's life in the style of a Roger Moore James Bond film and Kingsman: The S...
Assassin's Creed images photo
Assassin's Creed images

Michael Fassbender is like "Come at me, bro!" in these new Assassin's Creed images


Do you even leap of faith, brah?
Sep 13
// Hubert Vigilla
The end of the year is fast approaching, which means that the Assassin's Creed movie is almost upon us. While the people over at Ubisoft seemed to downplay box office expectations, this film may turn a pretty decent profit li...
Free Fire trailer photo
Free Fire trailer

Brie Larson gets gun crazy in red band trailer for Ben Wheatley's Free Fire


Bang bang bang bang bang bang click
Sep 09
// Hubert Vigilla
Prolific British filmmaker Ben Wheatley does a little bit of everything. 2011's psychological horror film Kill List had great nods to Wicker Man, 2012's Sightseers was a sadly deranged and bleakly comic misfit romance, 2...
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Jack Reacher: Never Go Back has new poster with less back


Sep 09
// Rick Lash
When last we heard from Tom Cruise, aka Jack Reacher, he had just released an itty bitty trailer to further whet our already dripping appetites for the impending release of the next adaptation of the Lee Child's series. Along...
Headshot trailer photo
Headshot trailer

The Raid's Iko Uwais beats the hell out of jabronis in this trailer for Headshot


BOOM! Headshot
Sep 07
// Hubert Vigilla
The Raid: Redemption and The Raid 2: Berandal opened things up for director Gareth Evans and star Iwo Uwais. Uwais is back in action for Headshot, a film co-directed by Kimo Stamboel and Timo Tjahjanto. If Tjahjanto's name lo...
Shanghai Noon 3 photo
Shanghai Noon 3

Jackie Chan & Owen Wilson reteam for Shanghai Noon sequel by Napoleon Dynamite director


GOSH!
Sep 06
// Hubert Vigilla
In unexpected news, Jackie Chan and Owen Wilson are in talks to star in a second sequel to their 2000 western buddy comedy Shanghai Noon. The film will be directed by Jared Hess, best known for Napoleon Dynamite and Nacho Lib...
Agents of S.H.I.E.L.D. photo
Agents of S.H.I.E.L.D.

First look at Agents of S.H.I.E.L.D.'s Ghost Rider


He doesn't look anything like Nick Cage
Sep 06
// Matthew Razak
Agents of S.H.I.E.L.D. might not be Marvel's best show running now that the Netflix series have come along, but it's a solid serial that finally gained its footing last season. Looking to jump off that, and actually add ...
Honorary Oscars photo
Honorary Oscars

Jackie Chan and Frederick Wiseman will receive honorary Oscars


They should co-star in a buddy cop movie
Sep 01
// Hubert Vigilla
Action icon Jackie Chan and influential documentary filmmaker Frederick Wiseman (Titticut Follies, High School) will both receive honorary Oscars from the Academy of Motion Picture Arts and Sciences. Honorary Oscars will also...
Warcraft sequel photo
Warcraft sequel

Duncan Jones would still like to make Warcraft 2, comments on director's cut of first film


"Maybe I'm just being a masochist."
Aug 31
// Hubert Vigilla
Warcraft had a rough go critically but was able to make money thanks to the foreign box office (particularly China). While a sequel seems unlikely, director Duncan Jones is still game to make the movie given all of the time a...
Transformers photo
Transformers

So King Arthur will be in Transformers: The Last Knight


Just when you had hope
Aug 30
// Matthew Razak
Transformers: The Last Knight dropped an incredible looking poster a little while ago and it actually made me think that Michael Bay and company were possibly maybe doing something interesting. What a fool I am. With jus...
Guardians trailer photo
Guardians trailer

Check out the trailer for Guardians, a Russian Avengers-style superhero epic


In Russia, love comes to get you
Aug 26
// Hubert Vigilla
In the future, all movies will be superhero movies and all restaurants will be Taco Bell. Search your feelings, you know it to be true. While the United States has flooded the market with the Marvel Cinematic Universe and the...

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