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Animation

Castlevania poster photo
Castlevania poster

Adi Shankar releases teaser poster for the Castlevania series on Netflix


Needs more stupid Medusa heads
Feb 23
// Hubert Vigilla
Castlevania producer Adi Shankar has been using Facebook as a hype machine. Years ago he teased the potential series on his Facebook page. Shankar would then take to Facebook to confirm two seasons of Castlevania are in the w...
NYICFF 2017 photo
NYICFF 2017

The New York International Children's Film Festival (NYICFF) starts Friday 2/24


20 years of exceptional children's films
Feb 22
// Hubert Vigilla
Now in its 20th year, the New York International Children's Film Festival is one of NYC's more reliable film fests. They screen some of the best films aimed at children, teens, and families, with some impeccable curation and ...
Power Rangers photo
Power Rangers

Castlevania showrunner wants to do an R rated Power Rangers cartoon


Adi Shankar up to his old tricks
Feb 10
// Nick Valdez
Adi Shankar, who was recently revealed to be part of an animated Castlevania series on Netflix, is no stranger to weird, violent projects. Known in fan circles for his "Bootleg Universe," he's made fan films based on Venom, T...

Review: The Lego Batman Movie

Feb 10 // Nick Valdez
[embed]221270:43398:0[/embed] The Lego Batman MovieDirector: Chris McKayRelease Date: February 10, 2017Rating: PG The Lego Batman Movie opening with Batman (Will Arnett) parodying traditional film credits and openings (narrating over the DC Comics logo, etc.) pretty much tells you all you need to know about the film. This is indeed a love letter to Batman's goofy past, and isn't afraid to openly mock the mistakes DC's live action films have made. In this film, Batman is happy being alone. He eats alone, laughs at romantic comedies, and groans when his butler/surrogate father Alfred (Ralph Fiennes) tells him what to do. Aping Batman's more childish tendencies this Batman ignores the help and warnings of others; especially the new police commissioner, Barbara Gordon (Rosario Dawson). But when the Joker (Zack Galifianakis) kickstarts a plan to destroy Gotham City and prove to Batman that he's his number one enemy, Batman must learn to work together with his new makeshift family. Including a son, Dick Grayson (Michael Cera), who Batman unwillingly adopts and brings along as his crime fighting partner.  Wearing its heart and fun on its sleeve, Lego Batman goes for a full-on kitchen sink approach. There's tons of fan service as it alludes to every iteration of the Batman, ranging from the 60's show to the famous animated series, and as much of its 78 year long comic history as it can. Villains like Condiment King and friggin' Orca, DC heroes like Apache Chief and even some pretty damn great surprises from its Warner Bros licensor pop up here. This stuff is certainly going to be great visual candy for its adult fan audience, and the voice cameos are great for everyone (Mariah Carey is the mayor, folks), but it's definitely going to fly over the heads of most of the audience. But there's so much going on at a time, Lego Batman feels too packed to work. It's literally bursting at the seams every scene with visual information packing every corner of the screen. It's so rife and busy with gags, it's tough to suss out what your eyes are supposed to focus on.  To make its visual matters worse, Lego Batman often features tons of rapid-fire jokes (sharing a problem with weaker animated films), and while some of the gags hit hard, a good amount of them are average. The film compounds its bad joke ratio by offering so many, and there were times where I wish it relaxed on them a bit more given how affecting its emotional core can be. The emotional core of Batman learning the meaning of ohana (and no one gets left behind) is drowned out by the chaos. It's even more of a bummer considering how great the film can be when it actually focuses for second. For example, the opening is fantastic as it provides a packed, yet focused narrative. Broken down it's basically: Joker and some villains attack Gotham with a bomb, Batman saves the day, and Batman goes home alone. Yet the opening features tons of characters, an original theme (with beat boxing and guitar solos), establishes its central conflict (as Batman refuses to let anyone into his life, even his most hated enemy). and wonderfully characterizes this Batman as a lonely, showboating blowhard. It's just a shame the film never reaches the same level of awesomeness as its opening twenty minutes.  The Lego Batman Movie's weakness are stemmed from trying to mine a narrative from a one-note character we've already seen the full extent of in another film. Will Arnett is great as a lead, but his performance reeks of diminishing returns. As his Batman constantly speaks, the blowhard nature of the character crosses over into annoying territory. Luckily, Rosario Dawson and Ralph Fiennes pick up the slack. Just as how Batman stole the show in The Lego Movie as a supporting character, however, Michael Cera's Robin is the clear standout in Lego Batman. His Dick Grayson is infectiously joyous, the character has a cute design (those bug-eyed glasses are inspired) thus amplifying the naivete Cera gives him, and Robin is tasked with driving the familial themes of the plot forward. He also gets the best running gag, constantly referring to Batman as various versions of "Papa," also. It's pretty funny to see Lego Batman showcasing someone other than its main character like its predecessor.  I've been trying my hardest not to compare The Lego Batman Movie to 2014's The Lego Movie, but it's hard not to when the films are ultimately similar. Aspects of the first film's production which worked so well for me before, just don't share the same level of finesse in its spin-off. The Lego Batman Movie works well as a loving parody of Batman fiction, but it's not going to carry as much weight to those who don't really know (or care) too much about it.  The Lego Batman Movie just isn't as complex as I had hoped it'd be. Sure it's nuts to ask a children's film to be complex, but after its predecessor balanced its audiences so well it stings to watch Batman Movie to go for such cheap gags and greatly limit its audience to a very distinct subset of viewers.  But at least it's not a gritty and mean Batman. Little victories. 
Lego Batman Review photo
Better than Batman v Superman anyway
The Lego Movie was my favorite animated film of 2014. It felt fresh, had a story and jokes fit for both children and their parents, and even managed to deliver a heartfelt message at the end. The big standout was Will Arnett ...


Netflixvania photo
Netflixvania

Netflix Castlevania: Producer Adi Shankar says 2 seasons in works, both written by Warren Ellis


Netflix-vania
Feb 09
// Hubert Vigilla
The animated Netflix Castlevania series was announced yesterday, although it was buried in a press release. Producer Adi Shankar, who teased the series back in 2015 on Facebook, took to social media again to share some small,...
Netflix Castlevania photo
It's on like Donkey...vania
Netflix is making a series based on Castlevania, which will debut later this year. The first season of the series has been written by comics scribe Warren Ellis (Transmetropolitan, Iron Man, Planetary). According to Poly...

 photo

Samurai Jack is back: 5th season has new trailer


Feb 07
// Rick Lash
Diehard fans and casual observers of Cartoon Network's Adult Swim will likely be familiar with Samurai Jack. I'm not sure if the show, created by Genndy Tartakovsky, was breakthrough material or just incredibly unique. Either...
Trump = The Joker photo
Trump = The Joker

Mark Hamill reads Donald Trump's thin-skinned tweet as The Joker, which totally fits


It did read like a supervaillain tweet
Jan 08
// Hubert Vigilla
While Donald Trump was running for president, Billy West recorded a number of the candidate's dumber statements in the voice of Futurama's Zap Brannigan. It was funny. And now that Donald Trump is President-elect, it's just k...
Castlevania show photo
Castlevania show

Adventure Time producer hints at possible Castlevania TV series


Stupid Medusa heads
Dec 30
// Hubert Vigilla
More than a year ago we mentioned that a super violent Castelvania miniseries was in the works. Producer Adi Shankar made the announcement via Facebook and mentioned Fred Seibert (founder of Frederator Studios and Advent...
Logan trailer in LEGO photo
Logan trailer in LEGO

Watch the trailer for Logan recreated with LEGO


Johnny Cash's "Hurt" cover with LEGOs
Dec 27
// Hubert Vigilla
The trailer for Logan really impressed me. If Hugh Jackman's last ride as Wolverine is a post-apocalyptic road movie western, I am all for that. Better it's something distinctly non-X-Men-looking rather than some dumb, rote X...
Wes Anderson Isle of Dogs photo
Wes Anderson Isle of Dogs

Wes Anderson announces next film, a star-studded stop-motion movie called Isle of Dogs


Win a small role in the film
Dec 22
// Hubert Vigilla
Yesterday Wes Anderson release a video announcing his next movie, a stop-motion feature called Isle of Dogs. The movie will come out some time in 2018, released by Fox Searchlight. Set in Japan, Isle of Dogs is about a b...
Mononoke back in theaters photo
20th anniversary, 76th birthday
Hayao Miyazaki (who is no longer retired from filmmaking) turns 76 years old on January 5th. His film Princess Mononoke turns 20 years old in 2017. To celebrate these two landmark occasions, GKIDS and Fathom Events are bringi...

HTTYD3 photo
HTTYD3

How to Train Your Dragon 3 delayed yet again


Bad dragon! No! No!
Dec 06
// Matthew Razak
Remember when we were all supposed to have already seen How to Train Your Dragon 3 in June of this year? Yea, that didn't happen. Then we were supposed to get in sometime in 2017. Then 2018. Now, and hopefully finally, t...
Final Space photo
Final Space

Conan O'Brien brings Olan Rogers' Final Space to TBS: Watch the animated show's teaser/pilot


More Conan-related stuff on TBS
Dec 05
// Hubert Vigilla
Conan O'Brien is staking more territory over at TBS. In addition to his own talk show, Conanco (O'Brien's production company) is set to produce an all new animated television show called Final Space. Created by Olan Rogers an...

Review: Moana

Nov 23 // Nick Valdez
[embed]221047:43203:0[/embed] MoanaDirectors: John Musker and Ron ClementsRelease Date: November 23, 2016Rating: PG Moana follows the titular Moana (Auli’i Cravalho), a teenager who's always dreamed of traveling the seas beyond her island village, but is next in line for village chieftain and must stay home. When darkness begins rotting away her home, brought on when the demigod Maui (Dwayne Johnson) steals the heart of the ancient goddess Te Fiti, Moana must journey across the sea, find Maui and ask him for help, and return the Heart of Te Fiti from where it came. From its core, Moana is much different from Disney's other princess films. Choosing instead to follow Moana on a hero's journey, rather than a quest for love, the film allows for individual character development thanks to its simplicity. While this simplicity may mirror Disney's previous films a bit too much, it is honestly what makes Moana work as well as it does.  Directors Musker and Clements have experience creating lasting Disney legacies with the two of them directing hits like The Little Mermaid, Aladdin, and The Great Mouse Detective. Basically, these two are responsible for a good deal of your favorite Disney moments and it's the same with Moana. The film may share too many structural similarities with previous films because of their choices, but it's also sure to make up for that simplicity with a complex emotional through line and culture. It's what previous Disney Princess films had lacked, and it's what Frozen experimented with. With a simplified tale, the film allows the characters to add layers of depth. Instead of growing as a character in relation to another person, i.e when Ariel changes herself for Prince Eric, for example, Moana's tale is all about self-improvement. It's not complicated with extraneous plot like a third act twist villain or jokes from a cartoon sidekick, Moana instead sticks to its heart with its two central characters and builds everything around them.  Being a character first type of fairy tale, Moana trusts in its two stars to make it work. Thankfully, Dwayne Johnson and the awesomely talented newcomer, Auli’i Cravalho more than hold their own. Johnson as Maui is energetic and as charming as he ever is, but, coupled with Maui's slightly mischievous character design, now has a slight edge missing from some of Johnson's work. His song, "You're Welcome" is also fantastic. His single is definitely a standout with a blend of humor and musicality. But I don't think I'll ever be able to fully express how impressed I am by the young Auli’i Cravalho. You would never be able to tell, but as her first major starring role, Cravalho is an absolute delight. Once again marrying character design and performance, Cravalho makes Moana a believable kid. Moana is astonishingly the first Disney Princess to act like an actual young girl. She's awkward sometimes, but has an endearing moxie that characterized classic princesses like Mulan, Ariel, and Tiana. But unlike the other Princesses, Moana is allowed to have non-romantic flaws.  You're probably a bit worried since I keep comparing Moana to previous films, but it's entirely intentional. Musker and Clements intended to recapture the spirit of the 2D films. Every part of its production fully embraces nostalgia, while making sure to change enough to keep the film from repeating the past too much. Thanks to the phenomenal soundtrack from Lin-Manuel Miranda, Opetaia Foa'i, and Mark Mancina, every scene has just a bit more punch. The opening, for example, is kind of incredible. As the film introduces its setting and unique culture (as the Oceanic island culture is far more three dimensional than cultures seen in films past), its punctuated by an incredible chant-like song mirroring The Lion King's now prolific opening. While I'm not sure if its lead single's, "How Far I'll Go," contemporary style will outlast the Broadway appeal of its predecessor, it's still heart-opening. Jemaine Clement's surprise song performance is pretty great too, as it plays to his creepy wheelhouse. Also, the most beautiful song and performance overall is the ancestor song. I don't want to spoil it, but just trust that it's fantastic. But none of this character work or music would succeed without Moana's unbelievable visuals. Moana has Disney's most exemplary animation to date with its luscious landscape and gorgeous ocean animations. The setting itself is a main character, and somehow feels fantasical yet attainable. It's an island paradise capturing the mythical nature of its fairy tale, but also looks grounded enough to exist in our world. There's no skirting the Pacific Islander culture here, unlike the other Princess' films dilution of ethnicity. The character body design is diverse, with Moana herself looking less plastic and moving more fluidly than humans seen in Tangled or Frozen. Thanks to its full embrace of what makes it different, the story's complex emotion and culture seem simplistic. See? Full circle. It's simplicity by design. Blending its depth so well and sneaking in character development through song, I didn't realize how much I had experienced until I started writing this review. The only real problem I had with Moana overall was how some of its contemporary jokes and song arrangements (There's a Twitter reference and other meta jokes) betray the timeless quality of its setting, but honestly it's not that big of a deal. Moana is definitely one of the better theatrical experiences of 2016, and in a year full of strife, it's what we need right now.  Its nostalgic quality may turn some off of Moana, but the film is still incredibly fresh despite these parallels to the past. It's a Disney Princess film taking the successes of the past, fixes their problems, and injects a breath of life into Disney they haven't had for quite some time. Moana is for the child in you, your children, and even their children. And who knows? Moana may just go down as a "classic" years down the line. 
Moana Review photo
Hawaiian roller coaster ride
Disney Animation has had one critical success after another since they're in the middle of a new creative renaissance. Fully embracing CG animation, Disney has produced hits like Tangled, Wreck-It Ralph, Zootopia, and most im...

Cars 3 photo
Cars 3

This Cars 3 teaser trailer is short and awesome


It looks...good?
Nov 21
// Nick Valdez
Cars is overall the worst Pixar series to date, but maybe Pixar is pulling a Toy Story 3 with the third film? This teaser trailer for Cars 3 is short, but it hits quite harder than I'd expect. It's already better than the first two, but I'm waiting for the comedy shoe to drop.  Cars 3 releases June 16th next year. 
Hayao Miyazaki is back photo
Some good news in 2016 for once
Hayao Miyazaki announced his retirement from filmmaking back in 2013 with the release of The Wind Rises. That directing bug is strong, however, and he couldn't completely step away from animation. Back in July 2015, Miyazaki ...

Review: Pokemon: The First Movie

Nov 03 // Nick Valdez
[embed]221011:43182:0[/embed] Pokemon: The First MovieDirectors: Kunihiko Yuyama and Michael HaigneyRating: GRelease Date: November 6, 1999 (USA); November 1, 2016 (special event re-release) When a group of scientists sucessfully clone an ancient pokemon known as Mew, the resulting super pokemon breaks loose and wreaks havoc. The super clone, Mewtwo (Philip Bartlett), now in search of a purpose, invites the strongest pokemon trainers to a mysterious island to battle him. Ash Ketchum (Veronica Taylor), together with his friends Misty (Rachael Lillis), Brock (Eric Stuart), and Pikachu, meet Mewtwo's challenge and soon figure out there's more to this pokemon than they realized.  First things first, The First Movie is incredibly brisk. Choosing not to overstay its welcome (if you don't include the Pikachu's Island Adventure short), it instead tightly focuses on developing its central antagonist. Mewtwo themself is well defined with a clear existential crisis (as they try to clear the clouds of their mind, not so subtly represented by the storm they whip up with their powers), and it's a greater deal of characterization than anyone else gets in the film. It's such a well put together back story, in fact, it's surprising The First Movie is able to explore as much thematic territory as it does. It ends up questioning the philosophy behind the Pokémon series in full as it briefly challenges the "fighting vs. battling" argument within the Poké world. The film doesn't get as deep as I would've hoped, as the argument gives way to a hokey climax, but this amount of self-awareness is impressive for a children's film.  The laser focus on Mewtwo may help the film's pace within its short run time (as it rarely goes on tangents), but it's hard to care about anyone else involved with the plot since they fail to get the same attention. Since the film assumes the audience has working knowledge of the Pokémon TV series, and it's a fair assumption given the branding, Ash and his friends (along with Team Rocket, introduced into the plot in a Rosencrantz/Gildenstern, outsider looking in fashion) don't really have a reason to be involved. Their usual schtick of wandering into a plot in motion may work for a TV series needing a fresh story every week, but it falls flat here. Along with introducing seemingly important ancillary characters (like the kidnapped Nurse Joy or the random lady who knows storms or something) only to serve no purpose, The First Movie fails to turn Ash into a compelling protagonist.  With no real personality of his own, Ash instead becomes a moral mouthpiece. His base love for his pokemon is exaggerated into a love for everything and grand declarations of peace. It's a far cry from an Ash who, just minutes before, was willing to pit his pokemon against Mewtwo. The First Movie betrays its emotional themes with its own world, really. It's greater desire to stop senseless violence goes against everything Pokémon is known for. So it's okay to use your pokemon to fight when they use their abilities? Since there's never a clear difference between how Mewtwo forces a fight and how trainers could force a fight, the overall moral is clouded. Rather than focus on, say, the friendship between trainers and their pokes (thus enhancing its narrative overall), the film goes with a generic message. It almost feels like a cop out.  But in the end, Pokémon: The First Movie makes up for its shortcomings with pure entertainment value. Once you get passed the cheesy dialogue (complete with puns and jokes that didn't age well in the slightest) and the murky themes (which I give the film credit for attempting), there are plenty of rewards in store. A well written antagonist, slick animation, and a score that includes the ironically lovable "Brother Against Brother" song.  No matter what score I put here, it literally doesn't matter. You love it, you hate it, you already had an opinion 18 years in the making. But it was great to confirm that I liked a good thing back then, instead of figuring out yet another product from my childhood was hot garbage. My critic brain may settle on "Good," but my nostalgic one adds about 30 points. 
Pokemon The First Movie photo
"...and we succeeded"
One weekend, too many years ago, I spent a night over at my aunt's place. She didn't have cable, but she had a VCR. Which meant I could watch any movie I brought with me when I was bored of doing dumb kid stuff. Not thinking ...

Shaun the Sheep 2 photo
Shaun the Sheep 2

Aardman says a Shaun the Sheep Movie sequel is in the works


Everyday feels like summer with you
Oct 25
// Hubert Vigilla
Two of my favorite films last year reminded me of great comedies of the past. There's Mad Max: Fury Road, which owes a lot to Buster Keaton's The General. And then there's Shaun the Sheep Movie, which seems to offer several n...
Pokemon: The First Movie photo
Pokemon: The First Movie

Pokemon: The First Movie is coming back to theaters October 29th and November 1st


Gotta catch em at Cinemark
Oct 24
// Hubert Vigilla
The popularity of Pokemon Go spawned a forthcoming Detective Pikachu movie from Legendary Pictures. With the Pokemon resurgence, it should come as no surprise that the Pokemon Company is going to milk all of its adorable...

NYFF Review: My Entire High School Sinking into the Sea

Oct 11 // Hubert Vigilla
My Entire High School Sinking Into the SeaDirector: Dash ShawRating: TBDRelease Date: TBD The set-up is at least sort of promising. An earthquake sends a high school on a hill by the ocean crashing down into the water. Students have to swim from floor to floor for air and survival, with a stratified class hierarchy--freshmen on the bottom and seniors on top. There's something questlike about it all, structured like a videogame with different kinds of levels--one sequence is even presented like a screen from the original Double Dragon, with characters throwing punches and jumpkicks with the same poses as Billy and Jimmy Lee.  But Shaw takes all of these potentially interesting ideas and dials them down to the same level of slacker disinterest. The voice actors deliver their lines in a uniform indifferent monotone, as if they've begrudgingly recorded their dialogue one afternoon and left. The jokes are never distinct from the asides or the exposition. Apart from the heroic Lorraine the Lunch Lady (voiced by Sarandon), everyone sounds interchangeable. None of the voices stand out, which makes the all-star indie cast seem like needless stunt casting for the indie cachet. Lots of the dialogue gets lost in the audio mix, with any hint of personality drowned in the repetitive, overbearing, wall-to-wall score. This is a 72-minute movie that just drones on and on. It doesn't help that the protagonist, Dash (Schwartzman), is the least interesting character in the entire film. He's a self-important high school journalist and stand-in for the real life Dash Shaw. Yes, how twee, this fictional story is supposed to be semi-autobiographical. Dash is the type of tepid lead who gets in the way of the more worthy supporting players. His fellow staff members on the newspaper, Assaf (Watts) and Verti (Rudolph), have a warmth to them as well as a burgeoning crush that would have been great to watch unfold front and center. Even Dunham's overachieving all-goodnik Mary could have been the compelling hub of the story--a class president go-getter in survival mode. But no, it's boring old Dash, the "ugh, that guy" sort of hipster dude. There are brief moments of beauty in My Entire High School Sinking Into the Sea, like the opening animation of Dash in silhouette running to class, or select flashbacks rendered with great care, or parts of the conclusion that have a zen-like quality. Most of it, though, looks like a hodgepodge of watercolor, acrylic, and magic marker, with a wonky, unrefined aesthetic. It simulates the stuff made while screwing around in a high school art class. The choice makes sense, but it's not always interesting to look at in full wobbly motion. It's animation with a sort of haphazard craft--art as marginalia rather than a point of focus, a creative assignment hastily put together the night before. I was particularly put off by the film's defensiveness. At points, Dash and Assaf brag about being great writers whose genius and talent no one will understand. That metatextual boast always irks me. I rarely feel that a creative work should gird itself against criticism so overtly, and in such an insecure manner. Especially in this case, in which there's so little at stake and so little offered. Why be so precious over an animated shrug?
NYFF Review photo
A shrugworthy mumblecore cartoon
There are so many possibilities in My Entire High School Sinking Into the Sea, the directorial debut of indie comics artist Dash Shaw. There's the image of an entire high school building adrift on the ocean and sinking. Think...

Moana Trailer photo
Oh my gosh.
With as good of a roll Disney has been on lately, I've seen many people joke along the lines of "I will push children out of the way to see this" and for the first time, I completely agree. While this newest trailer gives awa...

Pokemon Generations photo
Pokemon Generations

Watch the trailer for Pokemon Generations, a new animated web series coming to YouTube


Make it so, Pikachu
Sep 13
// Hubert Vigilla
Not too long ago we reported on the live-action Detective Pikachu Pokemon movie being put together by Legendary. Since that project is just getting underway, here's another Pokemon project to whet your appetite: Pokemon Gener...
Thief and the Cobbler photo
Thief and the Cobbler

NYC: MoMA to screen Thief and the Cobbler work print with director Richard Williams this month


See the unfinished masterpiece in person
Sep 13
// Hubert Vigilla
Nearly 30 years in the making, The Thief and the Cobbler is a work of genius hampered by the ambition of its maker, Richard Williams. After wide recognition for his work on Who Framed Roger Rabbit?, The Thief and the Cobbler ...
Animated Indiana Jones photo
Animated Indiana Jones

An animated Indiana Jones fan film is coming out September 29th


No ticket
Sep 09
// Hubert Vigilla
Well, this is totally out of the blue. Artist Patrick Schoenmaker has been working on an Indiana Jones animated film for the last five years, and it will be coming out online at the end of the month. According to /Film, Schoe...
Sausage Party controversy photo
Sausage Party controversy

Union files complaint on behalf of mistreated Sausage Party animators


Someone's getting grilled
Aug 27
// Hubert Vigilla
Controversy has grown around Seth Rogen's cartoon dick-joke movie Sausage Party. The film was made by Nitrogen, a Vancouver-based animation studio. According to comments at Cartoon Brew, Sausage Party animators were...
Angry Birds Movie sequel photo
Angry Birds Movie sequel

An Angry Birds Movie sequel is in the works, so here's that Sean Penn meme


Money, money, money, money, money, money
Aug 26
// Hubert Vigilla
The Angry Birds Movie made $347 million worldwide, so they're making a sequel. Are you happy now, Earth? There are no plot or story details at the moment, but money-money-money, ergo sequel. I haven't seen the film, but I ass...
Batman photo
Batman

Batman: Return of the Caped Crusaders gets a trailer


The best Batman is back
Aug 24
// Matthew Razak
I'm pretty sure very few people under the age of 50 became fans of Batman through the old Adam West Batman TV show, but that's how I did. Reruns on some random channel at some random time were some of my favorite things ...

Review: Kubo and the Two Strings

Aug 19 // Matthew Razak
[embed]220794:43057:0[/embed] Kubo and the Two StringsDirector: Travis KnightRated: PGRelease Date: August 19, 2016 Kubo is a bit of a departure for Laika both visually and thematically. While their animation style still seeps through Kubo is far more inspired by Japanese art and anime than their previous work. It's also their most serious plot to date. Kubo is a young boy who lives with his mother in a cave hiding from his grandfather, who, when Kubo was a baby, stole his eye. His grandfather is now after his other eye for nefarious reasons. One day, when Kubo doesn't make it home before dark, his mother's evil sisters find him and adventure begins to find three pieces of magical armor in order to defeat Kubo's grandfather, the Moon King. Having to set out on his own, Kubo is accompanied by Monkey and Beetle on his grand adventure. It is a very traditional quest adventure, but the story is infused with themes of family, love and loss. If it weren't for the stop motion animation you would easily thing that this was a Pixar movie the story is so well executed and characters so likable. Kubo's tale isn't just one of high adventure, but also deep sorrow. It, like Pixar films, believe in the intelligence of the children it is geared towards and instead of pandering to them executes and story that engages both young and old.  It is, of course, easy to engage when your visuals are probably some of the most stunning of the year. You'll want to pause every scene to see the clear and crisp details while marveling at just how they could possibly do half the things they do with some lumps of clay. Even the simplest movements seem to stand out more thanks to the stop motion. The painstaking creation seeping through every scene.  Director Travis Knight, who is CEO of Laika but has never directed, paces what could be a very dull story beautifully. Despite the standard set up the story unfolds wonderfully, building tension between the characters fantastically. He also has an eye for pushing scary things just enough. Never letting them get so overwhelming that children won't enjoy it, but actually making villains menacing and powerful. Kubo is also being pushed hard in Dolby's new digital theaters where new projectors bring forth some the sharpest images you'll ever see and surround speakers shake the seats. It is possibly one of the best advertisements for these theaters, though whether or not the fantastically crisp picture and blacker than black blacks are worth the extra cost is up to you. I can only tell you that the movie looked better than anything I've seen outside of true IMAX. It isn't what size screen you see Kubo on or how earth shattering the sound is. Those things can make it better, but what make it great is its imagination. It's a stunning world that's hard to forget, and in that world a poignant story is told. The title may only mention two strings, but it will easily pull on all of your heart strings. 
Kubo Review photo
Stunning
If you know the name Laika then you know they do amazing things with stop motion. They may be the only ones doing it at the scale they do it too. Anyone who has seen Coraline or ParaNorman or any of their other work...

Firefly photo
Firefly

Fan-made animated Firefly series gets a trailer... and not much more


Because our hearts need to break more
Aug 16
// Matthew Razak
Firefly just will not die, and there's very good reason for that. Despite only having one season on the air it has influenced sci-fi for years and created a devoted following. I count myself among that following so it is...

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