Note: iOS 9 + Facebook users w/ trouble scrolling: #super sorry# we hope to fix it asap. In the meantime Chrome Mobile is a reach around


Music

New David Bowie video photo
New David Bowie video

Watch "No Plan" by David Bowie: New song, music video, EP on his 70th birthday


I have something in my eye
Jan 08
// Hubert Vigilla
David Bowie's death last year was so sudden and unexpected. He'd been battling cancer bravely and quietly for 18 months. Just days before he passed, he released Blackstar on his 69th birthday. That was a year a...
Coachella BWAAAAAM photo
Coachella BWAAAAAM

Hans Zimmer is performing at Coachella BWAAAAAAM


BWAAAAAAAAAAAAAAAAHHHHHHHHHMMMMMMMMMMMMM
Jan 04
// Hubert Vigilla
Composer Hans Zimmer has a world tour planned this year, and he's added an unexpected stop: Coachella. Running from April 14th-16th and April 21st-23rd in Indio, California, Zimmer will be playing on the 16th and 23rd. These ...
John Williams & Star Wars photo
John Williams & Star Wars

Composer John Williams admits he's never actually watched a finished Star Wars movie


Robots and laser swords or something
Dec 23
// Hubert Vigilla
John Williams has written some of the most iconic film scores of all time, including music for Star Wars, Indiana Jones, Jurassic Park, Harry Potter, and Superman. Whether or not he's seen the movies he's scored is another st...
David Bowie Gandalf photo
David Bowie Gandalf

David Bowie was considered for Gandalf in Lord of the Rings but didn't audition


Gandalf was Maiar, jamming good with...
Dec 19
// Hubert Vigilla
David Bowie's passing was one of many painful deaths in 2016. In the aftermath, we reported that Bowie auditioned for The Lord of the Rings. While Bowie was considered to play Gandalf in the film, it turns out he never really...

2017 Best Original Song photo
2017 Best Original Song

Here's a list of 91 tunes competing for the 2017 Best Original Song Oscar


All that matters is Sing Street
Dec 14
// Hubert Vigilla
Yesterday the Academy of Motion Picture Arts and Sciences (AMPAS) revealed their list of the 91 eligible tunes for the Best Original Song Oscar. We won't find out the final list of Academy Award nominees until January 24th, b...
Rogue One score photo
Rogue One score

Listen to some of Michael Giacchino's score for Rogue One: A Star Wars Story


An impressive month of work
Dec 10
// Hubert Vigilla
If you've kept up with the production of Rogue One: A Star Wars Story, you know that post-production was a little rough. Extensive reshoots were scheduled during the summer, and Tony Gilroy (Michael Clayton, the Bourne films)...
BWAAAAHHHHRRRM photo
BWAAAAHHHHRRRM

Hans Zimmer going on world tour in 2017, see the list of dates BWAAAAM


BWAAAAAAAAAAAAAAAAHHHHHHHHHMMMMMMMMMMMMM
Nov 30
// Hubert Vigilla
In Demolition Man, all of the restaurants are Taco Bell. In contemporary film music, almost all movies are scored by Hans Zimmer. Therefore, Hans Zimmer is almost the Taco Bell of film scores. (Don't question my logical reaso...
Moana  photo
Moana

Watch the fantastic "You're Welcome" from Disney's Moana


Thank you indeed
Nov 29
// Nick Valdez
If you didn't get to catch Disney's newest dynamo Moana over the Thanksgiving holiday, Disney has helpfully (and awesomely) given a little preview. Although I didn't get to gush about it as much as I wanted to in our review, ...

Review: Gimme Danger

Oct 27 // Hubert Vigilla
[embed]220909:43126:0[/embed] Gimme DangerDirector: Jim JarmuschRelease Date: October 28, 2016Rating:  R I'll start by accentuating the positive. It's great to watch the Stooges take a victory lap. After years of being a posse of indigent riffraff, The Stooges are now music demigods. On camera, Iggy Pop has such a smooth, comforting cool about him. Whenever he's telling a story, I experienced an anticipatory glee, waiting for that smirk to flourish into laughter and an unbridled smile. Stooges drummer Scott Asheton, by contrast, has a labored voice of a working class life lived hard. His late brother, Ron, pops up in archival interviews. Latter-day Stooges member James Williamson sits near his amp in a bathroom; we also spend some time with Minuteman frontman Mike Watt, who's part of The Stooges' reunion lineup. After the pre-title stinger (standard issue in so many docs these days), Jarmusch starts in Iggy Pop's childhood. Little James Osterberg, who lived in a trailer, tortured his parents with a drumkit and learned punk stagecraft from The Howdy Doody Show. We then zip through the band's formation in the '60s, with a little bit of exploration of the political scene in Ann Arbor, Michigan. The Stooges live communally, and share the stage with their big brother band The MC5. Then they record their self-titled album, and then they put out Funhouse, and then it's on to Raw Power. And then this happens, and then this other thing, oh and this. At a certain point it dawned on me: Gimme Danger was mostly comprised of "and-thens". It's more like the events as fleshed out bullet points, not the life of a band as an essay. Jarmusch includes footage of the infamous Cincinnati Pop Fest performance in which Iggy Pop, held aloft by the crowd, smears peanut butter all over his chest and goes hogwild. So oddball and unconventional, which makes the limp plainness of Gimme Danger a bummer. It doesn't feel like a Jarmusch movie at all. Instead, it's more like a competent TV documentary on The Stooges, but one that never really goes deep enough. They mention the radical politics of Ann Arbor and hanging with The MC5, but that's it. They mention a stint in the Chelsea Hotel, but not much more than the fact they stayed there. So much room for expansion, amusing tangents, the sorts of anecdotes that give texture to a life. But mostly it's all back to the bullet points. I come back to the idea of shape that I mentioned earlier. While talking about "Search and Destroy" on Raw Power, Iggy explains the metaphoric shape of the song. Williamson's guitar fills the space in such a dense way, and that informed how Ron played his leads and how Iggy did his vocals. Pieces come together, play off each other, rework and reconstitute themselves, and find a means of working in combination that kicks like a goddamn drum. You hear or sense that shaping everywhere on Raw Power, which is why it's one of the best albums of all time. You're listening to a band when it gets it and gels. Gimme Danger seems to lack this sense of shape, or cohesion, if you prefer. If this interview goes here, how is it complemented there? And if this footage does this, what should that footage do to complement it? Admittedly, editing seems like the most difficult part of documentary film. Still, I wonder what Gimme Danger might have been with just a bit more shaping. It's not bad, don't get me wrong, but it's not something I'll put on repeat.
Review: Gimme Danger photo
I just wanna be your doc
Iggy Pop and Jim Jarmusch sound like an unlikely pairing. One's the primal frontman of proto-punk legends The Stooges, the other's a mellow, measured indie auteur. But maybe there's something magnetic about their respective b...

Film score video essay photo
Film score video essay

Every Frame a Painting explains why MCU and modern movie music is similar and forgettable


The Marvel Carbon Copy Universe
Sep 12
// Hubert Vigilla
Tony Zhou's video series Every Frame a Painting is an excellent resource for people interested in the craft and aesthetics of filmmaking. Zhou is a professional editor, and his video essays cover everything for omnivorous cin...
Die Antwoord v David Ayer photo
Die Antwoord v David Ayer

Die Antwoord claim Suicide Squad director David Ayer copied their look for Joker & Harley Quinn


The Joker + Harley Quinn + Chappie?
Aug 10
// Hubert Vigilla
While Suicide Squad has broken box office records, the film has issues. Matt pointed out how the problems undermined the good stuff in his review of the film. Suicide Squad clearly wanted to be different things at the sa...

Suicide Squad v Guardians of the Galaxy: A Tale of Two Soundtracks

Aug 08 // Hubert Vigilla
[embed]220753:43036:0[/embed] Awesome Mix Vol. 1 is an actual artifact that exists in Guardians of the Galaxy. The Suicide Squad soundtrack is just a soundtrack. This difference cannot be emphasized enough. The Awesome Mix is a mix tape from Peter Quill/Star-Lord's dead mother made just for him. A mix tape means curation, careful consideration, that time was taken to make something, and that something personal is trying to be communicated to someone else through an arrangement of songs. In short, mix tapes show someone you care. It's also important that the Awesome Mix is era-specific, with songs from the '70s and '80s, mixing a bit of AM radio kitsch--"Escape (The Pina Colada Song)," "Hooked on a Feeling"--with some Top 40/punk/glam favs--"Moonage Daydream," "Come and Get Your Love," "Cherry Bomb." This marks a time that Star-Lord will never know, lived by a parent he'll never see again, from a planet he was taken from. Sure, the songs are loads of fun, but there's an underlying sadness to a simple little cassette tape: Quill's last connection to his home planet is an antiquated bit of technology and (since few people make physical mixes these days) a dead cultural practice. By contrast, there's nothing curated about the Suicide Squad soundtrack (aka The Basic Bastich Playlist). It doesn't exist in-story and there's a general willy-nilly-ness to all of it. Looking at the tracklist, it doesn't feel like a mix tape made for anyone but rather for everyone and in the blandest way possible. The soundtrack feels like a bunch of songs some Warner Bros. studio exec downloaded on Napster when he was in college, plus three new ones. Those three new songs are relegated to the closing credits, by the way. That's probably where Skrillex & Rick Ross belong, but a shame to waste a Grimes track. [embed]220753:43037:0[/embed] The choices are so obvious, from "Bohemian Rhapsody" and "The House of the Rising Sun" to "Super Freak" and "Sympathy for the Devil." I couldn't help but think of better movies that made better use of these songs (e.g., Wayne's World, Casino, Little Miss Sunshine, Interview with the Vampire). On that note, The Basic Bastich Playlist even has a song from Awesome Mix Vol 1 ("Spirit in the Sky"). That may explain the general been-there-done-that quality to much of Suicide Squad. The movie does things that other movies have done, but it fails to distinguish itself or excel at anything uniquely on its own. The pop songs come frequently in Suicide Squad. The film's turgid, repetitive prologue feels like three different intro scenes in 20 minutes, with a new pop song creeping up every two minutes. Rather than carefully doling out the needle drops to punctuate a scene or create a character leitmotif, Ayer and his editors feel like cheap wedding DJs looking for a quick reaction from the crowd. "Want some tension and attitude in a scene lacking both? Here's 'Seven Nation Army' and 'Without Me.' Now get ready for the dollar dance." I'm surprised they didn't play "We Are Family," "I Will Survive," and "The Macarena" at some point. The overuse of licensed music is probably the result of the reshoots and subsequent re-edits of the film prior to release. Warner Bros. suits felt like audiences wanted a movie like the first Suicide Squad trailer, so they added more comedy and hired a company that specializes in editing trailers to rework the movie. Consequently, Suicide Squad feels more like a series of trailers than an actual cinematic story. Coming back to the Awesome Mix, I think it just emphasizes the main problem with Suicide Squad, and perhaps even WB/DC as they try to rush their own cinematic universe. The Awesome Mix is a compelling component of a story in which lonely characters join to form a surrogate family. The Basic Bastich Playlist is something a studio used to distract audiences from a story that barely even holds together.
Squad v Guardians photo
Basic Bastich Playlist v Awesome Mix
As Matt pointed out in his review, Suicide Squad feels like two movies clumsily stitched together. One movie (the better movie) is a grim Dirty Dozen/Wild Bunch homage about bad guys fighting even worse guys. That sounds righ...

AINT NO MERCY photo
AINT NO MERCY

Watch Jared Leto's Joker hang out with Skrillex and Rick Ross for 'Purple Lambourghini' video


AIN'T NO MERCY AIN'T AIN'T AI-
Aug 08
// Nick Valdez
Suicide Squad has come and gone. Breaking August opening records, failing critically for the most part (although our Editor-in-Chief Matt was more level headed than most), and had so many editors in the editing room (accordin...
Ghostbusters photo
Ghostbusters

Listen to the new and terrible Ghostbusters theme from Fall Out Boy and Missy Elliott


Eh eh eh eh eh eh eh eh eh eh eh eh eh
Jun 23
// Nick Valdez
Regardless of how you feel about the Ghosbusters or the upcoming reboot (which I hope succeeds so we get more movies like it), we can all at least agree that the original film's theme was pretty good right? In terms of recogn...
Batman v Superman score photo
Batman v Superman score

Boogie down to the Batman v Superman: Dawn of Justice score by Hans Zimmer and Junkie XL


Do the Batusi!
Mar 18
// Hubert Vigilla
Batman v Superman: Dawn of Justice comes out next week (March 25th), and whether Warner Bros suits are worried or not so worried, the film will make a big splash at the box office. We just learned that you can listen to the entire Batman v Superman soundtrack via Spotify. The score is by venerable BWAAAAMer Hans Zimmer and Junkie XL of Mad Max: Fury Road fame. Give the score a listen below.
John Carpenter new music photo
John Carpenter new music

John Carpenter releases new song from Lost Themes II, announces US tour dates


This is your new jam
Feb 17
// Hubert Vigilla
We mentioned not too long ago that horror maestro John Carpenter is working on a new album and will play a few live shows. Well, the first track from Lost Themes II came out earlier today and it's called "Distant Dream." The ...
New John Carpenter album photo
New John Carpenter album

John Carpenter's Lost Themes II coming in April, with live shows and possible US tour dates


If I were a carpenter...
Feb 01
// Hubert Vigilla
Last year, horror maestro John Carpenter released the album Lost Themes, a collection of original compositions that could have come from one of his movies. If you loved Lost Themes, you'll be happy to know that a new Carpente...
David Bowie: Sound/Vision photo
David Bowie: Sound/Vision

NYC: Paley Center starts David Bowie: Sound + Vision series this weekend


To honor the life of David Bowie
Jan 14
// Hubert Vigilla
David Bowie's death just days after the release of Blackstar was a painful shock to many. To celebrate his life, The Paley Center for Media in New York will reprise its 2002 screening series David Bowie: Sound + Vision. Takin...

RIP David Bowie (1947-2016)

Jan 11 // Hubert Vigilla
RIP David Bowie photo
There's a starman waiting in the sky
David Bowie passed away yesterday after an 18-month battle with cancer. He was 69 years old. It's unreal to write those sentences, and it's enough to bring tears to my eyes, but David Bowie is dead. This is just days after th...

The Get Down photo
The Get Down

Watch the trailer for The Get Down, Baz Luhrmann's Netflix series on disco and the birth of hip-hop


Recreating New York City in the 1970s
Jan 08
// Hubert Vigilla
There's a lot of romance surrounding New York in the 1970s even though it wasn't necessarily the place you'd want to live. Crime, poverty, economic collapse, garbage strikes, tenement arson to collect insurance money. Then ag...
Radiohead Bond theme photo
Radiohead Bond theme

Listen to Radiohead's unused James Bond theme song for Spectre


A Christmas gift to you from Radiohead
Dec 26
// Hubert Vigilla
Spectre was sort of wonky as recent Bond movies go. The film was full of Bond callbacks, particularly to the Roger Moore era, which was nice for a cheap nostalgia pop but a big step backwards after the strengths of Skyfall. O...

Review: Junun

Oct 09 // Hubert Vigilla
[embed]219966:42655:0[/embed] JununDirector: Paul Thomas AndersonRating: NRRelease Date: October 9, 2015 (MUBI) Junun is all about the music being made, so much so that the filmmaking seems a secondary concern. While multiple angles are covered during the recording sessions, we still see cameras suddenly picked up and repositioned, and get views of the ornately designed ceilings of the fort in the process. It sets the viewer down among the musicians as they perform or just outside the room looking in. There are a few humorous moments, like when a pesky pigeon winds up in the room, and there are moments of downtime when the musicians wait for rolling blackouts to pass. Occasionally Anderson offers a sublime cinematic flourish, like a drone shot of dozens of falcons swirling around the top of the fort as a man tosses them bits of meat. In the sunset and sunrise, Rajasthan looks gorgeous--gold skies, and many of the buildings an inviting blue--and a few times in Junun there are excursions into the bustle of the city itself. Anderson returns continually to the music--and more so the members of the Rajasthan Express and Tzur than Greenwood--blanketing the film in the songs from end to end. The collaborative compositions are mesmerizing, structured on galloping percussion, repetition and variation, and virtuosic touches. It might be a testament to the music that it elevates many of the images that would seem otherwise too much like home movie fare. The falcon shot might be the best marriage of sound and vision, though the music also invigorates plain moments walking the streets or shooting the people of Rajasthan from a tuk-tuk. I caught Junun in the Walter Reade Theater. The music resounded through the space and the seats. It made me wonder how different my experience would have been if I watched it via the VOD service MUBI. Something visceral might be lost from the big screen to the laptop, and unless you've got a really good sound system, it might fail to have the same impact. But Junun is worth a watch, or even just worth a listen, and not because it's a new Paul Thomas Anderson movie. It's more like a Paul Thomas Anderson music recommendation--check these guys out. It might be the first of his movies you can just play in the background.
Review: Junun photo
It's about the music (film is secondary)
How do you review a home movie with a great soundtrack? In a lot of ways that's precisely what Paul Thomas Anderson's Junun is. Anderson shot the footage earlier this year, chronicling a month-long recording session between R...

Spectre photo
Spectre

Listen to Sam Smith's Spectre theme, "Writing's on the Wall"


Sep 25
// Nick Valdez
"Skyfall" > "You Know My Name" > "Another Way to Die" > "Writing's On the Wall" 
Steven Universe photo
Steven Universe

Steven Universe's extended opening theme is the best


Watch it already!
Sep 10
// Nick Valdez
Over the last year, Steven Universe has blown up to magnificent proportions on Cartoon Network. It was confident enough in its long game to build a literal "universe" of well rounded characters, strong and more adult themes (...
Bond, James Bond photo
Bond, James Bond

Sam Smith to sing Spectre's title song


One step closer to release
Sep 08
// Matthew Razak
It's a time honored tradition that some big artist belts out a title song for a Bond film (except for the all orchestral opening to On Her Majesty's Secret Service). In the past the songs became massive hits, but Bond had had...
Tower Records documentary photo
Tower Records documentary

Trailer: All Things Must Pass covers the rise and fall of Tower Records


Remembering the big chain record store
Aug 31
// Hubert Vigilla
If you were a teenager before the 2000s and lived in a decently sized town or city, chances are you went to a Tower Records. Tower used to be one of my go-to spots to buy/browse music while I was a high school kid in the Bay ...
Jem Movie photo
Jem Movie

Listen to the Jem movie's first original song "Youngblood"


Outrageous?
Aug 14
// Nick Valdez
I'm rooting for Jem and the Holograms. Firstly because there's a good chance this film will inspire other films like it, and we need more girl power band films, and secondly, I don't feel like we've got a good look at the fi...
Horror major key photo
Horror major key

Listen to horror movie/TV theme songs redone in a major key


Like a spooky dentist's office
Aug 12
// Hubert Vigilla
Some of the most iconic horror movie scores are creepy in and of themselves. Listen to "Tubular Bells" from The Exorcist and it recalls Linda Blair's scarred face and twisting noggin. Or listen to John Carpenter's theme from ...
Eden photo
Eden

Latest trailer for Eden is a celebration of music and club culture


Lose yourself to dance!
May 15
// Per Morten Mjolkeraaen
While you may not know Mia Hansen-Løve yet, her husband, and dare I say muse, Olivier Assayas is certainly more recognisable. As a fan of them both, it is easy to see how they inspire the best in each other, and with E...
Baby Driver casting photo
Baby Driver casting

Lily James cast in Edgar Wrights Baby Driver


Still not Ant-Man
May 08
// Matthew Razak
Edgar Wright promptly moved on from Ant-Man -- even though the rest of us are still sad about it -- and dove into some more awesome original content with his next film Baby Driver, which will be led by Ansel Elgort as dr...

Auto-loading more stories ... un momento, corazón ...