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Science Fiction

Lost in Space photo
Lost in Space

Netflix making a Lost in Space series

Pun about being found
Nov 23
// Matthew Razak
I've never quite gotten the love for Lost in Space. Aside from the greatest robot ever the series always felt bland when I caught it on reruns. Then again, I thought the film adaptation was actually kind of interesting so tak...
Force Awakens clip photo
16 seconds of Star Wars 7
Here is 16 whole seconds of Star Wars: The Force Awakens for your viewing pleasure. It features Rey (Daisy Ridley), Finn (John Boyega), and BB-8 (himself) running away, and there's also explosions and some repartee. Eat thes...

Lucas done with Star Wars photo
Lucas done with Star Wars

George Lucas had no input on The Force Awakens, is done with Star Wars

Disney decided to go another direction
Nov 23
// Hubert Vigilla
When people think of Star Wars, they think of George Lucas. He brought the film series to life in the late 70s and, for better and for worse, he was the driving force behind the prequel trilogy. But these new Star Wars movies...
Force Awakens TV spot 7 photo
Force Awakens TV spot 7

New Star Wars: The Force Awakens TV spot has the return of a certain character

A familiar face returns among the pilots
Nov 23
// Hubert Vigilla
Darth Feelgood back again, and I know you're looking for another fix of the force. You're shaking, but I have something for that, buddy. Here. Here's another taste of The Force Awakens in the most recent TV spot, and you migh...

Finn: The Force Awakens photo
Finn: The Force Awakens

Star Wars: The Force Awakens TV spot focuses on John Boyega's Finn

Allow it
Nov 19
// Hubert Vigilla
Psst. Buddy. It's Darth Feelgood again. Yeah. I'm here with you're latest Star Wars: The Force Awakens fix. Got a taste for Star Wars, don't you? Yeah, well here's some more. In this new Force Awakens TV spot, the ad focuses ...
Dark Tower photo
Dark Tower

Matthew McConaughey up for villain role in The Dark Tower

The Man in Black is all right, all right
Nov 17
// Matthew Razak
If you said to me that Matthew McConaughey was going to star in The Dark Tower films being made I'd instantly think he'd be playing Roland, the Stephen King series's protagonist. However, Variety is reporting that he's b...
Star Wars images photo
Star Wars images

New Star Wars: The Force Awakens images and character details, let the hype flow through you

Five weeks, everyone
Nov 11
// Hubert Vigilla
Star Wars: The Force Awakens is out next month, which means the relentless hype isn't stopping until we hit December 17/18th. There's a whole slew of new images from the film posted by Entertainment Weekly, including an old H...
Star Wars TV spot photo
Star Wars TV spot

First TV spot for Star Wars: The Force Awakens has lots of new footage

Let the hype flow through you
Nov 09
// Hubert Vigilla
It's five weeks until The Force Awakens, folks. (I know!) The third and final trailer and the Japanese/international trailer offered some new stuff to look at and enjoy, and the same goes for this first TV spot for Episode VI...
Star Wars Japanese photo
Star Wars Japanese

Japanese trailer for Star Wars: The Force Awakens features new footage

Get your fix, Star Wars junkies
Nov 06
// Hubert Vigilla
The final domestic trailer for Star Wars: The Force Awakens isn't the last trailer for the movie. A Japanese trailer for the film has popped up online, and it's got all-new footage for you Star Wars junkies to enjoy. Check it...
Star Wars posters photo
Star Wars posters

New character posters for Star Wars: The Force Awakens (still no Luke)

You'll lightsaber your eye out!
Nov 04
// Hubert Vigilla
Another day, a little more news on Star Wars: The Force Awakens. We got the official movie poster and the final trailer for the film not too long ago, and now we have a couple character posters for the primary characters of t...
Metroid: The Sky Calls photo
Metroid: The Sky Calls

Watch fan film Metroid: The Sky Calls with Jessica Chobot as Samus Aran

Enjoy that simulated film grain
Nov 03
// Hubert Vigilla
Fan films have come a long way in the last 15 years, and a few even have the polish of a mid-budget feature-film production. For example, this Metroid fan film subtitled The Sky Calls is pretty great for what it is. Directed ...
New Star Trek TV show photo
Boldly continuing to go in 2017
After the success of the Star Trek reboot (yay!) and Star Trek Into Darkness (boo!), it looks like Star Trek is coming back to television. CBS has confirmed that it is putting out a new Star Trek show in January 2017. The sho...

Star Wars photo
Star Wars

IMAX Star Wars: The Force Awaken's 70 mm release locations

Or you can see it with Lasers
Oct 20
// Matthew Razak
If you haven't heard yet because you don't like looking outside or going on the Internet, Star Wars: The Force Awakens tickets went on sale last night to coincide with the new, totally amazing trailer that landed. This means ...

Rick and Morty Season 2 Review: One Schwifty Season

Oct 20 // John-Charles Holmes
[embed]220007:42656:0[/embed] Rick and Morty’s debut season still stands as one of the biggest surprises out of Adult Swim to date. The channel is usually known for its one-note ideas (Adult Johnny Quest! The dog is also Satan! This cop is a literal ass!), but the new show from animator Justin Roiland and cancellation legend Dan Harmon rose far above its parody roots of an alcohol fueled Back to the Future. Not only did the show develop a wittingly self-aware voice for itself, but episodes occasionally dipped their toes into some pretty dark concepts like chaos theory, family abandonment, and even desensitization through the pursuit of knowledge—but only just a little at first. If season one is where Rick and Morty got audience acclimated to what strange ideas it had to offer, season two are those exact same ideas put into full practice with absolutely no restraint. Where season two holds up best is in how the show is actually structured a bit more like a typical show, but much to its benefit. Whereas the first season left all the fantastic adventures to the mostly drunk mad scientist Rick and his stammering grandson, Morty, the new season gets the entire Smith family involved in more of the weirdness. The biggest benefit being that Morty’s older sister, Summer, makes more appearances in every episode and even gets some great A-stories, making a more competent pairing with Rick than the idiotic Morty. At the same time, the new episodes also took their bizarre ideas even further. The season premiers with Rick, Morty, and Summer actually ripping the space-time continuum into multiple realities, displayed by slicing the screen right down the middle. This repeats until the episode actually climaxes into 64 different screens at once and staying that way until the anomaly gets resolved. In any other show, an idea this crazy would be enough to confuse and alienate an audience away for good, but Rick and Morty embraces this and draws us in even closer with just how ostentatiously crazy it’s willing to get. How crazy? Other highlights include an Ice T alien actually made out of ice, an alien parasite that induces a clipshow that so fake that it has to be real, an entire planet of cat people who engage in a The Purge style celebration, and even Rick becoming trapped in a teenage clone of himself who becomes the most unquestionably beloved cool kid at school—and that’s just barely scratching the surface of how inventiveRick and Morty’s sophomore season gets. The season does run a little disappointingly short at just ten 22-minute episodes, but then again, leaving us wanting more is a sign that a show’s doing something right. Many fans may be disappointed that only a few one-off characters from the first season make returns, but this can be forgiven just for how many new characters from Rick’s varied past. The best of which is arguably an appearance from Stephen Colbert in the episode “The Ricks Must Be Crazy.” Colbert plays Zeep, a skeptical alien scientist who lives the world of a battery that Rick invents to fuel his ramshackle spaceship. When Zeep discovers that his entire world exists just to power a battery, he turns on Rick and Morty and tries to escape to wreck vengeance on their universe. As the all-knowing scientist character of the show, Rick can definitely command the direction of every episode, so it’s an absolute joy to see Rick evenly matched by his own intellectual equal—not to mention that Colbert’s performance fits wonderfully for the know-it-all Zeep, putting his own annunciated character acting to hard work. For as much fun as the show has with itself this year, it does end many of the episodes with the same shockingly dark overtones as the infamous “Rick Potion #9” episode from the first season. Much of the ruthlessness and directionless suicidal depression of Rick is teased throughout the entire season as well as the effect that his self-destructive life has had on his daughter, Beth and the rest of the Smith family. This all leads up to a phenomenal finale where it finally comes to a head with an amazing emotional payoff. If the big question of season one was “does Rick truly love Morty,” season two asks if the family really needs Rick or if he’s the one dependent on them. The season does end on a massive cliffhanger, though, so it stands to beg if we even get a final answer by the end of the tenth episode. The stakes are raised, the world of the show has changed dramatically, and many sacrifices are made along the way. Rick and Mortyrivals another show for the most intense television wedding by the end of it all. So is Rick and Morty season two worth watching? Most definitely, yes. A lot of the show is still pretty the same as before—the same unrestrained raunchiness, the same direct nods to obscure sci-fi productions, and the same disgustingly beautiful designs, it’s all there. Where it does improve though, is in the writing and in its use of characters. By the time the season had wrapped up this fall, the clunkiness of some of the first season’s episodes could be seen when compared to the stronger and more economical stories of the second. If you found the writing of the first season awkward or off-putting, the second may just have more of the meaningful stories you were looking for out of Rick and Morty. After all, this is the show that has Werner Herzog going on an entire monologue about how depressing the human race’s obsession with penises is, and honestly, where else on television or film are you going to find that? Until season three debuts, I’m going to have to say, nowhere else. Want to see more of our TV coverage? Check out our TV Recaps and Reviews! 
Rick and Morty photo
It's been one schwifty season
Season two of Adult Swim’s latest breakout hit, Rick and Morty, started off with one of the most high-concept episodes of any television show this side of Community and ended with a surprisingly intense non-stop rocket-...

X-Files trailer photo
The truth is still out there, suckas
Dana Scully and Fox Mulder are back doing what they do best, which is... well... being Scully and Mulder. Fox dropped a brief trailer for the six-episode miniseries reboot of The X-Files, which comes to TV in January. Check i...

Star Wars: Episode VII photo
I've made the decision to avoid other trailers for Star Wars: The Force Awakens, so not only does that make my job much harder here, it also means I'll have to avoid all media for the next few months to keep from spoiling mys...

#BoycottStarWarsVII: Dumb nerds claim The Force Awakens promotes white genocide

Oct 19 // Hubert Vigilla
While the hashtag derp could be written off as an isolated incident involving fedoras and neckbeards, it's part of nerd culture's dark side. We saw it in Gamergate, where any grievances over ethics in games journalism were overshadowed by the movement's pervasive misogyny, threats of violence against women, and a total lack of self-awareness or sense of humor in those who identified with the hashtag. It was there in the Mad Max: Fury Road boycott, in which a badass feminist action movie left MRA's feeling emasculated and threatened simply at the idea of the story. And here it is again, with a strange lashing out by racist, insular Star Wars nerds at the mere appearance of a black person. Maybe this all ties into a larger sense of global xenophobia and sexism. I'm thinking of the uptick in Islamophobia throughout the United States and Europe, or the Christian right's fight against gay rights, or the insensitivity some have towards the transgendered. It's as if the ethnic, cultural, religious, or gendered "other" is a threat to white male hegemony and homogeneity. Wesley Morris wrote in The New York Times that this was the year we obsessed over identity, and here in these various incidents are a series of pushes against the tide of change in order for a culturally dominant group to maintain control rather than cede some. But you know what? The future is going to be more diverse, and that's good for everyone. Leaving aside a larger cultural conversation about the changing demographic makeup of the world and how women, people of color, queer individuals, and transgendered individuals are finding new roles in society and greater acceptance, let's just come back to Star Wars. All films wind up being a reflection of their time, and what is the 21st century (or at least the possibility of the 21st century, especially in this decade) if not a more open and inclusive world, a continuation of the better parts of a tumultuous and violent 20th century. It's harder to overcome a regressive mindset in the real world, but at least we can do it in our art and entertainment--you've got to start somewhere. Kathleen Kennedy is at the creative helm of the series rather than George Lucas. We're looking forward in the story rather than backwards, with new perspectives on the mythos and new talent taking the reins. There's a more diverse cast for the new Star Wars trilogy as well as Rogue One: A Star Wars Story, and we'll likely see the same casting approach to the other two Star Wars anthology films in development. Kennedy has apparently lobbied for a woman to direct a Star Wars film. While this hasn't come to pass for a variety of reasons (at least not yet), six of the eight people who are instrumental in the development of these new Star Wars films are women. We'll have to see the films first to figure out if they're any good, of course, but there's something hopeful about this approach that makes this #BoycottStarWarsVII nonsense seem smaller and pettier than it already is. This is the 21st century, and there's only one thing to say to the angry, racist nerds using this dumb hashtag. To quote Star Wars star John Boyega: "Get used to it." [via The Mary Sue]
#BoycottStarWarsVII derp photo
The derp is strong with this one
Oh nerdom, not again. Earlier this year, some silly men's rights activists called for a boycott of Mad Max: Fury Road for being "feminist propaganda." Now some angry, racist nerds are calling for a boycott of Star Wars: ...

Force Awakens Poster photo
The gang's all here, except Luke
Here it is, the official poster for Star Wars Episode VII: The Force Awakens. You may recall Drew Struzan's D23 poster for The Force Awakens a few weeks ago, but this here is the real thing. And it's pretty keen. You've ...

Review: The Martian

Oct 02 // Matthew Razak
[embed]219989:42650:0[/embed] The MartianDirector: Ridley ScottRated: PG-13Release Date: October 2, 2015  Despite what you might think from the title The Martian does not have any actual aliens in it. This isn't John Carter. This is science fiction at its most sciencey and its least fictiony. On what is now a relatively routine trip to study mars Mark Watney is left behind by the rest of his crew during an evacuation. The Martian is about his survival. It's also about his rescue. The crew, consisting of Captain Lewis (Jessica Chastain), Rick Martinez (Michael Peña), Beth Johanssen (Kate Mara), Chris Beck (Sebastian Stan) and Alex Vogel (Aksel Hennie), are on a months long trip back to earth thinking he's dead. Meanwhile NASA, led by director Teddy Sanders (Jeff Daniels) and Mars lead Vincent Kapoor (Chiwetel Ejiofor) struggle to find a way to save Watney. If you've read the book you probably already recognize that Damon is the perfect casting for the wisecracking Mark Watney. The character might be one of the most likableprotagonists ever. Damon brings a layered performance to the stranded astronaut that not only captures the charm of the character from the book, but adds an extra layer of fear and anger that is sometimes missing from the prose. He turns the Watney of the page into an actual person and it is a powerful performance. The rest of the cast keeps pace, though they obviously don't take up as much screen time. Especially surprising is Daniels' performance, which takes an all out heel from the book and makes him far more relatable. There are other changes from the book. For the sake of time and the elimination of hours worth of exposition dialog the science has definitely been dumbed down a bit. More importantly, though, our time with Watney is far less. Since it's a film with less time the NASA parts are brought in earlier and we get less Watney on Mars action. It's a elimination that had to be made, especially to fit in the movie's stunning ending, but it means less Watney. That's actually a testament to just how well the movie plays. If you're sitting in your seat wishing it could have been an hour longer just so you could watch Matt Damon drive around what is basically a big red desert then a film has done something right.  In all honesty the subtraction of more Watney time makes the film work better. Drew Goddard shaped this film into a finely honed screenplay that retains the humor and passion of the book. It jumps back and forth perfectly between Mars and Earth. Tension is derived not from big action sequences (except the aforementioned thrilling conclusion), but instead human interaction and tiny drams. There's a great fluidity to the film that somehow helps contrast the wonder of Mars with the doldrums of Earth. Looking at this movie you can't help but want to strap on a suit and launch into space to explore whatever is out there because it's going to be amazing. Mars is vibrant red, stunningly beautiful and engrossingly alive despite not hosting any actual life. Earth by contrast is dull, full of cramped office space and dreary colors. The film is a visual explanation of humanity's love for exploring even if there was no sound. This may be Ridley Scotts best film since Gladiator and it's definitely his best science fiction since Blade Runner. Prometheus was Scott trying to be philosophical, but The Martian is him getting back to his grounded roots and that's what he's good at. At the intersection of science fiction and thrillers is where Scott hits his sweet spot and it's very evident with this film. He's a master of building tension, especially when isolation is involved. And yet, The Martian is drastically different from his previous science fiction movies. It is both humorous and hopeful. Space is still out to get us, but it's not something to run away from, but a challenge to be conquered. Maybe this is why it is just so awe inspiring. Years of Scott's pent up love for all things outer space seem to flow out onto the screen in this film. There has never been and may never be a better advertisement for NASA or a better explanation of why it's so important for us to explore. Sometimes we need a little great science fiction to know just what reality can be. 
Martian Review photo
Un-sciencing the sh*t out of this
If you haven't read The Martian you should because it's better than whatever you're reading now (most likely). It's one of the most enthralling pieces of science fiction to come along in ages and it's an incredibly quick...

X-Files photo

The X-Files unfolds new conspiracies in teasers

Doo Dee Doo Dee Doo Doo
Sep 29
// Matthew Razak
For fans of The X-Files it's been a long hard wait for our first looks at the return of Mulder and Scully, but we've got it now and it's full of all the glorious fan service you wanted. There's two teasers below showing ...
Prometheus 2 photo
Prometheus 2

Prometheus sequel gets new, Alien friendly title

Sep 25
// Nick Valdez
Despite the two hour confusing slog it was, Prometheus was divisive here at Flixist. We even pulled in Jim Sterling at one point to talk about it because it was so crazy. I'm sure Ridley Scott was interested in pursuing a seq...
Black Mirror Netflix photo
Black Mirror Netflix

Netflix teases its 12 new episodes of Black Mirror for Season Three

Twelve! Twelve episodes! Ah-ah-ah!
Sep 25
// Hubert Vigilla
It's now official: Netflix has ordered 12 new episodes of Black Mirror for Season 3. As we reported last time, Charlie Brooker is currently writing the new series, and the show will be produced in collaboration with House of ...

Minority Report Pilot Review: It's Basically Already Canceled

Sep 22 // Nick Valdez
Taking place ten years after the events of Steven Spielberg's Minority Report (which the pilot has to remind folks existed) and the end of the PreCrime Unit (where the police arrested folks based on murders that hadn't yet happened), one of the "Precognitives" Dash (Stark Sands) has grown tired of hiding as his murder visions grew worse and worse. He eventually teams up with Detective Lara Vega (Meagan Good of Cousin Skeeter fame)  and their adventures in policing begin or something like that.  Pilots are under an extreme amount of pressure. They've got to hook their respective viewers within the first fifteen minutes or so while showing why the world they inhabit is worth investing in. Report actually accomplishes this pretty well. The opener follows Dash as he frantically dashes toward the scene of a crime while showing off the pilot's impressive budget (which I don't expect to hold weight through the rest of the series, much like Almost Human). It's a subtle and intelligent sequence as Dash struggles knowing the entire time he'll fail. But there's never any hand holding during this, and we're left to infer it from his actions. And when he does indeed fail to stop the murder, it's as simple as watching him turn away from the scene since he's witnessed so much of it already. Unfortunately, that same light touch doesn't extend past that point. After the first ten or some minutes, Report basically becomes every cop show ever. I don't really understand why, but for some reason Report constantly exposits story details. Lines like "They remind you of having no parents, that's why you came to me." or along those lines. It loses that subtlety in favor in overtly stating how other characters relate to other ones, and it's not like those relationships are particularly inventive either. You'd figure with a world 50 years in the future, the future police would have better conversations than "I'm a future police." That's not really what they say, but I hope you get my point. I guess I'm still sour about Almost Human. That show had a much better handled premise. It's not all bad as there are a few nuggets that might prove interesting later, but this pilot had a ton of rough edges. Normally I'd say to forgive a pilot's bad writing if the cast or premise were gripping enough, but I don't feel that way here. I'd love for Meagan Good to have a great starring vehicle, but since she yet again plays second fiddle to some white guy, I'm over it.  Either way you fall on this, Fox will cancel this after the first season...if it even gets to that point.  Final Thoughts:  Meagan Good is great, but I wish the pilot exploited her body less. It really undermines how good of a detective she is when we're all ogling a picture of her in a bikini.  We're all lucky I didn't use "Meagan Bad"  Wilmer Valderama is here. That's all I have to say about that.  "When I was your age, we used this thing called Tinder. It's how I met your father." I don't care what year it is, no one ever will refer to Iggy Azalea's "Trouble" as an "oldie."  I totally believe The Simpsons will still be on the air 50 years from now. 
Minority Report photo
I miss Almost Human
As television grows more and more influential thanks to its ready availability through streaming services, networks have been putting more and more money and effort into their offerings. One of the weird consequences of this ...


New Japanese Godzilla movie in the works from Toho Studios

Gojira vs. Godzilla
Sep 18
// Hubert Vigilla
Gareth Edwards' Godzilla got generally positive reviews and did good business at the box office, grossing $521.9 million worldwide. And yet the American Godzilla was full of boring humans (except for Bryan Cranston) who got i...
Pacific Rim 2 delayed photo
Too bad, Mako!
If you were holding out hope for Pacific Rim 2, we've got some bad news for you today. The Hollywood Reporter ran a piece about the current testy relationship between Legendary Pictures and Universal, and one of the casualtie...

Black Mirror Netflix photo
Confession: I loved the pig episode
Charlie Brooker's Black Mirror was given new life when Netflix added it to its streaming library in late 2014. Many a thinkpiece ensued, and pretty much everyone you knew probably asked if you'd seen it at some point or ...

Mad Max best of the year photo
Mad Max best of the year

Mad Max: Fury Road voted best film of the year by the International Federation of Film Critics

The opposite of mediocre
Sep 02
// Hubert Vigilla
Just released on DVD and Blu-ray, Mad Max: Fury Road is one of our favorite movies of the year and it's better than many other movies. Somehow Fury Road also manages to fit as a badass addition to the loose thematic continuit...

New photos from Star Wars: The Force Awakens and plot/character details emerge

Aug 12 // Hubert Vigilla
Abrams also revealed/confirmed a few things about villain Kylo Ren, the fella with the lightsaber that has the crossbar on it (causing many geeks consternation regarding its dangerously impractical design). Not only is his lightsaber homemade, but he's also part of a mysterious group known as the Knights of Ren, a new addition to the Jedi/Sith mythos. From the article: Abrams can confirm what many suspected: it’s a tool he crafted all by his lonesome. “The lightsaber is something that he built himself, and is as dangerous and as fierce and as ragged as the character,” Abrams says. ... But there’s another wrinkle to Kylo Ren. In typical Abrams fashion, the more the filmmaker reveals… the more questions arise. It turns out — Kylo Ren isn’t the character’s real name. Or, at least, not the name he was born with. Remember how we eventually learned that “Darth” is not a first name, but a kind of title? It appears the surname “Ren” is something similar. “He is a character who came to the name Kylo Ren when he joined a group called the Knights of Ren,” Abrams says. But that’s as far as the writer-director will go. Check out the image gallery, comment on Kylo Ren and the Knights of Ren, and just hold onto your butts until December. [via EW, EW, and EW]
Star Wars 7 Photos photo
Begun the hype machine has
As its December 18th release date inches closer, we're starting to get more and more stuff to whet people's appetites for Star Wars: The Force Awakens. There was the Korean TV spot for The Force Awakens the other day (with ma...

The Martian photo
The Martian

The Martian goes viral with new interviews

In space no one can hear you sarcasm
Aug 04
// Matthew Razak
Anyone who has read The Martian knows that it's pretty damn amazing how quickly you get attached to the characters despite the brevity of the book. The crew themselves is probably the most important to nail, and judging ...
Dreams photo

Edge of Tomorrow 2 being pitched by Tom Cruise

Live. Die. Repeat... again
Jul 29
// Matthew Razak
Without a doubt one of my favorite films of last year was Edge of Tomorrow (also known as Live. Die. Repeat.) It was a sleeper hit and delivered one of the more original sci-fi films we'd seen in a while. While the film'...

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