Fear the Walking Dead Season Finale Recap: "The Good Man"

Oct 05 // Nick Valdez
With the encroaching danger of the arena filled with thousands of zombies (which I'm glad we didn't know about until the last episode, it could've been stupidly teased through all six episodes and became more annoying than not) and the military abandoning El Serreno, the gang makes plans to break into the military compound in order to rescue Nick and (the now dead) Griselda. It's generic stuff to be sure, but it's interesting how we get to that point. First, Travis decides to spare The Faculty military guy since he says he knows where everyone is. Then Daniel decides to weaponize the arena full of zombies and lets them loose on the military compound. It's pretty goofy how a horde would walk up without anyone realizing, but it gives Daniel a bonafide badass moment ("You should save your ammunition.") as he strolls away. Then we finally get the action people have been clamoring for. A nicely laid out kitchen fight, several tense moments (one of which comes into play during the finale's final scene), and several nice character bits.  There are too many good bits to talk about, but here are a few of my favorites. These scenes managed to squeeze in genuine emotion in between all of the action, something that the parent series hasn't been able to do for some time: The doctor gives up and presumably kills herself with her cattle gun as she loses hope in the military, an infected soldier runs head first into a helicopter blade, Nick nearly gets a heroic death with his silent "Go" through the door before being saved at the last minute (and made me think there might be something else to his character after all), Daniel and Ofelia see the piles of ash and bodies that Griselda is now a part of (that's one of the most striking images I've seen in either of the shows. It's far more upsetting than seeing characters do it themselves), after The Faculty soldier shoots Ofeila Travis beats him to death, regretting his decision to let him go, Strand gets his cuff links back, and the military shows that the characters can't rely on anyone other than themselves.  But the best part of the finale? Oddly the one I hate the most due to increasingly stupid peaceful nature, Travis begins to change as the world changes. Becoming more like Daniel (and thus capitalizing on the duality set up in previous episodes), Travis begins making these violent choices for the benefit of his family. For one, he doesn't tell any of his former neighbors that the military has abandoned them, and two, he basically kills everybody without hesitation. Like Rick, Travis is slowly changing, but unlike Rick, it's much more interesting to watch Travis' hope be crushed. Leading to the episode biggest moment, Liza's unfortunate demise. As the group makes it to Strand's beach side residence, as he details his plans to get to his ship Abigail, you'd think all of the main characters would be in the clear. But unfortunately, after being attacked in that kitchen scene, Liza reveals she's been infected. After giving Madison and Travis all of the knowledge she gained from the military (that it's pretty much hopeless as everyone comes back after they die), she decides she doesn't want her son to see her in that state. Rodriguez absolutely kills it here, and this scene hits harder than you'd expect thanks to her acting.  It sucks since I was getting attached to her, but I'm guessing no one really knew what to do with her character anymore. Although her death provides a more hopeless situation (changing Travis and Chris, losing the only one with any kind of medical knowledge), it sort of reeks of that "kill the woman to make the man more interesting" thing. They're losing a great actress, but I'm confident the show knows what it's doing. The major death of this episode is an intimate moment, and it's reflective of how this show's been handled. It's also something I can't say of the parent series, that for the first time, I actually cared that someone was dying off in one of these shows. It's genuinely unexpected, it's quiet, and then it's over but its lingering effects will be felt as the series rolls on. It's potential that the parent series failed to capitalize on, and as long as Fear avoids those same trappings, it can be a much better show. It's already had a much better first season.  Final Thoughts:  "You can keep the watch." Strand is so f**king cool.  Speaking of Strand, his character is pushing this into comic book-y territory, but he's so interesting I won't be bothered to care. His strict self-preservation's going to clash with the main cast soon, and it'll be fun to see which side of the new world folks will stand on.  You can argue that no one in this show is likable or interesting, and it'd be hard to argue, but later episodes will hopefully utilize all of the nuance laid out early on.  Nick's "everyone's catching up to me" speech was pretty dumb. Reminds me too much of this PSA. Fear's miniseries Flight 462, which will introduce a character for season two, premieres during each episode of the Walking Dead but I'll probably wait until it's all over to talk about it. No point in discussing a minute long episode each week.  So that's it! Thanks for sticking with me, folks. I'll be back next week with the series proper. Stay tuned!  Want to see more of our TV coverage? Check out our TV Recaps and Reviews! 
FTWD Recap photo
Can't wait for season two
Just like with its parent series, Fear the Walking Dead has been experiencing some growing pains within its very short, six episode first season. As the biggest draw, the zombies, took a backseat to a more intimate story of f...

Scream Queens Series Premiere Recap: "Pilot/Hell Week"

Sep 23 // Nick Valdez
I'm not sure if Fox's plan to premiere two episodes in a row was a good thing. When succumbed to that much of Murphy's work at once, the cracks always show. It's one of the rare cases where the pilot fared much better than the first episode of the series proper. For example, the show opens in a particularly interesting way as a girl (in 1995, no less) gives birth to a baby in a bathtub during a sorority (Kappa Kappa Tau) party. The other girls ignore her when TLC's "Waterfalls" comes on, thus leading to her death and a mysterious cover up that's sure to be one of the running threads throughout the series. It's a pretty impressive hook for any pilot and perfectly captures the tone the Glee trio of Murphy/Falchuk/Brennan is looking for. It's darkly humorous, creepy, informative of the show's universe, and there's a splash of pop culture reference. But other than one other scene which I'll get to in a bit, it never quite reaches that height again.  There's always been something that bothered me with Murphy's work. Because he's a marginalized individual, he's always been okay with exploiting other margins in the sake of comedy. The same problems that have plagued his shows appear here as well. There are racial stereotypes (though I'm sure Keke Palmer is just playing Keke Palmer despite arguments otherwise), thickly laid homoeroticism that borders on the homophobic, and a "Queen Bee" character in Emma Roberts the trio uses as a funnel for every terrible (ultimately non-humorous) thing they could think of. But what separates Queens from a show like, let's say, Scream, is that it doesn't dwell on these characters and takes them seriously. It's a show full of dumb caricatures making terrible choices, and we're going to want to watch them get murdered week to week. From the looks of how much humor it can mine from gleefully killing its characters, I'm sure they're be style in spades. Just by watching these first two episodes, I've figured the modus operandi of Scream Queens is to revel in its quirk so much it won't be bothered to actually develop any of its characters. There's some surprising level of depth to Emma Roberts' Chanel (which make the other Chanels look lacking in comparison), but if she's expected to lead the series instead of the final girl archetype Grace (Skyler Samuels), I don't know how much of her I can take. There are definite narrative nuggets to her character, so I hope I can chalk it up to growing pains. As for everyone else, Jamie Lee Curtis and Nick Jonas are definitely the standouts. Curtis is basically playing Coach Sue Sylvester with a dark twist, and Jonas' secretly gay-but-not-secretly gay Boone is full on cheese and it's the best. But you know who gets the biggest scene? Ariana Grande. Not because of her acting or her character, but because a well crafted and staged scene that perfectly encapsulates the show's potential.  Since Scream Queens is an homage to B-grade films, but still wants to poke fun at the current state of horror, we get this awesome scene where Chanel No. 2 is murdered by the series' killer, the Red Devil, through text messages. It nets the biggest laugh and is oddly proactive as Chanel tries her best to tweet out her death. She isn't just silently killed off into the night, but does her best to prevent it even when locked into a goofy sequence. The same can't be said for the series' next two deaths, but so far, each death sequence has been unique and pretty damn funny. Once you get past the show's awkward writing, the rest of the package is great. It's interesting enough that I've decided to talk about it for the next few weeks.  Final Thoughts:  Chad Radwell, the stereotypical rich jerk who's cool with his best friend being gay, is by far my favorite character in the show thus far. I'm sure his death scene is going to be fantastic.  Lea Michele's Hester takes a maniacal turn in episode two and I'm not sure I like it yet.  Abigail Breslin as Chanel No 5 hasn't really made a name for herself yet. I thought she was the good girl who was just stuck in her terrible sorority, but her turn in the second episode proved that wrong.  I'm also not sure what to think of Niecy Nash and Nasim Pedrad's characters. They're the wackiest characters in the show by far, but it's too early to tell if that's a good thing or not.  At least this isn't as bad as The New Normal was.  Remember that VH1 reality show Scream Queens, where 8 actresses went through challenges in order to land a role in one of the Saw movies? That was a good time. They should do that again.  Want to see more of our TV coverage? Check out our TV Recaps and Reviews! 
Scream Queens Recap photo
Glee and AHS had an awkward baby
You folks don't know this, because we'd only recently begun covering television in earnest, but I was a huge fan of Glee. I bought the soundtracks, I bought the seasons on DVD (this was before Netflix took over and ruined EVE...

Review: Cooties

Sep 18 // Nick Valdez
[embed]219880:42604:0[/embed] CootiesDirectors: Jonathan Milott and Cary MurnionRated: RRelease Date: September 18, 2015 At the center of Cooties is Clint, a guy who moved to the bright lights of New York City after graduation to become a big shot writer. But after a few failed attempts has moved back home and is forced to take a substitute teaching gig at his old elementary school. There he meets his old school crush Lucy (Alison Pill), her meathead boyfriend Wade (Rainn Wilson), and a bevy of other weird faculty members like the evolution debunker Rebekkah (Nasim Pedrad) and the socially inept bio teacher Doug (Leigh Whannell). When a contaminated shipment of chicken nuggets (as seen through such a grossly awesome intro, you won't eat chicken nuggets again) turns the kids of the school into flesh eating monsters, Clint and the other teachers have to escape the school to survive.  The biggest draw, or warning sign depending on your humor, is the writing duo of Saw's Leigh Whannell and Glee's Ian Brennan. The two have crafted a wonderfully twisted horror premise, but the dialogue is distinctly Brennan's. As someone who religiously followed Glee through its six seasons (including, but not limited to, buying the Glee karaoke games and soundtrack CDs and watching the short lived Glee Project reality show on Oxygen), I can safely attribute the brunt of the film's humor to him. That's probably going to shy folks away, however. Just like Glee, Cooties' idea of parody is to come of with jokes that are a few years too old. A post 9/11 kid who wants to join the army named Patriot? A closeted gay teacher making innuendos? The vice principal (Brennan himself) saying "Stop it, kids!" before getting ripped apart? Yeah, those jokes are as tired as they seem. As the film's humor gets sidetracked with these weird jokes, it never quite takes the premise as far as it could. But the cast's ability to complete gel with what they're saying is fantastic.  In Cooties, it's the cast that makes it work. They're completely game with the film's wacky tone, and their performances elevate the film to awesomely cartoonish levels. Since you can't get too overtly violent with children and still try and be a comedy, the action has to be more humorous than not to succeed. Since directors Milott and Murnion can't seem to handle action scenes (as most of the action involves the teachers moving from one room to the other and staying there for a few scenes), the cast should be commended for their ability to command attention. As the film itself strays and lingers on a few scenes, the cast is delivering the dialogue with the quickness it needs to make it work and helps make the hokey bits a little more digestible. As Elijah Wood has shown in the past with films like The Faculty, he's perfectly capable of leading a horror comedy. He's still charming as ever even when he starts, literally, pooping himself. The scene stealer, however, is Leigh Whannell. His stunted delivery finally works for his awkward bio teacher as he delivers the film's hilarious science.  While the directors may not handle action scenes too well (leading to a ending scene that feels convoluted and tacked on while completely undermining the film's bittersweet climax), the duo have got a good grasp on imagery. Cooties looks fantastic. Insidious reds, taut greens and shading, and you definitely get the most out of zombie kids. The kids are covered in gross puss and blood (instead of becoming too gruesome, it goes for the comedic route) and aren't too horrendously attacked, there's a girl playing jump rope with an intestine, a kid riding a tricycle covered in blood, zombie kids playing blood hopscotch, and so on. It's pretty much the embodiment of the "kids are terrifying" mantra. The film never quite reaches the level of visual you'd hope with a premise like this, but what is here is well crafted. There's definitely an attention to detail in the visuals even if there's a lack of it elsewhere.  Cooties has its share of faults, but none of them are completely damaging to the overall package. There'll be stuff within the film that bothers you here and there, but when watching the cast and the kids enjoy themselves it's hard not to follow in their footsteps. For every hokey joke, there's one that works. For every clunky action scene, there's a hilarious conversation between two characters.  By the time it makes the egregious mistake of going on past its natural ending, you won't even care too much. You'll have a big smile on your face. 
Cooties Review photo
Might not need that cootie shot
Zombies are everywhere. Name an object and add zombie or "of the dead" to it, and I guarantee there's a film out there with that title. Bong of the Dead? Exists. Toilet of the Dead? Surprisingly a thing. Redneck or stripper z...

Fear the Walking Dead Season 1 Recap: "The Dog"

Sep 14 // Nick Valdez
At the end of last episode, Travis, his ex-wife and son ended up in the care of the Salazar family. Unfortunately (or maybe fortunately, depending on how you see it) we don't get to explore this time long as this episode begins with all of them having to leave. It's a well storyboarded scene as the two families make their way through the riots and the shots are appropriately hectic. There's even a zombie attack amidst the chaos, and it's so frantic you can actually feel the two families trying to make sense of it all. While they were running, the chaos leads to Griselda Salazar getting hurt and the Salazar's decide to stay with Travis while talking of "debts" and the like. This also is one of the reasons I'm starting to hate Cliff Curtis' Travis as a character. The fact he doesn't suggest taking in the Salazars after they helped him is pretty petty. Also, I'm not really sure what to think of the Salazar family yet. It's pretty neat that a Latino family is at the forefront of one of these shows, but I don't like how typical they've become.  Ruben Blades' Daniel is headstrong and stuck in this standard Latino ideology that one doesn't do something without owing something in return. I'm not exactly confident that the series can explore it well, but it's at least some sort of characterization. I just hope he branches out from the typical image he's given right now. It seems so since he judges Travis as weak. And as much as Madison has annoyed me in previous episodes, her arc has been the most compelling thus far (and I thought the drug addict Nick would provide more entertainment). As The Walking Dead deals with people surviving in the apocalypse, Fear wants to watch how these people will slowly change. And if Fear is smart, it'll only focus on that stuff. As much as I love watching failing societies, I love watching people crumble under it. As Madison realizes that, illness or not, these dead people are still dangerous, she just might the decision to be active.  That's the overall direction this season: activity vs. inactivity. Characters bicker as to whether or not they need to find a better shelter, Travis refuses to actually put down a zombie (which might lead to a well deserved death) and accept the world is ending, Madison is just trying to keep her family together, Daniel wants to stay and take care of his family while the others march to their deaths, Nick has to decide whether or not to pursue drugs, Alycia finds out more and more about the new world, parts of the city are rioting while the suburban area seems to live life as usual, and all of this is just fantastic...until the ending.  You see, Fear the Walking Dead throws all of this away and introduces the military as they come in and literally save the day. I don't know where any of this is going, but it put a literal stop to all of the forward momentum the episode had going for it. I've had enough of these crooked military stories.  Final Thoughts:  When you find out why this episode is titled "The Dog," you'll be as sad as I was.  Travis somehow thinks the zombies are sick even after watching one get run over multiple times a few episodes ago. I just don't get it. Also he's staunchly opposed to guns. Either the show's setting up for a big downfall or his character's going to go through one of those "dark turns."  The same person has directed the three episodes so far, that's probably why there's a welcome feeling of consistency.  You're probably wondering why the episode took a few seconds to focus on a plane flying over, but someone on that plane will be joining season 2. AMC's planning some mini-episode detailing all of that. 
FTWD Recap photo
A dog eat dog world
I stand by what I said last time and believe the Labor Day week off was definitely a death knell for Fear the Walking Dead. Though it needs to finish its six episode season before The Walking Dead premieres next month, it did...

Review: Goodnight Mommy (Ich seh, Ich seh)

Sep 10 // Hubert Vigilla
[embed]219860:42583:0[/embed] Goodnight Mommy (Ich seh, ich seh)Directors: Veronika Franz and Severin FialaRated: RRelease Date: September 11, 2015Country: Austria Your opinion of Goodnight Mommy may be contingent on your stomach for plot twists. I don't like them about 99% of the time since they usually feel like hollow gimmicks rather than essential parts of the storytelling machinery. Twists feel cheap, and while I won't spoil the twist of Goodnight Mommy, it certainly feels cheap when you know what it is. As a character uttered the line that reveals the twist, I thought, "Oh come on, Goodnight Mommy--I thought you were above this." In retrospect, the twist is there early in the film if I were to look for it, but I wasn't looking for it because I thought Goodnight Mommy would be a much more original and interesting film rather than one that relies on a bad cliche. The excellent craft displayed by co-directors Veronika Franz and Severin Fiala is what makes Goodnight Mommy's reliance on a twist so disappointing and its unraveling sense of purpose in the last third (maybe, really, the last fifth) baffling. Consider the movie's visual style for the first two-thirds of its run time. Many of the shots divide the frame into vertical halves, thirds, and quarters to emphasize elements in the foreground and background, all the while playing with light, shadow, and negative space. Large photos of the mother (Susanne Wuest) adorn the walls, but her face is blurry in all of them. On the one hand, this is the kind of artsy, pretentious portraiture you'd expect in an upscale home, and on the other, we have two boys (Lukas and Elias Schwarz) who question the identity of their mother. It's the sort of detail organic to the world of the film and a visual representation of its central concern (i.e., Who are you really?). And then there are details that seem like the cinematic attempt to recreate aspects of a dream. The boys keep Madagascar hissing cockroaches as pets. These are the massive sorts of roaches that are common in movies that feature cockroaches, and they look a lot more exotic than your foul, run-of-the-mill New York City waterbugs. The roaches hiss like they're shushing the boys, like there are secrets in the house that are being kept, or as if the children remind themselves they need to be quiet in order to spy on this person who may or may not be their mother. The wallpaper in the boys' room is covered in a googie-style wallpaper covered in ants. It reminded me of the popular design elements of the 1950s and the sort of playful decor you'd find in a day care or nursery, but also the crawly feeling one gets when something isn't quite right. That sense of contradiction--googie wallpaper that's both cute and off-putting, the comforts and terrors of a home--is carried through in the performances. Lukas and Elias Schwarz seem both playfully insular together and yet they also have a touch of something sinister, which may simply be a symptom of seeing twins together in a movie (thanks a lot, Stanley Kubrick). Wuest plays the mother with emotional highs and lows. She's tender, and she's also terrifying. She nurtures, she scolds, and hugs, and she slaps. The performances may be mannered, but like the visuals and the production design, the actors propel the film forward and help evoke the uncertainties of dark rooms and nightmares. So much ambiguity and promise to play with, and yet it comes back to the twist. The twist reduces all of the possibilities of this eerie, dreamlike world into a single possibility, and one that isn't that interesting. This may explain why that trailer for Goodnight Mommy so good and the film doesn't reach that level. I might have loved the movie if it wasn't for that pesky story.
Review: Goodnight Mommy photo
Are you my mommy?
The trailer for Goodnight Mommy is one of the best horror trailers in a while--evocative, menacing, unreal. The mother of twin boys returns home, her face bandaged after a major surgical procedure. The boys think there's some...

Girl Up and Die photo
Girl Up and Die

First trailer for girl powered horror series Girl Up and Die

Such a good title
Sep 10
// Nick Valdez
Despite best efforts, the horror genre is dominated by testosterone. Reboot after reboot, sequel, after sequel, we get the same kinds of stories told by the same kinds of dudes. Thankfully, the good folks at Unfriendly Produc...
Krampus Trailer photo
Krampus Trailer

First trailer for Christmas horror film Krampus

Sep 09
// Nick Valdez
I'm not sure what the reason is, but we're suddenly getting a whole lot of Krampus films. There's Kevin Smith's Krampus project, a few direct to VOD films, that one episode of American Dad two seasons ago, and now we've got K...

FlixList: Wes Craven's Five Best Films

Sep 03 // Nick Valdez
My Soul to Take "Wake up and smell the Starbucks." I had a hard time narrowing Craven's films to five (I really could've just put everything here), and almost went with Red Eye or The Hills Have Eyes, but My Soul to Take is just so weird. It's Craven's take on small town myth horror, and it's got all sorts of weird sensibilities that make it stand out from the rest. It's got a guy who's probably a demon, teen archetypes who get zero development, a killer who talks to himself, and a supernatural thread tying it all together. Are the souls of the seven kids actually connected or is the main kid just crazy? Unlike his other films, Soul has a very deliberate tone and pace that sort of treads lightly and lets the tension build. It's quite a film.  Scream 4 "Forgot the first rule of remakes, Jill. Don't fuck with the original." Scream may have changed my life (and turned my crush on Neve Campbell into full blown love), but Scream 4 absolutely nails it. Starting with New Nightmare all those years ago, Scream 4 is a film that could've only existed after Craven spent a career honing his craft and paying attention to the route horror was going in. With Hollywood's fixation on reboots and sequels, Craven churned out one last sequel and capitalized on Scream's meta-contextual narrative with a reboot and sequel that works. Horror reboots hardly ever work, and sequels never truly live up to the standard of the original, but here's one that surpasses even the original idea. Setting a new status quo as it simultaneously enforces the old one all the while somehow bringing the series to an ultimate, satisfying conclusion? It's insane how well it works. Great cast, great writing, great editing, and even super heroics. Just greatness.  The People Under the Stairs "May they burn in hell." "Forever and ever in hell." This film is special to me for numerous reasons. First, it's the first horror film I saw with a non-white protagonist. Secondly, it's the first horror film I saw willingly acknowledging the wage disparity among classes. And finally, it's basically a twisted kid adventure film. Think of a slightly more dark and horrific Goonies, and you'll realize why a dude is wearing a gimp suit while trying to kill this kid as he makes friends with some monsters and discovers a hidden treasure. People Under the Stairs is tense, gruesome (Ving Rhames' body is used as a literal puppet distraction at one point), there are explosions, intrigue, and it's even a straight action movie leading toward raining money at film's end. It's non-traditional in the best way, and I'm so glad it exists.  The Last House on the Left "Are you sure we're not going to put you folks to any trouble?" "Oh nonsense, our home is yours." You can't talk about Craven's best work until you talk about his first. Bursting onto the scene with a twisted home invasion film, Last House is aggressive, disturbing, and it's full of such provocative imagery it sticks with you forever. Even way back then Craven was capable of masterful work with a film that had you rooting for the bad guys' end. It's his most demented piece of art and it'll forever be a staple which all other home invasion films compare to. It's like the whole BC/AD thing. There's Before Last House on the Left (BLHOTL) and after (ALHOTL).  A Nightmare on Elm Street "Whatever you do...don't fall asleep." It'd be impossible to write out a list like this and not include the big dog. The film that made something as pleasant as sleep seem like the worst thing in the world. Combing all sorts of primal fears like helplessness, death, and children, Elm Street pretty much started my addiction to caffeine. Through the years the fear has been alleviated thanks to The Simpsons, but Freddy's always coming. Nightmare changed the game completely. Rap songs, Mortal Kombat, tons of films, changing from horror to comedy and back to horror again without fail, and even had a crossover with another horror juggernaut and it wasn't the worst thing ever. Thanks to Wes, there'll always be a nightmare on our streets.  These may be his five best, but his other works were all just as good. We're gonna miss you. What are your favorite Wes Craven works? 
Wes Craven's Best photo
"What's your favorite scary movie?"
I've never been a big horror fan. I get squeamish with bloody action, jump scares always catch me, and I don't really like looking at disturbing images in general. But when a horror film is well crafted, I can't seem to look ...

Drama photo

Why that It remake isn't happening

Surprise! The studio wanted crap
Sep 03
// Matthew Razak
Cary Fukunaga may be one of the most creative directors working now. Sin Nombre is truly stunning and his work on True Detective made the first season fantastic. However, we still don't know how he'd handle a bigger...

New Knock Knock trailer kind of ruins it

Sad Keanu
Aug 31
// Matthew Razak
When the first trailer for the Eli Roth directed Knock Knock landed I was pretty excited. We had just learned we wouldn't be seeing Green Inferno any time soon (it finally lands this year) and this looked like a pre...

Fear the Walking Dead Season 1 Recap: "So Close, Yet So Far"

Aug 31 // Nick Valdez
After the fallout from last week in which Madison, Travis, and Nick witness a zombified Calvin fail to stay down, the three part ways and try and figure out what to do next. The general consensus being that they plan to escape to the desert. The funny thing is, they only seem to care about their own safety. Keeping the secret from the neighbors (who were throwing a little girl's birthday party, just to rub salt in the wound) and keeping quiet in general as folks are caught in protests over "police brutality" in an effort to shoe horn in current events. I'd see people reacting that way if we were caught in the situation, but it's still a little weird that the dead rising up would be a secret even after numerous videos and stuff leaked online as this episode leads us to believe. Anyway, this episode shifts the focus to Madison, Nick's mother, who goes out in search of some kind of fix for Nick now that he's going through withdrawal.  I figured something like this would've happened, but kudos to Fear for getting it out of the way early while there's only lingering tension rather than use it as a way to force more immediacy into some terrible scene later. We also get a better grip on Travis' family, his ex-wife Liza (the fantastic Elizabeth Rodriguez) and his terrible son Chris (Lorenzo James Henrie) as Travis tries to convince them to safety without exactly telling them what's going on. It's pretty stupid since Chris eventually gets rapped up in a protest of one of the "shootings" and Travis and Liza end up in a terrible part of town during a riot instead of somewhere way better. But that sets them up for the rest of the season as they take refuge in a barber shop owned by the Salazar family. Thanks to Fear's LA setting (though it shouldn't be the only reason), there's already way more Latin representation, and that's a pretty big deal for me. Although apparently neither Walking Dead likes African American characters (despite the showrunner's insistence that it's merely a coincidence of casting) thanks to three Black characters dying in two episodes, it's great to see focus on a non-White family for once.  Speaking of, Madison and Alycia (the daughter who's still kept out of the loop for some stupid reason) both deal with African American death in their own way. Alycia's boyfriend Matt was attacked and is slowly becoming a zombie (off screen for both of those things, thankfully) and Madison come across a zombified version of her former boss as she combs her school for her son's drugs. Although it's a weird idea, the show tells us it's smart by having the audience speak through some kid whose name I forgot. Honestly, he was the only kid clued into the whole thing and it's a shame he won't be around for the other episodes. Anyhoo, Nick and Alycia end up sharing some good character moments when Nick seizures. It's a little too on the nose given the moment, but I'll take it.  Final Thoughts:  This episode is one of transitions and sets the pace for the rest of the season. It'll be interesting to see where it goes, but waiting two more weeks is f**king ridiculous. Just should've waited another week to premiere it. Get your head out of your butt, AMC.  Seriously, it's a little suspicious given all of these black character deaths are just "casting coincidences." Someone's got to keep a better eye on that.  During Walking Dead season six, there'll be a 30 minute short, taking place on an airplane headed for LA, that'll introduce a character for season 2. Who knows what the character'll be like, but I don't really care. They should really focus on developing clashing familial ideologies.  I'm putting a lot of faith in the show representing these Latin character properly. They're Catholic, since one was already praying, so hey it might be good.  One last thing, love the constant alarms and sirens in the background. Always reminds the audience that stuff is going down. 
FTWD Recap photo
Yeah, pretty much
After Fear the Walking Dead's first episode set its slow burning tone for the rest of the season, and thus set it further apart of The Walking Dead's current craziness, it left a lot of folks wanting. Opinions were divided as...

RIP Wes Craven (1939-2015)

Aug 30 // Hubert Vigilla
RIP Wes Craven photo
Horror maestro dies at age 76
Wes Craven, the director of horror classics A Nightmare on Elm Street (1984) and Scream (1996), passed away this afternoon at age 76. Craven's family announced that the filmmaker died in his home in Los Angeles after battling...


Trailer for The Final Girls turns horror movie tropes on their head

Another meta slasher flick
Aug 26
// Matt Liparota
It's no secret that classic horror movies abide by a certain set of rules and tropes. Calling out those tropes has become something of a subgenre in and of itself, with movies like Scream, The Cabin in the Woods and Tucker an...
Ash vs Evil Dead photo
Ash vs Evil Dead

New Ash vs Evil Dead trailer makes the show look like a blast

"That's the spirit!"
Aug 24
// Hubert Vigilla
We're about two months away from Ash vs. Evil Dead, and Starz just released a new trailer for the show. While some of the footage is recycled from the first Ash vs. Evil Dead trailer, the new trailer has some smarmy new gags ...

Fear the Walking Dead Series Premiere Recap: Pilot

Aug 24 // Nick Valdez
Fear starts promising enough. Opening on Nick (Frank Dillane) post-drug induced coma in a dingy church, he's the first character in the series to witness a zombie attack. Naturally, he assumes the woman in question is freaking out badly and runs into a passing car. This sets a pretty great direction for the rest of the episode since the account of the attack comes from an unreliable source. But while we all know there's an apocalypse brewing, Nick's mother Madison (Kim Dickens) and her second husband Travis (Cliff Curtis, who's always hired to play a vaguely ethnic character) have their hands full trying to bring Nick back into the familial fold.  The only problem with this major addiction story is that we've seen it all before, and the same can be said for the entire episode overall. Don't get me wrong, I don't mind stories with a lot of set up, but it's got to feel like it's going somewhere. It's pretty much a stretched out version of the first ten minutes you see in most zombie apocalypse films and at times it certainly comes off that way. But there's certainly enough here to keep me attached as Nick's story is pretty compelling. Sure it's going to lead to the whole "withdrawal while zombies attack" or "need for a fix puts everyone at risk" plot contrivance, but focusing the story on an unhinged individual works wonders creatively. Take a look at the Summer's biggest hit, Mr. Robot, for a better example of that. It certainly could work if done properly.  As the show moves forward and focuses more on this family deals with the impending trauma, the skimpier plots will work themselves out. Nick's sister Alycia is a well-off student on her way to college and to "escape" from her family's troubles, but right now she's focused on her boyfriend that's gone mysteriously missing. I'm waiting for the inevitable "you ruined my life" fallout, but the longer the show keeps her in a stagnant role the worse it'll be for all of us. In fact, the rest of the family gets eye to eye with the second zombie while she's literally sent home. Treating women and minorities terribly was a conceit of the original series' first couple of seasons, but since one of the problems worked itself out there, I'm hoping the same happens here. Then again, Madison's entire plot is wrapped around her son. Soooo, I don't really know what to think.  Final Thoughts: There's a "man vs. nature" speech lol Nick starts the show wearing a shirt no human being has ever worn ever. Speaking of Nick, Frank Dillane is the best actor of this whole thing. Having him at the show's center will definitely do wonders for the rest of the cast.  The urban setting will eventually lead to more Latinos, something the original show's Atlanta setting never amounted to. I guess non-whites never made it to Georgia since they're too busy dying all the time on that damn show.  While I love Cliff Curtis, I don't like how he's become the go-to race guy. But at least his character is Maori, too.  While fans will certainly miss the massive zombie attacks, the ones here are personal. That stings way more than a generic mass ever could. 
FTWD Recap photo
Shuffling slowly
It's pretty much guaranteed Fear the Walking Dead's premiere will be compared to The Walking Dead's first episode. While the latter's premiere gave birth to a juggernaut, Fear most likely will be unfavorably, and unfairly, ju...

Scouts Trailer photo
Scouts Trailer

Scouts Guide to the Zombie Apocalypse Red Band Trailer is full of zombie boobs and cats

Aug 21
// Nick Valdez
Zombie movies are a dime a dozen. Everything and anything you can think has probably been done at this point, so each zombie film is already starting in a hole. The best thing any film can do is be just kooky enough to stand ...
The Witch trailer photo
The Witch trailer

Watch a chilling trailer for Sundance horror sensation The Witch

Does she weigh less than a duck?
Aug 19
// Hubert Vigilla
This year's Sundance Film Festival showcased two notable horror movies. One was Rodney Ascher's sleep paralysis documentary The Nightmare, and the other was Robert Eggers' 17th century period piece The Witch. Of the two, ...
Horror major key photo
Horror major key

Listen to horror movie/TV theme songs redone in a major key

Like a spooky dentist's office
Aug 12
// Hubert Vigilla
Some of the most iconic horror movie scores are creepy in and of themselves. Listen to "Tubular Bells" from The Exorcist and it recalls Linda Blair's scarred face and twisting noggin. Or listen to John Carpenter's theme from ...
The Purge 3  photo
The Purge 3

Frank Grillo teases a 'politically charged' Purge 3

#CrimeDay, #CrimeDeux, and #CrimeTrois
Aug 11
// Nick Valdez
Back before The Purge: Anarchy released, I was one of the loudest voices against it. While The Purge had a neat idea, it squandered it on a simple home invasion movie. We even started the #CrimeDay game on our old podcast and...
Nightmare Reboot photo
Nightmare Reboot

Nightmare on Elm Street is getting rebooted...again

Nightmare on Reboot Street
Aug 06
// Nick Valdez
Just like Halloween, Friday the 13th, and The Texas Chainsaw Massacre, Nightmare on Elm Street is getting yet another reboot. Not having learned their lesson from 2010's debacle (which I actually enjoyed, but it was largely i...

Don't bother with MTV's Scream TV Series

Aug 04 // Nick Valdez
We're at the halfway point in the series (episode six is premiering later this evening), and I feel like I'm hate watching just to see how much worse things could get. This completely goes against the showrunners' initial philosophy of getting the viewers at home to care about the characters as much as possible before offing them one by one. It's also a terrible way to watch slasher films. When you start rooting for the killer themselves, the film isn't taken very seriously. Take mid-franchise Nightmare on Elm Street, for example. When those films started making themselves all about Freddy's antics (and only served to develop his personality rather than any of his victims), the goofy tone made it a horror franchise in name only. While there's definitely an audience for that kind of property, it's definitely not what MTV's Scream wants.  But I don't know where it all went wrong. Things started off sort of promising in the pilot episode (written by film series writer Kevin Williamson), but that episode was full of so many problems. Pointed dialogue, archetypes, and its intro, while well done, only mirrored the series' openings thus far. It seemed adapting the films was a fool's errand as Scream 4 completely destroyed its own existence already. The fourth film already did what you'd expect a modern Scream to do: used new technologies in an interesting way, break down existing archetypes, and establish a new status quo (which was, hilariously, the old one). So when the TV series seemed to be taking a step back, it already lost. It would've been fine had any of its new choices felt compelling.  What are those new choices? Existing in a universe completely separated from the films (its yet to be confirmed if the "Stab" movies exist, so I'll assume this is just a new timeline or something), it's set in a town named Lakewood where a killer named Brandon James once terrorized kids in a high school. The new Ghostface's mask is based on that guy's face, too. So the main mystery of the series is figuring out how much this new set of deaths has to do with the old one. But, five episodes in, I don't care about any of it. Everyone in this show is terrible. Terrible characters make for good TV all the time, but that's when there's adequate drama to be mined from their poor decisions. Here it just seems like there's some deficiency in each character's core that causes a disconnect with the audience. It doesn't help that there's a noticeable drop in quality in each episode where someone doesn't die.  For as many missteps Scream has had, there's definitely some hope. With only a few episodes to go before season end, there's plenty of potential for the show to hit that "so bad, it's good" sweet spot. Episode three "Wanna Play a Game?" was great in that regard. It was so bad, all of the terrible decisions actually coalesced into a great sequence. Spoiler, I guess if you still want to watch this show despite me asking you not to, one girl dies while facetiming and her last words are "I can see the stars." It's magical, and the series has yet to bring that same kind of ingenuity to the table again. I'm hoping that it'll happen once more, but that's a thin hope. It's like hoping the garbage doesn't smell so bad after you've been forced to take in it so many times.  [embed]219713:42526:0[/embed] It might be gauche to judge a TV series based on a few episodes (judge the first one posted above for yourself), but I really tried to stick it out. After MTV announced it's getting a second season, I really don't see this working out. Unless it means we'll be getting a brand new cast and story each season, with some returning characters a la the Scream sequels, I can't see this show continuing. There's a semblance of an endgame in sight, but it's going to be quite a struggle to get there.  So why even struggle? Don't bother with this at all. 
MTV's Scream photo
Do you like scary TV shows? I'm sorry.
Back when MTV first announced they were developing a pilot based on the Scream films, I thought it was a great idea. I have a huge fondness for the films themselves, and barring Scream 3, no other series did more for the slas...

Dark Tower gets director photo
Dark Tower gets director

A Royal Affair director Nikolaj Arcel signs on to direct Stephen King's Dark Tower

Ever closer to a Gunslinger Born
Jul 13
// Sean Walsh
The man in Black fled across the Desert, and the Gunslinger followed. After what feels like an eternity of heartbreaking ups and downs, The Dark Tower inches ever closer to actually existing. The little franchise that co...
Ash Vs. Evil Dead Tailer photo
Bruce Campbell's still bad-Ash *rimshot*
The first full trailer for Starz's Ash vs. Evil Dead is out, and it looks way better than it has any right to look. Bruce Campbell is back as Ash, and they're playing up his schlubbiness, age, and cult persona to great effect...

Review: The Gallows

Jul 10 // Matthew Razak
[embed]219651:42478:0[/embed] The GallowsDirectors: Travis Cluff and Chris Lofing Rated: RRelease Date: July 10, 2015 The Gallows had plenty of positive buzz coming out of the film festival circuit and it's pretty easy to see why. The movie is scary and does try to shake things up here and there. There's definitely something inherently scary about a high school at night, which is where our four protagonists find themselves. Reese Houser (Reese Mishler), Pfeifer Brown (Pfeifer Ross), Ryan Shoos (Ryan Shoos) and Cassidy Spiker (Cassidy Gifford) are trapped in the high school after sneaking in one night. Two decades before this a boy had died in a freak accident during the production of a play called The Gallows in the school's auditorium. His ghost isn't too happy about it and now he's finally got a group of teens trapped at night that he can terrorize.  The plot is pretty basic for a horror film; a small group of people being tormented by a deadly ghost who has a flare for the dramatic despite the fact that he could kill them all with his mystical powers in a second flat. The found footage gimmick feels more like a forced hook than what the directors originally intended, though since the pair wrote the screenplay as well it probably wasn't. Cluff and Lofing do do some clever things with it here and there, however. A few scenes in particular are fantastically constructed, especially one set in a hallway lit only by a red exit sign that fantastically uses shadows and off camera changes to build tension. The directors also cleverly use the two cameras the teens have with them to play out scenes completely from one perspective and then jump back to show us the same scene from another. Ignoring montage in favor of this style actually works incredibly well, adding fear that wouldn't be there to many scenes while still allowing for kills to play out on screen eventually. It's a great balance between the belief that being scary means leaving something off the screen and the constant need to shock the audience with visuals.  Sadly, the plotting and pacing can't keep up with the cool ideas and the film suffers for it. The movie falls victim to some terrible editing that is horrifically excused by the camera panning to the floor, shaking a bit, and then the teens suddenly being somewhere else when the camera swings back up. It rips the realism out of the movie, which for a found footage film is really problematic. There's even issues with how exactly they're filming at points, which allows for some great scenes but breaks the movie's own rules. Not to mention the plot itself is pretty flimsy. The movie is more of a collection of really interesting horror scenes than a horror whole. Great ideas keep cropping up and scaring you, but they don't accrue into a coherent whole.  Then there's the film's ending that's supposed to shock you, but is both predictable and tacked on. In what is supposed to be a twist the movie jumps out of scary and into stupid in the blink of an eye. Since the film's scenes don't build onto each other the movie's ending feels especially random. The movie makes no attempt to foreshadow what's coming meaning theirs no build to the conclusion, but it also awkwardly pretends like it was a surprise when anyone whose understands how movies are plotted will see it coming a mile away. It's too bad the filmmakers didn't work this out as the ending could have been something people talked about if pulled off correctly. For some cheap (well, as cheap as the movie ticket price near you) thrills The Gallows definitely delivers. There's moments that show that Cluff and Lofing can get up to some pretty interesting stuff with the genre, but their lack of structure and the found footage style mean the film isn't all that it could be. 
Gallows Review photo
Isn't high school bad enough on its own?
If you had hopes the the found footage genre of horror would go away you are in for a sore future. It's here to stay so you might as well embrace it. The sub-genre can offer up some fantastic scares if done right, but its ove...

Goosebumps Trailer photo
Viewer beware... (doo be doo doo doo)
I've been interested in the Goosebumps movie for some time. When it was first announced, it sounded like a neat but very weird idea. In the film adaptation of R.L. Stine's popular line of children's horror novels, Stine (Jack...


Poster for the New Goosebumps Movie is Surprisingly Badass

Jack Black is R.L. Stine
Jul 07
// John-Charles Holmes
Apparently, there's a Goosebumps movie coming out soon-- You know, those books they always sold at your school book fair that were equal parts cheesy, weird, and occasionally horrifying? Columbia Pictures released the poster ...
Screw You photo
Screw You

Cujo remake has terrible new title

Things that are OK to hate
Jul 07
// Matthew Razak
Ready to bash your head against your keyboard. They're remaking Cujo (no, don't bash yet) and the new film is going to be called C.U.J.O. That stands for Canine Unit Joint Operations (you're good to bash now).&...
Paranormal 5 trailer  photo
Paranormal 5 trailer

First Paranormal Activity: The Ghost Dimension trailer has ghosts, mustaches

Despite the dumb name, this looks okay!
Jun 24
// Sean Walsh
The trailer for the sixth and apparently final Paranormal Activity is here, and you know what? It looks...pretty good, or at least not terrible. With a box full of old VHS tapes, one sweet mustache and a heretofore unsee...
Halloween Returns photo
Halloween Returns

Halloween Returns will start shooting July without Rob Zombie

The Bat, The Cat, and The Shape
Jun 16
// Hubert Vigilla
The Halloween franchise rides again with Halloween Returns, which starts shooting in July. Halloween Returns, incidentally, is almost as silly a title as Halloween Rides Again but not as good as Halloween: Tokyo Drift or...

RIP Christopher Lee (1922-2015)

Jun 11 // Hubert Vigilla
[embed]219552:42431:0[/embed]   And, of course... [embed]219552:42432:0[/embed]
The legend was 93 years old
Sir Christopher Lee has passed away at the age of 93. Lee died in the hospital on Sunday, June 7th, though word of his passing has only reached news outlets today. According to several reports, this was at the request of Lee'...

Auto-loading more stories ... un momento, corazĂłn ...