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reboot

Hellboy reboot art photo
Hellboy reboot art

Hellboy reboot releases Mike Mignola promo art, aims at a 2018 release


Mignola/del Toro split is apparent
May 18
// Hubert Vigilla
By now you've probably heard that Hellboy 3 from Guillermo del Toro is dead, but there's an R-rated Hellboy reboot in the works titled Hellboy: Rise of the Blood Queen. Director Neil Marshall (The Descent) is in talks to dire...
R-rated Hellboy reboot photo
R-rated Hellboy reboot

Hellboy reboot in the works from director Neil Marshall and Stranger Things' David Harbour


No Del Toro or Perlman involvement
May 09
// Hubert Vigilla
Hellboy may be coming back to the big screen, but it's going to be without director Guillermo del Toro and star Ron Perlman. A Hellboy reboot is in the works from director Neil Marshall (The Descent, Game of Thrones), wi...
Planet of the Apes 3 photo
Planet of the Apes 3

New War for the Planet of the Apes trailer sets up primate revenge and man's last stand


Talking apes? That's bananas!
Mar 30
// Hubert Vigilla
Matt Reeves' War for the Planet of the Apes is just two months away. The movie didn't make our most anticipated movies of 2017, which may have been a mistake on our part, or maybe a sign of general iffiness. Rise of...
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New It reboot has trailer, will terrorize kids birthday parties


Tim Curry nods seal of approval
Mar 29
// Rick Lash
It, the re-clown-boot, which previously underwhelmed, nay, whelmed with first look material has put on its big boy clown pants for this new teaser trailer (clocking in at a full 2:32). Allow me to say, I'm intrigued again. No...

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First look Alicia Vikander as new Lara Croft, Tomb Raider


Mar 27
// Rick Lash
It's been a long time and many children later since Angelina Jolie donned the tank top and short shorts of Lara Croft, the Tomb Raider. So, needless to say, we are owed, nay due a remake, or a reboot, or a relaunch, or someth...
Spider-Man  photo
Spider-Man

Check out these slick Spider-Man: Homecoming posters


Mar 25
// Nick Valdez
YOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO Spider-Man: Homecoming opens July 7th. 

Review: Power Rangers

Mar 23 // Nick Valdez
[embed]221258:43472:0[/embed] Power RangersDirector: Dean IsrealiteRelease Date: March 24, 2017Rated: PG-13 Power Rangers follows the well-known roots of the original TV series. Five teenagers -- Jason (Dacre Montgomery), Billy (RJ Cyler), Kimberly (Naomi Scott), Zack (Ludi Lin), and Trini (Becky G) -- stumble on five mysterious coins granting them superpowers. Upon discovering a spaceship deep underground along with a giant face-in-the-wall Zordon (Bryan Cranston) and robot Alpha 5 (Bill Hader), the teens learn they're the latest team of Power Rangers, colorful suited heroes who need to protect the Zeo Crystal from good-girl-gone-bad Rita Repulsa (Elizabeth Banks). The PG-13 rating and big screen budget affords the film some great updates to the original series' ideas, but at times also feels like a two hour fan film when the goofy series terminology (words like "morph" and the "Zeo Crystal," which will mean more to fans) is juxtaposed with the grounded world of the film.  Thankfully when I say "grounded," I actually mean a deeper look at characterization and themes inherent in the series and not "dark and gritty." You're not going to, say, see Zack shoot someone in the face but will definitely hear him make a masturbation joke. The risque' jokes and sultrier villain help carve out a much needed separate identity from the TV series, but these kinds of additions tend to make for a confusing film overall. It's hard to gauge exactly who the film is meant for when some of the jokes and situations may be a bit too complicated for the current intended fanbase (kids) yet it's not afraid to dive into hokey territory at times to make cede kids happy. There's also so much drastically different from the original production it'll alienate nostalgic curiosity. But in that same breath, Power Rangers often bends over backwards to include bits of unnecessary fan service to cater to old fans, undercutting its own footprint. So it ends up perceived as non-committal to either vision. No one is going to be truly happy with the film's tone.  While its tone may be at war with itself, Power Rangers absolutely nails the chemistry of the core five. Aided by the fact they're all relatively unknown (save for RJ Cyler and Becky G, who turn in the best performances of the group), these five carry the film through its rougher patches. Scenes that wouldn't work elsewhere or ebb the flow of plot, such as one where five teens sit around a campfire and share their biggest secrets without prompting, manage to land because the cast is so enjoyable to watch. The great focus on characterization allows each of them to find their groove in the film and give the Rangers a much needed personality. It's why you see their faces during the big Man of Steel/Transformers sequence (where the Megazord fights Goldar through Krispy Kreme Grove), too. As unique as Power Rangers' fights should be, they devolve into CG nonsense you'll find elsewhere. But the chemistry of the team I came to love by the end adds a much needed humanity and fun while teasing much better films (presumably) to come.  Elizabeth Banks' Rita is also truly remarkable. Finding the sweet spot between scenery chewing and serious, each of her scenes is a highlight. Banks helps to balance the sometimes overwrought seriousness of the Power Rangers' tone with her charismatic cheese. Bryan Cranston's Zordon is fine, but I'll give him credit for going full body make-up for the role. I find myself at war with my "fan" reaction to the film since I dig the layered characters (as Billy reveals he's on the Autism spectrum and one character hints at a potential homosexual identity), the original theme gets used once (it's poorly timed, but has a nostalgic angle fans would instantly recognize), and even the suits look nice when standing still (which is something I never thought I'd believe, really), but then there's a masturbation joke not five minutes in after a boring "gritty" title card once again revealing a clash of tones holding the film back. I suppose the project would have landed better had it a director who wasn't prone to much of the generic blockbuster film camera angles and quirks. Power Rangers' flow stutters as development often comes to complete standstills, but then moves to scenes where concepts are introduced pretty rapidly (and several poorly soundtracked montages). I know this is probably weird to say with as loud of a property as this, but I enjoyed the quiet moments of the film rather than when it played out like an expensive music video. The final battle has something, like, six track changes and that's only one example of the film never quite getting comfortable with itself save for a few brief scenes. Even if it's not comfortable with itself, that does not mean it escapes franchise building. There's no saving it from feeling like the first entry of a larger series rather than a single entity. Make no mistake, I have no delusions over the quality of the Power Rangers property. This was tough to adapt, I'm sure, and the end result is much better and worse than I had anticipated.  Much like Power Rangers, I too am confused. Although I didn't like a lot of its editing choices, and feel like it could've been trimmed for brevity, I want to see this cast in another film with all of the kinks ironed out. There's powerful potential here, you just have to sit through this one first. 
Power Rangers Review photo
Oh, I have a headache
More so than any of the reviews I've written, I feel I have to preface this one a bit. Since I (literally in some cases) hold the Power Rangers brand so close to my chest, I've been keeping a close eye on the reboot since the...

MST3K trailer photo
MST3K trailer

The first trailer for Netflix's Mystery Science Theater 3000 has arrived... TUSK!


Is that an Inframan reference?!
Mar 22
// Hubert Vigilla
After breaking Kickstarter records and making nerds of a certain age feel nostalgic, Mystery Science Theater 3000 is officially back with 14 episodes and gearing up for a Netflix premiere in April. Over at Entertainment Weekl...

How To Do It: The Matrix Rebooted

Mar 16 // Hubert Vigilla
1. Treat the new Matrix as part of continuity When Neo meets The Architect in The Matrix Reloaded, we learn a lot about how the system works and how it sustains itself. The current version of the Matrix is just the sixth version in a line of reality-simulating self-regulating programs, each designed to account for the complexities caused by human free will. The choice Neo makes will determine whether or not the human race survives. Certain programs carry over from each version of the Matrix even if each iteration is a new one--Seraph was apparently a former Agent in an earlier version of the Matrix; The Merovingian harbors obsolete programs; The Oracle, as a guide for The One, is sort of like the Clippy of the Matrix. Choice creates a series of forking paths in every iteration of the Matrix, all headed toward the inevitability of The One and the necessity of a reboot to eliminate The One from the system. Then a new version, and a new One, and so on. This offers a diegetic reason for a new Matrix to exist: it's built into the program, it's part of the way the world works. This also provides an interesting exploration of free will and agency viewed from a human perspective (uncertainty regarding outcomes) versus an analytical/machine perspective (contingent branches on a decision tree). There's another story element this in-continuity Matrix reboot offers, though I'll get to it at the end. 2. Pick the Wachowskis' brains The Wachowskis are the parents of this story, and while they may not have to give their blessing for the project, it would be great for someone to pick their brains about the Matrix. Was there anything they wished they could have done? Are there things they would have done differently in hindsight? What lore had they created for their world that they never talked about? There's probably a lot of unexplored material to consider. Come to think of it, there might even be too much to talk about. When the two Matrix sequels came out, a bunch of supplemental material got released between 2003 and 2005. There was The Animatrix (a collection of animated shorts), Enter the Matrix (a video game), The Matrix Comics, and The Matrix Online (an MMORPG). Some of this may have been crass merchandising--let's milk this cyberpunk, anime, Hong Kong action movie cow until it bleeds--but I also sense that there was a much bigger story the Wachowskis wanted to tell but never finished. Once again, I tie this back into the diegetic idea of the Matrix reboot just being the latest version of Matrix. Going to the architects of the original Matrix might improve the newest version of the program. 3. The Matrix > Zion and the real world Some of the weakest material in the Matrix sequels took place in the real world. Zion was a dingy, rusty place with steam, corridors, walkways, Cornel West, vanilla sex, and boring raves. The war against the machines wasn't all that fun either. Shoot them or use an electromagnetic pulse. Behold--boring, expensive naval combat. I remember the sickly green world of the Matrix better than the state college dorm of Zion. For the new Matrix, there may be a way to engage the real world without it seeming so banal. Perhaps it's a matter of increasing the stakes. Extinction level events are big, sure, but what matters in the abstract and what we form an emotional link to are different matters. The latter requires some concrete connection to people and places. What makes Zion worth caring for really? What makes a place a home? A place is not innately meaningful. And to that, did anyone get attached to the new characters fighting in Zion? They were mostly a bunch of Blandy McBlandersons doing action-things without emotional content. That brings me to the next point... 4. Stick with a core group of characters with well-defined supporting players The cast of supporting characters ballooned in The Matrix Reloaded. That's not necessarily a bad thing, but unfortunately most of the new characters were forgettable. Did Niobe, Link, or Commander Lock add much to the story? Ditto that annoying kid in the giant mechanoid robot suit? Their screen time may have expanded the world of the movie, but they often sucked the air out of film's story since their actions were rarely significant to the plot. (The blunt difference between world building and storytelling.) Rather than putting your setpieces on the shoulders of bland supporting characters (e.g., the annoying kid in the defense of Zion in The Matrix Revolutions), keep the focus on a core group of well-defined characters. Why wasn't Morpheus manning a mech alongside Niobe during Zion's last stand? Come to think of it, what defines Niobe as a character other than the fact she's played by Jada Pinkett Smith? If supporting players are involved, give them personality rather than assign them a plot-based function. I still find it telling that the Nebuchadnezzar crew in the original Matrix has more personality than 95% of the supporting players in the two Matrix sequels. 5. Update the aesthetic to avoid the late 90s/early 2000s Let's come back to the diegetic notion of a new Matrix program rebooted for the umpteenth time. If the old Matrix was defined by the aesthetic of the late 90s and early 2000s, we can chock that up to a quirk of programming. (Obviously this is a paradoxical symptom of the era that birthed the first movie. Nearly every attempt to make something look futuristic winds up looking, in retrospect, like a product of its time. Why is it that conscious attempts to fuse the future with the past a la Blade Runner still look futuristic enough?) The new Matrix should depict a contemporary era's vision of the future rather than recapture the look of the millennial cusp. This goes for the manner of dress, the in-story technology, and the score (imagine how quaintly goofy a techno-classical hybrid soundtrack might sound today). And since the original Matrix drew on a hodgepodge of influences that were so 90s, the new Matrix can draw on things that define the 2010s in some way. Maybe the fighting style changes from the kung fu of 80s Hong Kong action movies to the faster, more functional striking and grappling of MMA. Maybe the G-men-like Agents become Slender Men and more menacing as a result. Are the rebels into post-rock or hip-hop? And how will smartphones and tablets figure into all of this? Ditto apps and the cloud. There's a lot to consider here, and I don't want to just list pop culture detritus for the new film. Those things will be carefully picked by the filmmakers, who will hopefully do more than show us shiny, fight-y, special effects-y things. 6. Find writers and directors with something to say A lot of reboots and remakes suck because they don't say anything. Instead they're selling empty nostalgia using a name you may remember. Yet there are solid remakes (David Cronenberg's The Fly) and reboots (Christopher Nolan's Batman movies) and soft sequels (Ryan Coogler's Creed), each of which does something new with familiar material. There's a sensibility behind the name, a human intelligence behind the IP. There are probably some filmmakers or writers out there who were influenced by The Matrix. Maybe The Matrix was their gateway drug into other aspects of geek culture. They might have a personal story they want to tell, and The Matrix may be the right vessel to tell it. It may be political, too--something about resistance and rebellion feels right these days. A recent report said that Warner Bros. is trying to get a writing room together for the Matrix reboot, sort of like how they write TV. This isn't necessarily a bad thing. A guiding hand can steer the writing room into an interesting direction. Multiple ideas from solid writers can bounce off each other and synthesize and create better ideas. (I'm skeptical--and why shouldn't I be?--that Warner Bros. actually wants to make something that says anything. A writer room assembled by a studio reeks of film-by-committee-by-market-research.) 7. Avoid repeating the story beats of the original Matrix films Most reboots and remakes fail because they slavishly repeat the plot of the original film without offering anything original of their own. Even though I sort of liked the Ghostbusters reboot, the weakest material in the movie was anything that reminded me of the original Ghostbusters. Why would I watch a reboot if it's a pale imitation of the original? (That also applies to Ghostbusters 2.) For another example of this, think of Bryan Singer's Superman Returns, which is a joyless, beat-by-beat recreation of the plot from Richard Donner's Superman. (Superman Returns is the Ghostbusters 2 of superhero movies.) There'll be a temptation to redo the red pill/blue pill scene. The same goes for Neo's first jump and cartoon fall. And the new filmmakers will probably want to do their own rendition of the lobby scene. The occasional nod to the past is okay, but why do the same thing again? Why not do something new? I suppose blank canvases are more intimidating than tracing paper, and the potential of an incomplete line is more stultifying than connect the dots. To put it another way, if you're going to cover a song, do it like Devo did "Satisfaction" or Johnny Cash did "Hurt". Someone has to make this material their own rather than just repeating the mistakes and successes of the past. There the line from Jose Lezama Lima quoted in Julio Cortazar's Hopscotch: "Let us try to invent new passions, or to reproduce the old ones with a like intensity." Yeah, do that. 8. E pluribus unum (Out of many, one) I mentioned there's another story element about keeping the Matrix reboot in continuity with the original trilogy. Here are preliminary thoughts on that, and the point where simple suggestions in approach veer into the realm of Matrix fan fiction. Say there's a new Neo in a new iteration of the Matrix. Neo is the latest in a line of Ones from previous versions of the Matrix, each of them an anomaly eventually accounted for and zeroed out to restart the system. What if the new Neo could access the old versions of the Matrix and see how they played out? Maybe they're archived even though the system has run its course. What if the new Neo could somehow learn from previous Ones? Maybe the Ones are iterations of a monomythic subprogram that eventually results in a prototypical, archetypal, chosen-one hero who follows the mechanical beats of narrative heroism to ensure the Matrix can eventually reboot. The monomythic subprogram comes from an AI's analysis of heroic legends from past human cultures. What if the way to beat this self-perpetuating system is to break the monomythic structure? To crap on the Hero's Journey? To intentionally subvert the heroic narrative and create a new kind of heroism? This is a larger meta narrative that's simultaneously diegetic. The Matrix Rebooted is about the nature of reboots, and also about the nature of narrative repetition, how it's a valuable part of our history and yet how it's essentially mechanical at this point and may require some sort of reinvention to be relevant rather than just comforting. We can choose to be heroes otherwise--we can invent our own heroism and a new morality. Neo is the hero gone rogue artist, the sort of person who comes away from a class on Nietzsche but isn't a total douchebag about it. Maybe the new Neo recruits an army of Ones from the archives to battle in the system like a bunch of cyberpunk Supermen, or perhaps Neo figures out a way to blow up the system through intentional acts of narrative terrorism. Maybe Neo turns everyone into the One by helping people see patterns in their own lives that tap into the monomythic subprogram. (This all sounds a little like a Grant Morrison comic book, sure, but the Wachowskis borrowed heavily from The Invisibles, so screw it.) Maybe Clippy the Oracle can help in all this. "It looks like you're subverting the Hero's Journey. Would you like help?" Yes, Clippy. Let's kung fu the hell out of traditional storytelling.
Matrix Reboot photo
I know reboot fu
The other night we learned that Warner Bros. is developing a reboot of The Matrix, with an interest in Michael B. Jodan as the lead. Zak Penn has been tapped to write the treatment for the reboot, but nothing else is solid at...

Warner Bros. wants to reboot and relaunch The Matrix

Mar 14 // Hubert Vigilla
The film might not need to be a full series reboot. As revealed by The Architect in The Matrix Reloaded, there have been multiple iterations of the reality-simulating program of the Matrix, and the one Neo was experiencing was just the latest version in the series. Perhaps this reboot could be loosely tied to the previous film's continuity, sort of like a newer version of the iPhone or Windows. As long as it's not Vista or Windows 10... Is a Matrix reboot something you'd be interested in? Do you know kung fu? Let us know in the comments. [via THR]
The Matrix: Rebooted photo
The Matrix: Rebooted (Whoa...)
According to The Hollywood Reporter, Warner Bros. wants to reboot The Matrix. Zak Penn (X-Men: The Last Stand, story credits on X2 and The Avengers) is in talks to write the reboot treatment. Warner Bros. reportedly wants to ...

How To Do It: Mighty Morphin' Power Rangers Reboot

Mar 03 // Nick Valdez
1. Start over from the beginning. In the press release, the new film is classified as a "re-imagining" of the old show. This makes perfect sense given most of the audience of the first couple of seasons have now grown up and are willing to thrown down major cash on a nostalgic property. The problem with this is, those same people have too fond memories of the show. They've built it up to some pedestal, so any new film is already needing to prove itself. What most of you all out there need to remember is, Mighty Morphin Power Rangers is really, really bad. Bad dialogue, bad acting, and some of the most 90s situations you'll find on children's television.  But that's also not a bad thing. If we go into this new movie with an open mind, and the new film starts over from the beginning,  then we're in for a good time. So to be successful, the reboot needs to use the bankable names of the original five (maybe six) "teenagers with attitude" (Zack, Kimberly, Billy, Trini, Jason) because those are the names we'll remember. Most old fans won't remember who played those characters, so it's not important to bring the actors back, but we will remember the names. Start over from the beginning, tell the same simple origin story (teenagers are chosen by a floating space man to fight monsters), and we're golden. No need to reinvent the wheel.  2. Don't bring back old actors from the show.  When movie studios "reimagine" properties, they cast an entirely new set of people to play the characters we all know and love. That's going to be the case here. In order to completely separate itself (and thus create a new universe of movies), keep the television actors away. For example, Jason David Frank (who played Tommy in over 242 episodes of Power Rangers, and is arguably the most popular actor in the series) is already lobbying his fans to write to "lion gates" in order to get in the new movie. If they have to bring him (or anyone) back, and chances are they will, make sure it's only in a cameo capacity. Maybe have Tommy run the juice bar (like in the Wild Force episode, "Forever Red"), pass the torch to the new kids, and then disappear forever. As much as we might like the guy, seeing a thirty year old man run over in a tight spandex suit for a kid's show (like he is in the upcoming Power Rangers Super Megaforce finale) is kind of sad. Besides, the new kids watching this movie won't really know or care who Jason David Frank or any of these older actors are.  3. Use actors who can believably do their own stunts (and real suits!) One of the reasons Power Rangers became such a hit was because it delivered on things we've never had before. Although the acting and dialogue were bad, it had great action. It had cartoon action brought to real life, and it was pretty f**king cool. The series also still has some of the best fight choreography around. It's important to bring that back. Can you imagine what the fight effects could look like with a larger budget? Remember what the fights looked like in Mighty Morphin' Power Rangers: The Movie? Never mind, those were terrible. But a bigger budget could lead to bigger things. It's simple. Keep the suits real, but CG everything else. Like any other superhero, it's all about tangibility.  And that comes from the actors too. In the show, the teens would still kick butt out of the suits. Story wise, it shows the audience the effect of the power coins, and quality wise, it helps the audience attach the person to the hero. It's very important for us to remember who's in the suits. It's not enough for people to put them on, we have to believe people are in them.  4. Have a good villain.  Whether the new film goes with Rita Repulsa, Lord Zedd or even Ivan Ooze, it's important to have a memorable bad guy. Once again, don't reinvent the wheel. Don't create a new, generic villain for the film unless the right person is behind it (Paul Freeman was the only reason Ivan Ooze worked in the movie), and there's plenty of material to draw from so there's no reason to create a new one anyway. If I could have it my way, I'd go for Rita Repulsa. She's the greater villain since she posed a threat, her powers led to the "Green With Evil" storyline which introduced a sixth ranger, and she has some of the best catchphrases ("You're giving me a headache!" "Magic wand, make my monster grow!").  If they went that route, they could introduce Lord Zedd for the sequel (just don't make him overtly dark or scary, remember it's for kids!), lead in to their wedding, Serpentera, and the possible stories are endless. All I'm saying is the material is there, so Lionsgate would be wise to use it.  5. Do it for the kids.  This is hardest thing to say, but this new movie isn't going to be for me or you, it's for the kids. Although the name is there to get butts to the seats, Saban's probably trying to make this work into a children's franchise. It's going to be an all ages affair, so don't expect a dark and gritty take on these heroes. No blood, no adult situations, and the word "kill" will be replaced with "destroy." But that's the way it's always been, and it's always worked, so no reason to be worried about that now.  As long as the new movie gets the tone right. That's actually the most important thing on this list. Please don't take this movie seriously as nothing about the Power Rangers is serious. And even when the show decides to lean toward heavier subjects, it's only because they're destroying all of the current zords to introduce a new line of zords/toys to kids.  6. Don't forget to have fun.  With the rising amount of gritty reboots these days (just look at Man of Steel, Teenage Mutant Ninja Turtles, Spider-Man, and Transformers), I'm a little worried about how this'll turn out. Power Rangers has survived all these years despite its bevy of bad decisions because it's so lovably goofy. It's always so sincere about its laughably bad puns, heavy handed messages of protecting the environment and teamwork, and telling its stories with a half baked seriousness. Although every week a new monster threatens to destroy the world, there's still time to ride dirt bikes as part of the high school dirt bike club or something. It just all meshes together in a tone that works for everyone.  There's action, comedy, giant robots punching other giant things in the face, and lots of attractive men and women. If the new movie gets even one of those right, that'll be morphinominal. 
HTDI: Power Rangers photo
There's a wrong way, and there's a Morphinominal way
The Power Rangers series is an odd one. It started out as one of Saban Entertainment's many attempts to re-dub a Japanese kids show for American audiences and turned into a juggernaut spanning 21 seasons, comics, videogames, ...

Paramount nixes movies photo
Paramount nixes movies

Paramount nixes Friday the 13th reboot and World War Z sequel from release calendar


Ka-ka-ka-ka... kill-kill-kill-kill...
Feb 07
// Hubert Vigilla
If you were looking forward to the Friday the 13th reboot and World War Z 2 (aka A World War Zequel), you're going to have to wait a bit longer. You may be waiting indefinitely. Paramount Pictures has removed both of these fi...
Power Rangers photo
Everything and the kitchen sink
This newest trailer for Power Rangers has everything, and I mean everything, you probably we wanted to see. We see the new Command Center, Zordon, Alpha, we see the suits in action, zords, Rita Repulsa, the Megazord, and pret...

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New IT reboot Pennywise sewer artwork is full of $#!+


Dec 28
// Rick Lash
Because Christmas is over, Entertainment Weekly debuted some exclusive new artwork from next year's IT reboot/remake, and boy is it special. The highly anticipated reboot will be the first original take on Stephen King's...
Dune reboot photo
Dune reboot

Denis Villeneuve in talks to direct Legendary's Dune reboot


Spice up your life
Dec 26
// Hubert Vigilla
Director Denis Villeneuve is currently in talks to direct a reboot of Dune for Legendary. If he gets on board, this would be the latest in Villeneuve's sci-fi oeuvre, following this year's Arrival and next year's Blade Runner...
Baywatch photo
Those ABS
I'm not sure anyone was actually looking forward to the Baywatch movie. We heard Dwayne Johnson and Zac Efron signed on to star, but it wasn't on anyone's radar until now. This first trailer for the upcoming reboot actually g...

Walton Goggins TombRaider photo
Walton Goggins TombRaider

Walton Goggins cast as the villain in the Tomb Raider reboot


The Tombful Raid
Dec 08
// Hubert Vigilla
The Tomb Raider reboot is coming together nicely. Yesterday, Walton Goggins (The Hateful Eight, Sons of Anarchy) was cast as the villain of the film. He will be taking on Alicia Vikander as the new Lara Croft, with Norwegian ...
The Mummy featurette photo
The Mummy featurette

The Mummy reboot featurette has Tom Cruise getting bruised behind the scenes


FruityYummyMummy I got love in my tummy
Dec 06
// Hubert Vigilla
The first trailer for The Mummy reboot with Tom Cruise dropped the other night. It had Tom Cruise running, so you knew it was a Tom Cruise movie. Universal hopes to spin this out into a full-fledged movie universe--the Univer...

Trailer for The Mummy with Tom Cruise reveals a new world of gods and monsters

Dec 04 // Hubert Vigilla
Makes me wonder if Tom Cruise will make appearances in other Universal Monster Movie universe movies. (The UMMUM, as the cool kids call it. Cool kids meaning me, mostly.) Here's an official synopsis for The Mummy: Tom Cruise headlines a spectacular, all-new cinematic version of the legend that has fascinated cultures all over the world since the dawn of civilization: The Mummy. Thought safely entombed in a tomb deep beneath the unforgiving desert, an ancient princess (Sofia Boutella of Kingsman: The Secret Service and Star Trek Beyond) whose destiny was unjustly taken from her is awakened in our current day, bringing with her malevolence grown over millennia and terrors that defy human comprehension. From the sweeping sands of the Middle East through hidden labyrinths under modern-day London, The Mummy brings a surprising intensity and balance of wonder and thrills in an imaginative new take that ushers in a new world of gods and monsters. The Mummy hits theaters on June 9, 2017. Check out a poster for the film below.
The Mummy trailer photo
Run, Tom Cruise, run!
The Mummy reboot with Tom Cruise teased a trailer last week with a short preview and a movie poster. The trailer for the film just dropped, and it looks much darker than the kooky, happy-go-lucky Mummy movies with Brendan Fraser. Also, you get to see Tom Cruise running in this trailer, because of course you do. It's a Tom Cruise movie. Check out the trailer below.

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Mortal Kombat reboot finds its director


Friendship... again?
Nov 21
// Geoff Henao
We've known about the Mortal Kombat reboot for some time now, but news and updates have been very slim over the past few years. Following the amazing Mortal Kombat: Legacy webseries, it made sense to have Kevin Tanchareon, th...
Kong: Skull Island photo
Kong: Skull Island

Watch the final Kong: Skull Island trailer for sweet giant monkey action


"No. It's pretty big, I guess..."
Nov 17
// Nick Valdez
With King Kong and Godzilla set to fight in 2020, Kong: Skull Island has to do quite a bit to set up Kong as a threat to to not only Godzilla, but nature itself. With this final trailer for the upcoming reboot/prequel, we're ...
Power Rangers photo
Power Rangers

The Power Rangers reboot Megazord is a f**king mess


ugh
Nov 05
// Nick Valdez
The upcoming Power Rangers reboot may be releasing in five months, but we've only been shown one tiny teaser for it. When pressed about new footage at the NYCC panel, director Dean Isrealite stated they were saving a lot of t...
Snow White photo
Snow White

Disney is working on a live-action Snow White too


All live-action everything
Nov 01
// Nick Valdez
Since Disney figured out we're willing to spend the same amount of money on retreads (i.e. Maleficent, Cinderella, Pete's Dragon, and The Jungle Book) as we do on original ideas, the newest wave of giving every one of their a...

NYCC: Power Rangers might be both fun and boring

Oct 11 // Nick Valdez
First thing's first, we did get a few key bits of info that my fan brain was able to parse out. One thing the cast seemed to emphasize at the panel was the fact they had to do a lot of stunt work themselves, which is great (and what I wanted all along). RJ Cyler (Billy) had a pretty fun anecdote about how he learned how to do an "axe kick" from his stuntman. So this at least confirms that we'll be seeing them fight outside of suits, but if the trailer is anything to go by, these fights are most likely mixes of martial arts and superpowers. As for the Zords, we still didn't get a look at them as it seemed that the teaser trailer was really all that was ready to show off for now. It's a little lame but I get not wanting to release it all early.  My biggest concern going forward, however, is how well this cast will work together. At the panel they were telling stories of how much they bonded as a group, but their behavior told a different story. They seemed stiff around each other with no natural chemistry. In fact, the only ones happy to be there were the previously mentioned RJ Cyler and Becky G (Trini), who not only color coordinated their outfits but also are the only experienced actors in the teenage cast. It didn't help matters when the host clearly didn't understand what was going on, so there was no push for more stories of their time on set together. The last bit of new info is both director Dean Isrealite and Elizabeth Banks mentioned Goldar and the Putty Patrol. Not a hard confirmation, but it's good to know these characters will be back in some regard.  But since they thought the teaser was good enough to show twice, I might as well breakdown some things here. As I mentioned in that post, I'm a little torn. After spending some time away from it and the fan bubble, I've come to realize a few things. I'm not sure what I expected, but I totally forgot Lionsgate is the reason Young Adult books made so much money. The Hunger Games, Twilight, they all play a part here. While the opening logos promise a rainbow colored adventure (even spilling out into the first shot of the trailer with Jason and his red car,  and yellow, pink and blue bikes), the rest of the film gives way to the same grim color palette the rest of the Young Adult films have. But in a weird way, this totally works when stuff like the power coins are highlighted. While the overly dark lighting might get tiresome, maybe the colors will pop more. Sort of a silver lining situation. But that's pretty much where the positives end. I'm thinking this reboot, an origin story as the trailer confirms, is going to be both fun and boring. As evidenced by the Breakfast Club like setup (where a bunch of latchkey kids come together in detention, including a red ranger wearing a house arrest anklet), these kids are meeting other for the first time before bonding over becoming superheroes. While I don't like their Spider-Man esque powers (complete with the Tobey Macguire "look I have abs now" scene), I get it. Power Rangers has always been about regular people who get caught up in irregularity, and it's been done in the series proper, but this direction only works when the characters are defined well. If you remember, it took the original show sixteen episodes of team building before it could tell an actual story ("Green With Evil"). I'm also guessing that's why we've seen so little of the Ranger action as of yet. Which is a shame since that's what is going to separate the movie from all the other boring teen films.  The most grim prediction I can make regarding this tease is that we're only going to get about 15-20 minutes of them in the actual suits. At least the panel confirmed that the suits are physical (with CG enhancements, most likely), but I'm sure most of this origin is going to be spent getting to know these kids since the film doesn't have the luxury of getting 22 mins of air time every weekend. At least it looks like they'll free Rita when they nab the power coins. Since there's an image of her trapped in some kind of rock, I'm assuming it's the same the rock Billy blows up in the trailer. It'd be neat to connect Rita directly to the Rangers that way.  Overall, I am a bit disappointed with the way the NYCC panel went down. Once I took off my fan hat, and put on my critical one however, I did ease up. But not by much. As always, I remain highly skeptical. I don't like some of the changes to the story, but I do like some of the changes it brings (the fact Rita can say "kill" instead of "destroy" is a huger deal than we're making out of it). And it seems the trailer is doing a lot to grab non-fans of the series, which is always a huge plus. I just don't want to watch a series of movies I dislike, so I hope these can be good. Then again, since this could have been much worse I'll take what I can get.  Oh yeah, don't expect the Green Ranger anytime soon. 
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