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superheroes

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Danny Elfman will score Justice League now


Can at least one person stay, please?
Jun 15
// Matthew Razak
After Wonder Woman turned out to be so good I was kind of getting my hopes up that Justice League wouldn't actually be a total mess, but things are getting shaken up too much for me not to be worried. Obviously Zack...
New Spider-Man trilogy photo
New Spider-Man trilogy

Tom Holland reveals Spider-Man: Homecoming is the start of a new Spidey trilogy


HE'S IN THE OLD WEST, BUT HE'S ALIVE
Jun 13
// Hubert Vigilla
As we get closer to its release, my enthusiasm for Spider-Man: Homecoming has sort of cooled. I mean, I'll watch it, but I think one of the trailers pretty much gave everything away, and the newest promo stuff looks like a ju...

Wonder Woman is the hero the DCEU deserves, and also the one it needs right now

Jun 07 // Hubert Vigilla
Up until Wonder Woman, the DCEU has been defined by oppressive brooding. Man of Steel featured a Superman hobbled by self-doubt for at least half of the story. Batman v Superman: Dawn of Justice was a clash between a sociopathic demi-god with daddy issues and a homicidal psychopath with mommy issues. Suicide Squad was a bad movie full of bad guys. No one seems to enjoy heroism in any of these movies. Except for Wonder Woman. As I mentioned last year, Wonder Woman was the only genuine hero in Batman v Superman. She leaps into battle with gusto and handles herself capably. She could have saved the day herself if Batman and Superman were such dumb meatheads. Throughout Wonder Woman's origin story, Diana admires strength and bravery and being totally kick ass. She marvels at the Amazons as they spar, and she mimics their moves. Diana, throwing punches at the air, smiling on a hill--that was me at five-years-old standing on a coffee table watching Bruce Lee movies. I imagine that a bunch of kids, particularly girls, will also punch and kick along with Gadot on screen. Her martial prowess is grounded in an unshakable sense of compassion and kindness. Her first time eating ice cream is a great comedic moment, but it's also all about Diana's ceaseless love. She's so appreciative for the cone, she's so gracious to the vendor--and yes, come to think of it, ice cream is pretty awesome the first time you ever eat it (and the 5,000th time, too). As she watches villagers besieged and in pain, her instinct is to help them rather than allow them to suffer; when she sees a horse being whipped, she thinks of a more humane way to treat animals. While Man of Steel shied away from collateral damage by keeping Superman and Zod battling through the skies, Wonder Woman is there in the mud, wandering through the murderous gas, like she's a superhero working for some humanitarian NGO. In the most memorable action scene in the film, Wonder Woman is the first one out of the trenches leading the charge into No Man's Land. As she draws the machine gunfire and holds her ground, she's the beacon of hope, an example for others to follow. She accepts this duty without any sense of guilt or doubt. She's saving the day. Why do it begrudgingly. In the most absurd of wars, a moral light. Wonder Woman always wanted to be a hero. She always is a hero. If there's a moment of disenchantment in heroism, it's not because she's a dark and brooding figure unsure of herself and her powers. Rather, it's when she realizes that humanity excels at reckless murder. It's a philosophical crisis rather than a psychological crisis, which is fitting for a mythic character's dilemma. A worldview is questioned, so what's the response? To keep fighting for your ideals. Love, valor, ice cream--nevertheless, she persisted. In addition to the hope and unabashed heroism, Wonder Woman is the most competently made DCEU movie. The colorful utopian idyll of Themyscira serves as a counterpoint to a morally gray Europe during the first World War. The screenplay may not reinvent the superhero movie or the superhero origin story, but it covers that well-trod ground briskly and with humor. Jenkins lets the camera linger on Diana's face a little longer as she reacts to people and the world around her; Gadot's subtle facial expressions offer an unexpected depth to the performance that isn't present in the other DCEU movies. There's not much going on in the heads of Batman and Superman that a scream or a grunt won't convey, but Wonder Woman has an internal life. Jenkins' filmmaking adds some allure to the otherwise rote romance that develops between Steve Trevor (Chris Pine) and Diana. Subverting the usual gender tropes we see in blockbuster movies, the only overtly sexy moment in the film involves a naked, chiseled Pine emerging from a shimmering Themysciran bath. In any other movie that would be the moment for a gratuitous Angelina Jolie butt shot, but no--Wonder Woman subverts it to great effect. Even when Diana and Steve eventually sleep together, that's handled with relative maturity. An adult is charge for once in the otherwise adolescent DCEU. In Wonder Woman, there's no embarrassing horndog gawking at a woman's body a la Suicide Squad. Instead of pin-ups or conquests, Gadot and her fellow Amazons are lensed like warriors and athletes; Bruce-Lee-ification rather than objectification. The slow motion in the action scenes seem to be a nod to Zack Snyder's aesthetic, but they also reminded me of Michael Jordan highlight reels. Here, enjoy the grace and the hang time of someone doing something extraordinary. And yeah, the kid in me wished I could so something like that. At its best, moments like this split the difference between Richard Donner's Superman ("You will believe a man can fly") and that song from Space Jam ("I Believe I Can Fly"). Sure, the last half hour of Wonder Woman strays into schlocky CG superhero territory. I was sort of hoping the final battle with Ares would be shot like a moving neoclassical painting as seen with the backstory at the beginning, but alas. It's basically the Doomsday fight from Batman v Superman, but with more magic lightning. And yeah, the bookending narrative is a clunky device that leads to the film's awkward beginning and ending. And yet, I'm hopeful, and it's the first time I've had that feeling with a DCEU movie. Rather than cynical, it's sincere. In an interview with The New York Times, Jenkins said, "I'm tired of sincerity being something we have to be afraid of doing." She later added, "It's terrible when it makes so many artists afraid to be sincere and truthful and emotional, and relegates them to the too-cool-for-school department. Art is supposed to bring beauty to the world." Outside the theater as I was going to catch Wonder Woman, a little girl stood in front of the movie poster and held her arms up in front of her face while her parents took a picture. What it feels like to stand on a hill.
Wonder Woman DCEU photo
Kick ass, take names, eat ice cream
Wonder Woman is just what the DCEU needed. It's been getting very good reviews, and it's also been performing well at the global box office. As of this writing, it's earned $240 million worldwide. It's not stratospheric busin...

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Patty Jenkins is not signed on for Wonder Woman 2 yet


She about to get paid, yo
Jun 07
// Matthew Razak
Unlike many of the other DCEU films Wonder Woman deserve to be the massive hit it has become, pulling in well over $100 million over the weekend, and outpacing box office expectations by a lot. However, because Patt...

Review: Wonder Woman

May 31 // Nick Valdez
[embed]221570:43578:0[/embed] Wonder WomanDirector: Patty JenkinsRelease Date: June 2, 2017Rated: PG-13 Diana (Gal Gadot) is the Princess of Themyscira, an island inhabiting an ancient Amazonian race put on the Earth by Zeus to stifle mankind's need for war. Molded from clay and birthed by Zeus, Diana has always been a little different from the rest of her Amazonian sisters and put to the true test when Steve Trevor (Chris Pine), an English spy, crash lands on her home and brings news of a great war happening around the world (WWI). Figuring it to be the work of Ares, the god of war, Diana demands to be taken to the front line. But when in the outside world, Diana has to come to grips with her own humanity as she learns the real driving force behind the war.  Let's get this out of the way first. Wonder Woman is an origin story. The plot follows a lot of the standard beats you've come to expect from origin stories (complete with a sequence introducing the flashback in question), but unlike other films of its ilk, rather than a character slowly becoming a mythological being, Wonder Woman essentially works backwards. As it's introducing Diana and her world, the film takes an already established higher being and challenges her infallibility. Always being sure to treat her as a goddess, the narrative instead veers away from the stereotypical physical change and focuses on internal struggle and strife. Momentous scenes in origin stories like first donning of the famous suit, fighting the main villain, and the original call to action, are subdued in favor of zeroing in on Diana's matter-of-fact perspective. Basically, there's no need to have Diana change into a hero since she already is one, and I can't understate how refreshing it is to learn about her humanity instead.  Ambitious as the internal narrative is, it wouldn't have worked without a strong performance from its lead. To be completely honest, I was worried about Gal Gadot's strength as a lead actress going into this. Thankfully, that worry only lasted about 20 minutes. While the first chunk of the film is stilted and full of bad acting and accents (likening it to a more generic version of Xena: Warrior Princess), once Gadot is introduced everything perks right up. She's kind of incredible in the way she commands attention here (befitting the character too). Director Patty Jenkins takes a little time each shot to make Gadot stand out a little more, whether its subtly pointing out the fact she is taller than most of her co-stars, or the costume design making her look just different enough from everyone else. Gadot and Jenkins work together to really nail the fish out of water angle here, and further smooth out any edges Gadot could have in her performance.  But Gadot's performance wouldn't have meant anything without a great script. Wonder Woman may not be perfectly written in all areas (as one big moment diminishes her character), but there's a great balance of levity and drama. What I came to appreciate the most were smaller beats allowing the actors to really dig into their characters. Chris Pine is as charming as he's ever been, so the best scenes of the film are simply subdued conversations between Steve and Diana. These smaller, character intense moments also help to elevate the later generic superhero action taking place toward the climax. There's an added layer of catharsis, but it doesn't mean the climax is safe from gender normative action where Diana is suddenly not the character she was the rest of the film. The climax will need further discussion once more folks see it for sure.  As for the action, it's fine. The action scenes are a bit Snyder-esque as they use slow motion to emphasize movement, but there is a greater sense of fluidity in the motion. Once Diana starts whipping around dudes with a golden rope, the film basks in some very cool visuals. There's unfortunately a bit of unintentional slapstick during some of the scenes, but it gives the film a little flavor not seen in other DC Comics films. I'll give it a pass.  The fear when reviewing superhero films is critically analyzing them within a bubble. Initially, I was worried I'd attribute Wonder Woman's success to being a well made film within the DC Extended Universe (and we've been burned so many times), and just clinging to it like a life raft in a sea of schmaltz. But, after writing this review, I've come to the conclusion it's just a damn good film.  Wonder Woman, the oft-misplaced icon in DC's Holy Trinity, has truly made her mark on cinema. Less Batmen and supermenches, more wonderful women please.  Second Opinion: Wonder Woman gets almost everything right for its first two acts. Its action sequences are impressive, and utilize Wonder Woman's superpowers in unique and awesome ways. Patty Jenkins has a surprising eye for action for a drama director that allows it to flow and build, a feature many directors seem to lack. But more important than the kick ass action sequences is the fact the film works as a character piece. Unlike other DCEU films, you actually care about what's going on, the plot unfolds in a coherent way, and the characters act like they should. Yes, it may hit on a few (OK, a lot) of cliches, but it implements them to a tee. A lot of the charm comes from Chris Pine and Gal Gadot, who turn their relationship into something special. The film actually hits emotionally, which is why it's too bad the third act turns into nothing more than an action brawler. It doesn't fit with the rest of the film's tone, and feels more like a Zack Snyder movie than anything else. This doesn't sully the film as a whole, however, leading to a superhero movie that feels like its own thing. 80 -- Matthew Razak
Wonder Woman Review photo
Some kind of wonderful
DC Comics and Warner Bros have been, well, let's say misguided in their attempts at launching a series of films comparable to Marvel's success. Deciding to push through critical failure (thanks to overall box office success),...

Wonder Woman photo
Wonder Woman

See Wonder Woman early and free


Washington DC and Baltimore screenings
May 25
// Matthew Razak
Early buzz on Wonder Woman is that its the best DC has put out. That might not be saying much considering the low quality of their films so far (aside from Batman), but evidently its the best because it is actually good....
Aquaman photo
Aquaman

Amber Heard as Mera still can't get us excited for Aquaman


Underwater woman cleavage
May 19
// Matthew Razak
It's hard to get excited for Aquaman because... well... it's Aquaman. Plus, it's the DCU, which so far has given us no reason to put any faith in it. However, this new image of Amber Heard as Mera gives us a little hope ...
The Flash photo
The Flash

Sam Raimi and Marc Webb pass on directing The Flash


Someone wants it, right?
May 17
// Matthew Razak
DC and Warner Bros. have been searching hard to find a director for The Flash. Last night reports came in that Robert Zemeckis, Matthew Vaugn and Sam Raimi were being considered. However, this morning EW is reporting tha...

Final trailer for Wonder Woman brings the warrior spirit

May 07 // Hubert Vigilla
I'm old, so I now have that song by Scandal stuck in my head. BANG! BANG! What do you think? You excited? You optimistic that this may be the DC movie to pull off some critical acclaim and box office success? Let us know in the comments below. Wonder Woman comes out June 2nd. [via Wonder Woman on Twitter] [embed]221521:43552:0[/embed]
Wonder Woman trailer photo
Shooting at the walls of heartache...
Wonder Woman is less than a month away. While there have been a few pieces asking why there isn't that much promotion for the film lately, it seems like the Warner Bros. hype train is pulling out of the station this weekend. ...

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Inhumans gets its first teaser trailer and image


No branding confusion at all
May 05
// Matthew Razak
Marvel has been kicking around Inhumans for a while now. It was originally going to be a movie, but that was dropped, and now the science fiction comic is coming to TV (and theaters kind of). It's a hard departure from a...

Review: Guardians of the Galaxy Vol. 2

May 03 // Matthew Razak
[embed]221505:43546:0[/embed] Guardians of the Galaxy Vol. 2Director: James GunnRating: PG-13Release Date: May 5, 2017 We should just get this out of the way first: even if this movie sucked more than Suicide Squad I'd recommend it just to see baby Groot. Baby Groot is the cutest, adorablest, most bestest thing that has ever happened on a movie screen. His adorableness could reduce a theater of hardened criminals into a gaggle of teenage girls who have just seen 12 puppies playing with 12 kittens with some baby otters splashing in a pool nearby under the watchful eye of 3 baby pandas trying to lick fruit out of an ice cube while a group of babies give those tiny baby smiles that make your heart melt. You cannot even understand the level of Internet-breaking cute baby Groot is.  It's pretty clear director James Gunn understands what he has on his hands as well. The entire opening sequence trains the camera on baby Groot doing a dance number to ELO's "Mr. Blue Sky" while the rest of the Guardians battle it out with a giant space creature in the background. It's a fantastically creative opening reestablishing why Guardians feels so different from the rest of the Marvel universe and brings us right back into the team's dynamics while making sure everyone understands baby Groot is the best.  Those team dynamics are at the forefront this time around. After establishing their new family the intrepid group of heroes -- consisting of Star-Lord (Chris Pratt), Gamora (Zoe Saldana), Drax (Dave Bautista), Rocket (Bradley Cooper), and Groot (Vin Diesel) -- are still bickering among each other as they charge for their services throughout the universe. Rocket lands them in a heap of trouble by stealing some fancy batteries from some gold aliens called the Sovereign. This leads the Sovereign's high priestess Ayesha (Elizabeth Debicki) to hunt them down, but the group is saved by none other than Star-Lord's father, Ego (Kurt Russel). Turns out Ego is a Celestial, an ancient being, and now a living planet. Basically Star-Lord has some god in him. Meanwhile Ayesha hires Yondu (Michael Rooker) to chase down the Guardians, and Nebula (Karen Gillan) is on her own quest to kill Gamora. Basically, the band's back together. Vol. 2 has a lot to unpack, and it spends a lot of time unpacking it. Its overall themes are about family and friendship, especially fatherhood, thanks to the parenting love triangle that is Star-Lord/Ego/Yondu, but it also needs to get through a ton of exposition because of the mass amount of character background it needs to unpack. That can get a bit cumbersome. While the original film moved effortlessly through its emotional cues and action, Vol. 2 sometimes feels like its pulling you along so we can get to those spots. Exposition dominates a lot of the interaction between Star-Lord and Ego; meaning the emotional punch gets a little lost. Luckily it's made up for in a lot of other areas. The relationship between the crew is still fantastic even when the screenplay gets a bit too on the nose. Gunn and the cast just know how to make this crew work, and they continue to do it all while merging Nebula and Yondu more fully into things. The clunkier segments of dialogue can't keep down the actual spark that these guys have on screen together (even if a chunk of the team is completely digital).  Then there's the action. Gunn was let loose on this one. I can see the Marvel execs giving him carte blanche the second the first film exploded, and he goes wild with it. The opening I described above is just one example of him having an absolute blast with the action. There is a Yondu fight scene that is one of the most clever pieces of action I've seen from Marvel, and the final battle is simply stunning, and, more importantly, coherent. With a plethora of characters doing a plethora of things, Gunn manages to pull together an impressive sequence, which is no easy task. He's also a master at making sure punchlines hit. Even some of the cheesiest lines in the film are timed wonderfully, leading to what is probably the funniest of the Marvel films. Of course letting loose isn't always a good thing. Vol. 2 is a very busy movie with a lot going on almost all the time. The color palette used is massive and sometimes Gunn can get a little carried away with what he's doing. He's a good enough director to keep everything coherent, but a little restraint here or there may have been in order at times. That doesn't mean anything is bad, but things get a little overwhelming at points.  It always helps that your cast is fully into it. Pratt shines again in his leading role, showing why the first film turned him into a superstar. However, the biggest standout is probably Bautista, who is given a lot more dialogue and screen time in Vol. 2. He nails it. While Drax's whole shtick is not emoting, there's a skill to doing that while still emoting and Bautista does it with surprising adeptness. Baby Groot may steal the show, but it's Drax who grounds the film more than anything.  The film still stands on its own in the Marvel universe. In fact, it quite wisely almost entirely ignores the rest of the universe and its ongoing plot. There are mentions of Thanos, but he doesn't show up this time. There are five(!) teasers at the end, but none of them connect to the other Marvel films. Much like its style, humor, and themes, Vol. 2 stands apart from the rest of Marvel for now. That doesn't mean that comic fans won't have a few jaw dropping moments, but this is as far away from an Avengers tie-in as you can get. What it comes down to is that Guardians of the Galaxy Vol. 2 is just fun. It's funny as hell, full of touching and inspiring moments and despite its screenplay issues keeps its momentum going throughout. While it never quite captures the magic of the first film, it has its own. The first movie was such a surprise and so damn charming, that it's impossible for Vol. 2 to regain that feeling, but it makes its own, and it owns it. Even if it didn't it has baby Groot. -- After reviewing the first Guardians of the Galaxy, I noted it shared a lot of similarities with other films of its ilk while seeming unique enough through the Marvel lens. Vol. 2, however, throws that completely out the window and delivers an experience wholly its own. While Matt is absolutely correct about the sequels frantic nature, and stimulation overload, when the film focuses itself it can go to some truly remarkable depths not seen in many of the other MCU films. Dave Bautista is indeed the standout, once again, and grounds the crazy technicolor world in a way I didn't see coming. Gunn adds a unique flair to the MCU, again putting his stamp on the universe with some light body horror, soundtrack meshing with colorful action, but also doesn't let moments shine. Several emotional beats were undercut by constant jokes. The humor may land, but it's also constant. Taking a breath every so often would've been nice. -- Nick Valdez - 78
Guardians photo
Baby Groot is everything
When the first Guardians of the Galaxy hit I'm not sure any of us we're really prepared for it being as fantastic as it was. We weren't prepared for a team of mostly unknown superheroes being turned into one of Marvel's ...

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Logan in black and white is coming to theaters for one night


A new trend emerges
May 02
// Matthew Razak
Everyone knows that when you put a movie in black and white it gets instantly more serious and more art house. This is a scientifically proven fact. That's why James Mangold's Logan, already the most art house main stream sup...
Captain Marvel directors photo
Captain Marvel directors

Anna Boden and Ryan Fleck will co-direct Captain Marvel for the MCU


Indie directors going large again
Apr 19
// Hubert Vigilla
Continuing the trend of hiring indie directors to helm blockbuster films, Variety broke news today that Anna Boden and Ryan Fleck have been hired to co-direct Captain Marvel. The duo has been collaborating together since meet...
Awesome Mix Vol. 2 photo
Awesome Mix Vol. 2

Here's the full Awesome Mix tracklist for Guardians of the Galaxy Vol. 2


ELO, Parliment, and The 'Hoff
Apr 19
// Hubert Vigilla
The Awesome Mix from Guardians of the Galaxy was a nice in-story mix-tape that was loaded with good songs and emotional impact. Suicide Squad tried to copy the Awesome Mix formula with mixed results. Truly, Red Bone's "Come a...
SyFy's Krypton trailer photo
SyFy's Krypton trailer

Trailer for SyFy's Krypton follows the life of Superman's grandfather


Supergrandad
Apr 18
// Hubert Vigilla
A while ago we heard word that writer/director David Goyer (Batman Begins, Man of Steel) was working on a SyFy show about Krypton, the home planet of Superman. We now have a trailer for the show, which features Seg-El (Camero...
Gunn doing Guardians 3 photo
Gunn doing Guardians 3

James Gunn will write and direct Guardians of the Galaxy Vol. 3


Come and get your trilogy of love
Apr 17
// Hubert Vigilla
Guardians of the Galaxy Vol. 2 is one of our most anticipated movies of 2017. It comes out May 5, 2017, but there's already some information on the sequel. James Gunn previously confirmed there will be a Guardians of the Gala...
R-rated Watchmen cartoon photo
R-rated Watchmen cartoon

Warner Bros making R-rated animated Watchmen adaptation that no one wants


Milk that IP until it bleeds
Apr 15
// Hubert Vigilla
According to Comic Book Resources, Warner Bros. will release a cartoon adaptation of Watchmen that will likely be rated R. CBR obtained a screenshot from a WB "A-List Community" survey that describes the project as a faithful made-for-video adaptation of the Alan Moore/Dave Gibbons comic. Hurm. Here's the screenshot in question:
HISHE: Logan photo
HISHE: Logan

How It Should Have Ended gives Logan a grand send-off


One snikt more
Apr 12
// Hubert Vigilla
If Hugh Jackman had to have a swan song as Wolverine, Logan was the best possible outcome. A superhero movie that didn't feel like a superhero movie, the film served as a grim, melancholy, violent capstone for Jackman's run a...
Josh Brolin Cable photo
Josh Brolin Cable

Josh Brolin (who plays Thanos) has been cast as Cable in Deadpool 2


BAH GAWD! THAT'S THANOS' MUSIC!
Apr 12
// Hubert Vigilla
Well... that was unexpected. After months of speculation (or weeks--who's counting), Josh Brolin has been cast as Cable in Deadpool 2. Brolin also plays Thanos in the MCU movies, which are a different thing entirely than the ...
Thor: Ragnarok trailer photo
Ahhhhh-ohhhh-aaaaaaaah-AAAAH!
If you asked me two years ago if I'd be excited about a new Thor movie, the answer would be, "No, not at all." Enter Thor: Ragnarok from Taika Waititi (What We Do in the Shadows, Hunt for the Wilderpeople). It's... it... Guys...

New Wonder Woman images photo
New Wonder Woman images

New images from Wonder Woman leave me feeling cautiously optimistic


Don't screw this up for once, WB
Apr 04
// Hubert Vigilla
So far, the DCEU has been a nihilistic bro-fest of brawn, brooding, and ♫BWAAAAM♫. Patty Jenkins' Wonder Woman might be the combo breaker. The San Diego Comic Con footage and the first and second trailers have som...

Joss Whedon will direct a standalone Batgirl movie for the DCEU

Mar 30 // Hubert Vigilla
This also makes me wonder if this will feature a Dick Grayson/Nightwing appearance to set up the Nightwing movie that was announced a month ago. Is this the start of the DCEU Bat Family sub-universe, aka the DCEUBFSU? Whedon makes sense for Batgirl. The creator and driving force behind Buffy the Vampire Slayer is a solid choice to steer a Batgirl story in a reliable direction. I wonder what iteration of Batgirl it will be, though. Will it be the new hipster Batgirl of Burnside (the Brooklyn of Gotham City) who sports the bossest new costume around, or will this be a more classic iteration of Barbara Gordon? We'll report more details as they arise. What do you think of this news? Is the DCEU doing something right? Will this wind up delayed by the summer? Let us know in the comments. [via Variety]
Joss Whedon Batgirl photo
BAH GAWD! THAT'S JOSS WHEDON'S MUSIC!
Variety reports that Joss Whedon will direct a standalone Batgirl movie for Warner Bros. and the DCEU. Whedon will also write the film and serve as producer. Variety notes that comics writer and producer Geoff Johns will be o...

New Spider-Man: Homecoming trailer has Peter Parker and Tony Stark at odds

Mar 28 // Hubert Vigilla
I wonder if this trailer gives too much away about the story. In particular, Spidey back in the low-fi/DIY suit seems like it should have been saved for the film itself rather than spoiled for the trailer. That would make for a dramatic reveal. What do you think? Let us know in the comments. Spider-Man: Homecoming will be out July 7th.
Spider-Man: Homecoming photo
Is Spider-Man more than just a suit?
The first Spider-Man: Homecoming trailer gave us a taste of the Marvel Studios webslinger, which seems to have a charm and ease that Sony never managed to get right in their Amazing films. The happy-go-lucky/I-love-savin...

Michael Shannon as Cable? photo
Michael Shannon as Cable?

Michael Shannon is the frontrunner to play Cable in Deadpool 2


Michael Shannon should play everyone
Mar 22
// Hubert Vigilla
Logan had a lot going for it. In addition to the pathos of an aged Wolverine, the film featured a surprise promo for Deadpool 2. Now, Deadpool 2 isn't in production yet, but Fox likes money and they want to make more of ...

Review: Iron Fist (Season 1)

Mar 20 // Hubert Vigilla
[embed]221385:43469:0[/embed] Iron Fist (Season 1)Director: VariousRating: TV-MARelease Date: March 17, 2017 (Netflix) Everyone thought Danny Rand died with his parents in a plane crash 15 years ago, but he really survived and learned martial arts in a magic Himalayan city called K'un-L'un. He shows up barefoot in New York at his family's building, spouting off fortune cookie mysticism like a low-rent Billy Jack. This kicks off a protracted battle for control of the company rooted in childhood bullying and soap opera-style family resentments, which is just what fans of the character wanted to see, obviously. The pilot episode is so dully inert. with Rand trying to assert his identity while former childhood friends Ward Meachum (Tom Pelphrey) and Joy Meachum (Jessica Stroup) find different ways of say, "Nuh-uh, no you're not." Riveting. There's one slow, klutzy, 30-second fight in the episode with security guards. There is also a wise, disposable homeless supporting character who dies of a heroin overdose, seeding another season-long plot point. Iron Fist is a character who got his superpowers by punching a dragon in the chest, yet the show is treated with the aggravating seriousness of a prestige cable drama. The only saving grace of the plodding business drama stuff is Harold Meachum (David Wenham), the father of Ward and Joy who lives in hiding after faking his own death. Wenham is so invested in his character's giddy evil, and he oozes the charisma that's lacking in Jones as a lead. I can't blame Jones entirely for being so unintersting. He's not a good actor, but the writers give him nothing to work with. The second episode of Iron First takes place in a mental hospital, with Danny strapped to a bed most of the time. Beds are what I think about when I think of martial arts. Even a pseudo-tournament episode directed by the RZA feels static: Iron Fist ascends each level of a building fighting characters who have more personality than him. A skirmish in a later episode with a drunken-style fighter made me realize yet again how awful Danny is on so many levels. Iron Fist has feet of clay and a brain of rock. When he's not making the dumbest or wrongest decision, he's pilloried with self-doubt. His scowling facial expressions hint at tears on the verge. He's often so flummoxed with anger that he can't use his magic fist to punch things really hard. Danny Rand is Anakin Skywalker with erectile dysfunction. But yes, the fights. Oh god, the fights. Good fights tell stories. A character's fighting style reveals something about who they are inside, like some external manifestation of the self. They may have a signature move (Ric Fair's figure four leglock) or a unique weapon (Captain America's shield) or a personal fighting style (Ip Man's wing chun) that differentiates them from others. The primary characters in Iron Fist fight the same way--slow, clumsily, like actors in a martial arts show rather than martial artists. Their movements vary only superficially, and there is nothing dynamic or unique about the fights that pepper the series. Danny essentially fights just like fellow martial artist Colleen Wing (Jessica Henwick) even though she uses a sword and they have entirely different martial arts backgrounds. The fights of Iron Fist all look like glacial, inartful brawls. Seasoned fighters are turned into mere goons. I expected more from a martial arts show, namely decent martial arts. The fights of Daredevil put this show to shame; ditto the action in Arrow and Into the Badlands and even every iteration of Power Rangers. The camera angles obscure movement in the frame, the shots are banal and shaky, and there are so many confusing cuts that interrupt the flow of the action to the point of incoherence. It's amateur hour in the dojo and the editing bay. What's more, the fights all feel so perfunctory, or even like a chore, as if the writers thought, "A fight scene? Aww, do we have to? I really wanted to get into that class action lawsuit subplot." We're told that the Danny Rand is the world's greatest martial artist, but he fights like a guy who took karate at the Y two summers ago. Why does a security guard with a knife give this guy so much trouble? The person Danny dispenses of the fastest in the entire show is a teenager he hits in the ankle with a shinai. He wasn't expecting it either (sucker shinai?) and Danny preceded his assault by verbally berating the dojo for not taking martial arts seriously. Some hero, right? Hell, Danny doesn't even take off his shoes when he's in the dojo. Didn't they teach you anything in K'un-L'un, buddy? I'm pretty sure they at least took off their shoes at the Cobra Kai dojo. A great martial artist and he has the emotional intelligence of a bratty 10 year old and the balance of a newborn fawn. Later episodes of the show seem to break the fourth wall and acknowledge that Danny is a really crummy character. While he's trying to rescue a person being held captive, Danny's scuffle with a goon leads to said captive getting stabbed in the chest. What a hero. After watching him fight, one character even says, "Wow, you really are the worst Iron Fist ever." The final scene of season one even has Danny tacitly acknowledge that yes, he really does suck at everything, doesn't he? Danny Rand's bumbling heroism makes Colleen Wing that much more compelling as the show's secret protagonist. She's a poor martial arts instructor who helps her students make smart, moral choices while she's struggling to make ends meet. She compromises principles, she shows generosity to others, she learns and grows from her mistakes. Henwick does what she can with the script, and she has enough presence to carry the scenes she's in amiably. I found myself grateful for every Colleen Wing scene--finally a character to care about (other than David Wenham's Evil Faramir). There's so much at stake for Colleen, and she has so much potential to carry a show on her own, but she's relegated to supporting status. Danny Rand is Jack Burton to Colleen Wing's Wang Chi, but in a boring version of Big Trouble in Little China that's mostly about the intricacies of the commercial trucking industry. "Have you paid your dues? Well, let me explain the importance of unionization in a field such as ours over a power lunch." By the way, we never see Iron Fist punch the dragon in the chest. We don't even see the dragon and we barely get a look at K'un-L'un. This was probably due to budgetary constraints. Everything about Iron Fist looks laughably cheap. I didn't touch on the issue of cultural appropriation or orientalism in this review, which is oddly the least of the show's problems. I'm actually okay in theory with Danny Rand being white so long as the show was interesting. The show is not interesting. You don't even need to watch it to understand what will happen in Netflix's The Defenders. That sort of completism is for rubes. Just read about the set up online. There'll be more illumination in three or four sentences than there is in 13 hours of dreck with a weaksauce ending. The story in your head will probably be better anyways. There's so much you can do in life with 13 precious, precious hours. Don't make the mistake of watching Iron Fist.
Iron Fist (Season 1) photo
Booooooooooooooring
Iron Fist is such a tremendous failure on so many levels that it's fascinating to dissect. It's not fascinating to watch, however. The latest Marvel series on Netflix is a 13-hour bore that's 15% martial arts show and 85% boa...

Guardians 3 photo
Guardians 3

James Gunn confirms Guardians of the Galaxy Vol. 3 is happening


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New Thor: Ragnarok pics include Technicolor Goldblum, Goth Blanchett, GladiaThor


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Thor: Ragnarok photo
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First look at Thor's new look in Thor: Ragnarok


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