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Matthew Razak

Captain Underpants photo
Captain Underpants

First trailer for Captain Underpants surprisingly light on underpants


What is this?
Mar 22
// Matthew Razak
I am out of the loop. Or out of whatever loop the Captain Underpants worldwide phenomenon was occurring in. For that I am sorry, for it seems I was missing out on something quite clever and funny.  The first trailer...
The Matrix photo
The Matrix

Matrix reboot may not actually be a reboot


Does it really matter?
Mar 17
// Matthew Razak
The Matrix should not be rebooted (even if there is a right way to do it). Hell, with the way the franchise dovetailed I'm not sure if it should come back in any form. But it is, of course, and we heard it was going to b...
Guardians 3 photo
Guardians 3

James Gunn confirms Guardians of the Galaxy Vol. 3 is happening


He may not be involved, though
Mar 16
// Matthew Razak
Making to epic science fiction films back to back must be tiring so I can understand why when James Gunn revealed that Guardians of the Galaxy Vol. 3 is definitely happening he also was pretty wishy-washy on if he'd be i...
Bond 25 photo
Bond 25

Neal Pervis and Robert Wade return again to script Bond 25


Bond's tag team duo
Mar 10
// Matthew Razak
It's with mixed emotions that I write the news that Neal Pervis and Robert Wade are returning to write the screenplay for Bond 25. The duo have been involved with the Bond films since The World Is Not Enough (writers str...

Review: Kong: Skull Island

Mar 09 // Matthew Razak
[embed]221357:43453:0[/embed] Kong: Skull IslandDirector: Jordan Vogt-RobertsRelease Date: March 10, 2017Rated: PG-13 Kong: Skull Island is literally exactly about what the title is. King Kong is on Skull Island. The problem is some people are about to show up. In the 1970s Bill Randa (John Goodman), head of the nearly defunded Monarch organization, launches one last expedition to a previously undiscovered island that is perpetually surrounded by storms. He believes that monsters do exist as he's the only survivor from the monster attack on a U.S. military boat that was mentioned in Godzilla. Along with him comes a group of scientists, an Vietnam helicopter platoon led by Preston Packard (Samual L. Jackson), a tracker named James Conrad (Tom Hiddleston) and photojournalist Mason Weaver (Brie Larson). They, of course make it to the island, and for some mcguffin of a reason start dropping bombs on it. Kong shows up and kicks there ass. And here's where Skull Island really starts to do things right. Instead of giving us 90 minutes of blurry fur and quick glimpses, Kong just shows up and starts being the man. This allows for not just one big monster sequence at the end, but instead battle after battle of insanely well designed monster fight scenes. Kong is actually the star of this movie, not a bunch of humans struggling to survive, but the ape himself. That's a lesson that so many monster films have yet to learn and one of the biggest problems with Godzilla. Skull Island knows what we came to see and it give it to us right off the bat. That's not to say there isn't plenty of human development. After Kong trashes the groups helicopters the survivors are left to try to make their way to the rendezvous point in order to get off the island. Packard, hell bent on winning "this war" against Kong, drives his group to get the ammunition to kill the primate while a smaller group led by Conrad wind up meeting the native people of the island and crashed WWII pilot Hank Marlow (John C. Reilly). They learn that Kong isn't the bad guy, but the defender of these people and the world against those weird lizard monsters that Godzilla helped defeat in his film. Yea, it's that blatantly connected. And, yes, it is also that blatantly a metaphor for Vietnam to the point where toxic gas is dropped. But given Godzilla's roots in nuclear war commentary the war commentary actually fits well enough. Skull Island likes to play with its tropes while reveling in them at the same time. A perfect example of this is two soldiers running away from a charging Kong as one peels off yelling "Run to the side, you idiot." The other guy doesn't and gets crushed. This playfulness with cliche makes the movie work on its own accord and pulls the actual cliche stuff out of the mire. Yes, it can get a little goofy at times, and that's when the film is at its worst, but for the most part everything clicks and Kong (or some other giant creature) is never of screen long enough for you to really start to hate the cookie cutter characters.  Probably the most disappointing part of the film is how flat Hiddleston's character is. If they're planning on having this character be a central piece of the MonsterVerse puzzle they better get him some more interesting dialog and plot lines. It isn't clear, however, if they are. From the attitude Skull Island takes to its human characters the only important carryover is Kong. Human beings are just there to stare at him in admiration or die. That's the way it should be it turns out. If this is the tone for the rest of the MonsterVerse then count me in. Kong brings a bit more fun to the series than Godzilla did and a whole lot more monster action. While Kong: Skull Island can get drastically stupid at times it always seem aware of this and it has figured out an antidote: Kong smash.
Kong: Skull Island photo
Welcome to the MonsterVerse
The monster movie is making a comeback. No, not the still-odd-to-me Universal Monster Cinematic Universe. I'm talking giant, city-destroying monsters. And yes, they're getting their own universe. Unbeknownst to us the kick of...

Thor: Ragnarok photo
Thor: Ragnarok

First look at Thor's new look in Thor: Ragnarok


Are you not entertained?
Mar 08
// Matthew Razak
Thor: Ragnarok has long be toted as a bit of a tonal shit for the franchise, and to really emphasize this it appears that Thor himself is getting a new look. The long, luxurious, flowing blonde locks of Chris Hemsworth's...
Just Cause photo
Just Cause

Just Cause film casts Jason Momoa in lead


Open world fun confined
Mar 08
// Matthew Razak
One of the problems with movie video game adaptations is that the games they're adapting are basically action movie adaptations with the player able to interact. So adapting it back into a movie just takes away the interactiv...
Logan photo
Logan

Logan nets $85 million at box office


And you execs were so scared
Mar 06
// Matthew Razak
With the amount of buzz going into Logan and the positive flooding out from it it may be hard to understand why studio execs were nervous about the film. It was a risky movie, but that risk has paid off with Logan p...

Why Logan is the bravest studio film of the year

Mar 03 // Matthew Razak
We all like to complain that Marvel superhero films have become codified (and DC's just suck), but one of the reasons they have is because the formula works. It works over and over and over again. Hollywood sticks to formulas that work, and they do not tip the boat. When you're putting millions and millions of dollars into something you want that money back. It's a simple reason why studios are insanely risk adverse. For every Deadpool there's five John Carters. John Carters lead to people getting fired.  That's why Logan stands out so boldly among every studio film we'll see this year. The studio actually let it take risks. They actually let it do what it needed to do. Let's start with the R rating. Wolverine as a character desperately needed this, though, the comic books never had him or Professor X cussing this much. Anyone who saw the underrated The Wolverine knows that a good sharp dose of blood and violence would have made the character actually work. Constraining a wild beast to a PG-13 was not helping. You may say that this wasn't a big risk thanks to Deadpool pulling in massive money, but that's a completely different situation. The Pool isn't as well known as Wolverine, and didn't already have an established, and young, fan base. An R rating is alienating every kid out there who loves superhero movies, and there are a lot of them. That's a huge audience that was able to see the previous films that won't be able to see this one, and that makes Logan's R rating that much more risky than Deadpool's. But it's not just the rating that makes Logan brave as hell. In fact a lot of the risk comes despite the R. With that rating they could have gone full blood bath (Logan has plenty bloody, don't worry), with action sequence after action sequence. Instead director James Mangold rolls the film at a incredibly slow pace. While it doesn't pull this off perfectly, Logan is far more character study than superhero movie. It may fall into a few traps here and there, but just getting this screenplay greenlit must have been one hell of an uphill battle. The film goes long periods without a single claw being "snikted." For a film franchise that could barely stop the action when it first launched with X:Men Origins: Wolverine this is a major divergence. Though it may have been hinted at when Mangold deftly maneuvered The Wolverine into a samurai-style film, only to abandon that in that film's latter third, Logan fully commits to treating its characters as just that. Instead of action pieces to be moved around we get characters who happen to have claws and psychic powers. In the vein of the classic westerns the film apes a little too on-the-nose, our heroes are flawed and violent, but human. Other comic franchises do have well developed characters to be sure, but we rarely see such a focus like this that character. It was a hell of a risky move for a big studio considering no major superhero film as gone this headlong into thematic development.  On top of this the screenplay calls for an aging hero and a dying Professor X set in a future that is stunningly disconnected from the rest of the X universe. Logan could easily be a stand alone film, an almost alternate universe. Comic books do this all the time with one off or limited runs, but movie studios have been remiss to push outside their universes. Part of this resistance is because the idea of a cinematic universe is still so new. Marvel is defining and re-defining what having one means with every film they release. But Fox has finally decided to go their own route. Instead of mimicking Marvel's Avenger's universe they're branching out and defining theirs by a unique one-shot. If their plan is to bridge their X-Men tentpoles with smaller character studies then its a bold stroke in creating a cinematic universe differently from Marvel's cohesive whole and DC's... clusterfuck.  And now I really need to warn you about spoilers because probably the biggest and ballsiest move comes at the end of the film. They killed their star. No wait, they didn't just kill their start, they killed two of their stars. I doubt anyone is going to give this movie enough credit for doing this. You do not kill your heroic lead in an action blockbuster. Yes, it happens here and there as I'm sure many could point out, but it doesn't happen with established franchise characters twice in the same movie. Sure, you could argue that it was easier because the story is set in the future so it doesn't affect the current universe's "present" timeline, but that just makes the entire thing more of a risk. In order to execute this movie correctly they not only had to set up an entire separate time frame, but then pull the trigger on killing two X-Men (and major Hollywood actors) in one film. Hollywood doesn't do it like this, and yet here we have Logan. A movie that knew to be as truly powerful as it could be it had to break our hearts... twice. And they let it. The studio let them do it.  I am well aware that this is Jackman's goodbye to the character so a death makes sense, but that's just it. It makes sense! That's not something I'm use to saying about studio decisions when it comes to money making franchises.  It feels weird to commend a Hollywood studio for taking risks and doing things that make sense. This is what they should be doing, right? They don't, though. For many of the reasons outlined above it is not the norm for a studio to go out on a limb like Fox did with Logan. Yet in this case it truly paid off. By allowing Logan to be the film that it needed to be instead of meddling in what they thought it should be Fox let Mangold make the Wolverine film that everyone had always wanted, and then take it even further. So here's to a studio doing what it should be doing. Here's to Fox showing some guts, bub. Here's to more like it in the future. 
Logan photo
Balls of adamantium
By now we've all seen Logan, and if you haven't then you wasted your Thursday night by not going to it. My guess is that it's a bit of a divisive film. Some people are going to come out of it loving it, like we did, and other...

War Machine photo
War Machine

Brad Pitt won't wait in War Machine trailer


No, not Marvel
Mar 01
// Matthew Razak
If you thought Netflix movies were going to continue to be a bunch of bad Adam Sandler comedies with a smattering of quality you better take a long look at 2017. The studio, because that's what it is now, is going all out. We...
Alien: Covenant photo
Alien: Covenant

Alien: Covenant gets a prologue with food and drinking


These people will die
Feb 23
// Matthew Razak
Yesterday we got our first good look at the crew of Alien: Covenant and today we have a bit of a prologue to the film that's been released. "Prologue: Last Supper" doesn't really tell us much, but it has fun playing with...
Logan photo
Logan

Logan will have a post credit scene


Guess I'll see it again
Feb 22
// Matthew Razak
We here at Flixist friggin love Logan. It's a ballsy, brave, brash, violent and intriguing. It has it's flaws, but they're only flaws because it was just so damn different. One not-so-big difference from other Marvel films is...
Step Brothers 2 photo
Step Brothers 2

No Step Brothers sequel in the works, resisting temptation


When did this become a classic?
Feb 22
// Matthew Razak
When Step Brothers first came out it was marked as a middling comedy and I think most people forgot about it. But over the years its gained a bit of a cult following, which I don't fully understand since it's neither Wil...
Tales from the Crypt photo
Tales from the Crypt

The Tales from the Crypt reboot has trailers now


M. Night Shyamalan brings it back
Feb 21
// Matthew Razak
There are episodes of Tales from the Crypt that are eternally stuck in my mind. The show's combination of horror, weirdness, violence and nudity made it an instant cult classic when it was on. Also, there was the comic, ...
Alien: Covenant photo
Alien: Covenant

New image for Alien: Covenant teases new trailer


Most of these people will die
Feb 21
// Matthew Razak
When the first trailer for Alien: Covenant landed I was pretty excited as it looked like a true return to from for the series after the oddness of Prometheus. I mean just check out this new picture; it's basically a smal...
Sandy Wexler photo
Sandy Wexler

Adam Sandler's Sandy Wexler now has a trailer no one was looking forward to


Oh, it's that annoying Sandler voice
Feb 17
// Matthew Razak
You know when Adam Sandler does that weird voice where he's kind of talking like a baby, but not really. At some point it was funny, but now it's just kind of sad. Well Sandy Wexler, Netflix's next Adam Sandler movie, seems t...
The House photo
The House

Will Ferrell and Amy Poehler are idiots in first The House trailer


Not betting on this
Feb 16
// Matthew Razak
Man, I am a big fan of everyone in The House, but judging from the trailer I don't think those parts are going to add up to much of a whole. Other than the final gag in the trailer almost nothing hits as really funny, just a ...
The Raid (U.S.) photo
The Raid (U.S.)

The Raid remake rides again with Joe Carnahan and Frank Grillo


Make The Raid great again
Feb 15
// Matthew Razak
We happen to be massive fans of Gareth Evans films The Raid and The Raid 2: Berandal. This is mostly because he is possibly the best action director working and because they are some of the best action movies ever. So yo...
X-Men: Supernova photo
X-Men: Supernova

X-Men: Supernova actually set to shoot this year


Well, that was fast
Feb 13
// Matthew Razak
We all knew there would be more X-Men coming. Not only does Fox like money, but in X-Men: Apocalypse they set up the Dark Phoenix saga about as subtly as a baseball bat to a Walking Dead character's head. Howev...
Iron Fist photo
Iron Fist

New Iron Fist trailer reminds me to watch Luke Cage


Yes, I'm very behind
Feb 07
// Matthew Razak
I'm really, really behind on my television watching, but if there's something that's going to make me catch up it will be wanting to watch the awesome-looking Iron Fist with a complete understanding of what's going on in...
Justice League photo
Justice League

Flash armor is the worst in new Justice League image


The W O R S T
Dec 20
// Matthew Razak
Does anyone like the Flash's armor costume in the new Justice League movie? This is new image for EW is probably the best look we've got of it not in motion and it just looks terrible. Like all design and no substance. If he ...
Blade Runner 2049 photo
The future of the future
Well, it's happened. They made it. One of the most cherished science fiction films ever, noted especially for its wonderful ambiguity, is getting a sequel. If you can't tell I'm not to enthused. I just see far too many ways t...

War Apes photo
I mean, we all know how this will end
I got a really in depth look at War for the Planet of the Apes at NYCC this year, but now it is everyone else's chance to take a look. The first trailer has landed and it is crammed full of action and grumpy apes. That's...

 photo

Will Ferrell will star in a new comedy about esports


This isn't going to end well
Dec 07
// Matthew Razak
Look, I'll stand up for Will Ferrell any day. The man has delivered some of the best comedies of the past two decades, but he's been in a bit of a slump at the moment, and that's just one of the reasons why that the news of h...
HTTYD3 photo
HTTYD3

How to Train Your Dragon 3 delayed yet again


Bad dragon! No! No!
Dec 06
// Matthew Razak
Remember when we were all supposed to have already seen How to Train Your Dragon 3 in June of this year? Yea, that didn't happen. Then we were supposed to get in sometime in 2017. Then 2018. Now, and hopefully finally, t...
Luke Cage photo
Luke Cage

Luke Cage season 2 is now confirmed


Things we already knew
Dec 05
// Matthew Razak
I am behind. Way behind. My wife and I got caught up watching West Wing since we'd never done that and now we're behind on every show ever, including Luke Cage. Soon, though, I will be caught up and then I'll be done wit...
The Predator photo
The Predator

Olivia Munn to star alongside Boyd Holbrook in The Predator


Let's try this again
Nov 04
// Matthew Razak
The Predator was actually looking like a solid reboot with director Shane Black on board and Benitio del Toro set to star, but the actor left the project to be replaced by Boyd Holbrook. That's kind of a letdown, and now...
T2 Trainspotting photo
Choose the same
Any movie from Danny Boyle is a cause for celebration, but a sequel to the cult hit and the movie that put Boyle on the map, Trainspotting, is cause for a bit extra. The first trailer has finally landed and its basically...

Iron Fist photo
Fisting all over the place
When Marvel announced their series of shows that would eventually lead up to a Defenders show the biggest question mark was definitely Iron Fist. Since then Netflix and Marvel have been pretty open with the other series,...

The Defenders photo
The Defenders

Sigourney Weaver to play villain in The Defenders


Yea, that got the crowd excited
Oct 08
// Matthew Razak
As a final surprise at NYCC it was announced that Sigourney Weaver would be joining the cast of The Defenders as the villain. She came out on stage and everyone went pretty damn crazy. No word on who she will be playing, but it's a pretty massive pull.  We'll bring you more as it unravels. 
Underworld photo
Underworld

NYCC: Underwold: Blood Wars gets its first trailer


Vampires and things
Oct 07
// Matthew Razak
The first film in the Sony panel was Underworld: The Blood Wars. There was some discussion on the movie itself, but it was mostly just banter about how sexy everyone was, which is admitedly true. No spoilers or plot points were really dropped, but this trailer was. It looks a lot like an Underworld movie full of blue, leather and dead mythic creatures. Check it out.   
Resident Evil photo
Resident Evil

NYCC: Resident Evil: The Final Chapter really is the final chapter


... or not
Oct 07
// Matthew Razak
One of the bigger spots for NYCC was the upcoming Resident Evil: The Final Chapter. Somehow this franchise has survived and brought us kicking and screaming with it through the ups and downs. We've seen the first trailer, but...
Class photo
Class

NYCC: First look at Doctor Who spin-off Class (Updated)


Class looks kind of awesome
Oct 07
// Matthew Razak
Updated: The teaser is now here. Class has had Doctor Who fans going a little crazy. Is it going to be too kiddy or too weird or too whatever. At NYCC we got the first look at an extended trailer that had a lot of the D...

NYCC: War of the Planet of the Apes is going to be dark

Oct 06 // Matthew Razak
At the event Reeves, Serkis and the series' producer Dylan Clark talked a bit about the making of the new film (and the previous two) while showing off the first teaser and a seven minute, unfinished clip. The basic theme for the night though was that War is really big in every way possible. First it's a war so it's a much bigger film than the previous two in terms of scope, but more importantly for Reeves and Serkis it's bigger in emotional power.  "“It has been the most psychologically intense and physically challenging part of this arc," Serkis said. That's probably because Serkis' character, Caesar, is going to go through some tough stuff this time around. The movie picks up two years after the last film and Caesar is steadily becoming more and more jaded thanks to the war with the humans and his guilt over not being able to stop it from starting. The filmmakers likened him to a much more vengeful Dirty Harry -- a but more action and violent oriented.  In the clip we saw he and a few other apes from the past films come upon a house where they encounter a man. Caesar shoots the man after he attempts to pull a gun on them, but then finds out that he was simply a father trying to defend his daughter. Unlike in the previous films Casesar's empathy is fading as he goes on a suicidal quest to kill off Woody Harrelson's character.  It was actually really interesting seeing the unfinished product as animation moved in and out of the shots and the actors, in their dots and motion capture suit, popped in. A major focus of the event was applauding the performance of the mocap actors, especially Serkis. The mention of academy award nominations was once again brought up, but the reality of that happening is pretty slim still... even if it should.  Finally, we saw a teaser for the film. Oddly, after all three men spoke most of the event about how the movie was more emotional and about the apes not the humans the first teaser trailer was focused on the action and the humans. We saw a group of soldiers hunting in a cave before being taken out by Caesar and some other apes. Then a monologue  by Harrelson's character played over the rest of the film as apes and humans clashed. The end result is a trailer that plays up the action and battle and not the humanity. Hopefully the film itself is more like the event and less like the trailer. 
Planet of the Apes photo
Also there will be war
The Planet of the Apes franchise took an interesting turn when Dawn of the Planet of the Apes came out: it got really good. Like, really, really good. Director Matt Reeves somehow turned a stale franchise into an emotion...

Herschell Lewis photo
On a personal note...
You've probably already heard the news about Herschell Lewis since we just told you, but a great deal of you may not have that close a connection to the director. His films have often been lost to history unless your a specif...

Passengers photo
Also Jennifer Lawrence and Chris Pratt
There are very few genres that Passengers, the new film from The Imitation Game director Morten Tyldym, doesn't seem to want to fit into. It starts out as a rom-com in space and then delves deep into science fiction...

Spawn photo
Spawn

Todd McFarlane confirms an R-rated Spawn movie is in the works


Casting for digital cape not confirmed
Sep 19
// Matthew Razak
The original Spawn movie holds a special place in a lot of people's hearts. It wasn't that good, but it was definitely of its times, especially the ridiculous cape CGI and Martin Sheens too black hair. Also, it wasn't qu...
Level Up photo
Level Up

Check out this exclusive clip of Level Up


Gamer gets into actual game
Sep 18
// Matthew Razak
Level Up is kind of a weird beast. It's about a "gamer" who gets caught up in a "game" after his girlfriend his kidnapped by a mysterious group. As you can see in the clip they start making him do some weird things like ...

Review: Blair Witch

Sep 16 // Matthew Razak
The Blair WitchDirector: Adam WingardRated: RRelease Date: September 16, 2016 [embed]220890:43113:0[/embed] If you haven't seen Wingard and Barrett's previous two films I would recommend going out and doing that now. They are two of the best horror movies of the past decade and take your expectations for the genre and flip them on its head. That is exactly what I was expecting out of Blair Witch. Why would the studio bring these guys in if they didn't want them to shake things up? Unfortunately Blair Witch feels more like standard found footage than a radical shift. Aside from the last 15 minutes or so of the film Blair Witch offers very little new to the genre, surviving only on the few interesting ideas that crop up. Blair Witch picks up 17 years after the original with James (James Allen McCune), the brother of Heather, one of the trio that went missing previously. After discovering some new footage online he and his friends Lisa (Callie Hernandez), Allie (Corbin Reid) and Peter (Brandon Scott) return to the Maryland woods in hopes of finding Heather. They're joined by the couple who uploaded the video to YouTube Lane (Wes Robinson) and Talia (Valorie Curry). As if they hadn't seen the footage from the original movie despite it obviously existing in this film's universe they proceed to make all the same mistakes the original trio did and start to get picked off one by one. Oh, and Lisa is making a documentary for school, which is why everything gets recorded and they bring a drone along with them. Wineguard is a superb horror director, but the screenplay never lets him do anything with his skills until the very end. While the original's found footage shtick was revolutionary for the time it feels entirely needless here, especially considering everything is shot on tiny HD cameras mounted to the heads of the actors. Instead of the really-there feeling you got from the scratchy DV camera footage of the original everything feels glossy. It's a problem in general for the found footage genre and one of the reasons its fallen a bit out of use. More importantly, though, the film falls into horror movie genre conventions a bit too often. One of the things that makes the original film still work is that it's more about the three people falling apart than the demonic spirit chasing after them. It's psychological terror with a hint of monster movie, whereas this new version relies far more heavily on jump scares and glimpses of a monster in the woods. They're perfectly well executed and offer up some scary moments, but it's a big disappointment in general. Wineguard's direction saves a lot of it from being truly standard, throwing in homages to Evil Dead and other horror classics, but there's not enough there to make stand out. Until that last 15 minutes that is. Blair Witch's last 15 minutes would have made an incredible short film. You could easily cut off the proceeding 75 minutes and almost all of the action would have made sense considering the pervasiveness of the original film in today's culture. Those last 15 involve a claustrophobia-inducing scene in a tunnel, a horrifying escape through an abandon house, a clever hint at time manipulation and a conclusion that actually pulls the movie out of just being a redo of the original with HD cameras.  It does really feel like a redo, and that's the final nail in the coffin. Much of what made Blair Witch Project work originally was the ongoing belief that it was real. The found footage genre wasn't a thing then and so half the horror was thinking that this really happened. Blair Witch is at a disadvantage there. We've been over saturated with the genre and so to really stand out it needed to do something new, and it just doesn't. It's not a bad film and it does get scary, but it could have been more.  At least we can all still pretend that Book of Shadows doesn't exist.
Blair Witch photo
Lost in the woods
Back in July a pretty standard looking shaky cam movie called The Woods pulled off the impossible by actually surprising the Internet at SDCC. It turned out that the film was a sequel to The Blair Witch Project. Blair Wi...

Annabelle 2 photo
Annabelle 2

First Annabelle 2 trailer confirms prequelness


Who really wants this creepy doll?
Sep 15
// Matthew Razak
The first trailer for the sequel to the spinoff of The Conjuring is here, and much like with all other things involving a creepy doll it looks really creepy. Annabelle 2 brings us once again into the world of people who ...

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