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8:00 AM on 08.15.2014

Review: The Giver

It's been more than 20 years since Lois Lowry's The Giver first hit shelves, and more than a decade since I first read it. It's one of those transformative books, and before the recent YA trend towards totalitariani...

Alec Kubas-Meyer

5:00 PM on 08.14.2014

Review: The Expendables 3

The Expendables could've been a good series had it been advertised differently. First touted as a return to form for aging 80s action stars as they wax nostalgic about their glory days, The Expendables turned out to be a grey...

Nick Valdez

2:30 AM on 08.14.2014

Review: Let's Be Cops

I love the Buddy Cop genre. Lethal Weapon, Beverly Hills Cop, 21 Jump Street (and its sequel), even Hollywood Homicide. I also love The New Girl. Imagine my surprise and delight when two of the leads from The New Girl were go...

Sean Walsh

1:00 PM on 08.08.2014

Review: Into the Storm

Into the Storm is one of those movies that you wonder where it came from. Natural disaster films are so early 2000s and this one feels particularly ancient. Clearly the thinking was that with all the super storms hitting...

Matthew Razak

8:00 AM on 08.08.2014

Review: Teenage Mutant Ninja Turtles

OK, we've all seen the new look of the Ninja Turtles, and if you haven't there it is up there in the header. It's hideous. They look really weird and totally ugly. That doesn't change in this movie. We're just all going to ha...

Matthew Razak

6:30 PM on 08.04.2014

Fantasia Review: WolfCop

Puns are a lot more interesting than most people give them credit for. While they're exceedingly easy to come up with and throw into literally every conversation ever, they're much harder to actually pull off. The title for t...

Alec Kubas-Meyer

12:00 PM on 08.02.2014

Fantasia Review: Live (Raivu)

To those who know it, Noboru Iguchi's name brings up a very particular image. In fact, when people with only a tangential knowledge of Japanese cinema, Iguchi's work is probably the first thing they think of. It's exactly the...

Alec Kubas-Meyer

3:00 PM on 08.01.2014

Review: Behaving Badly

If you've followed my reviews here on Flixist, you'll realize that I'm particularly drawn to smaller VOD projects in between the big releases for any bevy of reasons. Whether it's because it features pretty ladies, pretty gen...

Nick Valdez

8:00 AM on 08.01.2014

Review: Guardians of the Galaxy

I should admit this outright. Whether it's the nature of my job, or the seemingly endless deluge of Marvel Studios news that we write on everyday, I've succumbed to Marvel fatigue. That's why I was instantly drawn to Guardian...

Nick Valdez

8:00 AM on 07.25.2014

Review: Hercules

I've been anticipating Hercules' release for a while now. I love Dwayne Johnson, and want to see him in more leading roles that aren't just kid films. I figure he's got the charisma and talent just buried somewhere in there a...

Nick Valdez

6:00 PM on 07.23.2014

Review: Kill Team

The war in Afghanistan is the longest military conflict in which the United States has been involved. The operation is nowhere near as successful as hoped, which is part of the reality of fighting a war in Afghanistan, a less...

Hubert Vigilla

8:00 AM on 07.18.2014

Review: The Purge: Anarchy

The Purge came and went without much fanfare. It had an interesting premise (which spawned the #CrimeDay Twitter game here on Flixist), but wasted it with a by-the-numbers home invasion film. When The Purge: Anarchy was ...

Nick Valdez

1:00 PM on 07.17.2014

Review: Boyhood

12 years of shooting, watching every actor grow older and change along with the times and the styles. That's how long it took for Richard Linklater to create a film  about life (a boy's life to be precise). Many films ha...

Matthew Razak

9:00 PM on 07.15.2014

NYAFF Review: Aberdeen

You never know what you’re going to get from a Pang Ho-Cheung film. In 2010, you got an ultraviolent slasher with Dream Home. In 2012, you got uproarious sex comedy Vulgaria. Before and between, you’ve got any oth...

Alec Kubas-Meyer

3:00 PM on 07.12.2014

NYAFF Review: Firestorm 3D

I wish I’d seen Firestorm 3D a week and a half earlier. In my review of The White Storm, I talked extensively about expectations. The film had been sold as X and turned out to be Y, which was good bu...

Alec Kubas-Meyer

7:00 PM on 07.11.2014

NYAFF Review: Cold Eyes

Some of my favorite movies are ones that make me want to go and do something after the lights come up. Some films make me want to travel the world or shave my head or something. Others take professions and make them seem so m...

Alec Kubas-Meyer

8:00 AM on 07.11.2014

Review: Dawn of the Planet of the Apes

When a prequel to Planet of the Apes was first announced, it seemed like yet another cynical cash in. Yet Rise of the Planet of the Apes tried its hardest to prove everyone wrong with top notch visuals, acting, and score. Alt...

Nick Valdez

6:00 PM on 07.10.2014

NYAFF Review: Silent Witness

Before the screening of Silent Witness, it was introduced as an example of what mainstream Chinese filmmaking is like in the modern era. Many of the films that play at the New York Asian Film Festival fit into some sort of ni...

Alec Kubas-Meyer

8:00 PM on 07.08.2014

NYAFF Review: Why Don't You Play in Hell?

Last year, Japan Cuts played Sion Sono's Bad Film, a project filmed back in 1995 but not finished until 2012. In my non-review of the film, I unequivocally called it a masterpiece, and I stand by every word. It is a labo...

Alec Kubas-Meyer



Review: Deliver Us From Evil photo
Review: Deliver Us From Evil
by Mike Cosimano

In all my years seeing movies, I don’t think I’ve seen a collective shrug quite like the one my theater experienced upon leaving Deliver Us From Evil. A passive gesture of that magnitude could only have been triggered by a film destined to fall into obscurity the instant Wal-Mart removes it from the featured DVD rack.

You will not hate Deliver Us From Evil, but I’ll bet all the money in my pockets against all the money in your pockets that you won’t remember it long after you’ve left the theater. (Unless clinging on to memories of sub-par movies is part of your job, in which case, you have my sympathies.)

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NYAFF Review: R100 photo
NYAFF Review: R100
by Alec Kubas-Meyer

Thanks to R100, we know the proper recipe for a shirt: 24 hours in a slow-cooker, with red wine sauce, celery and carrots. Not because the film involves shirt eating (not directly at least), but because it forced Twitch founder/editor Todd Brown to eat his own shirt. 

Before it screened at Fantastic Fest late last year, he made a bold claim, if any film was half as crazy as Why Don’t You Play in Hell (review forthcoming), he’d eat his shirt.

R100 called Brown's bluff, and he made good on his promise. It's fitting, really, because that's exactly the kind of thing someone in R100 might be forced to do.

[For the next month, we will be covering the 2014 New York Asian Film Festival and the Japan-centric Japan Cuts. Click here for more information, and check back here and here for all of the Asian film coverage you can shake a stick at.]

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NYAFF Review: Fuku-chan of FukuFuku Flats photo
NYAFF Review: Fuku-chan of FukuFuku Flats
by Alec Kubas-Meyer

Japanese comedies have a reputation for being wild and crazy.

Let me rephrase that, Japanese movies have a reputation for being wild and crazy. And there's truth to that argument. Japanese films are on the whole weirder than those from other countries. Their comedies are particularly noteworthy, and some truly bizarre films have come out of that country recently. (In fact, we'll have reviews of two of them later this week).

But Fuku-chan of FukuFuku Flats is an exception to that rule. While it has some of that Japanese weirdness, it lacks the over-the-top insanity you might expect. Before the screening, someone in the audience said that he expected it to be NYAFF's sleeper hit.

I think he was completely right.

[For the next month, we will be covering the 2014 New York Asian Film Festival and the Japan-centric Japan Cuts. Click here for more information, and check back here and here for all of the Asian film coverage you can shake a stick at.]

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