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Logan trailer photo
I will make you hurt *snikt*
For Hugh Jackman's final film as Wolverine, they're going old man Logan on us. And here we have our first trailer for Logan, which is full of equal parts badassery and pathos. Wolverine meets The Road and The Last of Us? Oh h...

Watch the sneak peek teaser for Guardians of the Galaxy: Volume 2

Oct 19 // Hubert Vigilla
Oh, you kids with your space movies and things. How lovely. No lie, Guardians is my second favorite MCU movie since it has a bit more personality than the other films, and because James Gunn made Tromeo and Juliet, the secret-best Troma movie. Gunn is such a nice guy he even shared a poster for the film. Give it a look below. We'll keep you posted on the full trailer for Guardians 2 when it arrives. For now, come and get your tease of love. [via James Gunn on Facebook]
Guardians 2 teaser photo
We are all Kevin Bacon again
We're all anxiously awaiting Guardians of the Galaxy: Volume 2. James Gunn promises a full trailer is on the way for his misfit science fiction adventure, but for now, he's taken to Facebook to share a special sneak peek of the film. Give it a watch below, amigo.

Iron Fist photo
Fisting all over the place
When Marvel announced their series of shows that would eventually lead up to a Defenders show the biggest question mark was definitely Iron Fist. Since then Netflix and Marvel have been pretty open with the other series,...

The Defenders photo
The Defenders

Sigourney Weaver to play villain in The Defenders

Yea, that got the crowd excited
Oct 08
// Matthew Razak
As a final surprise at NYCC it was announced that Sigourney Weaver would be joining the cast of The Defenders as the villain. She came out on stage and everyone went pretty damn crazy. No word on who she will be playing, but it's a pretty massive pull.  We'll bring you more as it unravels. 

Power Rangers photo
After 10,000 years...
So it's a bit earlier than planned and it's definitely taken the wind out of my sails in more ways than one. But here's the first Power Rangers reboot trailer. I'm not sure what to think. At first watch, it's pretty generic b...

Spawn photo

Todd McFarlane confirms an R-rated Spawn movie is in the works

Casting for digital cape not confirmed
Sep 19
// Matthew Razak
The original Spawn movie holds a special place in a lot of people's hearts. It wasn't that good, but it was definitely of its times, especially the ridiculous cape CGI and Martin Sheens too black hair. Also, it wasn't qu...
8-bit Justice League photo
8-bit Justice League

Zack Snyder's Justice League gets an 8-bit trailer (more like 16-bit)

Also with a nod to JLU
Sep 19
// Hubert Vigilla
Zack Snyder has been pretty good about hyping his Justice League movie on Twitter lately. In the last week he's released an image of Batman's tactical batsuit and a first look at J. K. Simmons as Commissioner Gordon. The bigg...
J.K. Simmons as Gordon photo
J.K. Simmons as Gordon

First look at J. K. Simmons as Commissioner Gordon in Justice League from #BatmanDay

Zack Snyder loves the Twitter
Sep 18
// Hubert Vigilla
A while back we reported that J. K. Simmons was cast as Commissioner Gordon in Zack Snyder's Justice League. Principle photography has reached the homestretch in the reportedly hopeful and optimistic superhero film, and Snyde...
New Batman suit photo
New Batman suit

Zack Snyder reveals new Ben Affleck Batman suit as Justice League nears completion

Sep 14
// Hubert Vigilla
Zack Snyder is in the homestretch of principle photography on Justice League, which comes out next year. Ben Affleck recently wrapped filming and will likely move on to his solo Batman movie, which will pit the Dark Knight against hunky Joe Manganiello as Deathstroke. As a tease of what's to come, Zack Snyder took to Twitter and released an image of a new Batman suit. Here's Zack Snyder's tweet:
Film score video essay photo
Film score video essay

Every Frame a Painting explains why MCU and modern movie music is similar and forgettable

The Marvel Carbon Copy Universe
Sep 12
// Hubert Vigilla
Tony Zhou's video series Every Frame a Painting is an excellent resource for people interested in the craft and aesthetics of filmmaking. Zhou is a professional editor, and his video essays cover everything for omnivorous cin...
Deathjoe Manganiellstroke photo
Deathjoe Manganiellstroke

Joe Manganiello cast as Deathstroke in Ben Affleck's Batman movie

Everyone in this movie works out
Sep 09
// Hubert Vigilla
You may recall news last week that Deathstroke will be the villain in Ben Affleck's solo Batman movie. This lead many people to wonder who would be cast as Slade Wilson. It was confirmed yesterday that hunky Joe Manganiello h...
Booster Gold photo
Booster Gold

Booster Gold movie may not be part of DCEU

No place for fun in the DCEU
Sep 08
// Matthew Razak
DC's Expanded Universe (what they're calling their cinematic universe and TV universe) is a place of furrowed brows, death and bad editing. That's no place for Booster Gold! See Booster Gold is a man from the future who trave...
Agents of S.H.I.E.L.D. photo
Agents of S.H.I.E.L.D.

First look at Agents of S.H.I.E.L.D.'s Ghost Rider

He doesn't look anything like Nick Cage
Sep 06
// Matthew Razak
Agents of S.H.I.E.L.D. might not be Marvel's best show running now that the Netflix series have come along, but it's a solid serial that finally gained its footing last season. Looking to jump off that, and actually add ...
Batman v Deathstroke photo
Batman v Deathstroke

Deathstroke is the villain of Ben Affleck's solo Batman movie, here's a first look

Aug 29
// Hubert Vigilla
After Batman v Superman: Dawn of Justice, Ben Affleck signed on to write and direct his own Batman movie. We had a little bit of April Fool's fun speculating about who the villain would be, but until today, that remained a my...
Captain America quits photo
Captain America quits

Russos say Steve Rogers is no longer Captain America in the Marvel Cinematic Universe

Russo swerve!
Aug 27
// Hubert Vigilla
Captain America: Civil War was a solid MCU entry--not as good as The Winter Soldier, but an entertaining beat-em-up that touched on the difficulties of foreign intervention in the Obama era. The film didn't have a hug-it-out ...
Guardians trailer photo
Guardians trailer

Check out the trailer for Guardians, a Russian Avengers-style superhero epic

In Russia, love comes to get you
Aug 26
// Hubert Vigilla
In the future, all movies will be superhero movies and all restaurants will be Taco Bell. Search your feelings, you know it to be true. While the United States has flooded the market with the Marvel Cinematic Universe and the...
Batman photo

Batman: Return of the Caped Crusaders gets a trailer

The best Batman is back
Aug 24
// Matthew Razak
I'm pretty sure very few people under the age of 50 became fans of Batman through the old Adam West Batman TV show, but that's how I did. Reruns on some random channel at some random time were some of my favorite things ...
Die Antwoord v David Ayer photo
Die Antwoord v David Ayer

Die Antwoord claim Suicide Squad director David Ayer copied their look for Joker & Harley Quinn

The Joker + Harley Quinn + Chappie?
Aug 10
// Hubert Vigilla
While Suicide Squad has broken box office records, the film has issues. Matt pointed out how the problems undermined the good stuff in his review of the film. Suicide Squad clearly wanted to be different things at the sa...
Luke Cage photo
Luke Cage

First full trailer for Luke Cage lands some punches

I heard it was four guys
Aug 09
// Matthew Razak
Man, Netflix is killing it with their Marvel shows and Luke Cage looks no different. Like with their films the Netflix TV shows take a codified look and tone and warp each show into its own genre. Luke Cage looks to...

Suicide Squad v Guardians of the Galaxy: A Tale of Two Soundtracks

Aug 08 // Hubert Vigilla
[embed]220753:43036:0[/embed] Awesome Mix Vol. 1 is an actual artifact that exists in Guardians of the Galaxy. The Suicide Squad soundtrack is just a soundtrack. This difference cannot be emphasized enough. The Awesome Mix is a mix tape from Peter Quill/Star-Lord's dead mother made just for him. A mix tape means curation, careful consideration, that time was taken to make something, and that something personal is trying to be communicated to someone else through an arrangement of songs. In short, mix tapes show someone you care. It's also important that the Awesome Mix is era-specific, with songs from the '70s and '80s, mixing a bit of AM radio kitsch--"Escape (The Pina Colada Song)," "Hooked on a Feeling"--with some Top 40/punk/glam favs--"Moonage Daydream," "Come and Get Your Love," "Cherry Bomb." This marks a time that Star-Lord will never know, lived by a parent he'll never see again, from a planet he was taken from. Sure, the songs are loads of fun, but there's an underlying sadness to a simple little cassette tape: Quill's last connection to his home planet is an antiquated bit of technology and (since few people make physical mixes these days) a dead cultural practice. By contrast, there's nothing curated about the Suicide Squad soundtrack (aka The Basic Bastich Playlist). It doesn't exist in-story and there's a general willy-nilly-ness to all of it. Looking at the tracklist, it doesn't feel like a mix tape made for anyone but rather for everyone and in the blandest way possible. The soundtrack feels like a bunch of songs some Warner Bros. studio exec downloaded on Napster when he was in college, plus three new ones. Those three new songs are relegated to the closing credits, by the way. That's probably where Skrillex & Rick Ross belong, but a shame to waste a Grimes track. [embed]220753:43037:0[/embed] The choices are so obvious, from "Bohemian Rhapsody" and "The House of the Rising Sun" to "Super Freak" and "Sympathy for the Devil." I couldn't help but think of better movies that made better use of these songs (e.g., Wayne's World, Casino, Little Miss Sunshine, Interview with the Vampire). On that note, The Basic Bastich Playlist even has a song from Awesome Mix Vol 1 ("Spirit in the Sky"). That may explain the general been-there-done-that quality to much of Suicide Squad. The movie does things that other movies have done, but it fails to distinguish itself or excel at anything uniquely on its own. The pop songs come frequently in Suicide Squad. The film's turgid, repetitive prologue feels like three different intro scenes in 20 minutes, with a new pop song creeping up every two minutes. Rather than carefully doling out the needle drops to punctuate a scene or create a character leitmotif, Ayer and his editors feel like cheap wedding DJs looking for a quick reaction from the crowd. "Want some tension and attitude in a scene lacking both? Here's 'Seven Nation Army' and 'Without Me.' Now get ready for the dollar dance." I'm surprised they didn't play "We Are Family," "I Will Survive," and "The Macarena" at some point. The overuse of licensed music is probably the result of the reshoots and subsequent re-edits of the film prior to release. Warner Bros. suits felt like audiences wanted a movie like the first Suicide Squad trailer, so they added more comedy and hired a company that specializes in editing trailers to rework the movie. Consequently, Suicide Squad feels more like a series of trailers than an actual cinematic story. Coming back to the Awesome Mix, I think it just emphasizes the main problem with Suicide Squad, and perhaps even WB/DC as they try to rush their own cinematic universe. The Awesome Mix is a compelling component of a story in which lonely characters join to form a surrogate family. The Basic Bastich Playlist is something a studio used to distract audiences from a story that barely even holds together.
Squad v Guardians photo
Basic Bastich Playlist v Awesome Mix
As Matt pointed out in his review, Suicide Squad feels like two movies clumsily stitched together. One movie (the better movie) is a grim Dirty Dozen/Wild Bunch homage about bad guys fighting even worse guys. That sounds righ...

Man of Steel 2 photo
Man of Steel 2

Warner Bros moving forward with Man of Steel sequel

Get the money, dollar dollar bill y'all
Aug 08
// Nick Valdez
Despite its poor critical reception, Suicide Squad broke crazy records last weekend. Because of this Warner Bros and DC Comics have to decided to move along with their plan, good films be damned. But something we didn't see c...

Watch Jared Leto's Joker hang out with Skrillex and Rick Ross for 'Purple Lambourghini' video

Aug 08
// Nick Valdez
Suicide Squad has come and gone. Breaking August opening records, failing critically for the most part (although our Editor-in-Chief Matt was more level headed than most), and had so many editors in the editing room (accordin...
Suicide Squad box office photo
Suicide Squad box office

Suicide Squad breaks August box office records despite bad reviews, general crumminess

Hey kids, always recycle--TO THE EXTREME
Aug 06
// Hubert Vigilla
Suicide Squad faced a barrage of negative reviews last week. Flixist's own Matthew Razak was mixed on Suicide Squad, noting that the movie is a serviceable tonal mess comprised of two competing films that never come together....
Nerds are the worst photo
Nerds are the worst

Sad nerds start petition to shut down Rotten Tomatoes over bad Suicide Squad reviews

Your desire for validation is childish
Aug 03
// Hubert Vigilla
Suicide Squad comes out on Friday, and the early reviews for the film are not so kind. The movie currently has a 33% on Rotten Tomatoes. Some insecure nerds who seek validation in all aspects of their lives are angry about th...
Suicide Squad photo
Suicide Squad

See Suicide Squad early and free

Washington DC and Baltimore screenings
Jul 26
// Matthew Razak
After Batman v Superman bored us all into a superhero coma it was hard to get excited for Suicide Squad, but after a host of awesome trailers and basically the entire cast saying all the right things there might not be a...
Captain Marvel photo
Captain Marvel

Brie Larson confirmed as Captain Marvel

Nailed it
Jul 24
// Matthew Razak
Rumors had been swirling to the point of confirmation that Brie Larson would be taking on the role of Captain Marvel/Carol Danvers, but last night at Comic Con Marvel finally confirmed it. It's a pretty spot on choice as Danv...
Justice League footage photo
The Flash, you kidder
Big things happening today for the DC Cinematic Universe. In addition to the Wonder Woman trailer at San Diego Comic-Con, here's your first taste of Zack Snyder's Justice League movie. It seems goofier and more lighthearted t...

Wonder Woman trailer photo
It's Wonder Woman, suckas!
Gal Gadot's Wonder Woman was one of the highlights of Batman v Superman: Dawn of Justice. She was a real hero in a movie filled with mopey people. Her appearance whetted everyone's appetite for Patty Jenkins' Wonder Woman mov...

Jared Leto Joker photo
Jared Leto Joker

Get a taste of Jared Leto's Joker performance in this Suicide Squad promo

The Gathering of the Jared Letos
Jul 22
// Hubert Vigilla
I'd like to think that Jared Leto is currently at The Gathering of the Juggalos dressed as The Joker from Suicide Squad. In-character, too. He would fit right in, as least outwardly. We know he's got facial tattoos and is ful...
Marvel photo
First looks galore
Netflix came out swinging at this year's Comic Con. Not only did they drop a trailer for the upcoming Luke Cage movie, but also teasers for Iron Fist and The Defenders. As you may or may not know the latter of those...

The Tick reboot photo
The Tick reboot

Here's an underwhelming first look at Amazon's The Tick reboot

SPOOOO--whoa, what?
Jul 21
// Hubert Vigilla
When we reported about Amazon's reboot of The Tick a few months ago, we learned that the reboot would be "darker and more grounded," which is exactly what people wanted from a parody of superheroes. Now we have our first look at this darker and more grounded version of The Tick and it's thoroughly underwhelming. Just take a look at the new costume:
Captain Marvel photo
Captain Marvel

Brie Larson in the lead for Captain Marvel

Must... not... make... marvelous pun
Jun 02
// Matthew Razak
Things are going well for Brie Larson. She got that Oscar thing last year and now it looks like she'll be landing one of those coveted superhero role things. Those tend to make actors a lot of  money. Larson is reportedl...
DC/WB Exec Shake Up photo
DC/WB Exec Shake Up

Warner Bros. picks Geoff Johns and Jon Berg to oversee DC cinematic universe

Fallout from Batman v Superman
May 18
// Hubert Vigilla
While Batman v Superman: Dawn of Justice has made around $870 million worldwide, it's been considered a disappointment for Warner Bros. By comparison, Captain America: Civil War has already made $957 million worldwide in two ...
New DC logo photo
New DC logo

DC Entertainment unveils bland brand-new comics and film logo

The bullet logo was still the best
May 17
// Hubert Vigilla
DC Comics unveiled a brand new logo to coincide with big Rebirth event this summer, which pretty much looks like a mea culpa for that New 52 stuff from a few years ago. The comic is an 80-page one-shot written by Geoff Johns ...

Harley Quinn to get her own movie

May 16 // Matthew Razak
Harley Quinn photo
Gee, Mr. J! My very own movie!
Suicide Squad isn't even out yet, but DC is pretty sure they've got something good with Margot Robbie's Harley Quinn. THR is reporting that Warner Bros. will be launching a stand-alone Harley Quinn movie... or a movie ce...

Black Panther  photo
Black Panther

Lupita Nyong'o and Michael B. Jordan join Black Panther

May 13
// Nick Valdez
Captain America: Civil War may have technically been Captain America's movie, but the shining stars were definitely Spider-Man and Black Panther. In fact, I'm more excited for Black Panther's solo outing than anything else in...

Captain America: Civil War - #TeamIronMan v #TeamCap and Obama-era foreign intervention

May 11 // Hubert Vigilla
Both Iron Man and Captain America's sides are justified in-character by their experiences over the course of 12 other films. It might speak to the strength of long-form stories allowing characters to develop through choices and actions over time, and to then have a major interpersonal conflict stem from the ideological differences between characters. Given the collateral damage and technology-run-amok in Avengers: Age of Ultron, it makes sense for Tony Stark to consider international approval. It would keep his own ideas in check (i.e., creating something like Ultron) if there had to be political consensus before moving forward, and that consensus could then justify direct action and mitigate any personal guilt over the deaths of innocent people. This makes more sense than Tony Stark going full neoconservative fascist douchebag as he did in the Civil War comic by Mark Millar and Steve McNiven. HYDRA's decades-long infiltration of the US government and SHIELD in Captain America: The Winter Soldier leads to Steve Rogers' distrust of oversight, which may involve parties with motives and interests outside of the greater good. On top of that, we're talking about the United Nations as the overseeing body, an organization which stood idly by during the Rwandan genocide and whose actions these days include strongly worded letters of condemnation. Could you imagine the Avengers assembled to draft a letter? In a way, Tony's trust in his own judgment backfiring so badly led him to the security of the Sakovia Accords. On the other side, the complete failure of those in power to stop HYDRA led Steve away from the compromise and institutional oversight of the Sakovia Accords. There's also a generational conflict that tempers the Iron Man and Captain America worldviews. Tony Stark has grown up in the era after Vietnam with a certain gray or cynical view of military conflict. This is not a doveish view on Tony's part, however, but maybe one that adds ambivalence to the view of intervention and combat. Captain America, on the other hand, is a product of the greatest generation who could align in a black-and-white good-vs-evil battle against the Axis powers, HYDRA (i.e., science Nazis), and fascism. Of course, Cap doesn't really talk much about Dresden or the atomic bomb--that would complicate the moral arithmetic of utilitarianism. Civil War doesn't talk about the possibility of non-intervention and the use of diplomacy, but that sort of discussion would be silly in the context of superhero films. The Avengers fight massive hordes of faceless alien/robot/science Nazi goons hellbent on eradicating humanity. When that's the situation, the only viable option in the particular story being told is some sort of large-scale action set piece. (You don't bring a strongly worded letter to a gun fight.) It's maybe no surprise that in Alan Moore's Watchmen, the grand solution to fixing a world at war involves something extraterrestrial. Real life situations are far more complicated and can't be treated with the cavalier sense of moral righteousness seen in superhero movies. The foreign interventions of the Obama administration show how even careful deliberation or a humanitarian goal can backfire. Drone strikes are meant to eliminate select terror targets and reduce civilian deaths, but innocent men, women, and children have been murdered by American drones (see National Bird). The moral righteousness of Captain America's stance does nothing to mitigate the heartbreak and tragedy (and potential war crimes charges) of airstrikes against Doctors Without Border hospitals in Afghanistan or Yemen; Presidential apologies are of little consolation either. With regard to the Syrian Civil War, the complexities of the various factions involved, interfactional alliances, allegiances to various outside parties/countries, and a host of other factors have meant little direct or immediate action by the United States, which is still trying to figure out the quagmire it caused in Iraq under Bush; ditto the ISIS-led power vacuum the US created when Obama, under the counsel of Hillary Clinton as Secretary of State, used airstrikes along with French, British, and other NATO forces to assist Libyan rebels in the ousting of Muammar Gaddafi. All superhero movies often have something inherently hawkish and/or libertarian about them, sometimes occupying various ideologies at once. Some may have a more activist streak (many are vigilante stories, after all), while others are more authoritarian (many are world police stories, after all), and these Avengers movies tend to be all about the positive things that the Earth's mightiest heroes can do even when they accidentally kill innocent people. As our own Jackson Tyler pointed out last year, The Avengers is all about American exceptionalism, unable to commit to a full critique of its own ideological foundation. They're power fantasies, after all, and like fairy tales or myths or any fantastical stories that are told, maybe there are certain limitations in what can be addressed. These are simplifications of conflicts, and rarely with a one-to-one conversion regarding its real world referents. Superheroes can do a lot when it comes to embodying certain aspirations, ideals, and anxieties, but there isn't much room in a tentpole blockbuster to address the complications and nuances of real world national and international politics. The closest Captain America: Civil War can get to nuance is its ambivalence about the #TeamIronMan v #TeamCap argument. It comes down on neither side explicitly, allowing both to exist as the correct solution to a narrow hypothetical situation involving the world of the film. These are still heroes (again, the foundation remains), but one is a sheriff while the other is the gunslinger who turns in his tin star, one is the by-the-book cop while the other is the loose canon who lost his badge. This isn't neocons taking on liberals, it's more like Buzz Lightyear v Woody. Similarly, Captain America: Civil War isn't a diagnosis and treatment of the current state of the world but more of a collection of symptoms. I'm reminded of a two-page Superman story from 1940 by Jerry Siegel and Joe Shuster. The Man of Tomorrow soars through the air, kidnaps Adolf Hitler and Joseph Stalin, and then brings them both to justice before the League of Nations. All that power, and he rights major wrongs so easily and justly, preventing the deaths of countless millions in the process. If only real world foreign policy were that easy. In retrospect, it's a very sad Superman story.
Civil War and politics photo
Imperfect solutions, true believers
Now that we've all seen Captain America: Civil War, it's about time to open up the #TeamIronMan v #TeamCap debate. On the one hand, you have Iron Man as a guilt-addled pragmatist who feels UN/international oversight is a nece...

Power Rangers photo
Power Rangers

Nick reacts to the new Power Rangers look

We're not Iron Man
May 05
// Matthew Razak
We got our first look at the Power Rangers movie villain and we know the cast, but now we finally get to the see the Rangers in their suits. As our resident Power Rangers expert we shall now go to Nick Valdez for his ini...

Review: Captain America: Civil War

May 03 // Matthew Razak
[embed]220556:42944:0[/embed] Captain America: Civil WarDirectors: Anthony and Joe RussoRated: PG-13Release Date: May 6, 2016 Civil War is basically the Avengers movie we all hoped Avengers 2 would be. At the end of my review for that film I worried that the MCU might be buckling under its own weight thanks to the inconsistencies in the film, but Civil War abolishes that worry faster than the Hulk smashing Loki. It's tightly paced, full of both the fun and action we've come to know from Marvel's films and never feels rushed or bloated despite its more than two hour running time. Maybe we needed Avengers 2 to get us here, but this is the one you were waiting for. After the events of Avengers 2 (and any other Marvel film that came along since then) we find that people are getting a little tired of the world getting destroyed by super powered people. Enter the Sokovia Accords, a U.N. resolution that the Avengers and all powered people will not act without permission from the U.N. Captain America (Chris Evans), who distrust of the government was beautifully set up in Winter Soldier, finds himself disagreeing with this new law while Iron Man (Robert Downey Jr.) supports it. Most of the known Avengers split up to one side or the other with Ant-Man (Paul Rudd) hopping in on Caps side, Spider-Man  (Tom Holland) -- making his triumphant debut to the MCU -- on Iron Man's team and Black Panther somewhere in the middle (Chadwick Boseman). From there throw-downs ensue as Cap tries to save Buckey (Sebastian Stan) from being framed for killing the King of Wakanda. There is a big bad guy operating in the background, of course, but unlike in previous MCU films this one is impressively well toned and developed. The character perfectly supports the true themes of the film without being big or flashy. He's a refreshing divergence from what we've seen before and should come as a surprise to many. This all sounds like a lot for any movie to handle. BvS could barely handle three characters and Marvel is here telling a deep and emotional story with 12. They can pull it off easily thanks to experience and history. In fact it all banks on that history. What would traditionally be an overcrowded movie doesn't feel overcrowded at all because all the normal stuff (intros, character development, etc.) has already been done previously. In fact there's almost 10 years of it to work with. This allows breathing room in the script to introduce both Black Panther and Spider-Man with ease despite also developing Scarlet Witch (Elizabeth Olsen) and Vision (Paul Bettany) more, introducing a fantastically banal (in all the right ways) villain and covering that whole civil war thing. Oh, and the best action the MCU has ever seen. The Russo brothers outshine every other director in the MCU when it comes to their action sequences. There are moments in this film that will make your jaw drop because you've never seen anything like it before. The fights are fantastically choreographed and shot so well that they pull you to the edge of your seat breathless. Despite seeing most of these folks fight before everything feels fresh and powerful. Each hero has their own fighting style making every battle unique. Avengers and Avengers 2 may have given us giant action catastrophes, but Civil War brings the action to a personal level allowing for some truly amazing fight sequences littered with iconic shots ripped straight from the comics. There's plenty to be said about both Black Panther and Spider-Man, but to start it must be mentioned just how good Downey Jr. is as Stark/Iron Man. The hero, racked over guilt from his previous actions, is progressively more and more worn down throughout the film and Downey Jr. delivers what is probably his best performance as the character. The bravado steadily peeling away to reveal a truly flawed character. I'm surprised they didn't introduce the character's alcoholism here, but maybe they're just not going to tackle it at all. With the way the character is going they hardly need it at this point.  Meanwhile everyone else brings their A game as well. Boseman is sleek and confident as the Black Panther, pulling off a character that feels drastically different from the rest of the cast -- as he should. Even his movements and fighting style feel new and different, making it hard to wait for his stand alone film. Holland's Spider-Man is much the same, especially since Marvel smartly glazes over origins to get us right into the wise-cracking Spidey. It makes the wait for Homecoming even harder. Hell, every character makes the wait for their next movie even harder and we once again have to ask ourselves why Hawkeye and Black Widow don't at least have their own joint film if not stand alone ones. It's the strength of all these characters, lovingly developed over the years, that makes Civil War work so well. It also works because Marvel knows how to make these movies. If you've been dying for a massive divergence from the MCU's general feel (aside for Guardians) this isn't going to do anything for you. It's the exact right balance of emotion, humor and action that Marvel knows works so well because... it really does work so well. The film keeps things light when it needs to be, heavy when it should be and still progresses a universe building plot without getting in the way of the movie itself. It is the classic Marvel movie formula executed once again, and while you thought that might be getting stale you're once again forced to admit that it just works.  Did I mention the score? It's fantastic. Henry Jackman wonderfully mixes in new themes and old to deliver a musical triumph that never overpowers what is going on onscreen, but always works.  The film's biggest flaw is that it's a Captain America movie. This means that most of the plot and action revolve around him, and we seem to miss out on a bit of the other characters because of it. This leads to it being almost impossible to be on any side but #TeamCap. Yet it is an absolutely fantastic Cap story that helps bring Falcon (Anthony Mackie) and Buckey to the forefront. The second biggest flaw may be for newcomers who might be lost without the context of the previous films. However, anyone who hasn't kept up a little with the MCU probably won't be seeing this movie in the first place and if they do the action is enough to keep you glued to the screen. By this time one would think that the Marvel formula was getting old and that it wouldn't work anymore, and yet the studio just keeps making it better. At some point they may truly stumble (maybe you think they already have), but it sure as hell isn't with Captain America: Civil War. 
Civil War photo
I can guarantee one thing about Captain America: Civil War. When you come out of the theater you will have an incredible appreciation for Chris Evans' biceps. Like... woh. I can almost guarantee another thing (though some people are just crazy): you're absolutely going to love it. 

Flash loses director photo
Flash loses director

Director Seth Grahame-Smith runs from Flash movie over creative differences

A DC cinematic universe slow down?
Apr 30
// Hubert Vigilla
Looks like the DC cinematic universe has run into a problem, and we don't mean the box office slowdown for Batman v Superman: Dawn of Justice. Director Seth Grahame-Smith has dashed from The Flash over creative differences, which leaves star Ezra Miller stranded at the starting line.

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