In the post-apocalyptic wilderness, a lone woman roams. She's armed to the teeth and keeps a trusty hawk as a lookout. She's an escapee from an experimental lab where she was injected with a mysterious super-juice in an attempt to turn her ...
From its eye-catching classic poster, to its high-noon soundtrack and a sweeping vista, Let the Corpses Tan gives the impression of a modern twist to the spaghetti western. Though this French interpretation of an Italian interpretation of a...
Family get togethers suck. There's no doubt about it. It's only that much worse when we have to introduce our girlfriend to our racist, news-obsessed, paranoid dad. We've all been there. Add to that some sort of epidemic, an extreme lockdo...
Five self-appointed protectors watch over the railroad town of Marseilles. They ride through rolling parries, the rock faces of mountains filling the background. The iconography of the American western is alive and well through the South Af...
A mythic force is spiriting people away in a rundown Mexican town, leaving droves of abandoned children to cluster together and wander the streets themselves. This force is responsible for the disappearance of 10-year-old Estrella's (Paola ...
Tokyo Vampire Hotel has a scene in which a legless Geisha vampire who feeds people to the hotel through her vagina laughs maniacally as a fountain of blood streams from an open wound into her mouth and heavy metal music pulses and pounds in...
Let's get this out of the way right now: If you're a little girl alone in a creepy hotel at night, whatever you do, don't enter room 666. Age shouldn't even matter. Just don't do it. Parents need to teach their children some common sense. I...
Neighbors suck. They're loud. They complain. They get in your business. They fight, bicker, air their laundry (not the sexy stuff) in front of you, and offer nothing of value to anyone's lives ever. The best kinds of neighbors are the ones ...
Gross movies are a blast for me. I know not a lot of people agree, but there's something about splurts of goo and guts whizzing past the screen that fills me with a childlike glee. Needless to say, I'm intrigued by the upcoming The Night o...
Number 37 is the first feature from South African director Nosipho Dumisa, which uses Hitchcock's Rear Window as a skeleton around which it wraps a thriller of drug dealers and debts. Randal (Irshaad Ally) has been left paralyzed ...
Imagine if you will a rotating wheel formed of wood and axes with a steam-breathing cow skull filling its center. In stuttering animation, this contraption rolls across a hill to a shed where a cow is chained. The contraption uses its ax-le...
The Square, the latest film from Force Majeure director Ruben Östlund, reveals its entire thesis in its opening scenes. Anne, an art journalist (Elizabeth Moss), interviews Christian, an art museum curator (Claes Bang). She quotes a bi...
The second annual Brooklyn Horror Film Festival ended last night. I wasn't able to check out nearly as many films as I'd hoped to. For instance, I unfortunately missed the opening night film, Housewife by director Can Evrenol. By all accoun...
Zama is a novelistic film, but not because it's an adaptation of a 1956 Argentinian novel by Antonio di Benedetto. Watching Zama creates a feeling that's similar to reading. The shots are so carefully composed, the sound design so meti...
Each critic has their own process. Some take notes while watching a film and others will rush home to type up their thoughts immediately after a showing. Others still don't write anything for a while, preferring to mull it all over in their...
I'm not a fan of the term "post-horror", which was coined by Guardian writer Steve Rose. The prefix is too loaded, suggesting that horror is a second-rate genre that's been transcended. I prefer to keep genre labels loose than creating some...
While I had some issues with Can Evernol's Baskin, I was still impressed by its style and its gruesome, unrelenting horror. It reminded me of an Italian horror movie by way of Clive Barker. Evernol's latest film, Housewife, looks like it bu...
The seventh Old School Kung Fu Fest kicks off today in New York City at The Metrograph. The event runs all weekend, and celebrates the kick ass women of classic martial arts cinema. The official theme is "Wonder Women of the Martial Arts", ...
Subway Cinema's seventh edition of The Old School Kung Fu Fest is back this weeked at The Metrograph, running from Friday, August 18th through Sunday, August 20th. Last year's Old School Kung Fu Fest celebrated Golden Harvest, the quintesse...
In what may be the final years of Alejandro Jodorowsky's life, his work has turned inward and become sentimentally personal. He's exploring his own autobiography, but retelling it in his own odd way. Jodorowsky's previous film, 2013's The D...
It's that time of year again. One of the best film festivals in the city is about to get underway. The New York Asian Film Festival kicks off tonight at the Film Society of Lincoln Center. The annual showcase of Asian cinema runs from June ...
I'm not familiar with the films of Sunao Katabuchi, but after watching the trailer for In This Corner of the World, I want to seek out his previous anime features: Princess Arete and Mai Mai Miracle. Katabuchi was also an assistant dir...
Bong Joon-Ho's Okja looks like a hoot--a Spielbergian eco-adventure about a brave girl and her mutant super pig. Reviews out of Cannes have been generally positive, and Bong himself seems pleased with Netflix allowing him to have final cut ...
There's something undeniably charming about Sam Voutas' King of Peking. I smiled my way through a lot of the film, and snippets of its feel-good score (AM radio easy listening, in a good way) have been stuck in my head this week as I'v...
Juzo Itami's Tampopo was a quirky blend of western tropes and epicurean delight. SABU's Mr. Long is sort of like a nihilistic Tampopo. We follow a skilled assassin from Taiwan named Long (a brooding Chen Chang) who gets waylaid after a botc...
I want to describe the opening scene of Rainer Sarnet's November because it's absolutely bonkers. There's a sentient creature comprised of three scythes and a cow skull. It moves in a herky-jerky fashion using its scythes as feet and l...
I feel like I might have appreciated Rock'n Roll more if I was familiar with French pop culture and the country's film industry. Writer, director, and star Guillaume Canet packs his comedy with real-life French celebrities playing surreal c...
Even though Hayao Miyazaki is no longer retired, Studio Ghibli is in a transition period. The venerable studio went on a hiatus in 2014. The following year, producer Yoshiaki Nishimura and other Ghibli members started their own company, Stu...
Makoto Shinkai's Your Name is the highest-grossing anime film of all-time, and it hasn't even come out in the United States yet. It beat Hayao Miyazaki's Spirited Away; give it a few more months and Your Name may beat Spirited Away as the h...
Despite some of my qualms about its second half, Makoto Shinkai's Your Name was a good coming-of-age body swap film with an undeniable teenage earnestness. It's a major anime mega-hit in Japan. Not only was it Japan's biggest moneymaker of ...
While playing at film festivals last year, the hype over Raw was insane. Writer/director Julia Ducournau's coming-of-age horror/cannibal drama purportedly caused audience members to faint, to vomit, to leave screenings in distress. These ar...
There's this pervasive idea that children are resilient, that they're able to cope well even in dire circumstances. In stories about forlorn kids, a combination of optimistic pluck and boundless imagination helps them through their troubled...
The films of Kenji Mizoguchi have been a major blind spot in my life as a filmgoer. I've seen plenty of Akira Kurosawa and Yasujiro Ozu films, but for some reason Mizoguchi had always hovered on my to-watch list, always put off until recent...
Reviewing We Are the Flesh from writer/director Emiliano Rocha Minter is tricky. On the one hand, it's a deeply flawed film aimed at a limited audience. It's transgressive in the extreme, sexually explicit bordering on pornographic, nonsens...
I don't think I've legitimately liked a Jackie Chan movie since 2004's New Police Story. There were good scenes and flashes of brilliance in Rob-B-Hood, The Forbidden Kingdom, and Chinese Zodiac, but they never really hung together as movie...
My taste is eclectic, but I am, at heart, a simple man. Sometimes I want a long Hungarian art movie, or an oblique sci-fi existential meditation on trauma and pigs, or a reassuring week in the life of a working artist. Other times I just wa...
I had no idea about The Lure until last night even though it played at Sundance last year. The Lure is now one of my most anticipated movies of 2017. The debut film from Agnieszka Smoczynska, The Lure is a horror/fantasy musical about carni...
The second film from Filipino director Mikhail Red, Birdshot looks like a solid, stylish thriller. The film played at the Tokyo International Film Festival back in late October/early November, where it won the Asian Future Best Film Award. ...
There's no way Toni Erdmann could ever live up to its hype. Reviews from Cannes and the Toronto International Film Festival touted the German film as a 162-minute screwball comedy masterpiece, packed with high emotional stakes and major lau...
If GWAR in its classic form decided to remake Tetsuo: The Iron Man, it might look like Yoshihiro Nishimura's Kodoku: Meatball Machine. That is all I can really say. There are no words. Just feelings. Strange, strange feelings. Seriously, wa...
