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Review: Preacher (Season 2)

When AMC announced that they were going to be working with Seth Rogen and Sam Catlin to adapt the beloved 90's comic Preacher a lot of people started wondering whether or not the cable network could pull it off. Fan fears were rightfully wa...

 
 
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Review: Mother!

Would you like to play a game? Well, it’s a puzzle really. It starts with Mother and Him. They are set in their home, and set upon by strangers. Only one at first, but then two, four, a grieving, boisterous entourage, a cult. All of c...

 
 
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Review: American Assassin

There was a time back in the 90s and early 2000s when an American spy or hero or killer guy in a movie could go over to another country, kill all the terrorist bad guys, come back and the audience would think, "Yup, that was OK to do." But ...

 
 
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Review: It

Summer is over. We're entering the weekend past Labor Day. And yet, officially, technically (sorry everyone back in school), we've still got two more weeks. Lucky us. Lucky that now, when someone comes a knocking slinging nonsense like, "Th...

 
 
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Review: Good Time

The buzz about Good Time was well-established before the film went wide last week. Not only praise for its star, Robert Pattinson, yes, that Robert Pattinson, the Twilight vampire Robert Pattinson, but for its writer-director team behind th...

 
 
 
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Review: Logan Lucky

There were two major, mainstream heist movies released summer 2017: Logan Lucky is the one you should see.

 
 
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Review: The Defenders (Season 1)

When the Marvel Cinematic Universe first came to Netflix it seemed like such a great idea. Four individual series of shows focused on more grounded heroes eventually coming together in a small scale, Avengers-like fashion. But the exci...

 
 
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Review: Death Note

Death Note, the second major Japanese manga to be adapted as a major Hollywood production this year, is facing some of the same criticisms that its predecessor (Ghost in the Shell) did. Accusations of ‘whitewashing’ the film and...

 
 
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Review: The Hitman's Bodyguard

It's August, and that means we're entering the second span of doldrums for movie releases for the year (the first being the beginning of the year). From now until late September, when all of the horror films start rolling in, we get studio ...

 
 
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Review: Detroit

In the opening scene of Detroit, a large group of African Americans are rounded up and arrested en masse for having an indoor party; their crime: not having a liquor license, supposedly. They are put in the backs of paddy wagons u...

 
 
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Review: The Dark Tower

If you've read Stephen King's prolific Dark Tower saga you know it's a weird, wonderful, flawed, brilliant, mess of an epic that touches so many genres it's hard to classify it at all. It bounces from western to science fiction to...

 
 
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Review: Atomic Blonde

Atomic Blonde looks like one of those scrappy little action flicks that has a slow burn of success. Think of things like John Wick or Taken. Films that succeed because they're cram full of action and their plots actually...

 
 
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Review: The Emoji Movie

You know, for the longest time I thought that this movie was a joke. Something invented by film producers to have a laugh. A prank that writers bounced around, but never dared to seriously consider, lest their career be stamped with a black...

 
 
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Review: Valerian and the City of a Thousand Planets

Luc Besson may not be a household name, but ask any fan of film who he is and you’ll be swept into a drawn-out lauding of his movies. Besson directed both The Fifth Element and Leon: The Professional, both of which found huge critical...

 
 
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NYAFF Capsule Review: Mon Mon Mon Monsters

Giddens Ko’s You Are the Apple of My Eye remains one of the best films I’ve seen at the New York Asian Film Festival. Café. Waiting. Love, which he wrote but did not direct, is another film I enjoyed immensely. So when I ...

 
 
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Review: Dunkirk

Christopher Nolan is a well-known name. As modern-day filmmakers go, his name is near the top of the list of directors that studios will trust with boatloads (literally in this case) of money to bring projects to life. Strange then, that in...

 
 
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NYAFF Capsule Review: Mrs. K

The problems with Mrs. K can, I think, be summed up by the bizarreness of its soundtrack, an eclectic mix that had me thinking in equal measure about the scores of The Good, The Bad, and the Ugly, Blade Runner, and A Serbian Film....

 
 
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Review: Endless Poetry

In what may be the final years of Alejandro Jodorowsky's life, his work has turned inward and become sentimentally personal. He's exploring his own autobiography, but retelling it in his own odd way. Jodorowsky's previous film, 2013's The D...

 
 
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Review: War for the Planet of the Apes

Combing through nostalgic culture has become the norm, and unfortunately, so have the middling resulting projects. Audiences have, sadly, come to expect reboots to suffer as studios struggle to re-capture what made something popular in the ...

 
 
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Review: Castlevania (Season1)

Adi Shankar is quite a cult hit in film circles. He's made a name for himself by fully investing into properties he loves. It's a nerdy demeanor that's absolutely infectious as its led to his famous "Bootleg Universe," in which he's produce...

 
 
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Review: The Little Hours

You're probably as optimistic about The Little Hours as I was; hey, that's why you're here, waiting for me to tell you all about it. You saw the all-star comedic cast: it includes Aubrey Plaza, Alison Brie, Dave Franco, John C. Reilly, Kate...

 
 
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Review: Despicable Me 3

Despicable Me was a revelation when it first hit theaters. A villain choosing fatherhood over his proclivity for evil deeds was a novel idea, and it was much more than the minion flavored marketing would have you believe. Then those minions...

 
 
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Review: The B-Side: Elsa Dorfman's Portrait Photography

The B-Side is an atypical Errol Morris documentary. He doesn't use the Interrotron at all, his tool that allows interviewees to stare directly into the camera. Instead, the camera's just off to the side. The score is delicate rather than a ...

 
 
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Review: Spider-Man: Homecoming

Spider-Man films have been through all sorts of ups and downs. What was once the biggest comic book property on film has since been the victim of studio craziness, failed attempts, and just an overall bad reception by the time The...

 
 
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Review: Okja

Bong Joon-Ho's Okja is a chimera of genre and tone. It's a lovable mutant like its titular super pig--the best super pig, we're told, the superlative like something out of Charlotte's Web. Which makes sense. As a director, Bong has avoided ...

 
 
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Review: Baby Driver

Edgar Wright is a director with a specific vision, and it's led him to make some of the most genre-bending films in the past decade, and some of the funniest. It's also led him to leave Ant-Man. How do you bounce back from someone not letti...

 
 
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Review: The Bad Batch

Ana Lily Amirpour's A Girl Walks Home Alone at Night was a sparse yet stunning debut that overflowed with languid cool. So much of Girl Walks gets by on its moody/artsy posturing, which had shades of Jim Jarmusch's early work mixed with an ...

 
 
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Review: Transformers: The Last Knight

Transformers: The Last Knight is proof that Andy Kaufman is alive. When the first film arrived it was a classic Michael Bay film. Yes, it was dumb, and full of stupid, but it had awesome action, and Optimus Prime, and it worked. Since ...

 
 
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Review: Cars 3

Pixar has made a name for itself these past few decades by delivering quality kids films that everyone can enjoy, regardless of age. Yet among those films, the Cars series is rarely included, and for good reason. The storytelling and jokes ...

 
 
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Review: 47 Meters Down

47 Meters Down is a shark movie—if shark movie is a genre. No, not the campy, so-good-they’re-bad shark movies we’ve been getting for a decade and a half now [ask anyone I know—my favorite of these is Shark Attack 3&...

 
 
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Review: Rough Night

Maybe I should have taken a cue from the title. After all, Rough Night is fairly self-explanatory. I'm a fan of irreverent comedies where protagonists can behave the way less ideal versions of ourselves might, all with no fear of  ...

 
 
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Review: The Mummy

Everybody wants a superhero movie universe now. Thanks to Marvel's insane success at stringing together a cinematic comic universe, every movie studio out there wants a piece of the pie. You can't really blame them. Cinematic universes put ...

 
 
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Review: Wonder Woman

DC Comics and Warner Bros have been, well, let's say misguided in their attempts at launching a series of films comparable to Marvel's success. Deciding to push through critical failure (thanks to overall box office success), the conglomera...

 
 
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Review: Pirates of the Caribbean: Dead Men Tell no Tales

It’s been nearly 14 years since audiences were first treated to Johnny Depp’s Captain Jack Sparrow. At the time, Roger Ebert said that Depp’s “performance is original in its every atom. There has never been a pi...

 
 
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Review: Baywatch

Baywatch is another film in the same vein of nostalgic television reboots like The A-Team, CHiPs, and the crazily successful 21 Jump Street. A show known only for attractive people running in slow motion serving as a sort of softcore a...

 
 
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Review: Abacus: Small Enough to Jail

Steve James may be incapable of directing a bad documentary. His films includes Hoop Dreams, The Interrupters, and Life Itself. With Abacus: Small Enough to Jail, James continues his record as one of America's most reliable non-fiction...

 
 
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Review: King Arthur: Legend of the Sword

Friends. Countrymen. Britons. There are so many places (read: quips) I’d like to begin. From the guy who dated an already older-ish Madonna. Comes the prettiest Arthur you’ve ever seen (seriously, the header image is about as pe...

 
 
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Review: Manifesto

When a work is adapted to another medium, it almost always loses something in translation. Julian Rosefeldt's Manifesto started its life as a multi-screen art installation. I had an opportunity to see it here in New York at the Park Avenue ...

 
 
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Review: Alien: Covenant

As reviled as it is (justifiably or not), Prometheus deserves a little pass for being unlike its Alien siblings in large part because of its branding. It may be in the same canon, but it’s not pretending to be an Alien movie. And, at ...

 
 




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Reviews   filter by...

Preacher (Season 2)"Adapting the unadaptable"

 

Mother!"Mother of god this is pretentious"

 

American Assassin"American Ass"

 

It"Stephen King's scariest adaptation to date"

 

Good Time"Robert Pattinson: Vampire, no more"

 

Logan Lucky"No relation to Wolverine"

 

The Defenders (Season 1)"Masters of karate and friendship "

 

The Hitman's Bodyguard"I won't always love you"

 

Detroit"History, but not really"

 

The Dark Tower"The elevator pitch of an epic"

 

Atomic Blonde"Charlize Theron can fight"

 

The Emoji Movie"To live is to suffer"

 

Dunkirk"Take a bow, Mr. Nolan, and cue the appla"

 

NYAFF Capsule Mrs. K"Who, What, When, Where, and Mostly Why?"

 

Endless Poetry"A portrait of Jodorowsky as a young poet"

 

Castlevania (Season1)"That's four! Four episodes! Ha-ha-ha! "

 

The Little Hours"I lost two of them."

 

Spider-Man: Homecoming"Third time's the charm"

 
 
 
 
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