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Fox

Avatar 2 photo
Avatar 2

James Cameron may finally have a release date for Avatar 2


Putin/Seagal is the new Penn/El Chapo
Nov 28
// Hubert Vigilla
Avatar 2 has been delayed for a long, long time, but over the weekend James Cameron's sequel might have gotten a release date. The people at 20th Century Fox have been adjusting their release schedules, and they have an untit...
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Jack Reacher: Never Go Back should have gone back to the formula that made the original Jack Reacher work. Audiences, only familiar with the character through the first movie (and not the Lee Childs book series) may find...

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Assassin's Creed and Michael Fassbender get a second official trailer


Oct 19
// Rick Lash
20th Century Fox just dropped oodles and caboodles of parkour in its latest trailer for Assassisn's Creed which bows December 21, 2016. In our first helping of Assassin's Creed trailer goodness, released on May 12, we also go...
Lee, Stan Lee photo
Lee, Stan Lee

Fox making James Bond-style action movie about comics legend Stan Lee


Excelsior, not stirred
Sep 14
// Hubert Vigilla
Fox has acquired the life rights of Marvel Comics writer Stan Lee. The studio is planning to make a fictionalized period action-adventure film about Lee's life in the style of a Roger Moore James Bond film and Kingsman: The S...

Black Lightning photo
Black Lightning

DC's Black Lightning coming to TV, but not on The CW


Sep 09
// Nick Valdez
As we've reiterated many times in the past, what WB/DC can't seem to do in their films they've been excelling at on TV. One major player has been producer Greg Berlanti, who pretty much reinvented DC on TV with Arrow, The Fla...
Jon Favreau photo
Jon Favreau

Jon Favreau will direct Seth MacFarlane's new space comedy show


Not a Star Wars parody
Aug 25
// Matthew Razak
I fell off the Family Guy band wagon after season five or six, but that doesn't mean I'm not excited for Seth MacFarlane's as-of-yet unnamed new science fiction comedy show coming to Fox. The live-action show will hopefu...
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Wolverine 3 might be Patrick Stewart's last hurrah as Professor X


Aug 11
// Geoff Henao
We already knew the next Wolverine sequel is going to be Hugh Jackman's final performance as the titular Wolverine, but it appears it may also feature Patrick Stewart's last take on Charles Xavier, as well. During an intervie...
TV Comedy photo
TV Comedy

New Girl and Brooklyn 99 are doing a crossover


I may not live through this
Aug 08
// Matthew Razak
New Girl and Brooklyn 99 might be the funniest shows on television right now. After a brilliant resurgence in New Girl's fourth season and continued awesomeness throughout Brooklyn 99 it is pretty much impossib...
Legion Trailer photo
Legion Trailer

Check out the trailer for Fox and Marvel's Legion TV series


Jul 24
// Nick Valdez
With X-Men doing so well in theaters, Fox has been wanting to do a television series for quite a while. But since Marvel holds the rights to X-Men TV shows, it had to wait until the two companies could work together. Thankful...

Review: X-Men: Apocalypse

Jun 02 // Rick Lash
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My mind had accepted I’d not be seing X-Men: Apocalypse in theaters. I hadn’t seen X-Men: First Class, or X-Men: Days of Future Past in theaters, and I usually see comic book movies in theaters. Go big or go home....

X-Files photo
X-Files

Fox Exec says everyone will be back for new X-Files season


But do we want to go back?
May 16
// Matthew Razak
I watched X-Files when I was growing up like Malcom McDowll watched propaganda. You couldn't tear my eyes away. I couldn't even finish the season 10 reboot. That's why it's with much trepidation that I'm reporting that&n...
Assassin's Creed Trailer photo
Assassin's Creed Trailer

First Assassin's Creed trailer parkours into my heart


With arms wide open
May 12
// Nick Valdez
I guess Jimmy Kimmel Live is the place to go for trailer premieres since the first trailer for Assassin's Creed hit last night. Regardless, I've been interested in this for a while. Based on Ubisoft's Assassin's Creed videoga...
Apocalypse Trailer photo
This is the best trailer yet
If you were somehow not convinced to see X-Men: Apocalypse, you sure will be after the final trailer for it. We get a little more footage than we have in the past, some cool looking fight scenes, a little bit of information f...

X-Men: Apocalypse photo
X-Men: Apocalypse

X-Men: Apocalypse featurette focuses on the Four Horsemen--WOOOO!


WOOOOOO!
Apr 04
// Hubert Vigilla
X-Men: Apocalypse comes out in theaters on May 27th, and as part of the hype-machine, here's a new featurette on the role of The Four Horsemen, the posse that Apocalypse (Oscar Isaac) brings with him when destroying stuff or something. In this case it's Magneto (Michael Fassbender), Psylocke (Olivia Munn), Storm (Alexandra Shipp), and Angel (Ben Hardy). Check out the featurette below.

Review: Deadpool

Feb 11 // Alec Kubas-Meyer
[embed]220353:42833:0[/embed] Deadpool Director: Tim Miller Release Date: February 12, 2016 Rating: R I think Deadpool will go down in history as the superhero movie that changed everything. It’s all been flipped upside down now. And I can tell you exactly when it happened. During a particularly fantastic montage, time passes through the holidays and a couple’s sexual exploits. It goes and goes and goes, and then suddenly Ryan Reynolds is on all fours. And you think, “No way.” And then, yes way, his girlfriend pegs him. If you don’t know what pegging is, you’re, uh, welcome to look it up. The point is: This is a movie that features that scene. That fascinating, beautiful scene. Of course, I knew right from the outset that this movie was a big deal. Its opening credits are brilliant not just because of what they show, but what accompanies them. It doesn’t some “A Tim Miller Film”; it says “Some douchebag’s film.” Not “Ryan Reynolds” but “God’s Perfect Idiot.” “Produced by Assholes.” Etc. And none of these people get named until the credits roll. Can you imagine that? This big-budget studio movie features an opening credits sequence, but it uses that sequence for an extended gag. No one is above it. Nothing is sacred. Presumably, that’s what you want from a Deadpool movie. I don’t really know, but the elated reaction of those around me certainly implied as much. It’s what I wanted, even though I didn’t necessarily know it at the time. I just knew that I wanted to have a good time and maybe see some fourth walls get broken. Also, ya know, I wanted to see what an R-rated superhero movie would look like. Because no, this is not the first R-rated comic book movie (or even superhero movie), but it is most assuredly the first R-rated superhero movie like this. When I try to think of anything at all like it, I just come up with Kickass. Maybe Wanted? Something inspired by Mark Millar. But those films honestly aren’t anything like Deadpool. They’re small scale, lacking the truly explosive factor of actual superheroes who can actually wreck things with their magical super skills. Deadpool has that, in the form of two members of the X-Men: “An Emo Teen” and “A CGI Character,” per the opening credits. (Of course, you wonder why they only have two, and two that I’d never heard of before. Well, so does Deadpool! Or, rather, he answers it, rhetorically: “It’s like the studio didn’t have enough money for anyone else.” (Or something to that effect.)) But these characters serve as the perfect foil to Deadpool. The emo teen is just that, an emo teen, and Deadpool loves it. He is so absolutely into her attitude problems, and, as such, so was I. The CGI character, whose CG presentation is so-so but effectively justified by him being introduced as “A CGI Character” is even better. He wants to be in a PG-13 X-Men movie so badly, but Deadpool just has to go and do R-rated things. The dynamic there is a joy to watch, and it The first trailer for Batman V. Superman came out around the same time as the first season of the Netflix Daredevil series. At the time, I got into a debate (well, argument) about grittiness in comic book movies. She claimed (and was not alone in thinking) that it was hypocritical of people to praise Daredevil’s grit in the same sentence that they lambasted BvS’s. Of course, that argument is fundamentally flawed, because it’s not about “grit” at all; it’s about staying true to the character. Daredevil’s world is a dark one, a gritty one. Batman’s too, really. Superman has a symbol for hope on his chest, and he’s… what? Man of Steel is a lot of things, but hopeful ain’t one of them. And it doesn’t look like Dawn of Justice is going to do much to change that. Marvel let Daredevil be the character he’s supposed to be, while DC didn’t do the same for a man who blocks bullets with his eyes. Deadpool is Marvel, once again, letting a character be who they should be. I’m oh-so-glad that this was a Fox production and not a Disney one, because I don’t think that would have been true if Disney had handled it. If Deadpool was part of the Cinematic Universe, I think… well, I don’t even think they would have tried to put the character in at all. He simply cannot work within that context. But he can work within his own, and the one in which the X-Men are real. The Fox MCU is all about mutants, and Deadpool both as a title character and a film in general is consistent with that. But Fox took a gamble making an R-rated superhero movie. They could have tried for mass-market appeal (maybe) and neutered the character entirely. But instead, they said, “No. You want Ryan Reynold’s to get pegged? Go for it, dude.” It’s a gutsy move, and it pays off in spades precisely because it feels right, even to someone who knows nothing about Deadpool. I know that this film did the character justice, because there are too many crazy decisions for them to not be. Nothing about this movie is “safe,” and that’s exactly the way it should be. Some people will complain about the fact that we’re getting yet another origin story and that the origin story itself isn’t unique or whatever, but neither of those things bothered me. There are two reasons for that. 1)    I don’t know Deadpool’s origin story. 2)    Being “Original” isn’t even sort of the point. Deadpool’s origin, as told by this film, is fucked up. Honestly, the torture sequences wouldn’t be out of place in some kind of horror movie (something which the film itself notes). The fact that it’s so brutal does make it stand out (thinking back on it, V for Vendetta seems similar, particularly given how the kraken is released), but even if it didn’t, so what? I may be able to expect the beats, but I don’t know them line-for-line like Batman or Spiderman or whoever. As a way to introduce this character to what will hopefully be a flourishing franchise, I really wouldn’t have had it any other way. For the second time in three months, I am imploring you to see this film. Not just because it’s excellent (though it is), but also because it’s a film that deserves success. (Side note: Both this and The Revenant were distributed by Fox. Good on those people. Seriously.) This is a gamble that paid off in spades from an entertainment perspective, and I want it to make a heckuva lot of money. So, make it happen. I know that I’ll be seeing it again. And again. (And again.) ((And again.)) It’s so good, you guys.
Deadpool Review photo
Probably the best superhero movie ever
I have never read a Marvel comic. There. I said it. In fact, I’ve never read any superhero comic that isn’t about a man who dresses like a bat. I think superheroes are all well and good, but I’ve never felt ...

Deadpool Superb Owl photo
Deadpool Superb Owl

Deadpool talks about the football in this here Superb Owl TV spot


Chimichangas
Feb 08
// Hubert Vigilla
I think we all can agree: the Superb Owl is one of the best sporting events in all sport. To explain his love of sportball, here's Deadpool (Ryan Reynolds) talking about his athletic aspirations. Remember, sports fans: there...
X-Men: Apocalypse SB Spot photo
X-Men: Apocalypse SB Spot

X-Men: Apocalypse's Super Bowl spot locks it down


Finally, some Psylocke action
Feb 08
// Nick Valdez
I was a bit worried after X-Men: Apocalypse's first trailer seemed like a mess, but the tighter editing on this 30 second Super Bowl spot cleaned it up. Rather than seem over packed, the little tidbits we're shown are cool lo...
Deadpool  photo
Deadpool

Deadpool banned in China over graphic violence


Jan 18
// Nick Valdez
Despite the numerous trailers, images, and impeding release date, I still can't believe Deadpool is a real film. It was talked about for years, Ryan Reynolds personally lobbied for it at every opportunity, and now it finally ...
Deadpool Trailer photo
Deadpool Trailer

Newest Deadpool trailer is more Deadpool than we can handle


Dec 28
// Nick Valdez
Over the holiday, Fox released the second full Deadpool trailer. There're both red and green band versions and like before, the red band version is the superior one. I'm still excited for this nonetheless since it's a Deadpoo...
Ass Creed photo
Ass Creed

Here's another Assassin's Creed image with hoods and stuff


Dec 28
// Nick Valdez
Videogame films have been struggling for a bit. They're not as bad as they used to be with studios putting in more effort than they used to, but they've yet to be taken seriously. So far Fox has been making the right moves wi...
Ice Age 5 photo
Ice Age 5

First "trailer" for Ice Age: Collision Course is a Scrat-tastrophe


Dec 15
// Nick Valdez
I've been a big fan of the Ice Age films ever since my family and I saw the first one four times in a row on Christmas Day. They keep making money, so they're chugging along fine. I know I've enjoyed each one even if they've ...
Apocalypse trailer photo
Da ba dee ba
X-Men: Days of Future Past was one of the best surprises of last year. First Class was a bit rough, but Days took that foundation and built some good stuff on top of it. But while it managed a fine balance, it was a bit overs...

The Revenant and bears photo
The Revenant and bears

Fox: The Revenant does not have a scene of a bear raping Leonardo DiCaprio


What is this I don't even...
Dec 02
// Hubert Vigilla
Alejandro González Iñárritu's The Revenant has had a difficult and troubled production described as "a living hell." Over budget and over schedule, making the film sounded like an epic struggle that put t...
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The first family comes in last
I'm not sure the comic movie world will ever forgive Fox for what they did to Fantastic Four, but despite being torn to pieces and making no money the film was going to get a sequel. It was scheduled to release on June 9, 201...

X-Files trailer photo
The truth is still out there, suckas
Dana Scully and Fox Mulder are back doing what they do best, which is... well... being Scully and Mulder. Fox dropped a brief trailer for the six-episode miniseries reboot of The X-Files, which comes to TV in January. Check i...

The Simpsons "Halloween of Horror" Review: The Best Episode in Years

Oct 19 // Nick Valdez
When Fox first announced The Simpsons was branching into two Halloween specials this season, I groaned so loudly I bothered my neighbors. It sounded like yet another cheap stunt I was complaining about before (then again, that sounds more like another episode this season that's supposedly going to deal with Smithers coming out to Burns), and after two surprisingly successful episodes ("Cue Detective" and "Puffless"), I figured the show was going to ruin its little streak. But little did I know that "Halloween" was going to continue what those two episodes understood. This season has been in a nice trend lately where it's been digging into its past for character motivations (and for obscure characters we haven't seen in a long while like Uter, confirmed alive finally not counting his appearance in Treehouse of Horror XX, and Dr. Nick, who wasn't killed in The Simpsons Movie thank Jebus) and finally capitalizing on the years of trust it's built with its audience. The show knows kids like me were raised on it, so there's no real reason to try so hard every time. Like most successful shows, it can just add little things to what we know already.  "Halloween of Horror" (credited to Carolyn Omine, who's written one of the best Treehouse of Horror segments, "Night of the Dolphin," and "Little Big Mom") is a Homer and Lisa story through and through, and like in the past, the Homer and Lisa stories are some of the strongest in terms of more emotional storytelling. Since we've never actually seen them celebrate the holiday, it turns out that it's a big deal at The Simpson house as Homer and Marge go all out with their decorations (so far as to shame anyone skipping the holiday). During a trip to Apu's pop up Halloween shop, Homer runs afoul of the employees ("Don't tell Old Man Squishee"), some skeezy guys voiced by Nick Kroll and Blake Anderson, and ends up on their revenge list. Meanwhile, Lisa is excited that she's finally old enough to visit Krustyland's horror event ("I'll tell my friends that it wasn't a big deal, but it's a really big deal!") but is unfortunately too frightened by the actual thing. It's a pretty sad, and wonderfully directed sequence thanks to its use of shading and it didn't even cut to commercial on a joke. As Lisa cries in Homer's arms, it cuts away and it's the most affecting the show's been in several seasons. I can count how many times its reached this peak in the last seven seasons on one hand. The rest of the episode delves into a home invasion plot, much like The Strangers, and Marge trying to comfort Bart after deciding to remove all of their Halloween decorations because Lisa's been traumatized ("Your sister has a tummy ache in her courage"), and to say more would be spoiling the story. That's also something I'd never thought I'd type about a Simpsons episode, either. There's actually an honest to goodness story here, and if this is what's been missing thanks to the Treehouse of Horror episodes, I'd like more of these please. But getting to the nitty gritty of the episode, it's near perfect with its joke delivery. Other than an odd "Time Warp" parody, which sort of works anyway thanks to seeing Springfield in drunken Halloween attire (the best being Rainier Wolfcastle as Jessica Rabbit) and self-referential Treehouse gag (I hate these later season's reliance on world breaking humor, it always feels tired) I haven't laughed this much in a long time. The most important thing about these jokes, which a lot of these later seasons fail to understand, is that they come from character work. This humor is based on what we know about these characters. Like Homer for instance. Instead of relying on "Jerkass" Homer's malleability and shoving him into random situations, as these later season episodes have done, "Halloween" boils him back down to a man who truly cares for his daughter.  In fact, the best exchange of the episode hearkens back to "classic" Simpsons by giving us the rawest conversation in some time. When Lisa's freaking out in the attic, withdrawing into herself with "This isn't real," Homer comforts her in the most loving, and more importantly, Homer way possible:  Honey, I’m your dad. I’ve lied to you more times than there are stars in the sky, but I gotta be straight - this is real. But you can’t let fear shut down your brain, because, between the two of us you’ve got the only good one. This one statement capitalizes on years and years of development between the two. Although they never age, they've grown in other ways and this episode is a nice reminder of that fact. This season is finally showing what a show in its twilight is truly capable of. Years of experience, years of writing, and years of history can be both a bad and good thing. But as "Halloween of Horror" has shown, it's leaning more toward the latter.  Final Thoughts:  To comfort himself, Homer sings the Halloween theme.  "I'm the Mozart of Halloween decorations and tonight is the Super Bowl!" "Hello, Scrotum." "Are you heading up to Treehouse to tell some tales?" "We're doing it next week. It's gonna be Psycho with Skinner's mom, Muppet Wizard of Oz, and one where furniture gets smart and takes over the world or something."  "Skippers! How can you reject a holiday where you can serve candy from a salad bowl!" "Nothing says you love a pet more than letting them be a part of the human fun. Who wants to be a Yoda? You want to be a Yoda!" "Look I don't want to be rude, but you losers should go suck somewhere else." "Ay, yi yi yi, Halloween is so bueno!"  "Ahh, they took my cell phone! And they forgot to pay my phone bill!"  "Get em, Zardoz!" Want to see more of our TV coverage? Check out our TV Recaps and Reviews! 
The Simpsons photo
Who would've guessed?
When I last wrote about The Simpsons a few weeks ago, I was ready to give up. Season 27's premiere was the latest in a long line of poorly thought out stunt episodes that were only conceived to bring in its lost audience. The...

Minority Report Pilot Review: It's Basically Already Canceled

Sep 22 // Nick Valdez
Taking place ten years after the events of Steven Spielberg's Minority Report (which the pilot has to remind folks existed) and the end of the PreCrime Unit (where the police arrested folks based on murders that hadn't yet happened), one of the "Precognitives" Dash (Stark Sands) has grown tired of hiding as his murder visions grew worse and worse. He eventually teams up with Detective Lara Vega (Meagan Good of Cousin Skeeter fame)  and their adventures in policing begin or something like that.  Pilots are under an extreme amount of pressure. They've got to hook their respective viewers within the first fifteen minutes or so while showing why the world they inhabit is worth investing in. Report actually accomplishes this pretty well. The opener follows Dash as he frantically dashes toward the scene of a crime while showing off the pilot's impressive budget (which I don't expect to hold weight through the rest of the series, much like Almost Human). It's a subtle and intelligent sequence as Dash struggles knowing the entire time he'll fail. But there's never any hand holding during this, and we're left to infer it from his actions. And when he does indeed fail to stop the murder, it's as simple as watching him turn away from the scene since he's witnessed so much of it already. Unfortunately, that same light touch doesn't extend past that point. After the first ten or some minutes, Report basically becomes every cop show ever. I don't really understand why, but for some reason Report constantly exposits story details. Lines like "They remind you of having no parents, that's why you came to me." or along those lines. It loses that subtlety in favor in overtly stating how other characters relate to other ones, and it's not like those relationships are particularly inventive either. You'd figure with a world 50 years in the future, the future police would have better conversations than "I'm a future police." That's not really what they say, but I hope you get my point. I guess I'm still sour about Almost Human. That show had a much better handled premise. It's not all bad as there are a few nuggets that might prove interesting later, but this pilot had a ton of rough edges. Normally I'd say to forgive a pilot's bad writing if the cast or premise were gripping enough, but I don't feel that way here. I'd love for Meagan Good to have a great starring vehicle, but since she yet again plays second fiddle to some white guy, I'm over it.  Either way you fall on this, Fox will cancel this after the first season...if it even gets to that point.  Final Thoughts:  Meagan Good is great, but I wish the pilot exploited her body less. It really undermines how good of a detective she is when we're all ogling a picture of her in a bikini.  We're all lucky I didn't use "Meagan Bad"  Wilmer Valderama is here. That's all I have to say about that.  "When I was your age, we used this thing called Tinder. It's how I met your father." I don't care what year it is, no one ever will refer to Iggy Azalea's "Trouble" as an "oldie."  I totally believe The Simpsons will still be on the air 50 years from now. 
Minority Report photo
I miss Almost Human
As television grows more and more influential thanks to its ready availability through streaming services, networks have been putting more and more money and effort into their offerings. One of the weird consequences of this ...

NYCC photo
NYCC

X-Files revival to premiere at NYCC


The one year I can't go
Sep 11
// Matthew Razak
My brother is getting married the weekend of New York Comic-Con. I may skip the wedding. It was just announced that the upcoming revival of The X-Files will be getting its world premiere at NYCC making it probably the mo...
Fantastic Four Tent Drama photo
Fantastic Four Tent Drama

Josh Trank directed parts of Fantastic Four in a tent and even more behind-the-scenes drama


Directorial intent vs. Director-in-tent
Aug 13
// Hubert Vigilla
So Fantastic Four is a dud, as John-Charles noted in his review, one that will lead to a $60 million loss for Fox. There was a lot of behind-the-scenes drama between Fox and director Josh Trank as we noted earl...
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Fox (probably) still plans to do Fantastic Four 2 for some reason


Rights, mainly
Aug 12
// Matt Liparota
Last week, Fox's latest take on Marvel's Fantastic Four hit theaters to meager box office and much fanfare – the overwhelming majority of it negative. The unmitigated crappiness of Fantastic Four kept the Internet Hot T...

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