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TV

Ghost Rider photo

I'm not going to sit here and pretend I've kept up with Agents of SHIELD. I had watched four episodes back in season one before I gave up, but I've been hearing that it got interesting around season two. But the fourth season...

Legion Trailer photo
Legion Trailer

Check out the trailer for Fox and Marvel's Legion TV series


Jul 24
// Nick Valdez
With X-Men doing so well in theaters, Fox has been wanting to do a television series for quite a while. But since Marvel holds the rights to X-Men TV shows, it had to wait until the two companies could work together. Thankful...
The Walking Dead photo
The Walking Dead

Watch the Walking Dead Season 7 Trailer from San Diego Comic-Con


That's right, we're your saviors ...
Jul 24
// Rick Lash
When last we saw our friends (aka the most unfortunate human beings ever) during the finale of AMC's The Walking Dead way back on April 3, we were left in what some in the industry like to call ... a cliffhanger. Someone...
Jon Stewart returns photo
Jon Stewart returns

Jon Stewart returns, does a Daily Show takedown of Donald Trump on Stephen Colbert's Late Show


America's cool uncle stopped by to visit
Jul 22
// Hubert Vigilla
Jon Stewart left a major void behind when he ended his run on The Daily Show last year. Don't get me wrong--I love Full Frontal with Samantha Bee and Last Week Tonight with John Oliver, I think Trevor Noah's gradually finding...

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Divergent Series final chapter, Ascendant, going straight to TV


And Hell, if we're lucky ...
Jul 21
// Rick Lash
Remember back in May when Allegiant bowed to a $29 million opening weekend and the CEO of Lionsgate (the Dream Team behind the Divergent series films) said, "Yeah, our movie is the worst"? Me neither, but it happened! Well, n...
WWE Final Deletion photo
WWE Final Deletion

Watch The New Day vs The Wyatts at the family compound, WWE's version of The Final Deletion


Get the Dramamine ready for this one
Jul 12
// Hubert Vigilla
The other day we wrote about TNA's Jeff Hardy vs. Matt Hardy: The Final Deletion, which is pro wrestling's equivalent of Tommy Wiseau's The Room. It was an oddball kitschfest, yet one that was sprung from the minds of the Har...
MST3K contest photo
MST3K contest

Win a $2700 prize pack to see the RiffTrax Live: MST3K Reunion in Minneapolis


I don't care! (No, but I do)
Jun 13
// Hubert Vigilla
The MST3K Reunion show on June 28th promises to be a swell time. It brings together the great bad-movie riffers from the Joel and Mike eras of the show as well as new host Jonah Ray. Tickets for the actual event in Minne...
Farewell Mr. Bunting photo
Farewell Mr. Bunting

Farewell Mr. Bunting: Watch SNL spoof Dead Poets Society--seriously, just watch it already


I sing my song for all to hear
May 23
// Hubert Vigilla
I'm not sure about kids today, but high school students of a certain age always wound up watching Dead Poets Society in English class. Its memorable final scene features a class full of boys bidding a powerful adieu to the ma...
Voltron Trailer photo
Voltron Trailer

Here's a trailer for Netflix's Voltron: Legendary Defender


May 13
// Nick Valdez
Adding to the mass of nostalgia, and to Netflix's ever growing original programming, is Voltron: Legendary Defender. Studios have been trying to figure out what to do with Voltron for years with a movie in mind and a failed N...
Power Rangers photo
Power Rangers

Here's the first image of Elizabeth Banks as Rita Repulsa


Green with evil
Apr 19
// Nick Valdez
I've gone back and forth over Lionsgate's upcoming Power Rangers movie too many times to count now. Everyone has specific fandoms they know too much about and one of mine happens to be the Power Rangers. So for the first time...
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Toonami, Production I.G producing two more seasons of FLCL


FLCL 2: Less Fooly, More Cooly
Mar 24
// Geoff Henao
Excuse me for the brevity of this post, but man oh man. As of an hour ago (at time of publication), Toonami announced that they will be co-producing new episodes of FLCL alongside Production I.G. Together, they will prod...
Supergirl Trailer photo
Supergirl Trailer

Check out this fun trailer for CBS' Supergirl/The Flash crossover


Mar 23
// Nick Valdez
If you're excited about the prospect of two of your favorite heroes teaming up onscreen but hate the dour tone Batman v Superman: Dawn of Justice has taken, then the upcoming Supergirl and The Flash crossover episode is what ...
Larry David #FeelTheBern photo
Larry David #FeelTheBern

Watch Bernie Sanders appear on SNL and make Larry David #FeelTheBern


Totes biffles and bros
Feb 08
// Hubert Vigilla
The presidential race is heating up for the Democrats and Republicans, with the New Hampshire Primary taking place tomorrow. Vermont Senator Bernie Sanders got away from the campaign trail and made a brief stop in New York to...
Justice League photo
Justice League

DC reveals new animated series, Justice League Action


With Mark Hamill and Kevin Conroy in tow
Jan 30
// Nick Valdez
While DC Comics and Warner Bros struggle to figure out what they should do with their movies, they've always dominated TV. Arrow, The Flash, and Legends of Tomorrow are huge on the CW, Supergirl is doing well on CBS, Teen Tit...
Trump vs. Trump photo
Trump vs. Trump

Watch Stephen Colbert moderate a Donald Trump vs. Donald Trump debate


Giant Douche vs. Turd Sandwich
Jan 29
// Hubert Vigilla
This year's presidential primaries have been fascinating and occasionally terrifying if you're a political junkie like me, especially watching the rise of unbridled derp on the Republican side. If you've been following the le...

RIP Abe Vigoda (1921-2016)

Jan 27 // Hubert Vigilla
The false reports of Vigoda's death turned him into a sort of irreverent comic figure (getting more irreverent and more comic as the actor got older), and it eventually spawned a few internet memes at various websites. Someone even started the website isabevigodadead.com, which up until yesterday simply said "No." Vigoda was beloved, to be sure, so much so that he would pop up in unexpected places and provide joy simply from his unexpected presence. Case in point, here he is at a Phish show on Halloween in 2013. [embed]220314:42798:0[/embed] According to his daughter Carol Vigoda Fuchs, Abe passed away peacefully in his sleep due to old age. "This man was never sick," Fuchs said. Here's a clip of Conan O'Brien and Andy Richter paying tribute to Abe Vigoda yesterday for his countless appearances on their NBC Late Night show. [embed]220314:42796:0[/embed] Classic Abe Vigoda. [via Variety, ABC]
RIP Abe Vigoda photo
Goodnight, Abe
Abe Vigoda, best known for his work in Barney Miller and The Godfather, passed away yesterday. He was 94 years old. While he was recognizable character actor throughout his long career, at a certain point in his life, Abe Vig...

Groening/Netflix photo
Groening/Netflix

The Simpsons' Matt Groening developing animated series for Netflix


Jan 18
// Nick Valdez
We're pretty big fans of The Simpsons here at Flixist. We've done lists, we've made every possible reference we could, and poke around our posts long enough and you'll find at least 65% of them have Simpsons gags as the lede ...
Rush Hour TV trailer photo
Rush Hour TV trailer

Rush Hour TV series trailer reminds me how much I liked Martial Law with Sammo Hung


What's Cantonese for "shark sandwich"?
Jan 13
// Hubert Vigilla
The three Rush Hour films starring Jackie Chan and Chris Tucker earned more than $849 million worldwide. The trilogy combined some pretty solid action and the odd couple/buddy cop formula. So why not try to turn that into TV ...
Ridley Scott/The Prisoner photo
Ridley Scott/The Prisoner

Ridley Scott wants to adapt The Prisoner for the big screen


Plus Hubert's preferred episode order
Jan 11
// Hubert Vigilla
Originally aired in 1967 and 1968, The Prisoner is one of the best TV shows of all time. Many directors have tried to bring it to the big screen, including Simon West and Christopher Nolan, and the show had a poorly received ...

Review: Very Semi-Serious

Dec 14 // Hubert Vigilla
[embed]220186:42734:0[/embed] Very Semi-SeriousDirector: Leah WolchokRelease Date: November 20, 2015 (limited); December 14, 2015 (HBO premiere)Rating: NR While Very Semi-Serious isn't wholly obsessed with the process of creation and failure (it's just semi-serious, after all), that process is just one of many small hooks that make the movie a light, funny, and enjoyable watch. Maybe it's lighter, funnier, and more enjoyable if you're already a reader of The New Yorker, or if a behind-the-scenes glimpse of the magazine and its editorial process is of interest to you. Wolchok spends a good amount of time focusing on Cartoon Editor Bob Mankoff. A celebrated cartoonist himself, Mankoff is writing a memoir while sorting through new work by past contributors and up-and-coming artists. Humor is a matter of taste, and most of the cartoons are the kinds of things that appeal to Mankoff and ultimately to New Yorker EIC David Remnick. Sometimes he laughs at a gag and then dismisses it. "This is beneath him," he says as he rejects a cartoonist he likes. There's a gentle mentorship to Mankoff, who's picking and choosing magazine content but also finding ways of encouraging an artists' sensibilities. Their work may not be right at the moment, but there's talent worth cultivating and he encourages them to try again, fail again, and to fail better. Two of those young artists that Mankoff takes a liking to are Liana Finck and Ed Steed. Their quirky styles are closer to contemporary web comics rather than the droll New Yorker style, and it fits with their personalities. Steed speaks in a perpetual whisper that masks his comedic talent, and Finck is like a weird but lovable heroine in an indie film. Mankoff probably sees a bit of himself in each of them, and gives them the gentle push they need to keep doing their work. Before getting their work looked at in the New Yorker offices, the artists mull around with other cartoonists, almost all of them socially awkward and none of them speaking to one another. It's a nice visual gag. Very Semi-Serious covers a lot of ground, and does pretty well for its scope. There's the history of the cartoons, little nods to famous New Yorker cartoonists of the past like James Thurber, 9/11, Mankoff's life at home, and The New Yorker's recent move from Times Square to One World Trade Center. Nothing can be lingered on too long, so Wolchock juggles the elements that are important, presenting them and then passing them off with a certain light deftness. There's also the question of diversity. The New Yorker's cartoonists tend to be white and male. Even the handful of women cartoonists (Finck, Roz Chast, and Emily Flake) are white. During the scene of cartoonists waiting to be evaluated, I don't recall a single person of color, and I wonder if that will change, and if so when. Though maybe it says something about The New Yorker. Part of me wants a longer chronicle of a few New Yorker cartoonists given how long they've been in the industry and how it's changed. Cartooning can't be done full-time anymore, for instance, so the craft winds up a passion pursued on the side. I'm not necessarily expecting something like Terry Zwigoff's Crumb, but nearly all of the cartoonists are such characters themselves with stories to tell. (A documentary on New Yorker covers and cover artists could be interesting as well given the wide array of artists and subject matter.) Chast, for instance, has such a great on-screen presence. She's one of the few (if not only) women who contributed cartoons to The New Yorker decades ago and still contributes today. In archival footage, Chast slips through the background of the tuxedo-clad boys' club. It's funny and telling and smart the way Wolchok contextualizes the clip. It could have been a New Yorker cartoon--all three captions kind of work too.
Very Semi-Serious photo
More to it than "Christ, what an a-hole"
There's a joke about the cartoons seen in The New Yorker: pretty much all of them can be re-captioned "Christ, what an a**hole." It works surprisingly well about 90% of the time. (The other two evergreen captions for New York...

MST3K Kickstarter photo
MST3K Kickstarter

MST3K is back with 14 new episodes, breaking Kickstarter records


Rowsdower!
Dec 13
// Hubert Vigilla
The Bring Back Mystery Science Theater 3000 Kickstarter campaign has been a resounding success, earning $5.7 million as well as some additional cash in "add-on donations" for a grand total of $6.3 million. This is the most mo...
El Rey Way of the Turkey photo
El Rey Way of the Turkey

El Rey Network has a 72-hour kung-fu movie marathon for Thanksgiving weekend


2nd Annual Way of the Turkey
Nov 13
// Hubert Vigilla
As the resident kung fu movie dork at Flixist, it pleases me to announce that you can spend your Thanksgiving weekend watching 72 hours of kung fu movies. This is what the pilgrims crossed the ocean for, guys. The El Rey Netw...
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Jeffrey Dean Morgan cast in major Walking Dead role


(Possible) spoilers ahoy
Nov 12
// Matt Liparota
(Potential spoilers for The Walking Dead “ the TV show, that is“ upcoming; consider yourself warned.) Ever since the happy-go-lucky gang made it to the community of Alexandria on The Walking Dead last season,...
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Muppets showrunner and co-creator steps down


Show will get a "soft reboot" in spring
Nov 05
// Matt Liparota
ABC's The Muppets is one of the network's highest-rated comedies in years, but it's been taken to task by critics. That's why it's only somewhat surprising to hear that that showrunner and co-creator Bob Kushell has left the ...
WOOOOO! photo
WOOOOO!

ESPN is doing a 30 for 30 documentary on Ric Flair, WOOOOO!


WOOOOO!
Nov 05
// Hubert Vigilla
According to The Washington Post, ESPN is doing a 30 for 30 documentary on pro-wrestling legend "The Nature Boy" Ric Flair.
Ash vs Evil Dead online photo
Ash vs Evil Dead online

Watch the first episode of Ash vs Evil Dead for free online


This is legit, guys
Nov 03
// Hubert Vigilla
Ash vs Evil Dead debuted on Starz over the weekend, and the reviews have been fantastic. What's that? You don't have Starz? And you want to see the show? Well, you can now watch the first episode of Ash vs Evil Dead for free ...
New Star Trek TV show photo
Boldly continuing to go in 2017
After the success of the Star Trek reboot (yay!) and Star Trek Into Darkness (boo!), it looks like Star Trek is coming back to television. CBS has confirmed that it is putting out a new Star Trek show in January 2017. The sho...

Watch the first trailer for AMC's Preacher adaptation

Nov 02 // Hubert Vigilla
Watching the trailer, I didn't get any of the vibe that I got from the comic at all. While part of it is the look of the three leads being a little off when compared to Dillon's art, most of this is due to the lack of supernatural content. From this snippet alone, the show looks really insular and realistic(-ish), though all the imagery may be from the first episode or so rather than the entire season. How they'll be able to translate the sheer grandiose lunacy of Ennis/Dillon's vision on a reasonable budget is anyone's guess. Maybe the biggest concern is how extreme the show will get. The violence in the Preacher comic is at times sadistic/brutal and while at other times cartoonishly over-the-top. I mean, it proudly goes to 11. While there's a lot that can be done on AMC (as seen on The Walking Dead and Breaking Bad), I have a feeling that they'll have no choice but to tone the violence down just as much as the scope of the vision. And this doesn't even touch on how the public--particularly the religious right, who have such startling persecution complexes--will receive all of the subversive stuff about Christianity. Preacher will debut on AMC next year, and its first season will run for 10 episodes. What do you think of the trailer? [via /Film]
AMC's Preacher trailer photo
Jaysis! Humperdumper doo!
Garth Ennis and Steve Dillon's Preacher is one of the best comic books of the 90s. Hard-hitting, hard-drinking, and just plain hardcore, Preacher is an over-the-top, ultra-violent riff on westerns in which a preacher nam...

Interview: Bruce Campbell (Ash vs. Evil Dead)

Oct 30 // Hubert Vigilla
Bruce, could you put this in perspective for us: a couple years back there was a very pleasant surprise when we see your character at the end the Evil Dead remake. What sort of happened between that and the series? Did you already know that the show was percolating? Bruce Campbell: No, this happened fast. This happened really fast. Shockingly fast for this industry. These things are usually developed for years. We did a remake because people would not shut up about it, and we wanted to give them something. Sam didn't want to direct the remake himself but he thought, "Let me handpick a guy, Fede Alvarez, and let him have a shot at it." We think he did a great job, and it made a lot of money around the world, which at least convinced us that people are out there, the fans are still out there somewhere, but they want Sam and they want Ash. So, we're going to give it to them. We're tired of fighting it. But, the economics of making another movie... We could get enough money to make a remake directed by a first-time director, but we couldn't get enough money to make another one directed by Sam Raimi. I mean, as famous a director as Sam has become, he needs money. Sam thinks big, really big. So TV made sense. Rob Tapert had worked with Starz on Spartacus. I worked in television for years on Burn Notice. So we were TV guys. I feel like I'm a TV guy as much as a feature guy, so I couldn't wait for this. We pitched it to Sam, we went over to try and bend his ear. How was it working in unrestricted TV land? Bruce Campbell: Fantastic! It's where you need to be. You know, we don't have to do an alternate take to say something. "Gosh! Golly! Darn it! Put that over there!" None of that bulls**t. You can just talk like an adult, Ash can talk like he needs to talk. I like it a lot. The first two Evil Dead movies were unrated; only Army of Darkness had a rating because it was made for a studio and we had to have a rating. This is how people need to see it. I can't wait. Has Ash changed— Bruce Campbell: This is glorious violence, by the way. This is like, when our blood goes, it's celebratory. [laughs] Bruce Campbell: You know what I mean? This is not going to be dreary violence. This is going to be, if it's possible, fun violence. This is not going to warp your life. We take the horror seriously, but there's other things to like. We want to keep Ash the trash-talking hero, so there's going to be plenty of that. Over the years you and Sam talked about how you enjoy the Marx Brothers, classic comedy, things like that— Bruce Campbell: Yeah. The Stooges. Are you more free with the show to do more of that? Bruce Campbell: We can do whatever we want. I mean, the coolest thing ever is to be able to show up on a set and to know that you have no restrictions. You have an idea, you shoot it. If it works, you keep it, knowing that if it doesn't work you get rid of it. You know what I mean? So it's a great way to work as an actor or anybody in the arts. You want to function in an environment that's creative. And you'd be surprised how many environments you get into that are not really that creative, where someone is very controlling ,or a writer doesn't want you to change anything, or a director treats you like his little pawn and he wants to put you here and he wants to put you there, or certain DP/camera guys want to shoot things in a certain way. I'm like, "F**k you, let's make this show!" You know what I mean? Creatively, that's what I'm all about. I'll go to the ends of— I'll go to New Zealand to do that. Was there a lot of ad-libbing? Bruce Campbell: Oh yeah. Oh yeah. Bruce Campbell: And the kids—I call them "the kids," Ray and Dana—they're getting on board. Not like it's a competition, but there will be things that occur to their character to say. A lot of times a writer won't do what I call "a button." You know, like button up a scene. Sometimes there are things that just make sense. Do you have any favorite ad libs you remember but didn't necessarily make it? Bruce Campbell: Umm, no, they just keep coming. So that's the beauty of TV—there's plenty of it. One of the great things about Ash in this is that he's sort of acknowledging that he's a little bit longer in the tooth. Bruce Campbell: Yeah, he's over the hill. Yeah, I love it! Got to put on a man-girdle and pop his dentures in. I mean, that's hilarious. Sam was talking about putting a box of Depends in the trunk. [laughs] Bruce Campbell: And you just see the box. You don't really talk about it. Or Ash says, "Pull over." "Why?" "I gotta get something." "What?" "Don't worry about it, just pull over." You know, and he throws the Depends in the back, and he doesn't have to say anything. I think that's awesome! Why not? Why do our heroes have to be so perfect? What a bore. Jesus Christ! What was it like getting back into this demanding of a role again. Bruce Campbell: Hard. Hard and painful. I usually have a good time on film sets, and the Evil Dead movies never are really a good time. That's okay, because I find the, very creatively satisfying, but none of them are comfortable or fun. You've covered with blood and s**t 12 hours a day. It gets old fast. Wearing stunt rigs, and you can't breathe, and every time you scratch your head you pull the hair out of you arms because of the dried blood. And you get ants all over you because you're wet and sticky and sweet with the fake blood. You attract rodents, that type of thing. [laughs] You've worked with Lucy Lawless in the past. Bruce Campbell: 20 years ago Were you guys searching for a project together? Bruce Campbell: Well, the second we knew we were going to shoot in New Zealand, I'm like, "We've got to get Lucy as part of this deal. ASAP." And so we're trying to make the show worth her time now. So upcoming season, she's going to get busy, and we like that, because she's such an ass kicker. Ash needs some more ass-kicking help, and why not get f**king Lucy Lawless? [editor's note: In retrospect, I wonder if this was some early indication that Ash vs Evil Dead was going to be renewed for a second season.] [laughs] We asked Sam before if he'd taken it a little bit easier on you now than he has in the past. And when I asked him, there was a slightly sadistic glow to his eyes. Bruce Campbell: Oh sure! It would suggest probably not. Bruce Campbell: But thank goodness he's getting older so he doesn't have as much punch anymore. He doesn't have the right hook that he used to have. Now he has people do it for him. No, Sam's always the blood deliverer. If someone's getting the blood in the face, he's the one doing it. Of the Three Stooges, Moe was always the guy who threw the pies. He just had the touch. He was like, "Get out of the way," to the prop guys and he would take the pie. BAM! He would hit it dead on every time. Sam's got that touch. [turns to me and gestures as if repeatedly throwing a cup of fake blood in my face] Because you can't get into the frame. It's a very delicate line, literally. So he knows where the edge of that frame is, and his cup is right there. He never goes in, it's perfect—he hits you every time. Because you don't want to redo that. You got to practice it to get it once. So is Ash your favorite character that you've played? Bruce Campbell: I'd say so. Especially now. I'd say it's been cemented now, because he's much more of a full-blown character. And if we can do this for a couple of years, then we can really kick some Ash, and really bring that character full throttle. And I can't wait. You do a TV show and you're going to have to throw that son of a bitch into all kinds of scenarios that you never had to before. You have to tell a lot of story for the show, so we'll see what happens to our hero. I'm looking forward to it. I hope ridiculous things happen. This is going to sound like a really goofy question, for which I apologize profusely, but do you reconcile the Ash we see at the end of the Evil Dead films with the one we see in the TV series, or is it a clean break between film and television? Bruce Campbell: Same guy, he just didn't do s**t for 25 years. [laughs] Bruce Campbell: Same guy! What has Ash been up to? Bruce Campbell: Nothing! [laughs] Bruce Campbell: Drinking at bowling alleys at closing time, lying to women about how he lost his right hand. [laughs] That's what he's doing—he's doing nothing. People love to ask, "Oh, what kind of character development?" We don't have any! [laughs] Bruce Campbell: He's the same guy. Now, you'll see him develop over the course of the show. He has to become a hero. When we find him, he is not a hero. He thinks he's a hero, but he is so lost. He's lost his edge, he's lost everything.
Interview: Bruce Campbell photo
Hail to the king, baby
Bruce Campbell didn't just enter the room—he swaggered. As he made his way to the first roundtable interview, he nodded to the various tables and press. "I will get to you all eventually," he said with equal parts mock-...

Interview: Sam Raimi and Craig DiGregorio (Ash vs. Evil Dead)

Oct 29 // Hubert Vigilla
What's the motivating factor for returning to territory that's so early in your career, Sam? [gesturing to DiGregorio] And why did you drag this guy along? Craig DiGregorio: [to Sam Raimi] Why'd you drag me into this? [laughs] Sam Raimi: [gesturing to DiGregorio] This guy! Craig was the best man for the job, and he still continues to be, and he's learned the main voice of the character. He's a good leader for the writers, it turns out. I mean, the time you hire a showrunner you don't know if they are the best man for the job, but he turned out to be. You've got to have so many skills of leadership for the team, recognition of all these egos of the writers and dealing with them, good communication skills with the studio and production that's happening elsewhere, and being able to juggle the budgets and the timecrunch that's coming down on you. And then having to take the script and re-write it overnight. Too many talents and skills to ask for in one person, and that's why we settled with [Craig]. Craig DiGregorio: I haven't thought of those. [laughs] Sam Raimi: [laughs] As far as the first question, Sam, what made you return to this character from very early in your career? Sam Raimi: Five words: The fans... [long pause] [laughs] Sam Raimi: The fans... [long pause, counts on his fingers] The. [laughs] Sam Raimi: So, umm, they've been demanding this. I didn't want to return to it for many years. I wanted to go on and make Spider-Man movies, other characters, other stories, and I've already made three of them. I love Bruce, but I just didn't know if there was more to do. But they really wanted it, and so we listened to them. It's never happened to me before like that. I think that's— I just didn't know we made movies based on the audience's desire to see them. It's very rare for me. Like nobody asked me to make another Spider-Man picture, nobody asked me to make another Darkman picture, or a Simple Plan sequel, or whatever I did. Just this one. So it was really me finally listening to them, and that's it. That's the only motivation. Did the series break down from an Evil Dead 4 movie that you had in the works? Sam Raimi: Yes. For many years my brother Ivan and I were writing an Evil Dead 4 movie. Different versions of it, some great ideas. And we just realized that no one would really want to distribute an Evil Dead 4 movie. It would be really big and it'd another fake-spectacular, but it would be too expensive. It would never really make much money. Then Rob [Tapert] said, "Oh, the economics might work out for TV." And that's how it started. How does the mindset change going from a film to a television show? Are you freed up? Do you feel like there aren't any restrictions for you? Sam Raimi: There's no restrictions from Starz. They really want us to make something as wild and crazy as we'd like. They want the flavor of whatever Evil Dead was brought to the small screen in a big way. They've only been really supportive and we don't really have restrictions. There are the budget and time constrictions of TV. I can't set up those— I only directed the pilot, but as a team, we can't take the time to set up all these really cool camera shots to suggest the supernatural in abstract or artistic ways. Craig DiGregorio: You have to pick your spots. Sam Raimi: Yeah, you have to pick your spots to direct. And instead we focused on the character of Ash, which I think the audience really likes anyways. What was the decision to shoot in New Zealand versus shooting in the States? Sam Raimi: [to DiGregorio] What do you think? Craig DiGregorio: There are a couple of things. I mean, I think your money goes a really long way there, so you can really get a big show for whatever your budget is. Also, the crew we have down there is amazing, and they can turnover horror and action and give us more of those cool camera shots just in the time that we have. And also Sam's longtime producing partner, Rob Tapert, lives down there and has an infrastructure built-in already, and he's very comfortable getting the scripts and feeding it into his machine. I think that's also part of it. So, you know, practical, financial, and also creative. Building on that, how beneficial was it to have that great core of makeup effects artists already there for you? And what was it like working with them to create this sort of world? Sam Raimi: It was great having a team of makeup effects artists that have worked with Rob and have proven to be able to deliver on a TV schedule. The demands that it encompasses—they survived it and excelled. So Rob already had a great relationship with this team and it made things wonderful. Wonderful. There were already 30 people on employ when we began, from another project. It was great. They were up and running. Is this a show that's going to be accessible if you've never seen the properties before? People who've never seen the movies, can they come in and know what's going on? Craig DiGregorio: I mean, I've never seen the movies and I like it. [laughs] Sam Raimi: It continues for the Evil Dead fans. And we hope that they'll be good with it. We really pray that they really will, it's made for them. But we've also taken steps to introduce new audience members to characters in the pilot. Craig DiGregorio: I've talked to people who've seen the first episode—fans versus people who've never seen Evil Dead before—and I think it's equally liked, because it's such a fun, weird universe to put yourself into, and I think people just like that. It's different from a lot of things on television. So I think even new viewers who haven't seen the movies enjoy being put in an interesting place. We're helping catch people up or let them know what the world is at the same time. And I have seen the movies. [laughs] In terms of doing a series as opposed to doing a film. In films, you could basically kill off a lot of lead characters that people have really started to really get a rapport with, whereas if you do that with a series it creates a problem that you're replenishing your cast every couple of weeks. Sam Raimi: Well, I think that's absolutely right, and we feel that we've got to kill some characters so the threat of the Evil Dead is real. There's going to have to be some suffering and missing of characters in this equation. Craig DiGregorio: Yeah, so I don't think it's a complete replenishment, but for the danger to be real, you have to let [some characters be killed]. Especially people close to Ash always end up dying. Sam Raimi: Yeah. It's harder in TV, I agree. What was Bruce's reaction when you came to him and said, "Hey, guess what? We're going to have you play the same action character you played 30 years ago?" Sam Raimi: Well, it wasn't really a surprise. People would always ask Bruce about it. "When are you coming back [to the Evil Dead franchise]." And he'd say, "I don't know when I'm coming back. Sam keep dragging out his Spider-Man movies and..." So it's always been in the air. And I would tell Bruce and Rob that I'm writing with my brother. And ummm still writing with my brother. And then at some convention for Spider-Man a fan said, "When are you doing another Evil Dead movie?" I said, "Okay, I'm writing it this summer with my brother." [editor's note: it was actually an Oz the Great and Powerful press conference. You can read our old report about it here.] And so Bruce saw that, so he wasn't really surprised. The information that came out told him what was coming. Craig DiGregorio: But as far as how Bruce reacted, he started working out. Getting in shape. Sam Raimi: Yes, you're right! Craig DiGregorio: He really did! [laughs] Going from Burn Notice to— Craig DiGregorio: He just looks like an action hero now. [looks over to Bruce Campbell at another table.] Look at that guy! He looks really good! Early on in the writers' room, there's some jokes in the script about Ash being really overweight and looking rough, and Bruce came into the writers' room and said, "F**k you guys! I'm gonna make you eat your words!" And he went and, well, he looks damn good. Started putting himself together. [turns to Raimi] I feel like we kind of turned his life around. [laughs] The amount of misery you're able to inflict on Bruce—have you sort of curtailed that in recent years because you don't want him to break a hip or something? Or has it gotten worse? Sam Raimi: We got to inflict a little pain on him in the pilot, and a little bit all through the series so far. And I'm kind of waiting to hear whenever the last show is, you know, depending how many seasons we go. God help Bruce for those last three episodes, because I'm taking all that's left out of him! [laughs] Craig DiGregorio: [to Raimi] Is this how you kill your friend? [laughs] Sam Raimi: I'll make him wish he was dead! [laughs]
Interview: Sam Raimi photo
The director and showrunner talk Ash
It's been nearly 40 years since Sam Raimi directed Within the Woods, the $1,600 horror short that would become The Evil Dead. Decades later, Raimi has returned to the series that kickstarted and defined his career, directing ...


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