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Ip Man 3 teaser trailer photo
Ip Man 3 teaser trailer

The first teaser trailer for Ip Man 3 just punched you repeatedly in the face

Donnie Yen vs. Mike Tyson
Nov 13
// Hubert Vigilla
Here it is: a US teaser trailer for Ip Man 3, the latest installment in the badass wing chun series starring Donnie Yen. Despite the presence of Sammo Hung in Ip Man 2, the sequel was a step down in general quality from ...
Fifty Shades photo
Will shoot back-to-back
Fifty Shades of Grey was a really bad movie that featured even worse behind the scenes trouble between the director, Sam Taylor-Johnson, and the book's author, Can't Write Well (possibly not her actual name). That meant ...


Jeffrey Dean Morgan cast in major Walking Dead role

(Possible) spoilers ahoy
Nov 12
// Matt Liparota
(Potential spoilers for The Walking Dead “ the TV show, that is“ upcoming; consider yourself warned.) Ever since the happy-go-lucky gang made it to the community of Alexandria on The Walking Dead last season,...
Rocky! Rocky! photo
Rocky! Rocky!

30 for 30 does Rocky IV

Ending the cold war one punch at a time
Nov 12
// Matthew Razak
A few week's ago College Humor brought us a parody of ESPN's 30 for 30 programming by creating a hilarious short on Angels in the Outfield. It worked and it worked well. It looks like they'll be continuing the series as ...
Star Wars images photo
Star Wars images

New Star Wars: The Force Awakens images and character details, let the hype flow through you

Five weeks, everyone
Nov 11
// Hubert Vigilla
Star Wars: The Force Awakens is out next month, which means the relentless hype isn't stopping until we hit December 17/18th. There's a whole slew of new images from the film posted by Entertainment Weekly, including an old H...
Hausu director in NYC photo
Largest US retrospective of the director
Nobuhiko Obayashi's Hausu (House) is a favorite here at Flixist. (Alec did a great Cult Club piece on it a few years back.) It's a bit like the fever dream of an imaginative child who's really into Scooby-Doo and Mario Bava. ...

72 hours of Shia LaBeouf photo
72 hours of Shia LaBeouf

#AllMyMovies - Shia LaBeouf is watching all of his films for three straight days

But is it art?
Nov 10
// Hubert Vigilla
Shia LaBeouf's creative endeavors outside of acting have been pretty strange. There was a public art show rife with self-loathing and even a sexual assault, a short film that borrowed heavily from Daniel Clowes, and a video f...
Flop photo

Jem and the Holograms made no money so now it's gone

Seriously, it made no money
Nov 10
// Matthew Razak
There are flops and then there are flops. Jem and the Holograms is the latter. It didn't just flop for Universal it broke records while doing it. The movie pulled in just $1.37 million its opening weekend, and could...

Enjoy the first trailer for Finding Dory

Memory lapses abound
Nov 10
// Matthew Razak
Finding Dory is finally here... in trailer form. Of all the hotly anticipated Pixar films (which is all of them) I'm most hotly anticipating this one. This first trailer gives us a little hint at the story, which finds D...
MST3K Kickstarter photo
"It stinks!"
If you're a dork of a certain age, you probably watched Mystery Science Theater 3000 on Comedy Central and later the Sci-Fi Channel. You probably have fond memories of the show and quote it around other MST3K fans. ("Shell! T...

Screenings photo

See Love the Coopers early and free

Washington DC screening
Nov 09
// Matthew Razak
Are you ready for Christmas cheer? What? Just because it's before Thanksgiving doesn't mean it's too early to start watching holiday movies. We're the Coopers is coming out this week! You can see it early by grabbing pas...

Netflix drops a Very Murray Christmas poster

Sadly, Scrooged still not available
Nov 09
// Matthew Razak
As everyone knows Bill Murray has already starred in one of the greatest modern Christmas films of all time, Scrooged. That's not enough for him, however. He's about to hit us up with another. Netflix's A Very Murray Christma...
Finding Dory photo
Finding Dory

First Finding Dory poster swims in

You speak wale?
Nov 09
// Matthew Razak
I think I say this every time a Pixar sequel comes up, but it's worth saying: Toy Story 3 basically gave them carte blanche to do whatever the hell they want. When they knocked a third film out of the park when everyone ...

NYPD/LAPD boycotts of Quentin Tarantino reinforce negative stereotypes about cops

Nov 09 // Hubert Vigilla
[embed]220111:42692:0[/embed] Soon after, the LAPD joined the NYPD in calling for a boycott of Tarantino's films. "Hateful rhetoric dehumanizes police and encourages attacks on us," wrote Los Angeles Police Protective League (PPL) president Craig Lally. "And questioning everything we do threatens public safety by discouraging officers from putting themselves in positions where their legitimate actions could be falsely portrayed as thuggery." There are good cops out there, of course, but none of these statements by the PBA and PPL are going to make it easier for them to do their job. Remarks like these make it sound as if the NYPD and LAPD are beyond reproach. If you've paid attention to the news at all or even have some passing familiarity with the Black Lives Matter movement, that's obviously not the case. The issue is police brutality related to systemic racism and/or general problems with hiring and accountability in law enforcement, but reps for the NYPD and LAPD would rather not address those issues. Because hey, look, Quentin Tarantino! Worse still, police reps recently ratcheted up their rhetoric, and it's still not helping their own cause. Late last week, Jim Pasco, the executive director of the Fraternal Order of Police, made a cryptic statement about Tarantino and the police boycott effort. "Something is in the works, but the element of surprise is the most important element. Something could happen anytime between now and [the premiere of The Hateful Eight]. And a lot of it is going to be driven by Tarantino, who is nothing if not predictable." Pasco added, "The right time and place will come up and we'll try to hurt him in the only way that seems to matter to him, and that's economically." So again, rather than try to figure out how to prevent the deaths of more innocent people, how to reach out to underserved or marginalized communities, and just generally figuring out how to be better police officers, high-level police union reps would rather try to organize a major boycott of a new Quentin Tarantino movie and intimidate the filmmaker, and by extension other voices critical of the police, into silence. This is, frankly, stupid. The NYPD, LAPD, and the Fraternal Order of Police come across as petty and tone deaf. The boycott will accomplish nothing substantive with regard to police brutality; it may simply make current perceptions of the police more negative. At the heart of these statements isn't just a general defensiveness but an unhealthy inability to accept legitimate criticism. We're not talking about the deaths of innocent people or good cops who died doing their job. Instead, police reps have dogpiled on a citizen who was protesting peacefully. In case you were wondering, The Hateful Eight comes out in select cities on Christmas Day.
Police vs. Tarantino photo
Police rhetoric not helping their cause
The NYPD and LAPD really hate Quentin Tarantino right now, labeling him a cop-hater and anti-cop. In the process of explaining their dislike for the filmmaker, the NYPD and LAPD are also providing more reason to lose faith in...

DOC NYC 2015 photo
DOC NYC 2015

DOC NYC starts this week, runs November 12-19

The largest documentary fest in the US
Nov 09
// Hubert Vigilla
DOC NYC is one of my favorite film festivals in New York City. Each year, DOC NYC showcases some of the best non-fiction filmmaking from all over the world, including a number of Oscar winners and Oscar contenders. DOC NYC st...
Star Wars TV spot photo
Star Wars TV spot

First TV spot for Star Wars: The Force Awakens has lots of new footage

Let the hype flow through you
Nov 09
// Hubert Vigilla
It's five weeks until The Force Awakens, folks. (I know!) The third and final trailer and the Japanese/international trailer offered some new stuff to look at and enjoy, and the same goes for this first TV spot for Episode VI...
#GamerGate movie photo
#GamerGate movie

Scarlett Johansson interested in #GamerGate film based on Zoe Quinn memoir

It's actually about hate in geek culture
Nov 08
// Hubert Vigilla
Oh, #GamerGate. While some true believers still insist that it's actually about ethics in games journalism, the movement has become dominated by misogyny, nerd rage, and lots of other off-putting/alarming attitudes. There mig...

Review: The Peanuts Movie

Nov 06 // Nick Valdez
[embed]220109:42688:0[/embed] The Peanuts Movie Director: Steve MartinoRated: GRelease Date: November 6th, 2015 The Peanuts Movie is all about Charlie Brown (Noah Schnapp), an awkward kid with a debilitating self-esteem issue thanks to years and years of being teased by the other neighborhood kids. Just as he was wishing for a blank slate, a mysterious new, red-haired girl moves into town. After falling hard for her, Charlie's got to muster up the courage and do some crazy things in order to impress her and get her to notice him. While he's doin all of that, his dog Snoopy (thanks to Bill Melendez's archived voice work) finds a typewriter and begins writing about the WWI Flying Ace and his rivalry with the infamous Red Baron.  First things first, Peanuts is absolutely stunning. I honestly have no idea how Blue Sky Studios managed to pull this off. Just like the film's content, Peanuts' visuals are both heartily nostalgic (thanks to a few 2D flourishes like little hearts and backgrounds every now and then) and groundbreaking in its effort. Characters move as smoothly as they would in 2D while avoiding CG's blurring motions thanks to an adept use of choppy movement. I guess the closest thing I can compare it to is Blue Sky's mascot Scrat (from the Ice Age series). Just as his movement is broken, yet fluid so it captures the essence of old Looney Tunes shorts, Peanuts' animation captures the essence of the TV specials. And then there are all the little details therein like Snoopy's fur, the whiskers in Charlie's lone curl of hair, and the Flying Ace sequences look pretty good in 3D. But once you get beyond how great it looks, you'll soon realize that it may be too comfortable taking yet another trip down memory lane.  Because it's both a reinvention and a reintroduction to the Peanuts series, the film is almost required to make the necessary homages to its classic jokes and settings. Every classic Peanuts joke is here, quite literally, and you'll be hard pressed to find them funny again in this new setting. These jokes have already been made available through the specials replayed through the holidays each year, so it's really a matter of whether or not you'll appreciate them again through this new filter. It's a celebration unfortunately caught in the past, and while these jokes are definitely delightful and may mean more to new audiences, it's just a shame that this new film didn't take the chance to create new memories for Charlie Brown. It's even more glaring when the newer bits work very well. There's this scene where Charlie is getting "Psychiatric Help" from Lucy that's absolutely fabulous in how dark the writing duo of Bryan and Craig Schulz take it. At one point, she shoves a mirror in his face and asks Charlie what he sees, and all he can say in response is "A loser." While it sounds wonky on paper, it's a sequence that actually utilizes our knowledge of the characters in the past rather than be hindered by it.  In fact, that's one of the boldest choices The Peanuts Movie makes. While the humor and most of the content is stuck in the past (thus making sequences featuring new pop music from Meghan Trainor feel even more out of place), Charlie Brown has actually become a mix of his many identities. The film only works because the writing, actor Noah Schnapp, and visuals have mastered this newest iteration of Charlie Brown. He's a mix of many of his past incarnations: The outright loser from Schulz's original comic strips. the awkward kid from the holiday specials, and the more positive Charlie from later direct to video specials. Yet with all of those influences, he's still got his own new layer in the film. They've added this crippling self-doubt that's so current, it clashes with the rest of the film's nostalgic tone. As the kids exist in a world with rotary phones, Charlie's pondering existential crises in love.  While the humor can be a bit clunky, and Charlie Brown is fantastic, the film does take some getting used to. Since it is so stuck in the past, it's taking on a format we haven't seen in quite a while. Broken into vignettes fueling a central arc, each major sequence in Peanuts feels like it could be a stand-alone special of its own. Each major scene has a beginning middle and end, so it doesn't really flow like a traditional film, per se. It's an odd pacing that, while not entirely bad, does detract from the enjoyment overall. Going in you've got to realize that you're taking the good with the bad, but the "bad" isn't the worst thing in the world. The Peanuts Movie's biggest flaw is that it's too celebratory and nostalgic, but that's also such a non-problem to have.  I certainly have enjoyed myself, but I also don't feel compelled to watch this over and over again like every other Peanuts thing I've revisited in the past. It's a delightful and breezy film, but I'm not sure if everyone will have the same reaction to it that I did. It's fun to walk down memory lane every once in a while, but you can't expect everyone to stick around.
Peanuts Review photo
Good grief?
Thanks to my mom, I've been following Charlie Brown and the Peanuts gang for as long as I can remember. Like Charlie, I too am a sad sack who's life the universe sees fit to ruin at all cost. So when I first heard 20th Centur...

Screenings photo

See The 33 early and free

Washington DC, Baltimore and Norfolk
Nov 06
// Matthew Razak
Hollywood turns movies around pretty quick these days. It's only been a few years since the Chillean miners were trapped, but they've already got what appears to be a stirring film about their ordeal. You can be one of the fi...
Warcraft Trailer photo
Uncanny valley to the max
I don't have a lot of experience with the World of Warcraft videogames, so I'm not sure (although I have seen friends swallowed up by Blizzard's behemoth), but has it always looked like a generic fantasy property? While this ...

Star Wars Japanese photo
Star Wars Japanese

Japanese trailer for Star Wars: The Force Awakens features new footage

Get your fix, Star Wars junkies
Nov 06
// Hubert Vigilla
The final domestic trailer for Star Wars: The Force Awakens isn't the last trailer for the movie. A Japanese trailer for the film has popped up online, and it's got all-new footage for you Star Wars junkies to enjoy. Check it...
The Witcher photo
The Witcher

The Witcher is getting a movie for some reason

Nov 06
// Nick Valdez
You folks like movies? You folks like books? You folks like videogames? What if I told you that you could have everything all the time? Because it's not like having everything you want is bad, right? Anyway, like most major b...

Review: Spectre

Nov 06 // Matthew Razak
[embed]220108:42687:0[/embed] SpectreDirector: Sam MendesRated: PG-13Release Date: November 6, 2015  Spectre is relentlessly old school Bond for better or for worse. It harkens back to the tongue-in-cheek playfulness of Moore, the swagger of Connery and even a bit of the romance of Lazenby. This is all pretty interesting since the Craig era of Bond has been marked pointedly by a intentional move away from such things as site gags and gadgets. The return to this style of Bond is both jarring and reassuring, but what can easily be said is this is Craig's most Bond film, complying with all the stereotypes, tropes and action that one came to expect from Bond pre-Craig. It is repeatedly, and possibly a little overbearingly, wistful about Bond's past. Almost every scene could be considered a throwback or nod to older Bond films. Then again when you've got more than 50 years of cinematic history under your belt it's hard to avoid not paying homage, which is the nice way of saying copying. The plot is definitely a repeat. In fact, much like Moonraker after The Spy Who Loved Me, Spectre is the same general idea as Skyfall, but bigger and more ridiculous. We open with Bond pursuing some extra curricular assassination in Mexico City. Turns out he's hot on the trail of an evil organization, eventually revealed to be Spectre, who Bond must destroy in order to save the world from domination. Spectre is basically Quantum from the first two films, but now they're calling it Spectre because old Bond is back (and legal reasons). Much like Skyfall the villain has a personal connection with Bond, is obsessed with collecting information for power and is looking to overthrow MI6. Bond proceeds to jump from one action sequences in a stunning locale to another as the movie attempts to unfold a lackluster mystery and develop an even more confusing relationship between Bond and Mr. White's (remember him) daughter Madeleine Swann (Lea Seydoux). If you're one for logic, pacing and avoiding plot holes this Bond is not for you.  However, if you're one for fast cars, gadgets, one-liners, prolific actions sequences and a general sense of fun then strap in. This film is all style and no substance, but, man, does it have style. This is easily the most charming Craig's Bond has been, which isn't too difficult since the previous three films focused more on the man than the myth. The screenplay, full of the kind of one-liners and site gags that made Bond Bond, might fall through in many ways, but it gives Craig a chance to have a lot of fun. Thanks to the comments he's made after shooting the film it's hard to say if he actually enjoyed the process, but there are moments here that rival Connery in their flippant bravado including what might be the sexiest delivery of the line, "Bond, James Bond," ever spoken. He an Seydoux have fantastic chemistry on screen, and if they're taking the character the direction it seems they are then that's going to be incredibly important. The action is also easily Craig's best. Casino Royale barely had any as it was far more a character study, Quantum's was shoddily directed and Skyfall featured some amazing set pieces, but nothing that compares to the brutal fights and overblown action of Spectre. The opening sequence is a stunning helicopter battle that's an airborne take on the historic train fight from From Russia With Love. It opens the film with a bang, that is unfortunately followed by Sam Smith's disappointment of a song and an opening credits sequence that involves some tentacle porn and will illicit giggles. Get through that, however, and you're slam back into the action, which doesn't let up until the very end of the film's more than two-and-half hour running time. We're treated to what is easily some of the franchise's best action. Sam Mendes's direction is once again stunningly gorgeous and despite the departure of cinematographer Richard Deakins the movie is still one of Bond's most striking. Bond has never looked sharper, with Craig going through more outfit changes than a female Oscar host and Mendes doing everything in his power to make him look awesome. A perfectly tailored white dinner jacket (this is the latter) in a train ripped from the 50s lit like it's Casablanca pulls an entire scene together and makes you happy they went so old school this time around.  Unfortunately, when style isn't a factor things start to fall apart. This is especially true for the villains of the film who are universally wasted. Christoph Waltz's Hans Oberhauser spends the first half of the film in the shadows only to be revealed as a limp, uninteresting character who can barely muster up a convincing monomaniacal monologue. How can you so misuse Waltz as a Bond villain? It seems almost criminal in and of itself, and yet the character is flat and hampered with a plot line that doesn't just make his character worse, but the entire movie. The sad part is this specific piece of the story is almost entirely unnecessary, and seems to have been stuck into the movie simply to attempt to put some of Craig's Bond's "emotion" into the story. It doesn't work, and in turn detracts from where the true emotional focus should be between Bond, Swann and M -- the true character conflict of the film that gets totally lost in the movie's desperate attempts to offer up twists. Even the movie's henchman, another staple returning in true form for the first time in a Craig film, suffers from a lack of attention. Hinx (Dave Bautista) bursts on the scene showing off his metal thumbnails, giving off echoes of Jaws, and then is relegated to a large thug for the rest of the movie. It's a completely illogical choice, especially with such a charming guy as Bautista. Imagine if Oddjob simply threw his hat once in Goldfinger and the decided not to use it again. Hinx does just this and spends the rest of the film running after Bond in cars. Now, he is involved in a fantastic train fight, but he really could have been replaced by any brute. It's just another way Spectre wastes its potential to be a truly great Bond film. SPOILERS IN THE NEXT PARAGRAPHS I hate to write about spoilers for a movie most people haven't seen, but it plays such a large role in this movie and fails so badly that I must bring it up. You've probably guessed it by now anyway: Christoph Waltz plays Blofeld. The film treats this as if we're all supposed to be surprised, but they gave it away by naming the movie Spectre and so when the foot drops it lands with a dull thud. They may have known this as they attempt to pile on other plot twists from here on out to make up for it, but there are about a million different ways this could have played out better, especially if Waltz had decided to bring any life to his character. This all concludes in an ending that is flat and disconnected. In a film filled with prolific action sequences the movie ends with nothing. Instead of an epic take-down of the villain we're given a tepid gun shot that culminates more than two ours of action with no emotional punch. This is followed by a conclusion that feels confusing and out of character for Bond. That may be because the next film is going to bring back the Lea Sedoux character. If this is so it could make the ending work, but as it stands on its own it leaves an odd taste in one's mouth.  END SPOILERS It's also odd that in a film that is clearly obsessed with bringing Bond back to his roots that they ignore one of the most unique aspects of the franchise: it's almost complete disregard for continuity. Instead a ham-fisted attempt is made to connect Bond's last three adventures to this one. Much like Obenhauser's plot points it is generally not needed and only serves to convolute the story. The problem is this clearly wasn't intended from the start. Yes, Quantum may have been a big, evil organization that the filmmakers originally intended to develop, but after they ditched it in Skyfall their plot line fell apart. Now we get a forced conclusion to the story that tries to tie up loose ends as if Bond wasn't a film franchise that was built on completely ignoring whatever happened in the previous films. How many Bond girls have completely disappeared? How many villains are never mentioned again? Why force continuity on a movie that doesn't need it? The question becomes what do you want from your Bond film? If the hard reset we received when Craig took over the mantle was up your alley then this step back in time is going to seriously disappoint. If you've missed the days of ejection seats, gadget-filled cars and perfectly timed quips then Spectre is the Bond you've been waiting for. It's a return to form for Bond, but that form was never for everybody. In the pantheon of Bond films Spectre is definitely on the middle-high end, but in Craig's tenure it is an outlier filled with things that will either make you love it or hate it. The big problem is if you don't love the things its brought back then it's flaws are too great to get over. It's ramshackle plot and poor villains make it incredibly difficult to enjoy if you don't enjoy Bond. When I wrote my review of Casino Royale many years ago I noted that Bond's gun barrel opening had been changed, it was then shoved to the end of Quantum of Solace and again to the end of Skyfall. I noted that this was all well and good since these films were about Bond becoming Bond, but that eventually the gun barrel would have to return to the beginning of the film once the character had returned to has traditional ways. In Spectre the barrel is back at the beginning and Bond is definitely back to his old ways. Whether this is a good thing or a bad thing is entirely up to you. I think it's a great thing, but it could have been done in a better movie. 
Spectre Review photo
Bond is back, but is that good?
When Skyfall landed James Bond rose to a whole new level. We were treated to a Bond film that both embraced the new, hard edge of Daniel Craig's Bond, but paid homage to Bond's past as well. Unlike the dreadfully dour Qu...

Alice photo
So many digital eyes
Alice in Wonderland was definitely something. It was so something that had a lot of CGI and weirdness going on, and it was evidently something that made some money for Disney. We heard that a sequel was coming a bit ago ...


Muppets showrunner and co-creator steps down

Show will get a "soft reboot" in spring
Nov 05
// Matt Liparota
ABC's The Muppets is one of the network's highest-rated comedies in years, but it's been taken to task by critics. That's why it's only somewhat surprising to hear that that showrunner and co-creator Bob Kushell has left the ...
WOOOOO! photo

ESPN is doing a 30 for 30 documentary on Ric Flair, WOOOOO!

Nov 05
// Hubert Vigilla
According to The Washington Post, ESPN is doing a 30 for 30 documentary on pro-wrestling legend "The Nature Boy" Ric Flair.
The Modern Ocean photo
The biggest Shane Carruth movie
Writer/director/actor Shane Carruth has made two (cult) classic films: the micro-budget time-travel mind-bender Primer and the haunting low-budget masterpiece Upstream Color. (I was so obsessed with Upstream Color I...

Star Wars posters photo
Star Wars posters

New character posters for Star Wars: The Force Awakens (still no Luke)

You'll lightsaber your eye out!
Nov 04
// Hubert Vigilla
Another day, a little more news on Star Wars: The Force Awakens. We got the official movie poster and the final trailer for the film not too long ago, and now we have a couple character posters for the primary characters of t...

Review: Shrew's Nest

Nov 04 // Alec Kubas-Meyer
[embed]220097:42685:0[/embed] Shrew's Nest (Musarañas)Directors: Juan Fernando Andrés and Esteban Roel Rating: NRCountry: Spain  The term "slow burn" gets thrown around a lot. I know I've used it more than once. Sometimes it's a useful term to describe how a film functions; other times it's a way to say something is boring without having to use that language. Sometimes people think things are a slow burn when they're really not. Shrew's Nest isn't a slow burn, though I know of others who say it is. Those people are either accidentally ignorant or willfully ignorant, but either way they're wrong. They're wrong, because the sequence of events that ultimately lead to the narrative boiling over aren't slow at all. They're very deliberate, placed perfectly in order to ratchet up the tension while also revealing the multiple facets of each character. At first, we see characters effectively through their own eyes, how they try to present themselves to the world. Then we see them through the eyes of others, where some of those seams start to show. Ultimately, we see them for who they truly are. And, not unexpectedly, what we find there isn't pretty. Montse is confined to the house. Not by some external force but an internal one. She can make it to the door, but she'll never go past it. Her sister, who she refers to as niña (translated as "the girl"), can go out. The girl goes to work during the day, and Montse stays home. She cooks and cleans and makes sure that her sister stays away from men. Because men are bad people who do bad things. (Note that it's clear almost immediately what happened to Montse, but that doesn't make the ultimate reveal any less painful, nor does it really prepare you for what follows.) One day, a man basically falls into her lap. As Carlos tries to leave his apartment (a floor above the girls'), he falls down the stairs, breaking his leg and hitting his head. After asking for her help, he faints. She brings him inside, binds his leg, and puts him in her bed. What follows, of course, is misery. Also, Misery. From the outset you know that Montse is unhinged, but the question is how far she'll go to keep Carlos there. The answer: Really Fucking Far. But in order to get to that point, we need context. Montse is viscous, something we learn early on, but seeing how her madness manifests itself is crucial to making the violence feel justified. Violence for the sake of violence can be fine, but there's something disquietingly realistic about characters in Shrew's Nest. Montse has had a rough time of it, and her psyche has been shaped accordingly. The girl is a little afraid of her sister, but the relationship is at the point where that's generally fine, until Carlos comes into the picture. Carlos isn't particularly concerned, particularly since Montse is so kind to him, but he doesn't understand the situation. He believes her when she says she had a doctor visit, but we know she's lying. Each time a character makes a decision, even if they make the wrong one, it felt fair. Characters do stupid things, but so do people. And characters don't do certain stupid things that they would be expected to do in a horror movie. Shrew's Nest is not particularly scary, but it is consistently unsettling. It's also claustrophobic, taking place entirely in a single apartment building (two apartments and the stairwell between them). That's good both for both budgetary and narrative reasons. The world never really feels larger than the one building, even as people other than the leads come in and out. That's important, because Shrew's Nest takes place in a place where other people live. Misery was in the middle of nowhere, but Montse doesn't have that sort of luxury, and neither do the filmmakers. This building – and really just the one apartment – needs to feel like the entire world, and it succeeds in that respect.  In fact, it succeeds in pretty much every respect. The minor issues I had ultimately don't matter, and as I think back on it, I barely even remember what they were. Only the good things stick in my brain, and there are a whole lot of good things. It's well crafted, well acted, well concepted, and well executed. There are some moments that are truly grotesque in the absolute best way, and there are images I'm not going to be able to scrub from my mind for quite some time. With a film like this, that's really all you can want. And Shrew's Nest delivers that and a whole lot more. 
Shrew's Nest Review photo
Shrew's Company
When I was in middle school, we'd periodically have a writer, Jon Land, come and talk to us. He'd talk about writing and life and whatever else. (Honestly, I don't really remember what most of those talks were about, but what...

Ash vs Evil Dead online photo
Ash vs Evil Dead online

Watch the first episode of Ash vs Evil Dead for free online

This is legit, guys
Nov 03
// Hubert Vigilla
Ash vs Evil Dead debuted on Starz over the weekend, and the reviews have been fantastic. What's that? You don't have Starz? And you want to see the show? Well, you can now watch the first episode of Ash vs Evil Dead for free ...

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