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Assassin's Creed VR photo
Assassin's Creed VR

Assassin's Creed VR experience basically simulates a virtual reality tech demo/commercial


It's like you're really sitting there
Dec 03
// Hubert Vigilla
As Assassin's Creed tries to hype up its December 21st release, it looks like some new technology is being used to sell the movie to you. In this case, it's a virtual reality movie that was shot on-location during the actual ...
Star Wars: Rogue One photo
Star Wars: Rogue One

Korean Star Wars: Rogue One TV spots and a new poster bring the hope


Less than two weeks to Star Wars 3.5
Dec 02
// Hubert Vigilla
The hype train for Rogue One: A Star Wars Story is now in full effect. A second final trailer was released last weekend as advanced tickets went on sale. A behind-the-scenes featurette with Diego Luna also showed up recently,...
Belko Experiment trailer photo
Belko Experiment trailer

Watch the red-band trailer for James Gunn's intense office horror film The Belko Experiment


Kill your co-workers or be killed
Dec 02
// Hubert Vigilla
In between Guardians of the Galaxy and the forthcoming Guardians of the Galaxy Vol. 2, James Gunn wrote a movie that's decidedly nothing like Guardians of the Galaxy. In fact, it looks like a cross between The Office and Ben ...
Alternate Arrival aliens photo
Alternate Arrival aliens

Check out these alternate alien concept art designs for Denis Villeneuve's Arrival


Other forms of otherworldly
Dec 02
// Hubert Vigilla
We haven't reviewed or written anything on Denis Villeneuve's Arrival on this site, though that definitely needs to change. Arrival is one of the best movies of 2016, and may be the science fiction film that best embodies the...
Rampage adaptation photo
Rampage adaptation

Director of Rampage adapation starring Dwayne "The Rock" Johnson promises emotion, scares


Kaiju candy asses gonna freak out
Dec 02
// Hubert Vigilla
In case you forgot (why would you remember?), an adaptation of Rampage has been in the works for years. The film seems to have some actual legs on it now that Dwayne "The Rock" Johnson is attached to star with San Andreas dir...
Steven Seagal? photo
Steven Seagal?

Video essay: Why was Steven Seagal such a big deal back in the day?


Explaining the era of peak Seagal
Dec 01
// Hubert Vigilla
One day, when society lays in waste and all that is left are the ruins of our great works, another civilization--perhaps from another planet--will sort through our cultural dross and ask an important question: "Why was Steven...
9-min Great Wall trailer photo
9-min Great Wall trailer

9-minute trailer for Zhang Yimou's The Great Wall is more than just Matt Damon


Maybe the trailer is overcompensating?
Dec 01
// Hubert Vigilla
The old myth was that astronauts could see The Great Wall of China from space. A new 9-minute trailer for Zhang Yimou's The Great Wall has been released, and I'm pretty sure it can be seen from space. They have free wifi up t...
Star Wars: Rogue One clip photo
Star Wars: Rogue One clip

First clip from Rogue One: A Star Wars Story has rebels taking out jabroni storm troopers


Rebel rebel, you've torn your dress
Dec 01
// Hubert Vigilla
We're just two weeks away from Rogue One: A Star Wars Story. While the reshoots stoke a little worry in me (according to reports, composer Michael Giacchino only had four and a half weeks to write the score), I remain hopeful...
Detective Pikachu photo
Detective Pikachu

Detective Pikachu movie catches a director


Still holding out hope for Danny Devito
Dec 01
// Nick Valdez
After a secret, yet massive bidding war, Legendary won the rights to produce a Pokemon related film. So they began moving forward with an adaptation of Great Detective Pikachu, a CG/live-action hybrid where a talking Pikachu ...
Wes Anderson' The Witch photo
Wes Anderson' The Witch

Trailer remix video: What if Wes Anderson directed Robert Eggers' The Witch?


This parody trailer presupposes...
Dec 01
// Hubert Vigilla
Robert Eggers' The Witch (or The VVitch, as the cool kids write it) is one of my favorite movies of 2016. It's a bleak, despairing period film, and it slowly unnerved me through its accretion of dread. I still think abou...
Doctor Strange 8-bit photo
Doctor Strange 8-bit

Marvel's Doctor Strange gets the 8-Bit Cinema treatment, looks a little like Mega Man


By the sprightly pixels of Capcom!
Nov 30
// Hubert Vigilla
I really liked Doctor Strange. While lots of the MCU tends to blend together visually and tonally, Strange had tilty fractals and psychedelic wonder, and on the whole the film felt more like a kung fu movie than just a s...
BWAAAAHHHHRRRM photo
BWAAAAHHHHRRRM

Hans Zimmer going on world tour in 2017, see the list of dates BWAAAAM


BWAAAAAAAAAAAAAAAAHHHHHHHHHMMMMMMMMMMMMM
Nov 30
// Hubert Vigilla
In Demolition Man, all of the restaurants are Taco Bell. In contemporary film music, almost all movies are scored by Hans Zimmer. Therefore, Hans Zimmer is almost the Taco Bell of film scores. (Don't question my logical reaso...
Lost MST3K episodes found photo
Lost MST3K episodes found

The first MST3K episodes have been found, are available to stream for Kickstarter backers


Like finding long-lost geek demos
Nov 30
// Hubert Vigilla
The new Mystery Science Theater 3000 should show up on Netflix some time next year. We still don't know what movies Jonah Ray and the bots will be watching, or how the new cast will interact with some of the familiar faces, b...
White Rabbit Project photo
White Rabbit Project

MythBusters Kari, Tory, and Grant return in the trailer for Netflix's White Rabbit Project


Looks like MythBusters 2.0
Nov 30
// Hubert Vigilla
I was such a massive fan of MythBusters in its glory years. While Adam Savage and Jamie Hyneman were the undeniable captains of the ship, the build team of Kari Byron, Tory Belleci, and Grant Imahara had such a great group dy...
Star Wars: Rogue One vids photo
Star Wars: Rogue One vids

Watch a new TV spot and behind-the-scenes video for Rogue One: A Star Wars Story


Diego Luna and a bit of Darth Vader
Nov 29
// Hubert Vigilla
Tickets are now on sale for Rogue One: A Star Wars Story, which means the hype is now in full force. The movie looks like it might be sort of like The Dirty Dozen in space, and I'm totally fine with that. (I can only ass...
Assassin's Creed clip photo
Assassin's Creed clip

Michael Fassbender enters the Animus in this Assassin's Creed clip


Shake hands with the past
Nov 29
// Hubert Vigilla
The Assassin's Creed movie is less than a month away. I'm lukewarm but interested, and at least willing to give it a shot based on the talent involved. The film brings together Michael Fassbender, Marion Cotillard, and direct...
Moana  photo
Moana

Watch the fantastic "You're Welcome" from Disney's Moana


Thank you indeed
Nov 29
// Nick Valdez
If you didn't get to catch Disney's newest dynamo Moana over the Thanksgiving holiday, Disney has helpfully (and awesomely) given a little preview. Although I didn't get to gush about it as much as I wanted to in our review, ...
La La Land featurette photo
La La Land featurette

Go behind the scenes of Damien Chazelle's La La Land in this featurette


Dance, dance, dance
Nov 29
// Hubert Vigilla
As I mentioned today when discussing the latest La La Land trailer, I'm a bit of a sucker for musicals. If I'm feeling down, I know I can pop in an old MGM musical and at least feel a little bit better through the day. Even a...
La La Land trailer photo
La La Land trailer

Check out the trailer for La La Land with Emma Stone and Ryan Gosling, out next week in select cities


Modern take on the old-timey musical
Nov 29
// Hubert Vigilla
The latest trailer for Damien Chazelle's La La Land has been out for a few weeks, but since we haven't showcased it on the site, I figure now's as good a time as any. A movie musical made in an age where they don't really do ...
Avatar 2 photo
Avatar 2

James Cameron may finally have a release date for Avatar 2


Putin/Seagal is the new Penn/El Chapo
Nov 28
// Hubert Vigilla
Avatar 2 has been delayed for a long, long time, but over the weekend James Cameron's sequel might have gotten a release date. The people at 20th Century Fox have been adjusting their release schedules, and they have an untit...
Star Wars: Rogue One photo
Star Wars: Rogue One

Final trailer for Rogue One: A Star Wars Story mentions the odds and raises the stakes


May the Donnie Yen be with you
Nov 28
// Hubert Vigilla
I know, I know--we already said there was a final trailer for Rogue One: A Star Wars Story. Now we have two final trailers. You can blame Disney and Lucasfilm for wanting to hype the movie one last time now that the public can buy their advanced movie tickets. Go buy tix already, duders. Check out the second final trailer for Rogue One below.

Watch the first trailer for Martin Scorsese's long-awaited Silence

Nov 28 // Hubert Vigilla
Silence comes so late in 2016 that it didn't have a chance to premiere at any of the usual year-end film festivals (i.e., Toronto, New York, Telluride, AFI Fest). Instead, Silence will have its world premiere at The Vatican tomorrow, Tuesday, November 29th. No word on if Pope Francis will be at the screening of the 159-minute film. There is also no word on what designer brand the Pope will be wearing to the world premiere if His Holiness is present. Here's a synopsis for Silence: Martin Scorsese’s SILENCE tells the story of two Christian missionaries (Andrew Garfield and Adam Driver) who face the ultimate test of faith when they travel to Japan in search of their missing mentor (Liam Neeson) – at a time when Christianity was outlawed and their presence forbidden. The celebrated director's 28-year journey to bring Shusaku Endo’s 1966 acclaimed novel to life will be in theaters this Christmas. Silence will be in theaters December 23rd. A poster for the film is included below. [via /Film]
Martin Scorsese's Silence photo
Almost 27 years in the making
Martin Scorsese has had his eyes on Silence since 1990. We first reported on Silence way back in 2011. Had the movie been made sooner, the cast might have included Daniel Day Lewis, Benicio Del Toro, and Gael Garcia Bernal. I...

Mad Shelia photo
Mad Shelia

Witness the trailer and poster for Mad Shelia, a Chinese Mad Max rip-off


MEDIOCRE!
Nov 28
// Hubert Vigilla
Mad Max: Fury Road is one of the best action movies of the 21st century, and was one of the best movies of 2015 by far. We were bound to see some movies trying to capitalize on the look, feel, and stuntwork of George Miller's...
Yoda Bad Lip Reading photo
Yoda Bad Lip Reading

Yoda sings a song about seagulls in this Bad Lip Reading of The Empire Strikes Back


Laughing off my ass, I did
Nov 27
// Hubert Vigilla
A break from posting during Thanksgiving, Flixist has taken. But fear not. Return we will with news and reviews in the final weeks of 2016. A very crummy year, 2016 was. The dark side of the Force is powerful, but balance res...

Review: Moana

Nov 23 // Nick Valdez
[embed]221047:43203:0[/embed] MoanaDirectors: John Musker and Ron ClementsRelease Date: November 23, 2016Rating: PG Moana follows the titular Moana (Auli’i Cravalho), a teenager who's always dreamed of traveling the seas beyond her island village, but is next in line for village chieftain and must stay home. When darkness begins rotting away her home, brought on when the demigod Maui (Dwayne Johnson) steals the heart of the ancient goddess Te Fiti, Moana must journey across the sea, find Maui and ask him for help, and return the Heart of Te Fiti from where it came. From its core, Moana is much different from Disney's other princess films. Choosing instead to follow Moana on a hero's journey, rather than a quest for love, the film allows for individual character development thanks to its simplicity. While this simplicity may mirror Disney's previous films a bit too much, it is honestly what makes Moana work as well as it does.  Directors Musker and Clements have experience creating lasting Disney legacies with the two of them directing hits like The Little Mermaid, Aladdin, and The Great Mouse Detective. Basically, these two are responsible for a good deal of your favorite Disney moments and it's the same with Moana. The film may share too many structural similarities with previous films because of their choices, but it's also sure to make up for that simplicity with a complex emotional through line and culture. It's what previous Disney Princess films had lacked, and it's what Frozen experimented with. With a simplified tale, the film allows the characters to add layers of depth. Instead of growing as a character in relation to another person, i.e when Ariel changes herself for Prince Eric, for example, Moana's tale is all about self-improvement. It's not complicated with extraneous plot like a third act twist villain or jokes from a cartoon sidekick, Moana instead sticks to its heart with its two central characters and builds everything around them.  Being a character first type of fairy tale, Moana trusts in its two stars to make it work. Thankfully, Dwayne Johnson and the awesomely talented newcomer, Auli’i Cravalho more than hold their own. Johnson as Maui is energetic and as charming as he ever is, but, coupled with Maui's slightly mischievous character design, now has a slight edge missing from some of Johnson's work. His song, "You're Welcome" is also fantastic. His single is definitely a standout with a blend of humor and musicality. But I don't think I'll ever be able to fully express how impressed I am by the young Auli’i Cravalho. You would never be able to tell, but as her first major starring role, Cravalho is an absolute delight. Once again marrying character design and performance, Cravalho makes Moana a believable kid. Moana is astonishingly the first Disney Princess to act like an actual young girl. She's awkward sometimes, but has an endearing moxie that characterized classic princesses like Mulan, Ariel, and Tiana. But unlike the other Princesses, Moana is allowed to have non-romantic flaws.  You're probably a bit worried since I keep comparing Moana to previous films, but it's entirely intentional. Musker and Clements intended to recapture the spirit of the 2D films. Every part of its production fully embraces nostalgia, while making sure to change enough to keep the film from repeating the past too much. Thanks to the phenomenal soundtrack from Lin-Manuel Miranda, Opetaia Foa'i, and Mark Mancina, every scene has just a bit more punch. The opening, for example, is kind of incredible. As the film introduces its setting and unique culture (as the Oceanic island culture is far more three dimensional than cultures seen in films past), its punctuated by an incredible chant-like song mirroring The Lion King's now prolific opening. While I'm not sure if its lead single's, "How Far I'll Go," contemporary style will outlast the Broadway appeal of its predecessor, it's still heart-opening. Jemaine Clement's surprise song performance is pretty great too, as it plays to his creepy wheelhouse. Also, the most beautiful song and performance overall is the ancestor song. I don't want to spoil it, but just trust that it's fantastic. But none of this character work or music would succeed without Moana's unbelievable visuals. Moana has Disney's most exemplary animation to date with its luscious landscape and gorgeous ocean animations. The setting itself is a main character, and somehow feels fantasical yet attainable. It's an island paradise capturing the mythical nature of its fairy tale, but also looks grounded enough to exist in our world. There's no skirting the Pacific Islander culture here, unlike the other Princess' films dilution of ethnicity. The character body design is diverse, with Moana herself looking less plastic and moving more fluidly than humans seen in Tangled or Frozen. Thanks to its full embrace of what makes it different, the story's complex emotion and culture seem simplistic. See? Full circle. It's simplicity by design. Blending its depth so well and sneaking in character development through song, I didn't realize how much I had experienced until I started writing this review. The only real problem I had with Moana overall was how some of its contemporary jokes and song arrangements (There's a Twitter reference and other meta jokes) betray the timeless quality of its setting, but honestly it's not that big of a deal. Moana is definitely one of the better theatrical experiences of 2016, and in a year full of strife, it's what we need right now.  Its nostalgic quality may turn some off of Moana, but the film is still incredibly fresh despite these parallels to the past. It's a Disney Princess film taking the successes of the past, fixes their problems, and injects a breath of life into Disney they haven't had for quite some time. Moana is for the child in you, your children, and even their children. And who knows? Moana may just go down as a "classic" years down the line. 
Moana Review photo
Hawaiian roller coaster ride
Disney Animation has had one critical success after another since they're in the middle of a new creative renaissance. Fully embracing CG animation, Disney has produced hits like Tangled, Wreck-It Ralph, Zootopia, and most im...

MST3K Turkey Day 2016 photo
MST3K Turkey Day 2016

MST3K Turkey Day is back for Thanksgiving 2016 with Joel Hodgson and Jonah Ray


Their top six episodes as voted by fans
Nov 23
// Hubert Vigilla
Thanksgiving is tomorrow. You're probably busy traveling or pretending to work or fretting over the time you have to spend with your relatives right now. If you're stressed out or feeling down, buck up: MST3K's Turkey Day is ...

Review: Evolution

Nov 23 // Hubert Vigilla
[embed]220389:42858:0[/embed] EvolutionDirector: Lucile HadzihalilovicRelease Date: November 25, 2016 (limited/VOD)Rating: NRCountry: France The world of Evolution is mysterious from the get go, which is due largely to the coastal locale where the film is set. We don't know what year it is, or quite where this place is either. It's all so otherworldly, the sort of setting for tales, allegories, and de Chirico paintings. There are white stucco buildings built near the water, and the sand is black leading to the turbulent shore. It's beautiful in how stark it is. In the distance, there's a medical facility that looks like it was abandoned years ago, but boys and their mothers walk back and forth for periodic examinations. There are only grown women and young boys on this island. There are no men, there are no girls, and the mothers have a sinister uniformity about them. At night, the mothers leave their homes carrying hand lanterns and congregate near the water. The boys are just boys but are in the dark about their caretakers. The boys are raised on a diet of mashed kelp and something like worms, one of those foods that while heated in a saucepan still looks cold when it's served. Evolution centers primarily on Nicolas (Max Brebant) and his mother (Julie-Marie Parmentier), and what Nicolas discovers about this town and where babies come from. We follow him into the night, down long corridors, to water in the dark, and in the process participate in the act of discovery, unwrapping the allegory along with Nicolas, sharing in his repulsion and curiosity. Roughly midway through Evolution, this dive into the unknown slows, maybe too much for what's revealed about the mothers and their boys. Yet even what's revealed is just enough to suggest larger possibilities and delve deeper into the thematic territory of the movie--sex, childbirth, asexuality, violation, flesh, reproduction, biological processes. I sensed in the film's lull that Hadzihalilovic was signalling a move away from an explicit exploration of the plot and the machinery of the world to a series of ruminative brushstrokes, each one a deliberate move to the film's finale, which is more conceptual than visceral. In the immediate aftermath of Evolution, I felt a little let down, expecting more of a resolution to what's introduced early on. Yet the movie has this strange, lingering quality thanks to its pervasive otherworldliness. I mentioned Lovecraft and Cronenbeg earlier, but Hadzihalilovic makes this movie her own, invested with unique hobbyhorses and a fascinating sensibility. It's rare to see a movie that sticks around in your mind after an initial sense of disappointment. The fact I'm still thinking about Evolution, and deeper now than in the hours after the first viewing, have made me reevaluate Hadzihalilovic's languid pace, which unfolds with the same speed as a dream verging on a nightmare but never quite arriving there. Cinematographer Manuel Dacosse does a magnificent job in rendering these images and giving them such a haunting quality that I can't get several of them out of my head. Evolution's grown on me, like a skin graft or like coral, or maybe it's grown in me, like the stuff of recurring bad dreams.
Review: Evolution photo
Lingering, haunting, and yet
There's so much going for Lucile Hadzihalilovic's Evolution, a film expertly lensed from the deliberate first shot: looking up to the sky from underwater. From beneath, the ripples and waves on the ocean surface produce undul...

Cars 3 photo
Cars 3

This Cars 3 teaser trailer is short and awesome


It looks...good?
Nov 21
// Nick Valdez
Cars is overall the worst Pixar series to date, but maybe Pixar is pulling a Toy Story 3 with the third film? This teaser trailer for Cars 3 is short, but it hits quite harder than I'd expect. It's already better than the first two, but I'm waiting for the comedy shoe to drop.  Cars 3 releases June 16th next year. 
 photo

Mortal Kombat reboot finds its director


Friendship... again?
Nov 21
// Geoff Henao
We've known about the Mortal Kombat reboot for some time now, but news and updates have been very slim over the past few years. Following the amazing Mortal Kombat: Legacy webseries, it made sense to have Kevin Tanchareon, th...

Review: The Monster

Nov 21 // Alec Kubas-Meyer
[embed]221043:43200:0[/embed] The MonsterDirector: Bryan BertinoRelease Date: November 11, 2016Rating: R  Though there are a couple of others who make brief appearances, The Monster is effectively a film with only two characters: Kathy (Zoe Kazan) and her daughter, Lizzy (Ella Ballentine). Kazan is 33 but looks ten years younger, and I'm pretty sure her character is closer to the latter than the former. Kathy is a terrible mother, pretty much what everyone assumes a young twenty-something with an already eight-or-nine-year-old child (or whatever age she is; Ballentine is 15, but I think she's also playing someone younger) is like. You don't root for her, and you definitely feel Lizzy's exasperation more than her mother's, but both of them feel extremely real, and their reactions to an increasingly horrific series of events serve as the focal point for everything that happens. And what happens? Well, late at night, as Kathy drives Lizzy to be with her father, they hit a wolf that runs out into the street in the pouring rain. The car breaks down. They call for help, but they have to wait. The wolf disappears from the road. There's a monster. Most of the film takes place on that road, in that car. Everything that matters takes place between Kathy and Lizzy. Everyone else is just filler. Fortunately, both actors give genuinely spectacular performances, and I became immediately invested in their struggles, and I was invested through all of the horrors. I mean, it made me cry. Actually and truly. Movies in general don't make me cry, and horror movies in particular don't (at least, not from anything other than fear). And yet, much to my surprise, The Monster got to me. Kathy and Lizzy got to me. Everything from the two of them felt so real, so earnest and heartfelt, even in the midst of ridiculous events, they were grounded. They made everything work. If you've seen It Follows (you should), or even just its trailer, you may remember the shot of the naked old man standing on the roof looking down at the main characters. It's a cool shot, but it's a problematic one. It doesn't make any sense in the narrative itself. The creature wouldn't do that for any reason other than because the director said, "This is gonna look awesome." And he's right, but it pulls you out of what is generally a pretty cohesive movie with reasonably well-conceived rules. Everything in The Monster is like that image on the roof. You can never know what the monster is going to do, but you always know when it's going to do it: Right when the film needs it to. It comes at the apex of tension, right when you expect it. Maybe you just see it in the background of a shot. Maybe it pulls a character underneath a truck. Maybe it throws a severed arm onto the windshield of a car. It does whatever with no rhyme or reason, but it does it exactly when anyone who has ever seen a horror movie would expect it to. The monster itself looks pretty good, and I am a fan of big practical effects, but it also is just... there. I went back and forth with the person I saw the film with on whether the monster represents anything (or whether The Monster is trying to make a grander point), and both of those conversations ended with a resounding, "Uhh... no?" Certainly the monster just seems like a monster, something there to drive the plot. It doesn't connect to the struggle that the characters are going through in any meaningful way, and the lack of clear rules makes it hard to pinpoint any real purpose at all. And that lack of clear rules gets really problematic in the final act. Really, it just serves to get in the way of the drama. So, the monster is by far the weakest part of the film whose name it occupies, but it's a testament to just how good the dramatic relationship between Kathy and Lizzy is that it doesn't really matter. While the monster waits in the darkness, biding its time for no clear reason, we get to spend time with Kathy and Lizzy. That's an emotional rollercoaster, one that is often difficult to watch but impossible to look away from. There's a decent argument to be made that the relationship deserves a better movie than the one it's in, but that's a needlessly negative way to look at it. We should be glad that we got to see it at all. I know I am.
The Monster Review photo
More tears, less fears
As often as I can, I like to go into films relatively blind. In the case of The Monster, my Facebook feed had been full of friends talking about how stellar the leading performances were and how great it was that they had gon...


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