NYAFF Capsule Review: Chasuke's Journey

Jul 13 // Alec Kubas-Meyer
[embed]219663:42484:0[/embed] Chasuke's Journey (天の茶助 | Ten no Chasuke)Director: SabuCountry: Japan 
Chasuke's Journey photo
Mr. Angel's Screenwriting Workshop
Chasuke’s Journey is an indictment of dramatic shortcuts in writing. The head tea server in heaven works among the screenwriters who decide the fates of everyone below, but their stories are trite. The immortal one who ...

Suicide Squad trailer photo
AHHHHHHHHHHHHHHHHH!!!!!
I only have two major complaints about this trailer. 1.) It doesn't sound like Harley has that Long Island accent that is such a staple of her character 2.) We have Killer Croc instead of King Shark Aside from that, everythin...

Dark Tower gets director photo
Dark Tower gets director

A Royal Affair director Nikolaj Arcel signs on to direct Stephen King's Dark Tower


Ever closer to a Gunslinger Born
Jul 13
// Sean Walsh
The man in Black fled across the Desert, and the Gunslinger followed. After what feels like an eternity of heartbreaking ups and downs, The Dark Tower inches ever closer to actually existing. The little franchise that co...

NYAFF Capsule Review: Nowhere Girl

Jul 13 // Alec Kubas-Meyer
[embed]219660:42485:0[/embed] Nowhere Girl (Tōkyō Mukokuseki Shōjo | 東京無国籍少女)Director: Mamoru OshiiCountry: Japan 
Nowhere Girl Review photo
Whup whup whup whup
New York Asian Film Festival co-programmer Samuel Jamier has a tendency to describe films as “interesting,” and he will sometimes say the word five times in half as many minutes when introducing them. He didn&rsqu...

Box Office Numbers photo
Box Office Numbers

Box Office Numbers: B-A-N-A-N-A-S


Jul 13
// Nick Valdez
Despite the plea I made in the review, parents are still dishing out tons of money for Minions. With their billion dollar advertising budget, the little buggers have taken over the box office with a whopping $115 million doll...
Green Lantern photo
What's better than one? All of them.
Warner Brothers and DC messed up big with Green Lantern, which is OK because it freed Ryan Reynolds up for Deadpool, but as we learned previously that doesn't mean they're giving up on the character. I reboot was planned and ...

Warcraft photo
Warcraft

These Warcraft character posters are certainly something


Jul 12
// Nick Valdez
San Diego Comic Con took place this past weekend so that means we've gotten all sorts of news and first looks. But since we're not at the convention we won't see any of the truly juicy stuff until studios decide to show foota...
BvS Trailer photo
...and Wonder Woman!
I've been cautiously optimistic for Batman v Superman: Dawn of Justice. There's lots to like (cool outfits, there's a great cast, the plot sounds like it fixes Man of Steel's biggest problem) and lots not to like (it looks li...

Ash Vs. Evil Dead Tailer photo
Bruce Campbell's still bad-Ash *rimshot*
The first full trailer for Starz's Ash vs. Evil Dead is out, and it looks way better than it has any right to look. Bruce Campbell is back as Ash, and they're playing up his schlubbiness, age, and cult persona to great effect...

Star Wars Comic-Con reel photo
The force is strong with this one
While there was no new trailer for Star Wars: The Force Awakens at this year's San Diego Comic-Con, there was a special behind-the-scenes reel that was screened for the packed crowd at Hall H. The behind-the-scenes footage em...

Ghostbusters photo
The Egon hair!
You may have seen some blurry, not so great images of the new lady Ghostbusters floating around, but Paul Feig is having none of that. As he's been doing over the past week (like with the Ecto-1) he just released our first lo...

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Comic Book Movie Roundup: Not-Quite-Comic-Con Edition


T'Challa still needs a director
Jul 10
// Matt Liparota
Let's face it – there are a lot of comic book movies out there these days, and they can have a tendency to dominate the conversation. With Comic Book Movie Roundup, Flixist hopes to consolidate some of the nerdy ne...
Mockingjay Part 2 photo
Mockingjay Part 2

Comic-Con teaser for The Hunger Games: Mockingjay - Part 2 is red all over


We are a part of the rhythm nation
Jul 10
// Nick Valdez
I've been all for The Hunger Games: Mockingjay's advertising since the beginning. Part 1 had a anti-propaganda take, and Part 2 follows the same route. Although we'll eventually get regular trailers and teasers soon, they'll ...
Batffleck photo
Batffleck

Ben Affleck and Geoff Johns are working together on the next solo Batman film


Affleck to direct and write Affleck
Jul 10
// Nick Valdez
I'm guessing that before Ben Affleck agreed to appear as Batman in the upcoming Batman v Superman: Dawn of Justice one of the stipulations was that he'd get to direct one of WB/DC's next films. Either that or Warner Bros just...

Review: The Gallows

Jul 10 // Matthew Razak
[embed]219651:42478:0[/embed] The GallowsDirectors: Travis Cluff and Chris Lofing Rated: RRelease Date: July 10, 2015 The Gallows had plenty of positive buzz coming out of the film festival circuit and it's pretty easy to see why. The movie is scary and does try to shake things up here and there. There's definitely something inherently scary about a high school at night, which is where our four protagonists find themselves. Reese Houser (Reese Mishler), Pfeifer Brown (Pfeifer Ross), Ryan Shoos (Ryan Shoos) and Cassidy Spiker (Cassidy Gifford) are trapped in the high school after sneaking in one night. Two decades before this a boy had died in a freak accident during the production of a play called The Gallows in the school's auditorium. His ghost isn't too happy about it and now he's finally got a group of teens trapped at night that he can terrorize.  The plot is pretty basic for a horror film; a small group of people being tormented by a deadly ghost who has a flare for the dramatic despite the fact that he could kill them all with his mystical powers in a second flat. The found footage gimmick feels more like a forced hook than what the directors originally intended, though since the pair wrote the screenplay as well it probably wasn't. Cluff and Lofing do do some clever things with it here and there, however. A few scenes in particular are fantastically constructed, especially one set in a hallway lit only by a red exit sign that fantastically uses shadows and off camera changes to build tension. The directors also cleverly use the two cameras the teens have with them to play out scenes completely from one perspective and then jump back to show us the same scene from another. Ignoring montage in favor of this style actually works incredibly well, adding fear that wouldn't be there to many scenes while still allowing for kills to play out on screen eventually. It's a great balance between the belief that being scary means leaving something off the screen and the constant need to shock the audience with visuals.  Sadly, the plotting and pacing can't keep up with the cool ideas and the film suffers for it. The movie falls victim to some terrible editing that is horrifically excused by the camera panning to the floor, shaking a bit, and then the teens suddenly being somewhere else when the camera swings back up. It rips the realism out of the movie, which for a found footage film is really problematic. There's even issues with how exactly they're filming at points, which allows for some great scenes but breaks the movie's own rules. Not to mention the plot itself is pretty flimsy. The movie is more of a collection of really interesting horror scenes than a horror whole. Great ideas keep cropping up and scaring you, but they don't accrue into a coherent whole.  Then there's the film's ending that's supposed to shock you, but is both predictable and tacked on. In what is supposed to be a twist the movie jumps out of scary and into stupid in the blink of an eye. Since the film's scenes don't build onto each other the movie's ending feels especially random. The movie makes no attempt to foreshadow what's coming meaning theirs no build to the conclusion, but it also awkwardly pretends like it was a surprise when anyone whose understands how movies are plotted will see it coming a mile away. It's too bad the filmmakers didn't work this out as the ending could have been something people talked about if pulled off correctly. For some cheap (well, as cheap as the movie ticket price near you) thrills The Gallows definitely delivers. There's moments that show that Cluff and Lofing can get up to some pretty interesting stuff with the genre, but their lack of structure and the found footage style mean the film isn't all that it could be. 
Gallows Review photo
Isn't high school bad enough on its own?
If you had hopes the the found footage genre of horror would go away you are in for a sore future. It's here to stay so you might as well embrace it. The sub-genre can offer up some fantastic scares if done right, but its ove...

Review: Minions

Jul 10 // Nick Valdez
[embed]219629:42476:0[/embed] MinionsDirectors: Pierre Coffin and Kyle BaldaRated: PGRelease Date: July 10, 2015 Before the minions found Gru from the Despicable Me movies, they were a species who've existed since the dawn of time. Attaching themselves to whatever evil creature they could find, they tried to serve as the best henchman they could until their boss' inevitable end. Lost and listless, minions Kevin, Stuart, and Bob set out across the world in order to find a new boss. That search leads them to Scarlet and Herb Overkill (Sandra Bullock and Jon Hamm) the top of the villain food chain who want to steal the Queen of England's crown. All of this, of course, leads to the same kind of yellow tinged shenanigans you know and possibly love.  When this was first announced, I had a few hang ups. I really enjoyed the Despicable Me films, but the minions were always a side bit that I never quite attached to. Originally written into the films in order to make Gru more likable, they're the epitome of easy kids' jokes. Burps, farts, and pure gibberish designed to make kids laugh and provide nothing more than an annoyance for the adults watching the films (which actually have a well crafted narrative of parenthood and coming to grips with sacrificing your dreams in order to support your children's future), so I worried that spinning them off into their own narrative would only highlight their hollow design. And that's kind of true here. Thankfully, there's at least an attempt to give Minions the same amount of heart as the rest of the series.  Once you get used to the long stretches of minion language-less dialogue, there's some nice character development here...but you've got to figure it out for yourself. Kevin, Stuart, and Bob all have some unique personality traits (Kevin is the responsible one, Stuart is the party one, and Bob is the young and cuddly one) but don't go further than the surface level. Geared more toward children than ever, this film is light in both plot and all-ages humor. Thankfully the film is just a breeze, and it's over way before you start thinking about it. At the very least, the main trio is built well enough that you'll emotionally invest in them long enough to follow through the film's short stint. Though I'm sure these minions are reaching a point of diminishing returns (hopefully there's no plan to keep these solo films going) that their shenanigans won't be able to sustain a film on their own much longer. This one's barely held together by the skin of its teeth.  The human cast is fantastic, and they're a breath of fresh air in between all of the shenanigans. Sandra Bullock and Jon Ham completely commit to the film's nutty nature, and both of them need more roles where they're allowed to chew the scenery as goofy bad guys. Bullock seems to enjoy her role the most, but close runner ups are folks like Michael Keaton and Alison Janney who're criminally underutilized. Maybe casting such big names just to give them a bit part is part of the film's slight meta humor. But that might be giving the film too much credit.  At the end of the day, Minions isn't made for you or me, but for the kids. But as I've argued every time I review one of these animated films, it's time to expect better for your kids. Sure not every animated film can, or needs to be, like Pixar, but if we keep paying for things like this they'll keep churning them out for an easy buck.  It's a flavor of the month film that'll definitely be forgotten once the next big cute thing comes along. Minions is not as terrible as I expected, but it's far from great.  But whatever, your kids'll love how cute it is. 
Minions Review photo
Papaya banana blah blah
Whether or not you've seen the Despicable Me movies, you definitely know who these little twinkie looking guys are. Perfectly designed to appeal to almost every demographic (a Xanax like shape, a bright and happy yellow, spea...

Marisa Tomei photo
Marisa Tomei

Marisa Tomei in talks to play Aunt May for Sony/Marvel's Spider-Man reboot


Flawless
Jul 09
// Nick Valdez
Although I'm having trouble deciding whether or not a new set of Spider-Man films (thanks to Spider-Man joining the Marvel Cinematic Universe) is a good or bad idea, I'm definitely looking forward to them now. When they annou...
Goosebumps Trailer photo
Viewer beware... (doo be doo doo doo)
I've been interested in the Goosebumps movie for some time. When it was first announced, it sounded like a neat but very weird idea. In the film adaptation of R.L. Stine's popular line of children's horror novels, Stine (Jack...

RIP The Dissolve (2013-2015)

Jul 08 // Hubert Vigilla
RIP The Dissolve photo
A great place for film writing is gone
The Dissolve was one of the best places on the internet for intelligent, funny, in-depth, and insightful film criticism and features. This morning, editor-in-chief Keith Phipps announced that The Dissolve would be shutting do...

Star Wars photo
EVERYTHING IS AWESOME
Rumblings of what Phil Lord and Chris Miller would be doing next after making everything awesome have been floating around. One of those rumbles, that they were going to do a Star Wars film, has come true. The pair will be di...

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First look at the new Ecto-1


This here is old school
Jul 08
// Matthew Razak
When I was a kid my favorite toy (aside from the Ninja Turtles van) was my Ecto-1. That car is a movie classic, and I will honestly admit I was afraid of what they were going to do with it for the new Ghostbusters film. ...
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The Iron Giant: Signature Edition Returns Animated Classic to Theaters


A second chance to prove your love
Jul 08
// John-Charles Holmes
Fathom Features announced today that the cult-classic animated film, The Iron Giant, will be making a return to select theaters in a new Signature Edition for two nights only. This new release of the film will be fully remast...
Alvin 4 Trailer photo
Alvin 4 Trailer

First official trailer for Alvin and the Chipmunks: The Road Chip


AAALLLLLLLLVIIIIIIIIIIIIINNNNNNN (again)
Jul 08
// Nick Valdez
While you're waiting for next iteration of The Smurfs, Get Smurfy, there's another long running film series based off a popular old cartoon, Alvin and the Chipmunks. Their fourth (!) film, The Road Chip, takes the show on the...

NYAFF Review: Tokyo Tribe

Jul 07 // Alec Kubas-Meyer
[embed]219610:42463:0[/embed] Tokyo TribeDirector: Sion SonoRating: NRCountry: Japan  If you asked a small child to describe to you what they thought when they heard the phrase "rap battle," you'd probably get something like Tokyo Tribe. This isn't a film about a few MCs spittin' some ill beats in order to prove themselves and ultimately win the respect of their peers; it's a film about a city ravaged by rap-related crime and the ultimate gang war that breaks out. And much of the dialogue spoken between the characters flows against the thumping beats that back the entire film. It's a rap musical; it's a martial arts action film; and it's a sardonic comedy eviscerating systemic issues with Japanese culture. It's everything you could possibly want it to be and a whole lot more shoved into just two hours of screentime. (It's also a manga adaptation. Shocker, that.) I honestly wonder who will find the music more grating: people who hate rap, or those who love it. It's pretty obvious why the former would hate it, but the latter is the more interesting thing to discuss. This is a film that clearly has reverence for rap music, but more often than not it makes a pretty poor case for the genre. Rapping is hard. (I should know. My dream is to be a white rapper some day, but I'm terrible at it, and it definitely won't happen.) I get the impression that a lot of people don't appreciate the linguistic ability and agility required to really get some funky fresh rhymes going. Unfortunately, those are things the general cast of Tokyo Tribe lack. When the credits rolled, a couple of Japanese names (written in Japanese letters) were followed by "Young Dais." I'd been expecting something like that, because I knew right off the bat that Kai, the head of the Peace and Love gang, was actually a rapper. Everyone else had an awkwardness to their rhythm that Kai had on point from start to finish. Everyone else was amateur by comparison. And yeah, of course they were. They're actors, and he's a rapper for one of Japan's various boy bands. It was a good casting choice, but it made me wish that there were more rappers and fewer actors. (There were some others that were clearly rappers as well (I particularly liked the heads of the female gang), but they weren't crucial to the story and didn't get much screentime.) Sion Sono has played up style at the expense of substance in the past, but never so dramatically as here. Tokyo Tribes oozes more character from an average frame than most films in their runtime. Whether it’s the ridiculous and elaborate sets or the bizarre image distortions and lens flares (or a combination of the two), this is a movie that is distinctive and memorable. Love it or hate it, you cannot deny it. You don’t forget that you’ve seen a movie like Tokyo Tribes. You can’t, unless you legitimately have a memory disorder. And if you do… well, you’ll get to see it for the first time all over again, and there’s something magical about that too.  But, of course, form can overtake function, and that undoubtedly happens here. During the film’s final confrontation, one of the characters raps The Point of the movie, and I nearly said (out loud), “Oh! So it’s a film with a message.” It wasn’t funny then, and it’s not funny now, but up until that moment the film wasn’t building up to anything other than a battle. I mean, there’s a “Good vs. Evil” thing in the sense that the bad guys hate Kai's gang because of the peace and love thing, but that never feels like more than a way to artificially build conflict. And there’s nothing inherently wrong with that, but to pretend at the 11th hour that this was all in service of something? Come on.  The only time when style gets away from the film is in the moments of pathetically poor CGI. There are a few moments where it’s so blatantly fake that the veracity of the moment is ruined. You have to suspend a whole lot of disbelief in order to get into this movie, but there’s still a limit. A tank that looks like something a child would make in a My First AutoCAD class is that limit. And it’s not just that tank, though that’s the most obvious example of it. What’s worse is the blood. In the past, Sion Sono films have been horrifyingly bloody, but the blood was real. It felt like a thing that existed in the film. My only real problem with Why Don’t You Play in Hell? was that it took the easy way out on occasion (and lower-budget Asian cinema clearly hasn’t figured out digital blood sprays yet (come on guys, Fincher had this shit down in 2007)). But here it's worse, because even if the initial spray in his previous film was sometimes faked, at least the blood staining the floors and the people after the fact were real. The moment could be forgiven in service of the greater good. Not so here. The film verges on being bloodless, because the red stuff has no feel to it. It's just an effect lazily thrown onto the screen a few times and then forgotten about. But those are all relatively minor in the grand scheme of things. People have said that Tokyo Tribes is too much of a good thing, and I don't think that's quite accurate. It's not too much of a good thing, because it's too many things to be too much of any one of them This film throws the proverbial kitchen sink at the screen and does so with an ungodly amount of technical flair. When you get sick of rapping, it turns into a (fantastic) action movie. The punches may not always land, and the wirework is very clearly wirework, but ya know what? It's freaking awesome. And then there's more rapping. And then there's some rapping and fighting. And it's all awesome. A plausible argument could be made that there's just too much movie, that it could have been cut down by 20 or 30 minutes without much narrative impact. But to what end? The content of the film is nothing if not excessive. Why shouldn't the film itself embody that as well?
Tokyo Tribe Review photo
Well then.
My favorite film to play at last year's New York Asian Film Festival was Sion Sono's cinematic love-letter/masterpiece Why Don't You Play in Hell?. It's a spectacular film, and now that it's seen a domestic release, y'all hav...

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Poster for the New Goosebumps Movie is Surprisingly Badass


Jack Black is R.L. Stine
Jul 07
// John-Charles Holmes
Apparently, there's a Goosebumps movie coming out soon-- You know, those books they always sold at your school book fair that were equal parts cheesy, weird, and occasionally horrifying? Columbia Pictures released the poster ...
IDR photo
IDR

Independence Day: Resurgence teaser from Jeff Goldblum


Well, ah, this is how they tease movies
Jul 07
// Matthew Razak
For some reason I am stupidly excited for Independence Day: Resurgence. Maybe it's just some wanton nostalgia, but I just feel like it's going to be good despite the fact that it's a remake to a decades old film and these thi...
Donnie Yen in Star Wars photo
Star Wars just got a little more badass
Prepare to sing the Ewok celebration song, folks: Donnie Yen will appear in Star Wars: Episode VIII and possibly Star Wars: Rogue One. Reports suggest Yen, who completed Ip Man 3 with Mike Tyson not too long ago (though ...

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Michael K. Williams joins Assassin's Creed, Ghostbusters


Omar comin'
Jul 07
// Matt Liparota
Michael K. Williams is set to join a couple of big movies next year that'll have nerds in a tizzy. The fan-favorite alum of The Wire will join Paul Feig's Ghostbusters and Justin Kurzel's Assassin's Creed adaptation. Williams...
Screw You photo
Screw You

Cujo remake has terrible new title


Things that are OK to hate
Jul 07
// Matthew Razak
Ready to bash your head against your keyboard. They're remaking Cujo (no, don't bash yet) and the new film is going to be called C.U.J.O. That stands for Canine Unit Joint Operations (you're good to bash now).&...
Fantasia 2015 photo
Fantasia 2015

Full 2015 Fantasia Film Festival lineup unveiled


Festival season keeps going strong
Jul 07
// Alec Kubas-Meyer
Although we've just kicked off coverage of one film festival and will soon be covering another, this seems like as good a time as any to let you know that there is a third pretty awesome festival that happens every July: the ...

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