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Captain Marvel photo
Captain Marvel

Brie Larson confirmed as Captain Marvel


Nailed it
Jul 24
// Matthew Razak
Rumors had been swirling to the point of confirmation that Brie Larson would be taking on the role of Captain Marvel/Carol Danvers, but last night at Comic Con Marvel finally confirmed it. It's a pretty spot on choice as Danv...
LOTHT Trailer photo
LOTHT Trailer

Watch the Legends of the Hidden Temple movie trailer from San Diego Comic-Con


Coming to Nickelodeon this fall
Jul 24
// Nick Valdez
With Nickelodeon tapping into the 90s kid frenzy with The Splat and shows like Hey Arnold! getting a resolution, they have also been re-working some of their old properties. Case in point is Legends of the Hidden Temple. Base...
Kong: Skull Island photo
Kong: Skull Island

Watch the Kong: Skull Island trailer from San Diego-Comic Con


The king has returned
Jul 23
// Nick Valdez
When Legendary Pictures, the company behind giant monster movies like Godzilla and Pacific Rim, moved King Kong over to Warner Bros in order to have him fight Godzilla eventually, I've been looking forward to the first look a...
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San Diego Comic-Con reveals Hulk gladiator Armor from Thor: Ragnarok


Jul 23
// Rick Lash
Instagram is blowing up with pictures from Marvel, Marvel employees, and San Diego Comic-Con attendees. One such gem: gladiator armor that the Hulk will wear in 2017's Thor: Ragnarok (November 3). While plot details of Thor: ...
Justice League footage photo
The Flash, you kidder
Big things happening today for the DC Cinematic Universe. In addition to the Wonder Woman trailer at San Diego Comic-Con, here's your first taste of Zack Snyder's Justice League movie. It seems goofier and more lighthearted t...

The Lost Arcade photo
The Lost Arcade

Watch the trailer for The Lost Arcade, a documentary on NYC's Chinatown Fair


A look at New York's arcade culture
Jul 23
// Hubert Vigilla
As someone who still wears the occasional onion on his belt, I remember arcades quite fondly. They were in steady decline when I was a kid, but they were a good way to kill time at the mall or to spend a Sunday morning. They'...
Wonder Woman trailer photo
It's Wonder Woman, suckas!
Gal Gadot's Wonder Woman was one of the highlights of Batman v Superman: Dawn of Justice. She was a real hero in a movie filled with mopey people. Her appearance whetted everyone's appetite for Patty Jenkins' Wonder Woman mov...

LEGO Batman Movie photo
LEGO Batman Movie

New LEGO Batman Movie images show off Joker and Robin


Jul 23
// Nick Valdez
The LEGO Movie was one of the funnest animated films of the last few years, so naturally we were going to get a lot more of it. Luckily, first on the docket is the great looking LEGO Batman Movie. The first couple of trailers...
Justice League Action photo
Justice League Action

SDCC: First Justice League Action trailer is colorful and fun


Like a pocket Justice League Unlimited
Jul 23
// Nick Valdez
With as wonky of a movie universe it has. DC have really succeeded on the small screen. They've been dominating since Dini's run from Batman: The Animated Series to Justice League Unlimted and now CW's got a whole universe. S...
Blair Witch photo
The Woods is actually Blair Witch!
In an era where it's practically impossible to hide anything from the Internet, we were completely surprised by two projects kept under wraps. Joining 10 Cloverfield Lane is Blair Witch, a project only known as The Woods unti...

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First Wonder Woman poster proves DC knows what colors are


More colorful than all of BvS
Jul 22
// Matt Liparota
Gal Gadot's portrayal of Wonder Woman was one of the only bright spots in this year's dour Batman v Superman: Dawn of Justice (which, granted, isn't saying much, especially since her inclusion helped the movie feel overstuffe...
Jared Leto Joker photo
Jared Leto Joker

Get a taste of Jared Leto's Joker performance in this Suicide Squad promo


The Gathering of the Jared Letos
Jul 22
// Hubert Vigilla
I'd like to think that Jared Leto is currently at The Gathering of the Juggalos dressed as The Joker from Suicide Squad. In-character, too. He would fit right in, as least outwardly. We know he's got facial tattoos and is ful...
Marvel photo
First looks galore
Netflix came out swinging at this year's Comic Con. Not only did they drop a trailer for the upcoming Luke Cage movie, but also teasers for Iron Fist and The Defenders. As you may or may not know the latter of those...

Jon Stewart returns photo
Jon Stewart returns

Jon Stewart returns, does a Daily Show takedown of Donald Trump on Stephen Colbert's Late Show


America's cool uncle stopped by to visit
Jul 22
// Hubert Vigilla
Jon Stewart left a major void behind when he ended his run on The Daily Show last year. Don't get me wrong--I love Full Frontal with Samantha Bee and Last Week Tonight with John Oliver, I think Trevor Noah's gradually finding...

Review: Star Trek Beyond

Jul 22 // Matthew Razak
[embed]220689:42999:0[/embed] Star Trek BeyondDirector: Justin LinRated: PG-13Release Date: July 22, 2016  While many Trek fans will probably balk at this idea, Justin Lin was the exact right man to helm a Star Trek. We'll never be returning to the all out, slow-pan-around-a-star-ship, philosophical, socially aware, political format of Star Trek of yesterday because that's not what makes money, but we can have a strong mixture of action and heart. Lin brought that to the Fast and the Furious franchise in spades, turning a crappy series into something spectacular that people want to see. He did this not just through action, but by turning a cast of characters into a #family. That's what he's done with Star Trek Beyond too. The crew of the Enterprise is finally on their five year mission. In fact, they're three years into it and, as Captain Kirk's (Chris Pine) captain's log tells us, they're all getting a little bored with the daily grind of exploration. Kirk is questioning whether he wants to be a captain anymore and Spock (Zachary Quinto) is shocked to find that his elder self has passed. Luckily they're docking for resupplies at the newest and largest Star Fleet space station, but before they can settle in an alien shows up requesting help to rescue her crew from an uncharted part of a nearby nebula. The crew of the Enterprise jumps into action and promptly gets the ship torn to shreds, crash landing on an alien planet run by an evil alien named Krall (Idris Elba).  The separation of the crew after the crash landing and the relatively small scale of the story overall delivers a Star Trek that is far closer to the original series in tone than either of the previous two films. The removal of larger political pictures and the Enterprise itself means the focus lands squarely on the crew and that works wonders for finally delivering a Star Trek where you feel the crew is anywhere near the family that the crew of the original series was. Spock and McCoy's (Karl Urban) relationship is especially fleshed out while Sulu (John Cho), Scotty (Simon Pegg), Chekov (Anton Yelchin) and Uhura (Zoe Saldana) actually become characters instead of plot devices. It's clear that screenwriters Pegg and Dough Jung along with Lin have a far better understanding of what makes Star Trek special than Abrams and crew did. That doesn't mean that the movie turns its back on the new Trek formula. This is still an action movie first and a space drama second. Lin, of course, is really good at action. Again, though, the fights feel more personal and well executed than the previous films. The action is possibly even more over-the-top, and yet it feels more grounded. More importantly Lin keeps you on the edge of your seat throughout every sequence. By the time the now obligatory Beastie Boys song comes on its hard not to be cracking a massive smile no matter how much of a dour original Trek fanboy you are (and I am a big one).  It's even more refreshing that Beyond finally pulls the rebooted franchise out of the shadow of its predecessors. Into Darkness's misguided attempts to recreate Wrath of Khan made the crew seem trite and the story not hit when it was supposed to. Beyond is finally its own story, defining its own crew and creating its own feeling. While it still makes a nod here and there to the original films, it is finally telling its own story -- even if that story isn't all that groundbreaking. I must also champion the film for finally ditching the under armor uniforms that made it look like they were all on the way to bro out at the gym for a bit. The new costume design is spot on and feels much more like something the crew of a starship would wear. The redesign (yet again) of the Enterprise is pretty stellar as well.  For all the fun (and it is really fun) of the movie it isn't really pushing any new boundaries. The story may be new and the cast finally feels like it's gelling, but the plot is paper thin overall. You don't really have time to catch your breathe and think about it while you're watching, but Beyond doesn't go very far beyond in terms of pushing ideas or themes. Maybe, in this case, it doesn't have to. It's focus on the characters overrides its need for a strong plot line and it clearly cares more about hashing out the crew as people than making a profound social statement.  That focus on the crew means that this is by far almost every actors best turn in the role. Pine seems especially comfortable as a more laid back, experienced Captain Kirk while Urban's McCoy becomes less homage to the original and more something of his own. Yelchin finally gets a chance to turn Chekov into something else than a funny accent and nails it, and it's a shame we won't get to see him take the character any further.  Star Trek beyond feels like a very big budget episode of the television show, and while that was a insult for Star Trek: Insurrection, here it is a compliment. The original series and all its progeny had a sort of magic to them, and it stemmed from a crew that felt like a family. That, it turns out, was missing from this new Star Trek thanks to Into Darkness's attempts to replicate instead of create. Thankfully, Beyond brings it back and turns the franchise into something you definitely want to see live long and prosper.
Star Trek photo
Going where no new Trek has gone before
The rebooted Star Trek franchise hasn't really had a bad movie. J.J. Abrams put together two highly entertaining pieces of cinema back to back. However, if you're a Star Trek fan Into Darkness was concerning. A...

Shrek  photo
Shrek

Hey now, Shrek 5 is set for 2019


someBODY
Jul 21
// Nick Valdez
Well, the years start coming and they don't stop comingFed to the rules and I hit the ground runningDidn't make sense not to live for funYour brain gets smart but your head gets dumbSo much to do, so much to seeSo what's wrong with taking the back streets?You'll never know if you don't goYou'll never shine if you don't glow Shrek is love. Shrek is life. [via THR]
The Tick reboot photo
The Tick reboot

Here's an underwhelming first look at Amazon's The Tick reboot


SPOOOO--whoa, what?
Jul 21
// Hubert Vigilla
When we reported about Amazon's reboot of The Tick a few months ago, we learned that the reboot would be "darker and more grounded," which is exactly what people wanted from a parody of superheroes. Now we have our first look at this darker and more grounded version of The Tick and it's thoroughly underwhelming. Just take a look at the new costume:
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Poster for new Ducktales series full of ducks and tails


Life is like a hurricane, full of remake
Jul 21
// Matthew Razak
Ducktales is coming back because there's nothing original anymore. In fairness, if there is any Disney property I'd like to see back in from the heyday of their Saturday morning cartoon glory it's probably Ducktales, and...
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Divergent Series final chapter, Ascendant, going straight to TV


And Hell, if we're lucky ...
Jul 21
// Rick Lash
Remember back in May when Allegiant bowed to a $29 million opening weekend and the CEO of Lionsgate (the Dream Team behind the Divergent series films) said, "Yeah, our movie is the worst"? Me neither, but it happened! Well, n...
Netflix Flixtape photo
Netflix Flixtape

Netflix launches Flixtape, which is part-playlist and part-mixtape


The first track is most the important
Jul 21
// Hubert Vigilla
Making a good mixtape can be a complex artform. The mix reflects your personal taste and expresses unspoken feelings while ultimately trying to appeal to the recipient. Then there are the unspoken rules of the mixtape, right?...
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Legendary Pictures to bring Detective Pikachu to the big screen


No sleep 'til Danny DeVito
Jul 21
// Geoff Henao
Can you believe it's been 20 years since Pokemon first told us we gotta catch 'em all? I wouldn't necessarily call the franchise untouchable, but it quickly became one of Nintendo's most profitable and successful tentpoles al...
xXx photo
xXx

xXx: Return of Xander Cage gets its first trailer


Yea, this is happening
Jul 20
// Matthew Razak
Did you think that the xXx franchise was dead and buried? Nothing Vin Diesel ever does truly dies! And so here is something you may not have been expecting a sequel to a movie so couched in 90s extreme sports that you wo...
Ash vs Evil Dead photo
Ash vs Evil Dead

See the Ash vs. Evil Dead trailer banned from Comic Con


Or... you know, it's a marketing gimmick
Jul 20
// Matthew Razak
The first season of Ash vs Evil Dead was a miracle in modern television. It brought back a franchise that fans had been clamoring for while imbuing it with (yet another) new slant. Plus, it was a bloody, gory, one-liner-packe...
Skiptrace trailer photo
Skiptrace trailer

The trailer for Jackie Chan and Johnny Knoxville's Skiptrace would be better with Adele


Directed by Renny Harlin--RENNY HARLIN!
Jul 20
// Hubert Vigilla
It's been a long while since Jackie Chan's put out a genuinely good movie. In my opinion, his last great film was 2004's New Police Story, though he's still capable of some flashes of brilliance as seen in 2013's Chinese Zodi...
Magnificent Seven trailer photo
Magnificent Seven trailer

The new Magnificent Seven remake trailer feels like a rompy riff on the source material


Playing cowboy in a cowboy movie
Jul 19
// Hubert Vigilla
John Sturges' The Magnificent Seven was an excellent riff on Akira Kurosawa's Seven Samurai, full of distinct characters, solid performances, and that memorable theme song. I was a bit skeptical about Antoine Fuqua helming a ...
Godzilla Resurgence photo
Godzilla Resurgence

The new Godzilla Resurgence trailer is full of gravitas, pathos, and splosions


You'll cry, and you'll kaboom
Jul 19
// Hubert Vigilla
I wasn't that much of a fan of Gareth Edwards' 2014 Godzilla. While well-shot, the story was so-so and focused too much on Aaron Taylor-Johnson's bland lead character. It didn't help that Blandy McBlanderson was surrounded by...
Van Helsing photo
Van Helsing

New Van Helsing movie is inspired by Mad Max


Shiny and chrome stakes to the heart
Jul 19
// Matthew Razak
You may have forgotten that Universal is working on a big cinematic universe starring all of its classic movie monsters because the movie to kick it all off, The Mummy reboot, has been in production forever. Well, it was Drac...
Ghostbusters photo
Ghostbusters

That dance number from Ghostbusters will be in the extended cut


By the way, there will an extended cut
Jul 19
// Matthew Razak
I liked Ghostbusters, but I readily pointed out that it had its flaws. The biggest one of which was the fact that it often veered into tired comedic tropes instead of capitalizing on the skills and chemistry of its cast. One ...
Darth Vader VR photo
Darth Vader VR

A Darth Vader VR project is in the works


Will probably be impressive
Jul 19
// Hubert Vigilla
The storytelling potential of VR is pretty fascinating, as I noted with Allumette during the Tribeca Film Festival. A virtual headset can give you this unique feeling of immersion that allows you to interact with the story. I...

Nerd rage over all-female Ghostbusters reinforces negative stereotypes about male geek culture

Jul 18 // Hubert Vigilla
[embed]220588:42985:0[/embed] If we're going to be fair here, Ghostbusters 2 did more to "ruin" the original Ghostbusters than the new all-female Ghostbusters. Honest Trailers does a pretty good job of summing it up (see above). And yet all the nerd rage is focused on the new Ghostbusters movie, probably because it's got women in it. No, scratch that, it's totally because it's got women in it. If the internet existed in its current form in 1989, a bunch of awful jerks probably wouldn't be whining online about how Ghostbusters 2 ruined their childhood because it at least had the original cast. Remakes and reboots will face some level of scrutiny given the weight of the original (e.g., RoboCop 1987 vs. RoboCop 2014), but with the Ghostbusters remake, the level of handwrining and vitriol is absolutely ridiculous and unwarranted. A lot of that is sexism, plain and simple. Once gender becomes an issue, suddenly everything is suspect, from the motives to the actresses to the characters. I can't help but think of the Mary Sue accusations about Rey from Star Wars: The Force Awakens, and ditto the sexism over Felicity Jones' character in Rogue One: A Star Wars Story. It's almost like if you're a woman in geek culture (real or a character), you're either not good enough or too damn good and simply not afforded a space between extremes. By the way, you know who else was offended by an all-female Ghostbusters? Not Hitler, but close. There's a fair amount of MRA froth online about how the movie is pushing a social justice warrior agenda, as if "SJW" is some kind of damning pejorative and political correctness is destroying the fabric of American democracy. Conversely, there's been a fair amount of pushback from progressive and left-leaning culture writers about the importance of representation in media, with some even suggesting that Ghostbusters is a feminist call to arms that sticks it to the patriarchy. Before seeing the film, I felt some of the feminist reads of Ghostbusters were a bit of a stretch, and maybe even hoping for too much for the film's politics--it overreaches as a reaction to total dismissal. This is a Sony movie rebooting a lucrative IP. Its primary function is to make money, launch a franchise, sell toys, and advertise for media and corporate partners via blatant product placement (e.g., even though the Ghostbusters live in New York City, they order Papa John's Pizza). As it turns out, the Ghostbusters reboot pits our four heroes against a sad, dopey, male nerd stereotype named Rowan (Neil Casey). That's right, the villain in Ghostbusters is essentially some men's rights activist on Reddit (sans fedora). It's almost fitting that a movie that's prompted so much hatred from angry male nerd-bros is all about defeating an angry male nerd-bro. Rowan is an outcast, an exclusionary guy, someone who wants to harness power and influence and make the world fear his superior intellect. And he's a pasty dude who lives in a basement and has no friends. It's not subtle. The movie rarely is. Meanwhile, pasty dudes and basement dwellers take to YouTube and keyboards and rail against the movie, trying to deter others from enjoying the new Ghostbusters rather than giving people a chance to decide for themselves whether or not they like the film. But the nerds crave power and respect and have a persecution complex, which is why Rowan feels justified in destroying the world and toxic geeks in real life feel like the mere existence of an all-female Ghostbusters is a personal affront to a cherished childhood memory. Nerds really are the fucking worst sometimes. As I watched Ghostbusters, I couldn't help but think about its odd similarities to Star Wars: The Force Awakens. The best scenes of the Ghostbusters reboot felt like Ghostbusters fans playing Ghostbusters in a Ghostbusters movie. As A.A. Dowd put it, the best parts of The Force Awakens felt like Star Wars fans playing Star Wars in a Star Wars movie. Both movies feature villains--Kylo Ren and Rowan--that embody the dark side of male geek identity. And like The Force Awakens, Ghostbusters gets hemmed in and struggles when it slavishly sticks to the story beats of the source material, and also when it gets a little too precious with dropping references to the original. That may be why Ghostbusters and The Force Awakens feel a little flat at the end, with the new characters weighed down by the checklist-feel of the script; without a little pause or modulation in tone, not much feels like a surprise in that final act, and nothing pops quite as much as it could. Even when Holtzmann (who is a little bit Poe Dameron, a little bit Rey) gets her moment to shine, it feels a little small, much like when Rey finally takes up the lightsaber against Kylo Ren. Again, Ghostbusters isn't perfect, but it's got some perfect moments. It needs space between being too damn good and not good enough. It shouldn't be held to a higher standard just because it's got women. Similarly, it shouldn't be viewed with malice just because you watched the original a lot growing up. You're not a special snowflake just because your folks had a VCR; your personal attachment to the film is yours and will always be yours, and four women in a movie isn't going to change that, you silly, silly nerd. Maybe the best lesson for toxic geek culture comes not from the original Ghostbusters but from another 80s movie directed by Ivan Reitman and starring Bill Murray and Harold Ramis: [embed]220588:42988:0[/embed]
Ghostbusters reboot photo
Calm down, bros, your childhood is safe
Paul Feig's Ghostbusters reboot opened last week and came in second at the box office, earning $46 million. It wasn't a bad showing for the film, and there's talk about a sequel (because obviously). Melissa McCarthy, Kristin ...


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