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Comics

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Deadpool 2, R-rated comic movie, gets summer 2018 release--holy $#!+


Apr 24
// Rick Lash
When Logan got an R-rating, and the substance to back it up, it was clear that the movie industry had embraced the trend begun by Deadpool in 2016. It was easy for them to do; pretty much everyone can embrace $783 million in ...
Captain Marvel directors photo
Captain Marvel directors

Anna Boden and Ryan Fleck will co-direct Captain Marvel for the MCU


Indie directors going large again
Apr 19
// Hubert Vigilla
Continuing the trend of hiring indie directors to helm blockbuster films, Variety broke news today that Anna Boden and Ryan Fleck have been hired to co-direct Captain Marvel. The duo has been collaborating together since meet...
Awesome Mix Vol. 2 photo
Awesome Mix Vol. 2

Here's the full Awesome Mix tracklist for Guardians of the Galaxy Vol. 2


ELO, Parliment, and The 'Hoff
Apr 19
// Hubert Vigilla
The Awesome Mix from Guardians of the Galaxy was a nice in-story mix-tape that was loaded with good songs and emotional impact. Suicide Squad tried to copy the Awesome Mix formula with mixed results. Truly, Red Bone's "Come a...
SyFy's Krypton trailer photo
SyFy's Krypton trailer

Trailer for SyFy's Krypton follows the life of Superman's grandfather


Supergrandad
Apr 18
// Hubert Vigilla
A while ago we heard word that writer/director David Goyer (Batman Begins, Man of Steel) was working on a SyFy show about Krypton, the home planet of Superman. We now have a trailer for the show, which features Seg-El (Camero...

Gunn doing Guardians 3 photo
Gunn doing Guardians 3

James Gunn will write and direct Guardians of the Galaxy Vol. 3


Come and get your trilogy of love
Apr 17
// Hubert Vigilla
Guardians of the Galaxy Vol. 2 is one of our most anticipated movies of 2017. It comes out May 5, 2017, but there's already some information on the sequel. James Gunn previously confirmed there will be a Guardians of the Gala...
R-rated Watchmen cartoon photo
R-rated Watchmen cartoon

Warner Bros making R-rated animated Watchmen adaptation that no one wants


Milk that IP until it bleeds
Apr 15
// Hubert Vigilla
According to Comic Book Resources, Warner Bros. will release a cartoon adaptation of Watchmen that will likely be rated R. CBR obtained a screenshot from a WB "A-List Community" survey that describes the project as a faithful made-for-video adaptation of the Alan Moore/Dave Gibbons comic. Hurm. Here's the screenshot in question:
HISHE: Logan photo
HISHE: Logan

How It Should Have Ended gives Logan a grand send-off


One snikt more
Apr 12
// Hubert Vigilla
If Hugh Jackman had to have a swan song as Wolverine, Logan was the best possible outcome. A superhero movie that didn't feel like a superhero movie, the film served as a grim, melancholy, violent capstone for Jackman's run a...
Josh Brolin Cable photo
Josh Brolin Cable

Josh Brolin (who plays Thanos) has been cast as Cable in Deadpool 2


BAH GAWD! THAT'S THANOS' MUSIC!
Apr 12
// Hubert Vigilla
Well... that was unexpected. After months of speculation (or weeks--who's counting), Josh Brolin has been cast as Cable in Deadpool 2. Brolin also plays Thanos in the MCU movies, which are a different thing entirely than the ...
Thor: Ragnarok trailer photo
Ahhhhh-ohhhh-aaaaaaaah-AAAAH!
If you asked me two years ago if I'd be excited about a new Thor movie, the answer would be, "No, not at all." Enter Thor: Ragnarok from Taika Waititi (What We Do in the Shadows, Hunt for the Wilderpeople). It's... it... Guys...

New Wonder Woman images photo
New Wonder Woman images

New images from Wonder Woman leave me feeling cautiously optimistic


Don't screw this up for once, WB
Apr 04
// Hubert Vigilla
So far, the DCEU has been a nihilistic bro-fest of brawn, brooding, and ♫BWAAAAM♫. Patty Jenkins' Wonder Woman might be the combo breaker. The San Diego Comic Con footage and the first and second trailers have som...

Joss Whedon will direct a standalone Batgirl movie for the DCEU

Mar 30 // Hubert Vigilla
This also makes me wonder if this will feature a Dick Grayson/Nightwing appearance to set up the Nightwing movie that was announced a month ago. Is this the start of the DCEU Bat Family sub-universe, aka the DCEUBFSU? Whedon makes sense for Batgirl. The creator and driving force behind Buffy the Vampire Slayer is a solid choice to steer a Batgirl story in a reliable direction. I wonder what iteration of Batgirl it will be, though. Will it be the new hipster Batgirl of Burnside (the Brooklyn of Gotham City) who sports the bossest new costume around, or will this be a more classic iteration of Barbara Gordon? We'll report more details as they arise. What do you think of this news? Is the DCEU doing something right? Will this wind up delayed by the summer? Let us know in the comments. [via Variety]
Joss Whedon Batgirl photo
BAH GAWD! THAT'S JOSS WHEDON'S MUSIC!
Variety reports that Joss Whedon will direct a standalone Batgirl movie for Warner Bros. and the DCEU. Whedon will also write the film and serve as producer. Variety notes that comics writer and producer Geoff Johns will be o...

New Spider-Man: Homecoming trailer has Peter Parker and Tony Stark at odds

Mar 28 // Hubert Vigilla
I wonder if this trailer gives too much away about the story. In particular, Spidey back in the low-fi/DIY suit seems like it should have been saved for the film itself rather than spoiled for the trailer. That would make for a dramatic reveal. What do you think? Let us know in the comments. Spider-Man: Homecoming will be out July 7th.
Spider-Man: Homecoming photo
Is Spider-Man more than just a suit?
The first Spider-Man: Homecoming trailer gave us a taste of the Marvel Studios webslinger, which seems to have a charm and ease that Sony never managed to get right in their Amazing films. The happy-go-lucky/I-love-savin...

Justice League photo
Oh...alright
Justice League is technically one of Flixist's Most Anticipated of 2017 out of morbid curiosity. After getting a glimpse at this first official trailer, I'm not really sure what to think. It seems it has a less dour tone than...

Spider-Man  photo
Spider-Man

Check out these slick Spider-Man: Homecoming posters


Mar 25
// Nick Valdez
YOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO Spider-Man: Homecoming opens July 7th. 
Michael Shannon as Cable? photo
Michael Shannon as Cable?

Michael Shannon is the frontrunner to play Cable in Deadpool 2


Michael Shannon should play everyone
Mar 22
// Hubert Vigilla
Logan had a lot going for it. In addition to the pathos of an aged Wolverine, the film featured a surprise promo for Deadpool 2. Now, Deadpool 2 isn't in production yet, but Fox likes money and they want to make more of ...

What if Lewis Tan played Danny Rand in Iron Fist instead of Finn Jones?

Mar 21 // Hubert Vigilla
[embed]221386:43470:0[/embed] We'd Get Far Better Fight Scenes Above is the Iron Fist fight scene that everyone's abuzz about. Lewis Tan is an actual martial artist. He's built like an athlete. He moves well. He looks comfortable throwing punches, kicking, and rolling around on the ground with a sense of purpose. By comparison, not once does Jones move like a martial artist. There's no rhythm or ease or fluidity. Jones moves like a guy fighting, not a fighter--big difference. The directors used a number of techniques to make up for Jones' shortcomings as a martial artist: odd camera angles, shaky cam, obscuring close ups and long shots, excessive cutting, fighting in shadows or bad lighting, fighting in a hoodie. Whenever I couldn't see Jones' face, I just assumed a stunt performer was doing the fighting for him. Watch the fight above again and notice how little you see Jones' face when complicated moves or reactions are required. (Also, who'd want to fight in a hoodie? That would cut off your peripheral vision.) Whenever Jones has to do the fights himself, he looks clumsy. He lacks the instinctual poise and physicality of a trained fighter. He doesn't even have the body awareness, confident footwork, or balance of a dancer. Had Lewis Tan been cast as Danny Rand, you wouldn't need to make up for a lack of martial arts skill. Tan would be able to perform fights and stunts at a high level. He'd collaborate with the fight choreographer and action director since he'd know what he's capable of doing as a martial artist. They might even go beyond drunken boxing and use animal styles, traditional weapons like jians and three-section staffs, or a good old-fashioned horse bench fight. (If there are two things I love, it's three-section staffs and a good old-fashioned horse bench fight.) [embed]221386:43471:0[/embed] Someone like Tan could radically transform the fight scenes in Iron Fist. Fights in the show currently feel like perfunctory spectacle. Instead, with a martial artist in the lead, we'd explore Danny Rand's character through action. He'd have an actual fighting style that's individual and idiosyncratic, something that Jones never develops in 13 episodes. Bruce Lee moves a certain way, Jet Li moves a certain way, Jackie Chan moves a certain way, Donnie Yen moves a certain way. Danny Rand, the world's greatest martial artist, should also have a character-defining physicality. It may also be a way to define K'un-L'un's martial culture and imply what its larger fighting philosophy might be. Tan doing the fights himself would change the way the fight scenes are shot. Camera angles and movements could be used with greater care rather than to obscure faces. Fight scenes could be edited with rhythm, and cuts would be defined by body movement and action. It's nice to have a hero who doesn't have to fight in a hoodie or in the dark so much. The fights may also be able to tell certain kinds of stories, with Danny not just overpowering his opponents but outsmarting them. Overall, I think the action in Iron Fist could potentially be on par with Daredevil. It would have its own flavor as well since the fighting in the show wouldn't be like any of the other Marvel shows. More than anything, Tan could make Iron Fist feel more like an actual martial arts series. Confronting Asian Stereotypes While I'm okay with Danny Rand as a white guy in theory, I'm also aware that he is an artifact of a time and an iteration of a well-worn trope. I'm also okay with Danny Rand as an Asian guy because that's far more interesting than what we got in the show. It's the 21st century, so maybe old versions of characters can be reinvented for their times and for a new medium while retaining the original spirit. By casting an Asian-American as Danny Rand, the show could explore issues of race, identity, Asian stereotypes, and orientalism. Even just optically or subtextually, these topics matter when it comes to the traditions and cultures involved. Finn Jones' constant meditating, doing origami, and spouting off fortune cookie mysticism is some unintentionally awful and unavoidable pseudo-yellowface dreck. It's not even quaintly bizarre appropriation like the Billy Jack movies; it's just uncomfortable. There are so many assumptions about Asian masculinity that can be explored through Danny Rand. Since we'd be dealing with an Asian-American character, that could lead to some exploration of different cultural expectations imposed on Danny by others. There's also the idea of an Asian in-between. Asians assimilate easily into American culture yet are simultaneously regarded as a racial/cultural Other. Or maybe the new version of Danny is half-Asian, which sets up another interesting racial dynamic. Ultimately an Asian-American Danny Rand would wind up playing with the idea of a return to a mother culture and how that affects personal notions of identity. In an interview with Vulture, Tan made a common yet astute observation about how Asian-Americans are viewed and view themselves: I think it would be really interesting to have that feeling of an outsider. There’s no more of an outsider than an Asian-American: We feel like outsiders in Asia and we feel like outsiders at home. That’s been really difficult--especially for me. It’s been hard for me, because in the casting world, it’s very specific. So when they see me and I’m six-two, I’m a 180 pounds, I’m a muscular half-Asian dude. They’re like, “Well, I don’t know what to do with this guy.” They’re like, “He’s not Asian, he’s not white... no.” That’s what I’ve been dealing with my whole life. So I understand those frustrations of being an outsider. (As an aside, I think Jordan Peele's Get Out offered a brief but memorable exploration of this Asian in-between state during the backyard party scene.) In addition to the above, the relationship between Colleen Wing (Jessica Henwick) and Danny Rand would feel much different. Maybe it's just me, but there's something about Jones as Danny that makes me think of guys who fetishize Asian culture (and especially Asian women) to an unhealthy degree. Maybe it's also the quality of Jones' performance--it's awfully patrician and leering instead of being flirty. The issues may be obviated with an Asian lead, or maybe these issues can become part of a more explicit exploration of racial fetishism. Representation in the Media On the note of Colleen Wing, I can't help but think of how cool it would be for a high-profile series to feature two Asians of mixed descent as leads. Admittedly, part of this stems from being an uncle now. I wonder how my niece might see some aspect of her identity reflected in pop culture. I suppose one day there may be a show about a half-white Jewish Filipina that will mirror my niece's own upbringing. When that happens, we'll probably have flying cars and be living in a post-scarcity utopia. Let's hope we get there. In all seriousness, I wonder who my niece's role models might be. I also wonder what people may think of my niece based on appearance alone. And that's why representation matters. More people and more voices and more experiences means more stories that we may not have heard and should hear. These narratives are machines for developing empathy and mutual understanding. In the case of Iron Fist, this machine also happens to hit bad guys in the face. (Woody Guthrie used to write that on his guitar until he thought of a punchier phrase.) There's something to be said about a show starring Asians just affirming the Asian martial arts stereotypes of the past. But that might be a lazy hot-take version of a bigger and more important conversation about old cultural ideas. Casting two Asian leads might be a chance to help deconstruct those antiquated notions about Asians whether they're the product of the 19th century, pulp fiction, or John Hughes movies. One show can't do it alone, so in an ideal scenario it will be one of many steps in the ongoing conversation of actual culture and how it's depicted in pop culture, and how both are these constructs in flux. The yellow menace can be inverted and undone, and ditto the sage-like magical Asian or the nerdy Asian math-god. I mean, come on, it kind of worked in The Last Dragon, all right? The Show Still Would Have Sucked Because of the Writing To paraphrase the bard of the squared circle Stone Cold Steve Austin, it's hard to make chicken salad out of chicken shit. With the current writers and producers, Iron Fist was going to suck no matter what. Even with a solid martial artist in the lead, it's hard to make a compelling character out of Danny Rand as written. He'd still be selfish and entitled. He'd still suck at everything. He'd still be prone to temper tantrums and amateur-hour decisions that wind up hurting people around him. I called him Anakin Skywalker with erectile dysfunction in the review because that's precisely how he comes across--a bratty crybaby whose rage gets in the way of his potential. Who wants to watch a frightened, confused jaboni as a hero? What's more, Iron Fist would still be rife with poor pacing and inert scenes. We'd still have to sit through conversations in corporate boardrooms, waiting for the delightful reprieve of someone philosophically punching bad guys in the face. To be honest, the Iron Fist fiasco makes me feel bad for Finn Jones. Even though he was on Game of Thrones, this was supposed to be his potential big break. It's been roundly panned, and he's taken the brunt of the criticism since he's the lead and has been inartfully defending an indefensible show during his press tour. This role has undermined whatever talents Jones may have. Now, he seems like the latest Blandy McBlanderson: an anodyne, interchangeable white male lead. Showrunner Scott Buck deserves a lot of the blame for the show's critical drubbing, and the same goes for the writers of Iron Fist. There's a fundamentally poor grasp of storytelling that goes beyond issues of representation and the problematic tropes of the past. Iron Fist is a martial arts show that doesn't give a crap about the martial arts. It's a crummy commercial for The Defenders, and it feels like it. Buck--who is credited with ruining the show Dexter in its closing seasons--is also the showrunner of Inhumans. If Iron Fist is any indication of how Scott Buck handles superheroes, I can't wait to watch Medusa and Karnak go over the finer points of purchasing supplemental insurance. Black Bolt will destroy a city with a whine. This is just a bigger indictment of the cynicism behind Iron Fist, a 13-hour set-up show for the next Netflix/Marvel product that fanboys and fangirls will watch anyway even if it's garbage. The writers and producers relied on old tropes and old approaches thinking they're sufficient, assuming people wouldn't be able to tell the difference between chicken shit and chicken salad. The billionaire playboy who travels to the far east is played out and needs to be put to rest. We need new kinds of stories, and there are plenty of voices out there waiting for a chance to be heard. There are also many unfamiliar faces we should be seeing. Had Lewis Tan been cast as the lead in the current version of Iron Fist, he'd be anchored to Danny Rand the bratty milksop, the least heroic and least interesting character in his own show. What a waste of potential, but man, what a resume builder.
Lewis Tan: Iron Fist? photo
Missed opportunity by Marvel/Netflix?
The first season of Iron Fist was the worst kind of disaster--a boring disaster. At least half of the season was devoted to a corporate takeover plot. Iron Fist features more scenes in corner offices and conference rooms than...

Review: Iron Fist (Season 1)

Mar 20 // Hubert Vigilla
[embed]221385:43469:0[/embed] Iron Fist (Season 1)Director: VariousRating: TV-MARelease Date: March 17, 2017 (Netflix) Everyone thought Danny Rand died with his parents in a plane crash 15 years ago, but he really survived and learned martial arts in a magic Himalayan city called K'un-L'un. He shows up barefoot in New York at his family's building, spouting off fortune cookie mysticism like a low-rent Billy Jack. This kicks off a protracted battle for control of the company rooted in childhood bullying and soap opera-style family resentments, which is just what fans of the character wanted to see, obviously. The pilot episode is so dully inert. with Rand trying to assert his identity while former childhood friends Ward Meachum (Tom Pelphrey) and Joy Meachum (Jessica Stroup) find different ways of say, "Nuh-uh, no you're not." Riveting. There's one slow, klutzy, 30-second fight in the episode with security guards. There is also a wise, disposable homeless supporting character who dies of a heroin overdose, seeding another season-long plot point. Iron Fist is a character who got his superpowers by punching a dragon in the chest, yet the show is treated with the aggravating seriousness of a prestige cable drama. The only saving grace of the plodding business drama stuff is Harold Meachum (David Wenham), the father of Ward and Joy who lives in hiding after faking his own death. Wenham is so invested in his character's giddy evil, and he oozes the charisma that's lacking in Jones as a lead. I can't blame Jones entirely for being so unintersting. He's not a good actor, but the writers give him nothing to work with. The second episode of Iron First takes place in a mental hospital, with Danny strapped to a bed most of the time. Beds are what I think about when I think of martial arts. Even a pseudo-tournament episode directed by the RZA feels static: Iron Fist ascends each level of a building fighting characters who have more personality than him. A skirmish in a later episode with a drunken-style fighter made me realize yet again how awful Danny is on so many levels. Iron Fist has feet of clay and a brain of rock. When he's not making the dumbest or wrongest decision, he's pilloried with self-doubt. His scowling facial expressions hint at tears on the verge. He's often so flummoxed with anger that he can't use his magic fist to punch things really hard. Danny Rand is Anakin Skywalker with erectile dysfunction. But yes, the fights. Oh god, the fights. Good fights tell stories. A character's fighting style reveals something about who they are inside, like some external manifestation of the self. They may have a signature move (Ric Fair's figure four leglock) or a unique weapon (Captain America's shield) or a personal fighting style (Ip Man's wing chun) that differentiates them from others. The primary characters in Iron Fist fight the same way--slow, clumsily, like actors in a martial arts show rather than martial artists. Their movements vary only superficially, and there is nothing dynamic or unique about the fights that pepper the series. Danny essentially fights just like fellow martial artist Colleen Wing (Jessica Henwick) even though she uses a sword and they have entirely different martial arts backgrounds. The fights of Iron Fist all look like glacial, inartful brawls. Seasoned fighters are turned into mere goons. I expected more from a martial arts show, namely decent martial arts. The fights of Daredevil put this show to shame; ditto the action in Arrow and Into the Badlands and even every iteration of Power Rangers. The camera angles obscure movement in the frame, the shots are banal and shaky, and there are so many confusing cuts that interrupt the flow of the action to the point of incoherence. It's amateur hour in the dojo and the editing bay. What's more, the fights all feel so perfunctory, or even like a chore, as if the writers thought, "A fight scene? Aww, do we have to? I really wanted to get into that class action lawsuit subplot." We're told that the Danny Rand is the world's greatest martial artist, but he fights like a guy who took karate at the Y two summers ago. Why does a security guard with a knife give this guy so much trouble? The person Danny dispenses of the fastest in the entire show is a teenager he hits in the ankle with a shinai. He wasn't expecting it either (sucker shinai?) and Danny preceded his assault by verbally berating the dojo for not taking martial arts seriously. Some hero, right? Hell, Danny doesn't even take off his shoes when he's in the dojo. Didn't they teach you anything in K'un-L'un, buddy? I'm pretty sure they at least took off their shoes at the Cobra Kai dojo. A great martial artist and he has the emotional intelligence of a bratty 10 year old and the balance of a newborn fawn. Later episodes of the show seem to break the fourth wall and acknowledge that Danny is a really crummy character. While he's trying to rescue a person being held captive, Danny's scuffle with a goon leads to said captive getting stabbed in the chest. What a hero. After watching him fight, one character even says, "Wow, you really are the worst Iron Fist ever." The final scene of season one even has Danny tacitly acknowledge that yes, he really does suck at everything, doesn't he? Danny Rand's bumbling heroism makes Colleen Wing that much more compelling as the show's secret protagonist. She's a poor martial arts instructor who helps her students make smart, moral choices while she's struggling to make ends meet. She compromises principles, she shows generosity to others, she learns and grows from her mistakes. Henwick does what she can with the script, and she has enough presence to carry the scenes she's in amiably. I found myself grateful for every Colleen Wing scene--finally a character to care about (other than David Wenham's Evil Faramir). There's so much at stake for Colleen, and she has so much potential to carry a show on her own, but she's relegated to supporting status. Danny Rand is Jack Burton to Colleen Wing's Wang Chi, but in a boring version of Big Trouble in Little China that's mostly about the intricacies of the commercial trucking industry. "Have you paid your dues? Well, let me explain the importance of unionization in a field such as ours over a power lunch." By the way, we never see Iron Fist punch the dragon in the chest. We don't even see the dragon and we barely get a look at K'un-L'un. This was probably due to budgetary constraints. Everything about Iron Fist looks laughably cheap. I didn't touch on the issue of cultural appropriation or orientalism in this review, which is oddly the least of the show's problems. I'm actually okay in theory with Danny Rand being white so long as the show was interesting. The show is not interesting. You don't even need to watch it to understand what will happen in Netflix's The Defenders. That sort of completism is for rubes. Just read about the set up online. There'll be more illumination in three or four sentences than there is in 13 hours of dreck with a weaksauce ending. The story in your head will probably be better anyways. There's so much you can do in life with 13 precious, precious hours. Don't make the mistake of watching Iron Fist.
Iron Fist (Season 1) photo
Booooooooooooooring
Iron Fist is such a tremendous failure on so many levels that it's fascinating to dissect. It's not fascinating to watch, however. The latest Marvel series on Netflix is a 13-hour bore that's 15% martial arts show and 85% boa...

The Batman delayed photo
The Batman delayed

The Batman delayed, rumors that the screenplay may be rewritten from scratch


Hello first draft my old friend
Mar 16
// Hubert Vigilla
The Batman seemed back on track when Matt Reeves signed on to direct the film. Maybe, just maybe, things would be looking up for the new solo Batman film and the DCEU as a whole. Scratch that. There's been another setback. Ac...
Wonder Woman photo
Wonder Woman

New Wonder Woman trailer covers Diana's origins, life on Themyscira


Also: New Successories poster
Mar 13
// Hubert Vigilla
With all the recent tumult over The Batman, it seems like so much of the DCEU's viability is riding on the success of Wonder Woman. Star Gal Gadot and director Patty Jenkins hope to craft a solid film that delivers at the box...
Thor: Ragnarok pics photo
Thor: Ragnarok pics

New Thor: Ragnarok pics include Technicolor Goldblum, Goth Blanchett, GladiaThor


This looks like a gaudy 80s sci-fi epic!
Mar 09
// Hubert Vigilla
Yesterday we showed the Entertainment Weekly cover that revealed the first look at Thor: Ragnarok. Hemsworth got a gladitorial haircut, Cate Blanchett got Hela mascara and eye shadow, and Tessa Thompson has tapped into t...
Thor: Ragnarok photo
Thor: Ragnarok

First look at Thor's new look in Thor: Ragnarok


Are you not entertained?
Mar 08
// Matthew Razak
Thor: Ragnarok has long be toted as a bit of a tonal shit for the franchise, and to really emphasize this it appears that Thor himself is getting a new look. The long, luxurious, flowing blonde locks of Chris Hemsworth's...
Logan photo
Logan

Logan nets $85 million at box office


And you execs were so scared
Mar 06
// Matthew Razak
With the amount of buzz going into Logan and the positive flooding out from it it may be hard to understand why studio execs were nervous about the film. It was a risky movie, but that risk has paid off with Logan p...

Why Logan is the bravest studio film of the year

Mar 03 // Matthew Razak
We all like to complain that Marvel superhero films have become codified (and DC's just suck), but one of the reasons they have is because the formula works. It works over and over and over again. Hollywood sticks to formulas that work, and they do not tip the boat. When you're putting millions and millions of dollars into something you want that money back. It's a simple reason why studios are insanely risk adverse. For every Deadpool there's five John Carters. John Carters lead to people getting fired.  That's why Logan stands out so boldly among every studio film we'll see this year. The studio actually let it take risks. They actually let it do what it needed to do. Let's start with the R rating. Wolverine as a character desperately needed this, though, the comic books never had him or Professor X cussing this much. Anyone who saw the underrated The Wolverine knows that a good sharp dose of blood and violence would have made the character actually work. Constraining a wild beast to a PG-13 was not helping. You may say that this wasn't a big risk thanks to Deadpool pulling in massive money, but that's a completely different situation. The Pool isn't as well known as Wolverine, and didn't already have an established, and young, fan base. An R rating is alienating every kid out there who loves superhero movies, and there are a lot of them. That's a huge audience that was able to see the previous films that won't be able to see this one, and that makes Logan's R rating that much more risky than Deadpool's. But it's not just the rating that makes Logan brave as hell. In fact a lot of the risk comes despite the R. With that rating they could have gone full blood bath (Logan has plenty bloody, don't worry), with action sequence after action sequence. Instead director James Mangold rolls the film at a incredibly slow pace. While it doesn't pull this off perfectly, Logan is far more character study than superhero movie. It may fall into a few traps here and there, but just getting this screenplay greenlit must have been one hell of an uphill battle. The film goes long periods without a single claw being "snikted." For a film franchise that could barely stop the action when it first launched with X:Men Origins: Wolverine this is a major divergence. Though it may have been hinted at when Mangold deftly maneuvered The Wolverine into a samurai-style film, only to abandon that in that film's latter third, Logan fully commits to treating its characters as just that. Instead of action pieces to be moved around we get characters who happen to have claws and psychic powers. In the vein of the classic westerns the film apes a little too on-the-nose, our heroes are flawed and violent, but human. Other comic franchises do have well developed characters to be sure, but we rarely see such a focus like this that character. It was a hell of a risky move for a big studio considering no major superhero film as gone this headlong into thematic development.  On top of this the screenplay calls for an aging hero and a dying Professor X set in a future that is stunningly disconnected from the rest of the X universe. Logan could easily be a stand alone film, an almost alternate universe. Comic books do this all the time with one off or limited runs, but movie studios have been remiss to push outside their universes. Part of this resistance is because the idea of a cinematic universe is still so new. Marvel is defining and re-defining what having one means with every film they release. But Fox has finally decided to go their own route. Instead of mimicking Marvel's Avenger's universe they're branching out and defining theirs by a unique one-shot. If their plan is to bridge their X-Men tentpoles with smaller character studies then its a bold stroke in creating a cinematic universe differently from Marvel's cohesive whole and DC's... clusterfuck.  And now I really need to warn you about spoilers because probably the biggest and ballsiest move comes at the end of the film. They killed their star. No wait, they didn't just kill their start, they killed two of their stars. I doubt anyone is going to give this movie enough credit for doing this. You do not kill your heroic lead in an action blockbuster. Yes, it happens here and there as I'm sure many could point out, but it doesn't happen with established franchise characters twice in the same movie. Sure, you could argue that it was easier because the story is set in the future so it doesn't affect the current universe's "present" timeline, but that just makes the entire thing more of a risk. In order to execute this movie correctly they not only had to set up an entire separate time frame, but then pull the trigger on killing two X-Men (and major Hollywood actors) in one film. Hollywood doesn't do it like this, and yet here we have Logan. A movie that knew to be as truly powerful as it could be it had to break our hearts... twice. And they let it. The studio let them do it.  I am well aware that this is Jackman's goodbye to the character so a death makes sense, but that's just it. It makes sense! That's not something I'm use to saying about studio decisions when it comes to money making franchises.  It feels weird to commend a Hollywood studio for taking risks and doing things that make sense. This is what they should be doing, right? They don't, though. For many of the reasons outlined above it is not the norm for a studio to go out on a limb like Fox did with Logan. Yet in this case it truly paid off. By allowing Logan to be the film that it needed to be instead of meddling in what they thought it should be Fox let Mangold make the Wolverine film that everyone had always wanted, and then take it even further. So here's to a studio doing what it should be doing. Here's to Fox showing some guts, bub. Here's to more like it in the future. 
Logan photo
Balls of adamantium
By now we've all seen Logan, and if you haven't then you wasted your Thursday night by not going to it. My guess is that it's a bit of a divisive film. Some people are going to come out of it loving it, like we did, and other...

Review: Logan

Mar 03 // Nick Valdez
[embed]221303:43419:0[/embed] LoganDirector: James MangoldRelease Date: March 3, 2017Rating: R  Logan is both a sequel to 2013's The Wolverine and a ending to the entire X-Men franchise. In the far-ish future of 2029, we find Logan (Hugh Jackman) making his way across El Paso, driving a limo for money. It turns out mutants have essentially gone extinct, and he is only doing odd jobs in order to take care of the now dementia-suffering Charles Xavier (Patrick Stewart), who's loss of control over his mind has made him a threat. But one day he's approached by a woman accompanied by a silent girl named Laura (Dafne Keen) who needs help getting to the Canadian border and some place they call an "Eden for mutants." Begrudgingly accepting the task when he sees Laura shares a few similarities with him, revelations come to light as Logan has to come to terms with the man he's become. Logan is dramatically different than the rest of the X-Men films, and that's notably due to its R rating.  While I was initially afraid Deadpool's R rated success would mean Logan was full of extraneous foul language and violence (but without the cheekiness), what is present feels incredibly natural. Like we're actually seeing Wolverine for who he is for the first time, making every other performance seem neutered in comparison. This Logan is older, broken, and incredibly violent. He brutalizes enemies, but it's never portrayed as monstrous as his attacks could be because Jackman fills the role with a much needed humanity. The film always makes a point to note that he never initiates the attacks (unlike the brash Logan seen in, say, the first X-Men). The added caveat of slowly losing his healing abilities also grounds this comic book film in an unprecedented way. For all intents and purposes, Logan is a lonely, introspective character drama. While the character work admittedly will be more effective if you've seen some of the other X-Men films (at least the first one to explain some of the world's elements), it's not completely necessary. The film opens with a scene heartily establishing everything you need to know about this character, and I'll go as far to say it's the best opening scene in the franchise to date.  Logan is full of outstanding performances. While some kitchy turns from Boyd Holbrook's Pierce (a mysterious guy in sunglasses who's chasing after Laura, but Logan's not about that so mentioning his role in the story seems unnecessary), Stephen Merchant's Caliban, and a villain revealed later in the film tend to remind you it's a comic book film, the three central cast members anchor Logan's harsh reality. Hugh Jackman, drawing on his years of experience with the character, puts forth a stellar performance. As mentioned earlier, with the amenities afforded by the film's R rating, Jackman's performance rings more palpable than ever. Like this is the character he's wanted to portray since he signed on to these films all those years ago. His rapport with the sickly Charles is one of the best features in the film as he and Patrick Stewart have developed a mentor/pupil-father/son relationship over the years. Or at least ably portrayed as such. Then there's the young Dafne Keen, who's Laura is defined entirely through her physicality and manages to carve a distinct presence between the two.  Now Logan isn't perfect. One of the film's overlying themes of fighting one's past becomes a little too literal, the tone is so well established the encroaching X-Men talk feels out of place, and some of the dialogue unfortunately I felt I had to forgive under the "comic book film" qualifier, but thinking back on it, these issues didn't bother me as much as I thought they would have. Logan's imperfections lend credibility to the central character's imperfections. The film's problems mirror Logan's distraught sense of self. Is he the colorful hero of years past? Is he the beaten down man who's lost his sense of purpose after years of struggle? There's a distinct push and pull between the two tones as they blend into something not seen before in the genre. In fact, it seems, dare I say realistic?  Above all else, Logan is a film of consequence. It's the first comic book film weighted with actual drama and character work. There's an overwhelming sense of finality and dread permeating throughout making every one of Logan's struggles more tense than the last. If you've followed Wolverine through every one of his adventures, you're sure to be satisfied with Logan. If you haven't, there's still enough tactile emotion here seeping through Logan's ever-worsening wounds to draw you in even slightly.  I don't need to see another X-Men film, or another comic book film ever again. Thanks to Logan, they've become irrelevant. 
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