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Comics

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This guy is this guy--not a real stretch
Last we heard on the Venom movie front, Andrew Garfield was still the defacto Spider-Man, Spider-Man had not shown up in the Marvel cinematic universe, and Sony had not learned it was more lucrative to play nice with Marvel t...

Aquaman photo
Aquaman

Amber Heard as Mera still can't get us excited for Aquaman


Underwater woman cleavage
May 19
// Matthew Razak
It's hard to get excited for Aquaman because... well... it's Aquaman. Plus, it's the DCU, which so far has given us no reason to put any faith in it. However, this new image of Amber Heard as Mera gives us a little hope ...
Hellboy reboot art photo
Hellboy reboot art

Hellboy reboot releases Mike Mignola promo art, aims at a 2018 release


Mignola/del Toro split is apparent
May 18
// Hubert Vigilla
By now you've probably heard that Hellboy 3 from Guillermo del Toro is dead, but there's an R-rated Hellboy reboot in the works titled Hellboy: Rise of the Blood Queen. Director Neil Marshall (The Descent) is in talks to dire...
Miike's 100th movie photo
Miike's 100th movie

Blade Of The Immortal trailer: Takashi Miike's 100th film is bloody samurai mayhem


Way to celebrate #100
May 18
// Hubert Vigilla
Takashi Miike is one prolific guy. At 56 years old, he's about to screen his 100th movie (!) at the Cannes Film Festival. He's like the Robert Pollard of cinema: wakes up in the morning, makes a movie before he gets the coffe...

The Flash photo
The Flash

Sam Raimi and Marc Webb pass on directing The Flash


Someone wants it, right?
May 17
// Matthew Razak
DC and Warner Bros. have been searching hard to find a director for The Flash. Last night reports came in that Robert Zemeckis, Matthew Vaugn and Sam Raimi were being considered. However, this morning EW is reporting tha...
R-rated Hellboy reboot photo
R-rated Hellboy reboot

Hellboy reboot in the works from director Neil Marshall and Stranger Things' David Harbour


No Del Toro or Perlman involvement
May 09
// Hubert Vigilla
Hellboy may be coming back to the big screen, but it's going to be without director Guillermo del Toro and star Ron Perlman. A Hellboy reboot is in the works from director Neil Marshall (The Descent, Game of Thrones), wi...

Final trailer for Wonder Woman brings the warrior spirit

May 07 // Hubert Vigilla
I'm old, so I now have that song by Scandal stuck in my head. BANG! BANG! What do you think? You excited? You optimistic that this may be the DC movie to pull off some critical acclaim and box office success? Let us know in the comments below. Wonder Woman comes out June 2nd. [via Wonder Woman on Twitter] [embed]221521:43552:0[/embed]
Wonder Woman trailer photo
Shooting at the walls of heartache...
Wonder Woman is less than a month away. While there have been a few pieces asking why there isn't that much promotion for the film lately, it seems like the Warner Bros. hype train is pulling out of the station this weekend. ...

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Inhumans gets its first teaser trailer and image


No branding confusion at all
May 05
// Matthew Razak
Marvel has been kicking around Inhumans for a while now. It was originally going to be a movie, but that was dropped, and now the science fiction comic is coming to TV (and theaters kind of). It's a hard departure from a...

Review: Guardians of the Galaxy Vol. 2

May 03 // Matthew Razak
[embed]221505:43546:0[/embed] Guardians of the Galaxy Vol. 2Director: James GunnRating: PG-13Release Date: May 5, 2017 We should just get this out of the way first: even if this movie sucked more than Suicide Squad I'd recommend it just to see baby Groot. Baby Groot is the cutest, adorablest, most bestest thing that has ever happened on a movie screen. His adorableness could reduce a theater of hardened criminals into a gaggle of teenage girls who have just seen 12 puppies playing with 12 kittens with some baby otters splashing in a pool nearby under the watchful eye of 3 baby pandas trying to lick fruit out of an ice cube while a group of babies give those tiny baby smiles that make your heart melt. You cannot even understand the level of Internet-breaking cute baby Groot is.  It's pretty clear director James Gunn understands what he has on his hands as well. The entire opening sequence trains the camera on baby Groot doing a dance number to ELO's "Mr. Blue Sky" while the rest of the Guardians battle it out with a giant space creature in the background. It's a fantastically creative opening reestablishing why Guardians feels so different from the rest of the Marvel universe and brings us right back into the team's dynamics while making sure everyone understands baby Groot is the best.  Those team dynamics are at the forefront this time around. After establishing their new family the intrepid group of heroes -- consisting of Star-Lord (Chris Pratt), Gamora (Zoe Saldana), Drax (Dave Bautista), Rocket (Bradley Cooper), and Groot (Vin Diesel) -- are still bickering among each other as they charge for their services throughout the universe. Rocket lands them in a heap of trouble by stealing some fancy batteries from some gold aliens called the Sovereign. This leads the Sovereign's high priestess Ayesha (Elizabeth Debicki) to hunt them down, but the group is saved by none other than Star-Lord's father, Ego (Kurt Russel). Turns out Ego is a Celestial, an ancient being, and now a living planet. Basically Star-Lord has some god in him. Meanwhile Ayesha hires Yondu (Michael Rooker) to chase down the Guardians, and Nebula (Karen Gillan) is on her own quest to kill Gamora. Basically, the band's back together. Vol. 2 has a lot to unpack, and it spends a lot of time unpacking it. Its overall themes are about family and friendship, especially fatherhood, thanks to the parenting love triangle that is Star-Lord/Ego/Yondu, but it also needs to get through a ton of exposition because of the mass amount of character background it needs to unpack. That can get a bit cumbersome. While the original film moved effortlessly through its emotional cues and action, Vol. 2 sometimes feels like its pulling you along so we can get to those spots. Exposition dominates a lot of the interaction between Star-Lord and Ego; meaning the emotional punch gets a little lost. Luckily it's made up for in a lot of other areas. The relationship between the crew is still fantastic even when the screenplay gets a bit too on the nose. Gunn and the cast just know how to make this crew work, and they continue to do it all while merging Nebula and Yondu more fully into things. The clunkier segments of dialogue can't keep down the actual spark that these guys have on screen together (even if a chunk of the team is completely digital).  Then there's the action. Gunn was let loose on this one. I can see the Marvel execs giving him carte blanche the second the first film exploded, and he goes wild with it. The opening I described above is just one example of him having an absolute blast with the action. There is a Yondu fight scene that is one of the most clever pieces of action I've seen from Marvel, and the final battle is simply stunning, and, more importantly, coherent. With a plethora of characters doing a plethora of things, Gunn manages to pull together an impressive sequence, which is no easy task. He's also a master at making sure punchlines hit. Even some of the cheesiest lines in the film are timed wonderfully, leading to what is probably the funniest of the Marvel films. Of course letting loose isn't always a good thing. Vol. 2 is a very busy movie with a lot going on almost all the time. The color palette used is massive and sometimes Gunn can get a little carried away with what he's doing. He's a good enough director to keep everything coherent, but a little restraint here or there may have been in order at times. That doesn't mean anything is bad, but things get a little overwhelming at points.  It always helps that your cast is fully into it. Pratt shines again in his leading role, showing why the first film turned him into a superstar. However, the biggest standout is probably Bautista, who is given a lot more dialogue and screen time in Vol. 2. He nails it. While Drax's whole shtick is not emoting, there's a skill to doing that while still emoting and Bautista does it with surprising adeptness. Baby Groot may steal the show, but it's Drax who grounds the film more than anything.  The film still stands on its own in the Marvel universe. In fact, it quite wisely almost entirely ignores the rest of the universe and its ongoing plot. There are mentions of Thanos, but he doesn't show up this time. There are five(!) teasers at the end, but none of them connect to the other Marvel films. Much like its style, humor, and themes, Vol. 2 stands apart from the rest of Marvel for now. That doesn't mean that comic fans won't have a few jaw dropping moments, but this is as far away from an Avengers tie-in as you can get. What it comes down to is that Guardians of the Galaxy Vol. 2 is just fun. It's funny as hell, full of touching and inspiring moments and despite its screenplay issues keeps its momentum going throughout. While it never quite captures the magic of the first film, it has its own. The first movie was such a surprise and so damn charming, that it's impossible for Vol. 2 to regain that feeling, but it makes its own, and it owns it. Even if it didn't it has baby Groot. -- After reviewing the first Guardians of the Galaxy, I noted it shared a lot of similarities with other films of its ilk while seeming unique enough through the Marvel lens. Vol. 2, however, throws that completely out the window and delivers an experience wholly its own. While Matt is absolutely correct about the sequels frantic nature, and stimulation overload, when the film focuses itself it can go to some truly remarkable depths not seen in many of the other MCU films. Dave Bautista is indeed the standout, once again, and grounds the crazy technicolor world in a way I didn't see coming. Gunn adds a unique flair to the MCU, again putting his stamp on the universe with some light body horror, soundtrack meshing with colorful action, but also doesn't let moments shine. Several emotional beats were undercut by constant jokes. The humor may land, but it's also constant. Taking a breath every so often would've been nice. -- Nick Valdez - 78
Guardians photo
Baby Groot is everything
When the first Guardians of the Galaxy hit I'm not sure any of us we're really prepared for it being as fantastic as it was. We weren't prepared for a team of mostly unknown superheroes being turned into one of Marvel's ...

The Defenders photo
The Defenders

Marvel's Netflix shows finally come together in first trailer for The Defenders


Hallways for days
May 03
// Nick Valdez
I haven't seen Marvel's Iron Fist yet, but looks like I'm going to have to squeeze that in soon since the big team up show, The Defenders, already looks fantastic. Crossing over four different shows -- Daredevil, Jessica Jone...
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Deadpool 2, R-rated comic movie, gets summer 2018 release--holy $#!+


Apr 24
// Rick Lash
When Logan got an R-rating, and the substance to back it up, it was clear that the movie industry had embraced the trend begun by Deadpool in 2016. It was easy for them to do; pretty much everyone can embrace $783 million in ...
Captain Marvel directors photo
Captain Marvel directors

Anna Boden and Ryan Fleck will co-direct Captain Marvel for the MCU


Indie directors going large again
Apr 19
// Hubert Vigilla
Continuing the trend of hiring indie directors to helm blockbuster films, Variety broke news today that Anna Boden and Ryan Fleck have been hired to co-direct Captain Marvel. The duo has been collaborating together since meet...
Awesome Mix Vol. 2 photo
Awesome Mix Vol. 2

Here's the full Awesome Mix tracklist for Guardians of the Galaxy Vol. 2


ELO, Parliment, and The 'Hoff
Apr 19
// Hubert Vigilla
The Awesome Mix from Guardians of the Galaxy was a nice in-story mix-tape that was loaded with good songs and emotional impact. Suicide Squad tried to copy the Awesome Mix formula with mixed results. Truly, Red Bone's "Come a...
SyFy's Krypton trailer photo
SyFy's Krypton trailer

Trailer for SyFy's Krypton follows the life of Superman's grandfather


Supergrandad
Apr 18
// Hubert Vigilla
A while ago we heard word that writer/director David Goyer (Batman Begins, Man of Steel) was working on a SyFy show about Krypton, the home planet of Superman. We now have a trailer for the show, which features Seg-El (Camero...
Gunn doing Guardians 3 photo
Gunn doing Guardians 3

James Gunn will write and direct Guardians of the Galaxy Vol. 3


Come and get your trilogy of love
Apr 17
// Hubert Vigilla
Guardians of the Galaxy Vol. 2 is one of our most anticipated movies of 2017. It comes out May 5, 2017, but there's already some information on the sequel. James Gunn previously confirmed there will be a Guardians of the Gala...
R-rated Watchmen cartoon photo
R-rated Watchmen cartoon

Warner Bros making R-rated animated Watchmen adaptation that no one wants


Milk that IP until it bleeds
Apr 15
// Hubert Vigilla
According to Comic Book Resources, Warner Bros. will release a cartoon adaptation of Watchmen that will likely be rated R. CBR obtained a screenshot from a WB "A-List Community" survey that describes the project as a faithful made-for-video adaptation of the Alan Moore/Dave Gibbons comic. Hurm. Here's the screenshot in question:
HISHE: Logan photo
HISHE: Logan

How It Should Have Ended gives Logan a grand send-off


One snikt more
Apr 12
// Hubert Vigilla
If Hugh Jackman had to have a swan song as Wolverine, Logan was the best possible outcome. A superhero movie that didn't feel like a superhero movie, the film served as a grim, melancholy, violent capstone for Jackman's run a...
Josh Brolin Cable photo
Josh Brolin Cable

Josh Brolin (who plays Thanos) has been cast as Cable in Deadpool 2


BAH GAWD! THAT'S THANOS' MUSIC!
Apr 12
// Hubert Vigilla
Well... that was unexpected. After months of speculation (or weeks--who's counting), Josh Brolin has been cast as Cable in Deadpool 2. Brolin also plays Thanos in the MCU movies, which are a different thing entirely than the ...
Thor: Ragnarok trailer photo
Ahhhhh-ohhhh-aaaaaaaah-AAAAH!
If you asked me two years ago if I'd be excited about a new Thor movie, the answer would be, "No, not at all." Enter Thor: Ragnarok from Taika Waititi (What We Do in the Shadows, Hunt for the Wilderpeople). It's... it... Guys...

New Wonder Woman images photo
New Wonder Woman images

New images from Wonder Woman leave me feeling cautiously optimistic


Don't screw this up for once, WB
Apr 04
// Hubert Vigilla
So far, the DCEU has been a nihilistic bro-fest of brawn, brooding, and ♫BWAAAAM♫. Patty Jenkins' Wonder Woman might be the combo breaker. The San Diego Comic Con footage and the first and second trailers have som...

Joss Whedon will direct a standalone Batgirl movie for the DCEU

Mar 30 // Hubert Vigilla
This also makes me wonder if this will feature a Dick Grayson/Nightwing appearance to set up the Nightwing movie that was announced a month ago. Is this the start of the DCEU Bat Family sub-universe, aka the DCEUBFSU? Whedon makes sense for Batgirl. The creator and driving force behind Buffy the Vampire Slayer is a solid choice to steer a Batgirl story in a reliable direction. I wonder what iteration of Batgirl it will be, though. Will it be the new hipster Batgirl of Burnside (the Brooklyn of Gotham City) who sports the bossest new costume around, or will this be a more classic iteration of Barbara Gordon? We'll report more details as they arise. What do you think of this news? Is the DCEU doing something right? Will this wind up delayed by the summer? Let us know in the comments. [via Variety]
Joss Whedon Batgirl photo
BAH GAWD! THAT'S JOSS WHEDON'S MUSIC!
Variety reports that Joss Whedon will direct a standalone Batgirl movie for Warner Bros. and the DCEU. Whedon will also write the film and serve as producer. Variety notes that comics writer and producer Geoff Johns will be o...

New Spider-Man: Homecoming trailer has Peter Parker and Tony Stark at odds

Mar 28 // Hubert Vigilla
I wonder if this trailer gives too much away about the story. In particular, Spidey back in the low-fi/DIY suit seems like it should have been saved for the film itself rather than spoiled for the trailer. That would make for a dramatic reveal. What do you think? Let us know in the comments. Spider-Man: Homecoming will be out July 7th.
Spider-Man: Homecoming photo
Is Spider-Man more than just a suit?
The first Spider-Man: Homecoming trailer gave us a taste of the Marvel Studios webslinger, which seems to have a charm and ease that Sony never managed to get right in their Amazing films. The happy-go-lucky/I-love-savin...

Justice League photo
Oh...alright
Justice League is technically one of Flixist's Most Anticipated of 2017 out of morbid curiosity. After getting a glimpse at this first official trailer, I'm not really sure what to think. It seems it has a less dour tone than...

Spider-Man  photo
Spider-Man

Check out these slick Spider-Man: Homecoming posters


Mar 25
// Nick Valdez
YOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO Spider-Man: Homecoming opens July 7th. 
Michael Shannon as Cable? photo
Michael Shannon as Cable?

Michael Shannon is the frontrunner to play Cable in Deadpool 2


Michael Shannon should play everyone
Mar 22
// Hubert Vigilla
Logan had a lot going for it. In addition to the pathos of an aged Wolverine, the film featured a surprise promo for Deadpool 2. Now, Deadpool 2 isn't in production yet, but Fox likes money and they want to make more of ...

What if Lewis Tan played Danny Rand in Iron Fist instead of Finn Jones?

Mar 21 // Hubert Vigilla
[embed]221386:43470:0[/embed] We'd Get Far Better Fight Scenes Above is the Iron Fist fight scene that everyone's abuzz about. Lewis Tan is an actual martial artist. He's built like an athlete. He moves well. He looks comfortable throwing punches, kicking, and rolling around on the ground with a sense of purpose. By comparison, not once does Jones move like a martial artist. There's no rhythm or ease or fluidity. Jones moves like a guy fighting, not a fighter--big difference. The directors used a number of techniques to make up for Jones' shortcomings as a martial artist: odd camera angles, shaky cam, obscuring close ups and long shots, excessive cutting, fighting in shadows or bad lighting, fighting in a hoodie. Whenever I couldn't see Jones' face, I just assumed a stunt performer was doing the fighting for him. Watch the fight above again and notice how little you see Jones' face when complicated moves or reactions are required. (Also, who'd want to fight in a hoodie? That would cut off your peripheral vision.) Whenever Jones has to do the fights himself, he looks clumsy. He lacks the instinctual poise and physicality of a trained fighter. He doesn't even have the body awareness, confident footwork, or balance of a dancer. Had Lewis Tan been cast as Danny Rand, you wouldn't need to make up for a lack of martial arts skill. Tan would be able to perform fights and stunts at a high level. He'd collaborate with the fight choreographer and action director since he'd know what he's capable of doing as a martial artist. They might even go beyond drunken boxing and use animal styles, traditional weapons like jians and three-section staffs, or a good old-fashioned horse bench fight. (If there are two things I love, it's three-section staffs and a good old-fashioned horse bench fight.) [embed]221386:43471:0[/embed] Someone like Tan could radically transform the fight scenes in Iron Fist. Fights in the show currently feel like perfunctory spectacle. Instead, with a martial artist in the lead, we'd explore Danny Rand's character through action. He'd have an actual fighting style that's individual and idiosyncratic, something that Jones never develops in 13 episodes. Bruce Lee moves a certain way, Jet Li moves a certain way, Jackie Chan moves a certain way, Donnie Yen moves a certain way. Danny Rand, the world's greatest martial artist, should also have a character-defining physicality. It may also be a way to define K'un-L'un's martial culture and imply what its larger fighting philosophy might be. Tan doing the fights himself would change the way the fight scenes are shot. Camera angles and movements could be used with greater care rather than to obscure faces. Fight scenes could be edited with rhythm, and cuts would be defined by body movement and action. It's nice to have a hero who doesn't have to fight in a hoodie or in the dark so much. The fights may also be able to tell certain kinds of stories, with Danny not just overpowering his opponents but outsmarting them. Overall, I think the action in Iron Fist could potentially be on par with Daredevil. It would have its own flavor as well since the fighting in the show wouldn't be like any of the other Marvel shows. More than anything, Tan could make Iron Fist feel more like an actual martial arts series. Confronting Asian Stereotypes While I'm okay with Danny Rand as a white guy in theory, I'm also aware that he is an artifact of a time and an iteration of a well-worn trope. I'm also okay with Danny Rand as an Asian guy because that's far more interesting than what we got in the show. It's the 21st century, so maybe old versions of characters can be reinvented for their times and for a new medium while retaining the original spirit. By casting an Asian-American as Danny Rand, the show could explore issues of race, identity, Asian stereotypes, and orientalism. Even just optically or subtextually, these topics matter when it comes to the traditions and cultures involved. Finn Jones' constant meditating, doing origami, and spouting off fortune cookie mysticism is some unintentionally awful and unavoidable pseudo-yellowface dreck. It's not even quaintly bizarre appropriation like the Billy Jack movies; it's just uncomfortable. There are so many assumptions about Asian masculinity that can be explored through Danny Rand. Since we'd be dealing with an Asian-American character, that could lead to some exploration of different cultural expectations imposed on Danny by others. There's also the idea of an Asian in-between. Asians assimilate easily into American culture yet are simultaneously regarded as a racial/cultural Other. Or maybe the new version of Danny is half-Asian, which sets up another interesting racial dynamic. Ultimately an Asian-American Danny Rand would wind up playing with the idea of a return to a mother culture and how that affects personal notions of identity. In an interview with Vulture, Tan made a common yet astute observation about how Asian-Americans are viewed and view themselves: I think it would be really interesting to have that feeling of an outsider. There’s no more of an outsider than an Asian-American: We feel like outsiders in Asia and we feel like outsiders at home. That’s been really difficult--especially for me. It’s been hard for me, because in the casting world, it’s very specific. So when they see me and I’m six-two, I’m a 180 pounds, I’m a muscular half-Asian dude. They’re like, “Well, I don’t know what to do with this guy.” They’re like, “He’s not Asian, he’s not white... no.” That’s what I’ve been dealing with my whole life. So I understand those frustrations of being an outsider. (As an aside, I think Jordan Peele's Get Out offered a brief but memorable exploration of this Asian in-between state during the backyard party scene.) In addition to the above, the relationship between Colleen Wing (Jessica Henwick) and Danny Rand would feel much different. Maybe it's just me, but there's something about Jones as Danny that makes me think of guys who fetishize Asian culture (and especially Asian women) to an unhealthy degree. Maybe it's also the quality of Jones' performance--it's awfully patrician and leering instead of being flirty. The issues may be obviated with an Asian lead, or maybe these issues can become part of a more explicit exploration of racial fetishism. Representation in the Media On the note of Colleen Wing, I can't help but think of how cool it would be for a high-profile series to feature two Asians of mixed descent as leads. Admittedly, part of this stems from being an uncle now. I wonder how my niece might see some aspect of her identity reflected in pop culture. I suppose one day there may be a show about a half-white Jewish Filipina that will mirror my niece's own upbringing. When that happens, we'll probably have flying cars and be living in a post-scarcity utopia. Let's hope we get there. In all seriousness, I wonder who my niece's role models might be. I also wonder what people may think of my niece based on appearance alone. And that's why representation matters. More people and more voices and more experiences means more stories that we may not have heard and should hear. These narratives are machines for developing empathy and mutual understanding. In the case of Iron Fist, this machine also happens to hit bad guys in the face. (Woody Guthrie used to write that on his guitar until he thought of a punchier phrase.) There's something to be said about a show starring Asians just affirming the Asian martial arts stereotypes of the past. But that might be a lazy hot-take version of a bigger and more important conversation about old cultural ideas. Casting two Asian leads might be a chance to help deconstruct those antiquated notions about Asians whether they're the product of the 19th century, pulp fiction, or John Hughes movies. One show can't do it alone, so in an ideal scenario it will be one of many steps in the ongoing conversation of actual culture and how it's depicted in pop culture, and how both are these constructs in flux. The yellow menace can be inverted and undone, and ditto the sage-like magical Asian or the nerdy Asian math-god. I mean, come on, it kind of worked in The Last Dragon, all right? The Show Still Would Have Sucked Because of the Writing To paraphrase the bard of the squared circle Stone Cold Steve Austin, it's hard to make chicken salad out of chicken shit. With the current writers and producers, Iron Fist was going to suck no matter what. Even with a solid martial artist in the lead, it's hard to make a compelling character out of Danny Rand as written. He'd still be selfish and entitled. He'd still suck at everything. He'd still be prone to temper tantrums and amateur-hour decisions that wind up hurting people around him. I called him Anakin Skywalker with erectile dysfunction in the review because that's precisely how he comes across--a bratty crybaby whose rage gets in the way of his potential. Who wants to watch a frightened, confused jaboni as a hero? What's more, Iron Fist would still be rife with poor pacing and inert scenes. We'd still have to sit through conversations in corporate boardrooms, waiting for the delightful reprieve of someone philosophically punching bad guys in the face. To be honest, the Iron Fist fiasco makes me feel bad for Finn Jones. Even though he was on Game of Thrones, this was supposed to be his potential big break. It's been roundly panned, and he's taken the brunt of the criticism since he's the lead and has been inartfully defending an indefensible show during his press tour. This role has undermined whatever talents Jones may have. Now, he seems like the latest Blandy McBlanderson: an anodyne, interchangeable white male lead. Showrunner Scott Buck deserves a lot of the blame for the show's critical drubbing, and the same goes for the writers of Iron Fist. There's a fundamentally poor grasp of storytelling that goes beyond issues of representation and the problematic tropes of the past. Iron Fist is a martial arts show that doesn't give a crap about the martial arts. It's a crummy commercial for The Defenders, and it feels like it. Buck--who is credited with ruining the show Dexter in its closing seasons--is also the showrunner of Inhumans. If Iron Fist is any indication of how Scott Buck handles superheroes, I can't wait to watch Medusa and Karnak go over the finer points of purchasing supplemental insurance. Black Bolt will destroy a city with a whine. This is just a bigger indictment of the cynicism behind Iron Fist, a 13-hour set-up show for the next Netflix/Marvel product that fanboys and fangirls will watch anyway even if it's garbage. The writers and producers relied on old tropes and old approaches thinking they're sufficient, assuming people wouldn't be able to tell the difference between chicken shit and chicken salad. The billionaire playboy who travels to the far east is played out and needs to be put to rest. We need new kinds of stories, and there are plenty of voices out there waiting for a chance to be heard. There are also many unfamiliar faces we should be seeing. Had Lewis Tan been cast as the lead in the current version of Iron Fist, he'd be anchored to Danny Rand the bratty milksop, the least heroic and least interesting character in his own show. What a waste of potential, but man, what a resume builder.
Lewis Tan: Iron Fist? photo
Missed opportunity by Marvel/Netflix?
The first season of Iron Fist was the worst kind of disaster--a boring disaster. At least half of the season was devoted to a corporate takeover plot. Iron Fist features more scenes in corner offices and conference rooms than...

Review: Iron Fist (Season 1)

Mar 20 // Hubert Vigilla
[embed]221385:43469:0[/embed] Iron Fist (Season 1)Director: VariousRating: TV-MARelease Date: March 17, 2017 (Netflix) Everyone thought Danny Rand died with his parents in a plane crash 15 years ago, but he really survived and learned martial arts in a magic Himalayan city called K'un-L'un. He shows up barefoot in New York at his family's building, spouting off fortune cookie mysticism like a low-rent Billy Jack. This kicks off a protracted battle for control of the company rooted in childhood bullying and soap opera-style family resentments, which is just what fans of the character wanted to see, obviously. The pilot episode is so dully inert. with Rand trying to assert his identity while former childhood friends Ward Meachum (Tom Pelphrey) and Joy Meachum (Jessica Stroup) find different ways of say, "Nuh-uh, no you're not." Riveting. There's one slow, klutzy, 30-second fight in the episode with security guards. There is also a wise, disposable homeless supporting character who dies of a heroin overdose, seeding another season-long plot point. Iron Fist is a character who got his superpowers by punching a dragon in the chest, yet the show is treated with the aggravating seriousness of a prestige cable drama. The only saving grace of the plodding business drama stuff is Harold Meachum (David Wenham), the father of Ward and Joy who lives in hiding after faking his own death. Wenham is so invested in his character's giddy evil, and he oozes the charisma that's lacking in Jones as a lead. I can't blame Jones entirely for being so unintersting. He's not a good actor, but the writers give him nothing to work with. The second episode of Iron First takes place in a mental hospital, with Danny strapped to a bed most of the time. Beds are what I think about when I think of martial arts. Even a pseudo-tournament episode directed by the RZA feels static: Iron Fist ascends each level of a building fighting characters who have more personality than him. A skirmish in a later episode with a drunken-style fighter made me realize yet again how awful Danny is on so many levels. Iron Fist has feet of clay and a brain of rock. When he's not making the dumbest or wrongest decision, he's pilloried with self-doubt. His scowling facial expressions hint at tears on the verge. He's often so flummoxed with anger that he can't use his magic fist to punch things really hard. Danny Rand is Anakin Skywalker with erectile dysfunction. But yes, the fights. Oh god, the fights. Good fights tell stories. A character's fighting style reveals something about who they are inside, like some external manifestation of the self. They may have a signature move (Ric Fair's figure four leglock) or a unique weapon (Captain America's shield) or a personal fighting style (Ip Man's wing chun) that differentiates them from others. The primary characters in Iron Fist fight the same way--slow, clumsily, like actors in a martial arts show rather than martial artists. Their movements vary only superficially, and there is nothing dynamic or unique about the fights that pepper the series. Danny essentially fights just like fellow martial artist Colleen Wing (Jessica Henwick) even though she uses a sword and they have entirely different martial arts backgrounds. The fights of Iron Fist all look like glacial, inartful brawls. Seasoned fighters are turned into mere goons. I expected more from a martial arts show, namely decent martial arts. The fights of Daredevil put this show to shame; ditto the action in Arrow and Into the Badlands and even every iteration of Power Rangers. The camera angles obscure movement in the frame, the shots are banal and shaky, and there are so many confusing cuts that interrupt the flow of the action to the point of incoherence. It's amateur hour in the dojo and the editing bay. What's more, the fights all feel so perfunctory, or even like a chore, as if the writers thought, "A fight scene? Aww, do we have to? I really wanted to get into that class action lawsuit subplot." We're told that the Danny Rand is the world's greatest martial artist, but he fights like a guy who took karate at the Y two summers ago. Why does a security guard with a knife give this guy so much trouble? The person Danny dispenses of the fastest in the entire show is a teenager he hits in the ankle with a shinai. He wasn't expecting it either (sucker shinai?) and Danny preceded his assault by verbally berating the dojo for not taking martial arts seriously. Some hero, right? Hell, Danny doesn't even take off his shoes when he's in the dojo. Didn't they teach you anything in K'un-L'un, buddy? I'm pretty sure they at least took off their shoes at the Cobra Kai dojo. A great martial artist and he has the emotional intelligence of a bratty 10 year old and the balance of a newborn fawn. Later episodes of the show seem to break the fourth wall and acknowledge that Danny is a really crummy character. While he's trying to rescue a person being held captive, Danny's scuffle with a goon leads to said captive getting stabbed in the chest. What a hero. After watching him fight, one character even says, "Wow, you really are the worst Iron Fist ever." The final scene of season one even has Danny tacitly acknowledge that yes, he really does suck at everything, doesn't he? Danny Rand's bumbling heroism makes Colleen Wing that much more compelling as the show's secret protagonist. She's a poor martial arts instructor who helps her students make smart, moral choices while she's struggling to make ends meet. She compromises principles, she shows generosity to others, she learns and grows from her mistakes. Henwick does what she can with the script, and she has enough presence to carry the scenes she's in amiably. I found myself grateful for every Colleen Wing scene--finally a character to care about (other than David Wenham's Evil Faramir). There's so much at stake for Colleen, and she has so much potential to carry a show on her own, but she's relegated to supporting status. Danny Rand is Jack Burton to Colleen Wing's Wang Chi, but in a boring version of Big Trouble in Little China that's mostly about the intricacies of the commercial trucking industry. "Have you paid your dues? Well, let me explain the importance of unionization in a field such as ours over a power lunch." By the way, we never see Iron Fist punch the dragon in the chest. We don't even see the dragon and we barely get a look at K'un-L'un. This was probably due to budgetary constraints. Everything about Iron Fist looks laughably cheap. I didn't touch on the issue of cultural appropriation or orientalism in this review, which is oddly the least of the show's problems. I'm actually okay in theory with Danny Rand being white so long as the show was interesting. The show is not interesting. You don't even need to watch it to understand what will happen in Netflix's The Defenders. That sort of completism is for rubes. Just read about the set up online. There'll be more illumination in three or four sentences than there is in 13 hours of dreck with a weaksauce ending. The story in your head will probably be better anyways. There's so much you can do in life with 13 precious, precious hours. Don't make the mistake of watching Iron Fist.
Iron Fist (Season 1) photo
Booooooooooooooring
Iron Fist is such a tremendous failure on so many levels that it's fascinating to dissect. It's not fascinating to watch, however. The latest Marvel series on Netflix is a 13-hour bore that's 15% martial arts show and 85% boa...

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