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Comics

Batman v Superman photo
Batman v Superman

The final trailer for Batman v Superman: Dawn of Justice focuses on The Dark Knight


Na-na-na-na-na-na-na-na AFF-LECK!
Feb 11
// Hubert Vigilla
Here's your final official trailer for Batman v Superman: Dawn of Justice, which mostly focuses on The Caped Crusader's mission to ensure the safety of humanity. He punches stuff real good, and even does a running reverse-bul...

Review: Deadpool

Feb 11 // Alec Kubas-Meyer
[embed]220353:42833:0[/embed] Deadpool Director: Tim Miller Release Date: February 12, 2016 Rating: R I think Deadpool will go down in history as the superhero movie that changed everything. It’s all been flipped upside down now. And I can tell you exactly when it happened. During a particularly fantastic montage, time passes through the holidays and a couple’s sexual exploits. It goes and goes and goes, and then suddenly Ryan Reynolds is on all fours. And you think, “No way.” And then, yes way, his girlfriend pegs him. If you don’t know what pegging is, you’re, uh, welcome to look it up. The point is: This is a movie that features that scene. That fascinating, beautiful scene. Of course, I knew right from the outset that this movie was a big deal. Its opening credits are brilliant not just because of what they show, but what accompanies them. It doesn’t some “A Tim Miller Film”; it says “Some douchebag’s film.” Not “Ryan Reynolds” but “God’s Perfect Idiot.” “Produced by Assholes.” Etc. And none of these people get named until the credits roll. Can you imagine that? This big-budget studio movie features an opening credits sequence, but it uses that sequence for an extended gag. No one is above it. Nothing is sacred. Presumably, that’s what you want from a Deadpool movie. I don’t really know, but the elated reaction of those around me certainly implied as much. It’s what I wanted, even though I didn’t necessarily know it at the time. I just knew that I wanted to have a good time and maybe see some fourth walls get broken. Also, ya know, I wanted to see what an R-rated superhero movie would look like. Because no, this is not the first R-rated comic book movie (or even superhero movie), but it is most assuredly the first R-rated superhero movie like this. When I try to think of anything at all like it, I just come up with Kickass. Maybe Wanted? Something inspired by Mark Millar. But those films honestly aren’t anything like Deadpool. They’re small scale, lacking the truly explosive factor of actual superheroes who can actually wreck things with their magical super skills. Deadpool has that, in the form of two members of the X-Men: “An Emo Teen” and “A CGI Character,” per the opening credits. (Of course, you wonder why they only have two, and two that I’d never heard of before. Well, so does Deadpool! Or, rather, he answers it, rhetorically: “It’s like the studio didn’t have enough money for anyone else.” (Or something to that effect.)) But these characters serve as the perfect foil to Deadpool. The emo teen is just that, an emo teen, and Deadpool loves it. He is so absolutely into her attitude problems, and, as such, so was I. The CGI character, whose CG presentation is so-so but effectively justified by him being introduced as “A CGI Character” is even better. He wants to be in a PG-13 X-Men movie so badly, but Deadpool just has to go and do R-rated things. The dynamic there is a joy to watch, and it The first trailer for Batman V. Superman came out around the same time as the first season of the Netflix Daredevil series. At the time, I got into a debate (well, argument) about grittiness in comic book movies. She claimed (and was not alone in thinking) that it was hypocritical of people to praise Daredevil’s grit in the same sentence that they lambasted BvS’s. Of course, that argument is fundamentally flawed, because it’s not about “grit” at all; it’s about staying true to the character. Daredevil’s world is a dark one, a gritty one. Batman’s too, really. Superman has a symbol for hope on his chest, and he’s… what? Man of Steel is a lot of things, but hopeful ain’t one of them. And it doesn’t look like Dawn of Justice is going to do much to change that. Marvel let Daredevil be the character he’s supposed to be, while DC didn’t do the same for a man who blocks bullets with his eyes. Deadpool is Marvel, once again, letting a character be who they should be. I’m oh-so-glad that this was a Fox production and not a Disney one, because I don’t think that would have been true if Disney had handled it. If Deadpool was part of the Cinematic Universe, I think… well, I don’t even think they would have tried to put the character in at all. He simply cannot work within that context. But he can work within his own, and the one in which the X-Men are real. The Fox MCU is all about mutants, and Deadpool both as a title character and a film in general is consistent with that. But Fox took a gamble making an R-rated superhero movie. They could have tried for mass-market appeal (maybe) and neutered the character entirely. But instead, they said, “No. You want Ryan Reynold’s to get pegged? Go for it, dude.” It’s a gutsy move, and it pays off in spades precisely because it feels right, even to someone who knows nothing about Deadpool. I know that this film did the character justice, because there are too many crazy decisions for them to not be. Nothing about this movie is “safe,” and that’s exactly the way it should be. Some people will complain about the fact that we’re getting yet another origin story and that the origin story itself isn’t unique or whatever, but neither of those things bothered me. There are two reasons for that. 1)    I don’t know Deadpool’s origin story. 2)    Being “Original” isn’t even sort of the point. Deadpool’s origin, as told by this film, is fucked up. Honestly, the torture sequences wouldn’t be out of place in some kind of horror movie (something which the film itself notes). The fact that it’s so brutal does make it stand out (thinking back on it, V for Vendetta seems similar, particularly given how the kraken is released), but even if it didn’t, so what? I may be able to expect the beats, but I don’t know them line-for-line like Batman or Spiderman or whoever. As a way to introduce this character to what will hopefully be a flourishing franchise, I really wouldn’t have had it any other way. For the second time in three months, I am imploring you to see this film. Not just because it’s excellent (though it is), but also because it’s a film that deserves success. (Side note: Both this and The Revenant were distributed by Fox. Good on those people. Seriously.) This is a gamble that paid off in spades from an entertainment perspective, and I want it to make a heckuva lot of money. So, make it happen. I know that I’ll be seeing it again. And again. (And again.) ((And again.)) It’s so good, you guys.
Deadpool Review photo
Probably the best superhero movie ever
I have never read a Marvel comic. There. I said it. In fact, I’ve never read any superhero comic that isn’t about a man who dresses like a bat. I think superheroes are all well and good, but I’ve never felt ...

Turkish Batman v Superman photo
Turkish Batman v Superman

Watch the Batman v Superman v Turkish Airlines Super Bowl TV spots


Do you bleed... or offer bonus miles?
Feb 08
// Hubert Vigilla
Even though I've been generally down on the grim and gritty tone of Batman v Superman: Dawn of Justice, these two Super Bowl TV spots were lots of kooky fun. It's a little bit of levity in a dour world of adolescent power fan...
X-Men: Apocalypse SB Spot photo
X-Men: Apocalypse SB Spot

X-Men: Apocalypse's Super Bowl spot locks it down


Finally, some Psylocke action
Feb 08
// Nick Valdez
I was a bit worried after X-Men: Apocalypse's first trailer seemed like a mess, but the tighter editing on this 30 second Super Bowl spot cleaned it up. Rather than seem over packed, the little tidbits we're shown are cool lo...

Civil War SB Spot photo
United and divided through Twitter
It's really hard looking at Captain America: Civil War and reminding myself that it's not just another Avengers movie. Dropping all of the friend stuff from the first trailer, this Super Bowl spot definitely wants you to choo...

Life-sized Batman photo
Life-sized Batman

For $8,000, you can buy a life-sized Ben Affleck Batman collectible


Batman: The Real Doll
Feb 07
// Hubert Vigilla
As the hype builds for the March 25th release of Batman v Superman: Dawn of Justice, news came in of a new movie tie-in collectible. If you have ever wanted a 1.95 meter (6'4") statue of Ben Affleck as an armored Batman, it c...
JLA vs. Teen Titans photo
JLA vs. Teen Titans

Check out the trailer for Justice League vs. Teen Titans, a new DCU animated film


Heroes vs. Possessed Heroes
Feb 02
// Hubert Vigilla
In general, I'm more excited about the animated DCU releases than I am their live-action blockbusters (Batman v Superman: Dawn of Justice, Suicide Squad). There's something about classic and newer DCU animation like Batman: T...
Justice League photo
Justice League

DC reveals new animated series, Justice League Action


With Mark Hamill and Kevin Conroy in tow
Jan 30
// Nick Valdez
While DC Comics and Warner Bros struggle to figure out what they should do with their movies, they've always dominated TV. Arrow, The Flash, and Legends of Tomorrow are huge on the CW, Supergirl is doing well on CBS, Teen Tit...
Batman v Superman photo
Batman v Superman

Batman v Superman TV spots and poster show how much our heroes hate each other


(But are secretly crushing hard)
Jan 25
// Hubert Vigilla
It's just two months until Zack Snyder's Batman v Superman: Dawn of Justice hits theaters, which means we're getting a steady string of TV spots until then. In the most recent two TV spots, we can see our heroes seethe in each other's presence. Batman and Superman are so into each other. Check out these new Batman v Superman TV spots below.
Suicide Squad photo
So punk, so edgy
The first full trailer for David Ayer's Suicide Squad plays like WB/DC's answer to Guardians of the Galaxy. Still don't like the songs these trailers keep using but it's pretty well edited. The film looks fun, but also kinda ...

 photo

First concept art for Justice League movie appears


Not my Flash
Jan 19
// Matthew Razak
You best be ready for a true onslaught of DC movie stuff. After Batman v. Superman lands we'll be getting Marvel levels of DC comic book movies and the campaign really kicks off now. Ahead of tonight's TV special is goin...
Deadpool  photo
Deadpool

Deadpool banned in China over graphic violence


Jan 18
// Nick Valdez
Despite the numerous trailers, images, and impeding release date, I still can't believe Deadpool is a real film. It was talked about for years, Ryan Reynolds personally lobbied for it at every opportunity, and now it finally ...
Suicide Squad  photo
Suicide Squad

These Suicide Squad skull posters are ready for your Hot Topic shirts


Jan 18
// Nick Valdez
I want to like Suicide Squad, I really do. It's a David Ayer project, the cast is fine, and it's DC's "edgy" project, but a lot of the film's style has been rubbing me the wrong way. From what I've seen of promotional images ...
Deadpool Trailer photo
Deadpool Trailer

Newest Deadpool trailer is more Deadpool than we can handle


Dec 28
// Nick Valdez
Over the holiday, Fox released the second full Deadpool trailer. There're both red and green band versions and like before, the red band version is the superior one. I'm still excited for this nonetheless since it's a Deadpoo...
Apocalypse trailer photo
Da ba dee ba
X-Men: Days of Future Past was one of the best surprises of last year. First Class was a bit rough, but Days took that foundation and built some good stuff on top of it. But while it managed a fine balance, it was a bit overs...

Civil War Trailer photo
Fanfic brought to life
We've been anticipating the first trailer for Marvel's next big sequel for some time, which will most likely also be attached to Star Wars: The Force Awakens, so there's probably not a lot I need to say about it. You know the...

FF photo
The first family comes in last
I'm not sure the comic movie world will ever forgive Fox for what they did to Fantastic Four, but despite being torn to pieces and making no money the film was going to get a sequel. It was scheduled to release on June 9, 201...

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Jeffrey Dean Morgan cast in major Walking Dead role


(Possible) spoilers ahoy
Nov 12
// Matt Liparota
(Potential spoilers for The Walking Dead “ the TV show, that is“ upcoming; consider yourself warned.) Ever since the happy-go-lucky gang made it to the community of Alexandria on The Walking Dead last season,...

Review: The Peanuts Movie

Nov 06 // Nick Valdez
[embed]220109:42688:0[/embed] The Peanuts Movie Director: Steve MartinoRated: GRelease Date: November 6th, 2015 The Peanuts Movie is all about Charlie Brown (Noah Schnapp), an awkward kid with a debilitating self-esteem issue thanks to years and years of being teased by the other neighborhood kids. Just as he was wishing for a blank slate, a mysterious new, red-haired girl moves into town. After falling hard for her, Charlie's got to muster up the courage and do some crazy things in order to impress her and get her to notice him. While he's doin all of that, his dog Snoopy (thanks to Bill Melendez's archived voice work) finds a typewriter and begins writing about the WWI Flying Ace and his rivalry with the infamous Red Baron.  First things first, Peanuts is absolutely stunning. I honestly have no idea how Blue Sky Studios managed to pull this off. Just like the film's content, Peanuts' visuals are both heartily nostalgic (thanks to a few 2D flourishes like little hearts and backgrounds every now and then) and groundbreaking in its effort. Characters move as smoothly as they would in 2D while avoiding CG's blurring motions thanks to an adept use of choppy movement. I guess the closest thing I can compare it to is Blue Sky's mascot Scrat (from the Ice Age series). Just as his movement is broken, yet fluid so it captures the essence of old Looney Tunes shorts, Peanuts' animation captures the essence of the TV specials. And then there are all the little details therein like Snoopy's fur, the whiskers in Charlie's lone curl of hair, and the Flying Ace sequences look pretty good in 3D. But once you get beyond how great it looks, you'll soon realize that it may be too comfortable taking yet another trip down memory lane.  Because it's both a reinvention and a reintroduction to the Peanuts series, the film is almost required to make the necessary homages to its classic jokes and settings. Every classic Peanuts joke is here, quite literally, and you'll be hard pressed to find them funny again in this new setting. These jokes have already been made available through the specials replayed through the holidays each year, so it's really a matter of whether or not you'll appreciate them again through this new filter. It's a celebration unfortunately caught in the past, and while these jokes are definitely delightful and may mean more to new audiences, it's just a shame that this new film didn't take the chance to create new memories for Charlie Brown. It's even more glaring when the newer bits work very well. There's this scene where Charlie is getting "Psychiatric Help" from Lucy that's absolutely fabulous in how dark the writing duo of Bryan and Craig Schulz take it. At one point, she shoves a mirror in his face and asks Charlie what he sees, and all he can say in response is "A loser." While it sounds wonky on paper, it's a sequence that actually utilizes our knowledge of the characters in the past rather than be hindered by it.  In fact, that's one of the boldest choices The Peanuts Movie makes. While the humor and most of the content is stuck in the past (thus making sequences featuring new pop music from Meghan Trainor feel even more out of place), Charlie Brown has actually become a mix of his many identities. The film only works because the writing, actor Noah Schnapp, and visuals have mastered this newest iteration of Charlie Brown. He's a mix of many of his past incarnations: The outright loser from Schulz's original comic strips. the awkward kid from the holiday specials, and the more positive Charlie from later direct to video specials. Yet with all of those influences, he's still got his own new layer in the film. They've added this crippling self-doubt that's so current, it clashes with the rest of the film's nostalgic tone. As the kids exist in a world with rotary phones, Charlie's pondering existential crises in love.  While the humor can be a bit clunky, and Charlie Brown is fantastic, the film does take some getting used to. Since it is so stuck in the past, it's taking on a format we haven't seen in quite a while. Broken into vignettes fueling a central arc, each major sequence in Peanuts feels like it could be a stand-alone special of its own. Each major scene has a beginning middle and end, so it doesn't really flow like a traditional film, per se. It's an odd pacing that, while not entirely bad, does detract from the enjoyment overall. Going in you've got to realize that you're taking the good with the bad, but the "bad" isn't the worst thing in the world. The Peanuts Movie's biggest flaw is that it's too celebratory and nostalgic, but that's also such a non-problem to have.  I certainly have enjoyed myself, but I also don't feel compelled to watch this over and over again like every other Peanuts thing I've revisited in the past. It's a delightful and breezy film, but I'm not sure if everyone will have the same reaction to it that I did. It's fun to walk down memory lane every once in a while, but you can't expect everyone to stick around.
Peanuts Review photo
Good grief?
Thanks to my mom, I've been following Charlie Brown and the Peanuts gang for as long as I can remember. Like Charlie, I too am a sad sack who's life the universe sees fit to ruin at all cost. So when I first heard 20th Centur...

Watch the first trailer for AMC's Preacher adaptation

Nov 02 // Hubert Vigilla
Watching the trailer, I didn't get any of the vibe that I got from the comic at all. While part of it is the look of the three leads being a little off when compared to Dillon's art, most of this is due to the lack of supernatural content. From this snippet alone, the show looks really insular and realistic(-ish), though all the imagery may be from the first episode or so rather than the entire season. How they'll be able to translate the sheer grandiose lunacy of Ennis/Dillon's vision on a reasonable budget is anyone's guess. Maybe the biggest concern is how extreme the show will get. The violence in the Preacher comic is at times sadistic/brutal and while at other times cartoonishly over-the-top. I mean, it proudly goes to 11. While there's a lot that can be done on AMC (as seen on The Walking Dead and Breaking Bad), I have a feeling that they'll have no choice but to tone the violence down just as much as the scope of the vision. And this doesn't even touch on how the public--particularly the religious right, who have such startling persecution complexes--will receive all of the subversive stuff about Christianity. Preacher will debut on AMC next year, and its first season will run for 10 episodes. What do you think of the trailer? [via /Film]
AMC's Preacher trailer photo
Jaysis! Humperdumper doo!
Garth Ennis and Steve Dillon's Preacher is one of the best comic books of the 90s. Hard-hitting, hard-drinking, and just plain hardcore, Preacher is an over-the-top, ultra-violent riff on westerns in which a preacher nam...

Trailer: Jessica Jones photo
Trailer: Jessica Jones

The Jessica Jones trailer is here and nothing else matters


YAYYYYYYYYYYY!
Oct 27
// Sean Walsh
So, this Jessica Jones trailer went live a few days ago. I meant to post it then, but the sheer joy of what I was seeing drove me into a brief coma of which I've finally awakened from. The trailer has everything I wanted to s...
Suicide Squad photo
Pimp cane
Remember when that weird image of an overly tattooed Jared Leto Joker went out and everyone went insane because it just looked stupid? We all calmed down when they told us it wasn't how he was going to look in the film, and t...

Ant-Man photo
Ant-Man

Peyton Reed in talks to return for Ant-Man and the Wasp


Tiny beginnings
Oct 22
// Matthew Razak
Despite the fact that Edgar Wright left and crushed everyone's very souls, Ant-Man turned out to be one of the more surprisingly fun films to come from Marvel. It did so well in fact that Marvel actually inserted a seque...
Batman v $uperman photo
Batman v $uperman

Batman v Superman may be most expensive movie ever made


On my planet the S means "all in"
Oct 22
// Hubert Vigilla
DC Comics and Warner Bros. are sinking a lot of money in their own cinematic universe to compete with Marvel Studios. How much exactly? Well, according to speculation from Latino Review, the current budget for Batman v Superm...
Thor photo
Thor

Mark Ruffalo's Hulk to appear in Thor: Ragnarok


Hulk need own movie
Oct 16
// Matthew Razak
At the end of Avengers: Age of Ultron we see the Hulk flying off depressed to some unknown isolation. This leads us to one of the biggest issues with the Marvel universe at the moment: The Hulk has no standalone movie so...

The Flash Season 2 Premiere Recap: "The Man Who Saved Central City"

Oct 07 // Nick Valdez
Six months after a black hole (dubbed "The Singularity") opened over Central City in last season's finale, Barry's (Grant Gustin) going through the typical superhero angst. He blames himself for the whole debacle (and Eddie's death) and can't stop insisting that he "didn't save anyone." Regardless, Central City is honoring their hero with "Flash Day" (which sounds like an awful day out of context), and it's a pretty sensible way to integrate more of the comics' lore with the series. Anyhoo, the rest of the episode is dedicated to setting up and demolishing a new status quo. That's what I mean about everything and nothing. So much happens in this episode, but it's all brushed to the side so quickly that it all feels inconsequential. Through poorly implemented dream and flashback sequences we learn a few things: Ronnie has died again as he seemingly disappeared into the singularity when he and Dr. Stein Firestorm'd it, Cisco is working closer with the police's new meta-human task force, and the Star Labs crew split up (but are back together by the end of the episode).  During all of this a new monster of the week is introduced with Atom Smasher, a guy who looks like someone killed at the beginning of the episode and absorbs radiation in order to become big and strong. Like most of the show's villain of the week episodes, he neither gets a lot of development nor is he beaten in an interesting way. But the one interesting nugget is that he's being manipulated by some other villain named "Zoom," who wants to kill Flash for some reason (though folks familiar with the comics will probably be super confused by this new info). Oh and by the way, Harrison Wells/Eobard Thawne left a video confessing to Barry's mom's murder and setting his dad free. Then his dad, for some inane reason, decided to skip town to keep from distracting Barry or something? It's asinine, and it's the kind of writing the show's manged to avoid to this point. I want to believe there's a better reason for this, and the showrunner has a big picture idea for Barry's dad but this seems like they no longer had a reason to keep Shipp in the show. Then, Barry lets him leave off screen and we'll supposedly never hear from him again. Seriously. Despite all the time the episode devoted to Barry's angst, you'd figured a huge development like this would get more than five minutes of screen time.  Because so much of this premiere is dedicated to setting up the rest of the season, it forgets to become an entertaining episode itself. We're given no time to linger or develop on the finale's fallout, and we're expected to quickly move forward. I mean, we couldn't even end the episode without a tease of what's to come with the new character, Jay Garrick introducing himself at the end. I'll give the writers the benefit of the doubt here and assume they've got a plan to make all of this make sense retroactively. I'm sure they're holding off on all of the wacky stuff they have planned in order to ease new viewers into the show without overwhelming them with these high concept (for a superhero show, anyway) ideas. But nothing in the premiere is going to draw new viewers in, It's relying too much on the good will it's built with the first season and hopes that its quirks will keep people long enough to show off what it wants to do. I guess we'll find out for sure next week.  Final Thoughts:  Cisco provides so much of the episode's better moments. The Flash signal he found in a comic book, hugging Dr. Stein after Stein nicknamed the new villain, and his "For real?" after Garrick breaks into Star Labs' fancy new security system. Maybe Ronnie did actually die since he's not included in CW's Legends of Tomorrow line up, but Dr. Stein is. Robbie Amell can't catch a break, can he? Dying all over the place.  Flash's new suit includes the white around his lightning bolt like his future self. Looks much better, but after the build up to the suit reveal, I was hoping for a bigger overhaul.  I won't be covering CW's other superhero show, but I hope you'll stick with me through this!  Want to see more of our TV coverage? Check out our TV Recaps and Reviews! 
The Flash Recap photo
Two worlds, one Flash
I didn't realize how much I'd missed The Flash until seeing it again last night. It's the first superhero show that I've been strongly attached to, and it's with good reason. DC Comics have been killing the TV game for years,...

Avengers photo
Avengers

Early ending for Age of Ultron featured lots of characters


Captain Marvel was cut
Oct 01
// Matthew Razak
We already felt that Age of Ultron was a bit overcrowded with heroes, but it could have been even more so. According to Marvel exec Jeremy Latcham the original idea was to have a whole host of new characters just sort of...
 photo

Second teaser trailer for Jessica Jones crushes it


Short and sweet
Sep 28
// Matthew Razak
We still have no idea what Netflix and Marvel's Jessica Jones is going to be like. The first teaser gave us almost nothing but a hint at the style. This second one actual delivers a bit more info. It looks like they'll b...
Bill Finger and Batman photo
Bill Finger and Batman

Bill Finger finally getting screen credit for co-creating Batman


Bob Kane was THE WORST
Sep 21
// Hubert Vigilla
Many people credit Bob Kane as the sole creator of Batman, but in truth, Batman was a co-creation with Bill Finger (1914-1974). It was Bill Finger who suggested the iconic costume for Batman--the cape, the cowl, the gauntlets...
Supergirl photo
Supergirl

First look at one of Supergirl's super villains, Red Tornado


Did he trip into the red paint?
Sep 21
// Matthew Razak
Let's start off by agreeing that Red Tornado had an uphill battle to begin with as a villain. He's not really a name villain since in general and the name he has is pretty dumb. CBS says he's “the most advanced and...

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