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Star Wars 8 pushed back photo
Star Wars 8 pushed back

Star Wars Episode VIII release date pushed back to December 2017, Rian Johnson doing rewrites


Star Wars may be a Christmas tradition
Jan 25
// Hubert Vigilla
Star Wars Episode VIII was originally going to be released on May 26, 2017, but now the film has been pushed back seven months. The new release date for Star Wars 8 is December 15, 2017. Rian Johnson is still set to begin pro...
Force Awakens/New Hope photo
Force Awakens/New Hope

J.J. Abrams talks Star Wars: The Force Awakens and similarities to A New Hope


In short: I meant to do that!
Jan 11
// Hubert Vigilla
Whether you liked The Force Awakens or not, there's one thing everyone can agree on: Episode VII is very similar to A New Hope and The Original Trilogy. As director J.J. Abrams recently explained, that was by design. "It was ...
Star Wars: Episode VII photo
Star Wars: Episode VII

Star Wars: The Force Awakens has already made a billion dollars


S.W.R.E.A.M.
Dec 28
// Nick Valdez
To no one's surprise, Star Wars: The Force Awakens still dominated the box office over the holiday weekend. Some saw it for the first time, others their third or fourth outing, it's certainly made bank as it broke all sorts o...
 photo

J.J. Abrams explains why [SPOILER] had to [SPOILER] in Star Wars: The Force Awakens


[SPOILER]
Dec 22
// Matt Liparota
Note: If it's not clear already, this post is going to have some heavy-duty SPOILERS for Star Wars: The Force Awakens. If you haven't seen it yet and want to go in clean, read ahead at your own risk. Seriously, though, we're ...

Is Star Wars: The Force Awakens Too Much Like A New Hope? (SPOILERS)

Dec 21 // Hubert Vigilla
We've seen a few soft reboots and sequels this year that take familiar elements from earlier entries in a series to move in their own directions. The better models of this are Creed, which builds off the Rocky movies to tell its own story, and Mad Max: Fury Road, which uses recurring elements like the other sequels in the franchise. Jurassic World was a middling model of this, albeit a highly lucrative one. The nadir might be 2006's Superman Returns, a sequel that was basically a joyless rehash of Richard Donner's 1978 film. The similarities between A New Hope and The Force Awakens are plentiful. Important information is stashed inside of a beep-booping droid (a distress message to Obi-Wan Kenobi in R2-D2, a map to find Luke Skywalker in BB-8). The droid wanders a desert planet (Tatooine, Jakku) and is eventually found by an unassuming person (Uncle Owen and Luke, Rey). They leave the desert planet in The Millennium Falcon. Both movies have their own cantina scene (Mos Eisley Spaceport, Moz Kanata's bar). Both movies have a weaponized planet (The Death Star, The Starkiller Base) that blows stuff up real good before getting blowed up real good. Both movies feature the lightsaber death of a fatherly figure (Obi-Wan, Han Solo) at the hands of a bad guy in black (Darth Vader, Kylo Ren). There are fan service-y moments throughout as well, from the hologram chess board to the remote training ball to mentions of a trash compactor. And yes, there is a Wilhelm scream, and someone has a bad feeling about something. I missed some, and there are loads of allusions to Empire and Jedi as well, but you get the picture. The Force Awakens follows a lot of A New Hope, which in some ways confirms many of the biggest fears fans had about Abrams being on board. His two Star Trek films were full of fan service and repeats of familiar ideas, and Super 8 was a riff on Steven Spielberg's early output and the misfit kid movies of the 80s. All creators are swayed by their influences, but the work usually suffers when slavish devotion to influences becomes more important than using those influences to create something new. It's why The Wrath of Khan (inspired in part by A Tale of Two Cities and Moby-Dick, among other works) will always be better than Star Trek Into Darkness (a joyless rehash of The Wrath of Khan)--Wrath of Khan gives itself room to play with its pastiche, which yields something new. There's always an underlying question of "How much is too much?" when it comes to homages, and with The Force Awakens it seems like the "too much" threshold is crossed in the second half once we see The Starkiller Base. As The Resistance plots how to blow it up (a rehash of the Death Star plan of attack in A New Hope and Return of the Jedi), one of the fighter pilots shouts out almost mockingly, "It's another Death Star!" Either Han or Leia then quips, "Where's the weak point?" Even the characters in the film seem to be saying, "Christ, a third time? Wasn't this freakin' silly enough when we re-used this plot device in Jedi?" Death Star 3.0 is lazy, sure, and it makes all the other original trilogy references seem glaring (it's a fish head in your soup--suddenly all the other ingredients taste like fish head), but maybe there's some meta-commentary on Star Wars here. The film seems to be aware of its role as a reintroduction to Star Wars for a new generation of viewers and a show of good faith to an older generation of viewers who suffered through the prequels. The Star Wars Trilogy became one of the primary models for rollicking cinematic adventure. It's an international cultural phenomenon, it's a point of comparison for other major films, it's an inescapable force in its own right. And here are some characters of a new generation who get to experience that moment for themselves. Lucas invented a model from previous models, while Abrams inherits and riffs on the ubiquitous influential model that Lucas invented and failed to improve upon in the prequels. (They seem to blow up Coruscant or an analog for Coruscant in The Force Awakens, as if to say, "Yeah, we're getting rid of that prequel stuff, guys.") Over at the AV Club, A.A. Dowd and Ignatiy Vishnevetsky had a brief discussion about The Force Awakens. Rey, Finn, Kylo Ren, and Poe are new Star Wars characters who are aware of the legacy of Star Wars characters of the past. They know the stories, the players in the fictional history of the world they inhabit. These are Star Wars movie characters in a post-Star Wars cinematic world. Rey speeds by the husk of a Super Star Destroyer, and she eats lunch in the shadow of a collapsed AT-AT. It's like kids playing Star Wars in a Star Wars movie, or as Dowd put it: "We're essentially watching a bunch of Star Wars nerds in a Star Wars movie." Even when the fan service and repetition gets overbearing, there's at least something good to be found, and most of it involves the new characters. That may be a testament to how compelling and likable they are. Even though Poe Dameron is a supporting character who's only around for a couple of minutes, he makes such a great impression as the cocksure flying ace of The Resistance. His appearance in the mid-film cavalry scene is a fresh bit of derring-do--Finn looks on from the ground like an audience surrogate as Poe loops and dives and swoops to bring down TIE fighter after TIE fighter. It's a shame that the Starkiller Base sequence at the end doesn't offer any unique challenges for Poe and his fellow X-wing pilots. All they do is pew-pew-pew the hell out of a target and that's it. Finn offers loads of story potential as a First Order turncoat. He's raised from birth to be a fascist soldier (This. Is. Nazi-Sparta!), and not even given a name. He's a pawn and cannon fodder and an extension of another party's will. But despite that, he has a moment of conscience in which he breaks his programming to make a moral choice. He gets to be his own man and define his own identity rather than accept the one that's been forced upon him since birth. Maybe it's the sign of a mass defection of Stormtroopers in the next two films, but Finn's story is about being able to define who you want to be. It's free will as a part of asserting personhood. Rey might be the best of the batch, and she's a compelling anchor for this new trilogy. She's a hero with limitless potential--she's compassionate and strong, a force-savvy gearhead, a capable pilot and problem solver--but she's never had role models to show her the way or any reason to believe in herself. Think about it. Luke Skywalker wanted to leave home and be a great pilot like his father. Rey's never believed that she could be great at anything. She led a life of limited possibility, one without aspirations. She believes she's a nobody that no one wanted or cared about, and at various points of her adventure, even though she's in awe of what she's seeing, she keeps talking about going home. Yet there's nothing for her back on Jakku--no future, no hope. She so used to solitude and banality. Rey's story is about what happens when you're finally given an opportunity to dream and show your true worth as a person, and more importantly, she finds out what happens when someone says that they believe in you. Kylo Ren is a counterpoint to Rey and Finn. His parents are Han and Leia, the heroic couple of The Rebel Alliance; his uncle and trainer is Luke Skywalker, a Jedi trained by Ben Kenobi (Kylo's real name is Ben Solo) and Yoda; his grandfather is Anakin Skywalker, the Space Jesus. Kylo's got the genes and he's got the advantages of the family lineage, but he just can't live up to the legacy he's part of. I picture him as the child of two great musicians who gets weighed down by the pressure of being as good as, if not better than, mom and dad. He's a spoiled brat obsessed with outward shows of power, which seems like a mulligan for the botched characterization of Anakin Skywalker in the prequels. Like his grandfather, there's an expectation of greatness. I sense a kind of Salieri/Mozart rivalry emerging between Kylo Ren and Rey (i.e., the fictional trope of Salieri's resentful jealousy of Mozart's talent). In their force mind battle, Rey bests Kylo even though she hasn't had the same kind of training; she even identifies his fears of inadequacy. She beats him in a lightsaber duel, scarring his face in a manner not unlike Supreme Leader Snoke's. It's Space Daniel crane kicking Space Johnny, but she didn't even have a Miyagi-figure to show her how to wax-on and wax-off. (There's already been a backlash against Rey in some corners of the internet calling her a Mary Sue, but like Tasha Robinson wrote at The Verge: "She's a fantasy wish-fulfillment character with outsized skills, an inhuman reaction time, and a clever answer to every question--but so are the other major Star Wars heroes. Are they all getting the same level of suspicion and dismissal?") These three primary characters--Rey, Finn, and Kylo--are legacy-conscious individuals who are trying to assert their own identities and make their own futures. It's ironic (or maybe fitting?) that they're all held back to varying degrees by a plot with too many callbacks to the past. J.J. Abrams might have been given the least interesting Star Wars sequel to direct and co-write. (Actually, the young Han Solo spin-off movie is probably the least interesting.) It's a set-up movie for a new story that has to revisit an old set of stories and characters. At least the 2009 Star Trek film wasn't necessarily tied to a pre-existing film and could use existing characters to go on its own semi-original fan-service adventure. It was a reboot rather than a sequel, and the latter can be much tougher, especially when you're dealing with something as big as Star Wars. Rian Johnson's Star Wars Episode VIII will probably be a much more interesting and original movie. He's got a new set of characters established, a whole lot of relationships and dangling threads to play with, and lots of ability to tell the kind of story he wants to tell. I assume he'll do his damndest to avoid rehashing The Empire Strikes Back and instead bring something new to Star Wars. Johnson's got a great knack for mimicking, paying homage to, and reinterpreting different films and film genres to do his own thing, which will be great to see after a very insular Star Wars entry. Even Gareth Edwards' Star Wars: Rogue One seems like it'll be more interesting than Episode VII. It's a prequel about the mission to get the plans for the original Death Star, and yet this could be a different kind of story that doesn't have to rely on the pre-existing beats of another Star Wars movie. This might be a full-on WWII mission flick, i.e., The Space Guns of Navarone, Where Space Eagles Dare, The Dirty Space Dozen, Inglorious Space Basterds. So yes, The Force Awakens is too much like A New Hope, but it's also got enough fresh stuff in there to make it watchable and even enjoyable. It's nerdy comfort food with a twist, and it's also nerdy comfort food about the comforts of nerdy comfort foods. (But it tastes like fish heads.) The big takeaway is that the movie gets back to basics, namely that it's always been the characters that make Star Wars worth watching, not the spectacle. A fresh plot wouldn't hurt, though. I can't wait to see what happens when these characters mold their own stories and destinies in plots befitting their potential.
Force Awakens/New Hope photo
A Star Wars movie about Star Wars movies
Like Flixist EIC Matthew Razak said in his review, Star Wars: The Force Awakens is the Star Wars sequel you're looking for. It's not flawless, obviously, but it does what it has to do. (It's a little unfair that every movie i...

The Force Awakens photo
The Force Awakens

PSA - Star Wars: The Force Awakens reviews start hitting the internet December 16th


In case you want to stay spoiler-free
Dec 14
// Hubert Vigilla
Hey, guys. This is the week that Star Wars: The Force Awakens comes out. I know a lot of you have avoided trailers and are trying to go into the movie blind. Even though we've been reporting on Force Awakens stuff, I've simil...

We get it, Star Wars: The Force Awakens, you exist

Dec 11 // Nick Valdez
[embed]220201:42731:0[/embed] I was talking to my mom a few days ago, and she couldn't stop talking about how much she wanted to see The Force Awakens. She's a fan of the series, sure, but I never really heard her talk about it much. We didn't own the films growing up, and there wasn't a big hooplah when the prequels launched (or enough to make young me take notice, at least) so it seemed odd that she suddenly started bringing up the latest film in the series. On top of that, she was telling me that my dad wanted to see it ever since he caught one of the many, many TV spots. But what's going on? This latest sequel has done everything right so far. It's shown as little as it can to pique our interests enough, it's bringing back old stars in order to draw in an older demographic (like my mother and father, and full of marginalized sexes and races in order to better represent the rest of the world. So why is there still a need to get people to see it? It might be that Star Wars is still trapped within the stigma it always was.  When the Golden Globes were announced the other day, I noticed a weird subset of fans complaining that Star Wars was getting ignored. Unfortunately for that mass, the complaint had no legs since the film wasn't screened for critics and award consideration anyway. But even if it had, there's a good chance it would've been ignored in favor of other films that are more in line with the award selections anyway. Regardless of the film's actual quality, there's no real chance it would've gotten any of the major awards. Maybe some stuff for visuals, sound design, or score, but the bigger stuff definitely would've gone to other things. Besides, there's good chance it'll still get recognized next year. This year's big nerd film is Mad Max: Fury Road and that's going to need all the support we can give. My point beyond the tangent being, is that Star Wars is a big science fiction film and those never get recognized. Despite what the producers are saying about not caring for recognition (as they chose to withhold the film for fear of spoilers), it's like they needed to be noticed everywhere else. Like a child refusing to get the attention of their parent, Star Wars is yelling constantly and just won't sit back and just ride the already titanic wave of anticipation.  The "Hey, look at me!" mentality is rubbing me the wrong way. I get that every company wants a small part of the Star Wars money, but it's just so so much. I hate that the advertising campaign is turning me into the kind of ranting old nerd that I despise, but it rings desperate at one point. It's this unneeded desperation (it's already broken presale ticket records) that's pushing me away. For a time I entertained the thought of going to see the film opening weekend just to be part of the conversation, but now I don't really care. Remember the second full trailer? I wrote the post on it claiming I'd avoid it for fear of spoilers, but literally two second after the trailer premiered, the internet was littered with images. While I still am worried about having the film spoiled, I feel like I've been so entrenched in this film I honestly don't give a damn anymore.  [embed]220201:42732:0[/embed] But who cares what I have to say. I'm a single, nerdy voice in a mass of loud yelling. They're not going to need my ticket money. No one will care what I have to say or what I do as they drink from their Star Wars cups and eat their Star Wars shaped macaroni and cheese. And hell, even as I write this, I'm ironically bringing attention to the film yet again. There's just no way to stop the behemoth. It's a beast that's bringing about the end.  It's, well, awakened. 
The Force Awakens photo
"For behold, the Lord will come in fire"
It's everywhere. Trailers before each YouTube video, spots during each TV commercial, phone screens, videogames, books, toys, our food, our cars, our appliances, our public transit, Instagram, Tumblr, Facebook, Twitter, our c...

Chinese Star Wars trailer photo
Chinese Star Wars trailer

Chinese Force Awakens trailer has new footage (to make up for possibly racist movie poster)


Is this trailer giving too much away?
Dec 10
// Hubert Vigilla
In case you haven't realized it, STAR WARS: THE FORCE AWAKENS COMES OUT NEXT WEEK! At least in most of the world. China has to wait until January 9th. To hype things up in China, they released a trailer for the film featuring...
George Lucas Episode VII photo
George Lucas Episode VII

George Lucas has seen The Force Awakens and offers his thoughts


He likes it from a certain point of view
Dec 08
// Hubert Vigilla
Steven Spielberg has supposedly seen The Force Awakens three times now, which means he'd probably do well in the #AlamoJedi contest. I'm sure J.J. Abrams has watched through it more, but many people wonder what George Lucas t...
Lucas done with Star Wars photo
Lucas done with Star Wars

George Lucas had no input on The Force Awakens, is done with Star Wars


Disney decided to go another direction
Nov 23
// Hubert Vigilla
When people think of Star Wars, they think of George Lucas. He brought the film series to life in the late 70s and, for better and for worse, he was the driving force behind the prequel trilogy. But these new Star Wars movies...
Force Awakens TV spot 7 photo
Force Awakens TV spot 7

New Star Wars: The Force Awakens TV spot has the return of a certain character


A familiar face returns among the pilots
Nov 23
// Hubert Vigilla
Darth Feelgood back again, and I know you're looking for another fix of the force. You're shaking, but I have something for that, buddy. Here. Here's another taste of The Force Awakens in the most recent TV spot, and you migh...
Force Awakens TV spot photo
Force Awakens TV spot

One-minute TV spot for The Force Awakens has some new footage


Here's your fix, Star Wars junkie
Nov 16
// Hubert Vigilla
Psst. Hey, mack. Yeah. I see your shakes, buddy. I know what you want. Here. Here's a new TV spot for The Force Awakens. It's a whole minute of satisfaction, brother. Take it, man, just take it. I know, I know--the shakes are...
Star Wars images photo
Star Wars images

New Star Wars: The Force Awakens images and character details, let the hype flow through you


Five weeks, everyone
Nov 11
// Hubert Vigilla
Star Wars: The Force Awakens is out next month, which means the relentless hype isn't stopping until we hit December 17/18th. There's a whole slew of new images from the film posted by Entertainment Weekly, including an old H...
 photo

Enjoy the first trailer for Finding Dory


Memory lapses abound
Nov 10
// Matthew Razak
Finding Dory is finally here... in trailer form. Of all the hotly anticipated Pixar films (which is all of them) I'm most hotly anticipating this one. This first trailer gives us a little hint at the story, which finds D...
Finding Dory photo
Finding Dory

First Finding Dory poster swims in


You speak wale?
Nov 09
// Matthew Razak
I think I say this every time a Pixar sequel comes up, but it's worth saying: Toy Story 3 basically gave them carte blanche to do whatever the hell they want. When they knocked a third film out of the park when everyone ...
Star Wars TV spot photo
Star Wars TV spot

First TV spot for Star Wars: The Force Awakens has lots of new footage


Let the hype flow through you
Nov 09
// Hubert Vigilla
It's five weeks until The Force Awakens, folks. (I know!) The third and final trailer and the Japanese/international trailer offered some new stuff to look at and enjoy, and the same goes for this first TV spot for Episode VI...
Star Wars Japanese photo
Star Wars Japanese

Japanese trailer for Star Wars: The Force Awakens features new footage


Get your fix, Star Wars junkies
Nov 06
// Hubert Vigilla
The final domestic trailer for Star Wars: The Force Awakens isn't the last trailer for the movie. A Japanese trailer for the film has popped up online, and it's got all-new footage for you Star Wars junkies to enjoy. Check it...
Alice photo
So many digital eyes
Alice in Wonderland was definitely something. It was so something that had a lot of CGI and weirdness going on, and it was evidently something that made some money for Disney. We heard that a sequel was coming a bit ago ...

Star Wars posters photo
Star Wars posters

New character posters for Star Wars: The Force Awakens (still no Luke)


You'll lightsaber your eye out!
Nov 04
// Hubert Vigilla
Another day, a little more news on Star Wars: The Force Awakens. We got the official movie poster and the final trailer for the film not too long ago, and now we have a couple character posters for the primary characters of t...

#BoycottStarWarsVII: Dumb nerds claim The Force Awakens promotes white genocide

Oct 19 // Hubert Vigilla
While the hashtag derp could be written off as an isolated incident involving fedoras and neckbeards, it's part of nerd culture's dark side. We saw it in Gamergate, where any grievances over ethics in games journalism were overshadowed by the movement's pervasive misogyny, threats of violence against women, and a total lack of self-awareness or sense of humor in those who identified with the hashtag. It was there in the Mad Max: Fury Road boycott, in which a badass feminist action movie left MRA's feeling emasculated and threatened simply at the idea of the story. And here it is again, with a strange lashing out by racist, insular Star Wars nerds at the mere appearance of a black person. Maybe this all ties into a larger sense of global xenophobia and sexism. I'm thinking of the uptick in Islamophobia throughout the United States and Europe, or the Christian right's fight against gay rights, or the insensitivity some have towards the transgendered. It's as if the ethnic, cultural, religious, or gendered "other" is a threat to white male hegemony and homogeneity. Wesley Morris wrote in The New York Times that this was the year we obsessed over identity, and here in these various incidents are a series of pushes against the tide of change in order for a culturally dominant group to maintain control rather than cede some. But you know what? The future is going to be more diverse, and that's good for everyone. Leaving aside a larger cultural conversation about the changing demographic makeup of the world and how women, people of color, queer individuals, and transgendered individuals are finding new roles in society and greater acceptance, let's just come back to Star Wars. All films wind up being a reflection of their time, and what is the 21st century (or at least the possibility of the 21st century, especially in this decade) if not a more open and inclusive world, a continuation of the better parts of a tumultuous and violent 20th century. It's harder to overcome a regressive mindset in the real world, but at least we can do it in our art and entertainment--you've got to start somewhere. Kathleen Kennedy is at the creative helm of the series rather than George Lucas. We're looking forward in the story rather than backwards, with new perspectives on the mythos and new talent taking the reins. There's a more diverse cast for the new Star Wars trilogy as well as Rogue One: A Star Wars Story, and we'll likely see the same casting approach to the other two Star Wars anthology films in development. Kennedy has apparently lobbied for a woman to direct a Star Wars film. While this hasn't come to pass for a variety of reasons (at least not yet), six of the eight people who are instrumental in the development of these new Star Wars films are women. We'll have to see the films first to figure out if they're any good, of course, but there's something hopeful about this approach that makes this #BoycottStarWarsVII nonsense seem smaller and pettier than it already is. This is the 21st century, and there's only one thing to say to the angry, racist nerds using this dumb hashtag. To quote Star Wars star John Boyega: "Get used to it." [via The Mary Sue]
#BoycottStarWarsVII derp photo
The derp is strong with this one
Oh nerdom, not again. Earlier this year, some silly men's rights activists called for a boycott of Mad Max: Fury Road for being "feminist propaganda." Now some angry, racist nerds are calling for a boycott of Star Wars: ...

Force Awakens Poster photo
The gang's all here, except Luke
Here it is, the official poster for Star Wars Episode VII: The Force Awakens. You may recall Drew Struzan's D23 poster for The Force Awakens a few weeks ago, but this here is the real thing. And it's pretty keen. You've ...

Moana photo
Moana

Disney casts its next princess, Moana


Oct 07
// Nick Valdez
I've been pretty excited for Disney's Moana since it was announced. After hearing their next project was about a Polynesian princess, and after Frozen, Big Hero 6, Wreck-It Ralph and Tangled turned out pretty good, they've ea...

The Muppets Pilot Review: Not Really for Kids, But That's Okay

Sep 23 // Nick Valdez
There's a bit of a jarring transition going into this new status quo. The show follows the Muppets backstage as they work on a late night talk show starring Miss Piggy (think The Late Show with Stephen Colbert or The Tonight Show and you've gotten the idea). There's also traditional bits of character work for the show moving forward: Fozzie's in a relationship where his girlfriend's parents don't approve of their daughter dating a bear, The Electric Mayhem may have substance abuse problems (but that's in side jokes, don't worry), and the afortmentioned Kermit and Miss Piggy have split up but maintain a working relationship the best they can. The biggest change has to be Kermit's new personality. Maybe it's due to being walked on over the years, or stress from his managerial gig, but this new Kermit's kind of a jerk. A funny jerk, mind you, but a jerk nonetheless. At least he's got all sorts of new facial expressions to toss around. The folks at work have made some great renovations to Kermit's puppetry. He's also got a new girlfriend, Denise.  That's the kind of stuff I'm referring to when I say The Muppets aren't really for kids anymore. They've been all ages for years, so there are probably tons of examples you could point to of when the Muppets had adult-oriented humor. But this is the first time I noticed a clear barrier of entry. By the time Kermit refers Miss Piggy as "sexy," it's already put all the nails in the coffin for kids. But while the whole family can't enjoy, I'm sure the Muppets can draw a lot from this new level of sophisticated humor. I laughed quite a few times during this pilot, and they weren't due to the same kind of slapstick gags or easy jokes you'd expect. Drawing from the more successful aspects of the two films, there's a greater emphasis on joke writing and staging. So there's a better balance of the classic Muppets charm without an over-reliance of some of the cornier jokes. Then again, this could all just be too early to tell if the strength of the writing can hold out for the following weeks.  At the end of the day, it's The Muppets in a brand new package. You don't know exactly what you're getting anymore, but it's the most interesting The Muppets have been in some time.  Final Thoughts:  Imagine Dragons: "Why won't you come on tour with us?" Animal: "Too many cities. Too many women." "You went into a room full of dancing stars and came back with Tom Bergeron?"  "What can I say? I have a thing for pigs." Elizabeth Banks totally kills her guest spot.  Riki Lindhome showed up in both this and Fresh Off the Boat last night, and the world clearly needs more of her. Her presence is always welcome.  Want to see more of our TV coverage? Check out our TV Recaps and Reviews! 
The Muppets TV photo
Tom Bergeron can't catch a break
The Muppets have made quite a comeback the last few years. After two successful films, the latest Muppet project brings them to ABC in a mockumentary style format similar to shows like Parks and Recreation or The Office (henc...

Pixar photo
Pixar

Watch dinosaurs talk in a new trailer for The Good Dinosaur


What does the Apatosaurus say?
Sep 21
// John-Charles Holmes
In true Pixar fashion, the closer we get to the release of one of their new films, the more specific details we start to see in the trailers. While many early trailers for The Good Dinosaur showed off awe-inspiring shots of n...
Jungle Book Teaser photo
Jungle Book Teaser

First trailer for Disney's live action The Jungle Book


Sep 16
// Nick Valdez
While I've been wary of Disney's current affinity for live action takes on their classic animated movies, I have to admit this looks pretty neat. Based more off of Rudyard Kipling's novel than the animated original, the Jon F...
Mary Poppins reboot photo
Mary Poppins reboot

Disney rebooting Mary Poppins, going to need lots of sugar


Supercalifragilisticexpialisequel
Sep 15
// Hubert Vigilla
Have you been clamoring for a Mary Poppins sequel? No? Well, too bad. Disney is rebooting Mary Poppins with Into the Woods director Rob Marshall at the helm, The film will take place 20 years after the original movie, and wil...

Colin Trevorrow Directing Star Wars Episode IX: Continuing the Indie-to-Blockbuster Director Trend

Aug 17 // Hubert Vigilla
[embed]219786:42556:0[/embed] I feel sort of bad bringing up Josh Trank, but it's necessary. Trank was attached to direct a standalone Star Wars film until a few months ago. Trank says he voluntarily left Star Wars so he could pursue a small, original project away from public scrutiny. Speculation among film journos (notably The Hollywood Reporter) is that Trank was fired from the gig, partly due to clashes with Fantastic Four screenwriter Simon Kinberg, though largely due to unprofessional behavior. Kinberg is an executive producer on Star Wars: Rebels and wrote the Star Wars spin-off film that Trank was supposed to direct. (Oddly, Kinberg hasn't caught that much grief for writing Fantastic Four.) There have been multiple reports on Trank's troubled Fantastic Four production. New stories of on-set chaos cropped up in the recent issue of Entertainment Weekly, one of which alleges that Trank and actor Miles Teller almost came to blows. Fox bears a lot of the blame for the fiasco behind the scenes of Fantastic Four, but Trank's got to wear the movie as an albatross for the rest of his career (or what's left of it). While Trank's first journey into blockbuster filmmaking feels like a cautionary tale, Trevorrow's been extremely fortunate by contrast. Jurassic World has earned $1.6 billion worldwide, making it the third highest-grossing movie of all time. Now he's doing Star Wars. If Trank really was ousted because of his difficulties mounting a big film, this might be considered a vote of confidence in Trevorrow's skills with large-scale storytelling and an agreeable temperament for tent-pole filmmaking. While I've been noticing more and more indie directors being promoted to major films, this leap from indie-to-tent-pole isn't unprecedented. The Wachowskis went from the low-budget noir of Bound to The Matrix, Christopher Nolan went from moody character-driven dramas to Batman Begins. Rian Johnson, who's directing Star Wars Episode VIII, also fits in this tradition, and ditto Guardians of the Galaxy director James Gunn. As much as some people clamor for big names on big movies, sometimes the big movies are a type of proving ground for new names or filmmakers who've distinguished themselves working on a smaller scale. (Think of Sam Raimi when he came to Spider-Man.) Then again, there's a cynical take on signing indie directors to blockbusters. Studios hire young, hungry filmmakers to become journeymen or journeywomen rather than directors with a distinct sensibility. Their job, in short, is to do the studio's bidding. I wonder how much Marc Webb fits that description, having gone from (500) Days of Summer to the two ill-fated Amazing Spider-Man films for Sony. Jon Watts, the director of the recent indie thriller Cop Car, has been tapped to helm the reboot of Spider-Man for the Marvel Cinematic Universe--it's only his third film. And of course, directors with more clout or a particular style often clash with studios over vision. In the MCU alone (which seems to be run more by Kevin Feige than any individual directors), Joss Whedon felt broken by compromises he made while doing Avengers: Age of Ultron, Edgar Wright left Ant-Man over creative difference, and Selma director Ava DuVernay declined Black Panther since she wouldn't have enough control over the character or the project. (Think of Sam Raimi when he made Spider-Man 3.) Trevorrow's hire may be a sign of the MCU model being used for these Star Wars films, with Lucasfilm president and producer Kathleen Kennedy serving as the new trilogy's unifying voice. Kennedy may be the key creative force behind the scenes, guiding a shared vision, molding the new Star Wars universe through her hiring choices and years of experience in the industry. (Kennedy, in an interesting coincidence, was attached as a producer to the fourth Jurassic Park film until 2013, which is when she took the reins of Star Wars for Disney.) This is just speculation for now, but we should have a better understanding of how the new Star Wars series is being crafted in the next few months. As for Trevorrow, we'll find out how he does on Star Wars Episode IX in December 2019.
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