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Uncharted film adaptation photo
Uncharted film adaptation

Shawn Levy will direct the Uncharted film adaptation

Ben Stiller as Nathan Drake?
Oct 26
// Hubert Vigilla
It looks like that Uncharted adaptation is moving forward again. Sony has tapped Shawn Levy (Night at the Museum, Real Steel) to direct the film from a script by Joe Carnahan (The Grey). Carnahan was at one time attached to d...

NYFF Review: Elle

Oct 16 // Hubert Vigilla
[embed]220908:43150:0[/embed] ElleDirector: Paul VerhoevenRating: RRelease Date: November 11, 2016 (limited)Country: France  Elle starts with the rape, in media res. Verhoeven shoots the scene with surprising restraint. There's the noise of the assault off camera. Helen's pet cat looks on blankly. The rapist, dressed in black with a ski mask, stands and wipes blood from his hip and groin and then walks away. Helen tidies up around the kitchen and continues about her day in a daze. She's in shock, but it's subtle. A brief bubble bath scene is so artfully done and haunting. Helen's a bit angrier at her son Vincent (Jonas Bloquet) when he comes to visit than she would be otherwise. Vincent asks about the bruise on the side of her face. She says she fell off her bike. The rape goes unreported. When Helen finally mentions it to anyone, she waits for the most awkward moment possible to bring it up. She says what happened as if she lost a credit card. Is it a coping mechanism or is it just the movie playing provocateur? Elle aims for the uncomfortable laugh, and for a while it succeeds in doling out its cringe humor. At a certain point, it's just cringes. While dealing with horrible things in life, one hundred other genres may be occurring in the world simultaneously. A portion of the film plays like a thriller, with Helen narrowing down the suspects in her life while her attacker stalks and harasses her. As this thriller plays out, there's a family dramedy: Helen's jealous about her ex-husband's new girlfriend, annoyed by her son's screwed up relationship with his pregnant girlfriend, and can't stand her mother's new boyfriend either. Then there's the matter of her father and an infamous trauma in her past, one essential to Helen's character but never explored substantively in the story. Huppert's a saving grace for the film in that she plays everything so straight, even Helen's unexpected actions and reactions. Yet these are just actions in a performance, not necessarily actions stemming from a character. I could rarely get a handle on who Helen was or how she interpreted the world and the events around her. The rape is replayed explicitly in the film, and then played again as a kind of revenge fantasy. Later, Helen seems to invite victimization. There's a harrowing scene in which Helen seems turned on by the idea of the man she's with raping her, recreating the trauma that opened the film. Is she feeling pleasure? Is that pain and masochistic shame? Is it a mix of both, and if so, what then? Huppert wears an inscrutable mask before, during, and after the scene. The moment is never discussed afterward. I don't need on-screen psychoanalysis or to be handheld through a narrative, but I'd like to be given some hint of what Helen feels about what's happened. Elle avoids exploring the emotional impact of rape. Instead the film tries to offer Helen's detachment as some opaque and oblique portrait of her psychology, but even this amounts to a blank gray page. This is all extremely difficult and sensitive territory to explore, especially when Helen's motives are so ambiguous. Sure, there's never a single correct way for someone to respond to trauma, but rather than provide an alternative portrait of recovery or greater insight into this personality in flux, I felt as if Elle was simply pushing buttons and inverting the traditional rape-revenge narrative for the shock value. That's easier and less painful than really getting into someone's interior life after such a traumatic experience. The film's MO seems to be keep the focus on the inscrutable surface, and make it shocking. It doesn't help that Elle's perspective is male dominated; it's directed by Verhoeven from a script by David Birke, and adapted from a novel by Philippe Dijan. Am I watching a woman's experience as she struggles to retake power as all the men in her life rob her of agency? Or am I just watching a male interpretation of all this that indulges in a little bit of rape fantasy? This might all be up for audience interpretation, which makes me surprised that so many critics have written that the film is so empowering to women and makes bold statements. I don't think it says anything at all, or intends to empower anyone; it's just well-orchestrated provocation. No surprise that by the end of Elle, I was left feeling a sour and empty frustration. Helen is the head of a video game company, though this portion of Elle serves as a mild subtextual and metatextual backdrop. They're making a medieval action-adventure--think Warcraft by way of Assassin's Creed with really antiquated graphics. During a meeting, one of her designers--a man who may be the rapist--says that Helen's pretentious literary background has gotten in the way of the game's basic playability. I think Verhoeven's penchant for provocation might have gotten in the way of the fundamental human concerns of Elle.
NYFF Review: Elle photo
Provocative, but is it saying anything?
Elle has been billed as a rape-comedy, but that's a misnomer. It's a comedy in the classical sense given the events of the story, but it's not necessarily funny (there are funny scenes, though). And yes, it's about rape. Elle...

NYCC: Power Rangers might be both fun and boring

Oct 11 // Nick Valdez
First thing's first, we did get a few key bits of info that my fan brain was able to parse out. One thing the cast seemed to emphasize at the panel was the fact they had to do a lot of stunt work themselves, which is great (and what I wanted all along). RJ Cyler (Billy) had a pretty fun anecdote about how he learned how to do an "axe kick" from his stuntman. So this at least confirms that we'll be seeing them fight outside of suits, but if the trailer is anything to go by, these fights are most likely mixes of martial arts and superpowers. As for the Zords, we still didn't get a look at them as it seemed that the teaser trailer was really all that was ready to show off for now. It's a little lame but I get not wanting to release it all early.  My biggest concern going forward, however, is how well this cast will work together. At the panel they were telling stories of how much they bonded as a group, but their behavior told a different story. They seemed stiff around each other with no natural chemistry. In fact, the only ones happy to be there were the previously mentioned RJ Cyler and Becky G (Trini), who not only color coordinated their outfits but also are the only experienced actors in the teenage cast. It didn't help matters when the host clearly didn't understand what was going on, so there was no push for more stories of their time on set together. The last bit of new info is both director Dean Isrealite and Elizabeth Banks mentioned Goldar and the Putty Patrol. Not a hard confirmation, but it's good to know these characters will be back in some regard.  But since they thought the teaser was good enough to show twice, I might as well breakdown some things here. As I mentioned in that post, I'm a little torn. After spending some time away from it and the fan bubble, I've come to realize a few things. I'm not sure what I expected, but I totally forgot Lionsgate is the reason Young Adult books made so much money. The Hunger Games, Twilight, they all play a part here. While the opening logos promise a rainbow colored adventure (even spilling out into the first shot of the trailer with Jason and his red car,  and yellow, pink and blue bikes), the rest of the film gives way to the same grim color palette the rest of the Young Adult films have. But in a weird way, this totally works when stuff like the power coins are highlighted. While the overly dark lighting might get tiresome, maybe the colors will pop more. Sort of a silver lining situation. But that's pretty much where the positives end. I'm thinking this reboot, an origin story as the trailer confirms, is going to be both fun and boring. As evidenced by the Breakfast Club like setup (where a bunch of latchkey kids come together in detention, including a red ranger wearing a house arrest anklet), these kids are meeting other for the first time before bonding over becoming superheroes. While I don't like their Spider-Man esque powers (complete with the Tobey Macguire "look I have abs now" scene), I get it. Power Rangers has always been about regular people who get caught up in irregularity, and it's been done in the series proper, but this direction only works when the characters are defined well. If you remember, it took the original show sixteen episodes of team building before it could tell an actual story ("Green With Evil"). I'm also guessing that's why we've seen so little of the Ranger action as of yet. Which is a shame since that's what is going to separate the movie from all the other boring teen films.  The most grim prediction I can make regarding this tease is that we're only going to get about 15-20 minutes of them in the actual suits. At least the panel confirmed that the suits are physical (with CG enhancements, most likely), but I'm sure most of this origin is going to be spent getting to know these kids since the film doesn't have the luxury of getting 22 mins of air time every weekend. At least it looks like they'll free Rita when they nab the power coins. Since there's an image of her trapped in some kind of rock, I'm assuming it's the same the rock Billy blows up in the trailer. It'd be neat to connect Rita directly to the Rangers that way.  Overall, I am a bit disappointed with the way the NYCC panel went down. Once I took off my fan hat, and put on my critical one however, I did ease up. But not by much. As always, I remain highly skeptical. I don't like some of the changes to the story, but I do like some of the changes it brings (the fact Rita can say "kill" instead of "destroy" is a huger deal than we're making out of it). And it seems the trailer is doing a lot to grab non-fans of the series, which is always a huge plus. I just don't want to watch a series of movies I dislike, so I hope these can be good. Then again, since this could have been much worse I'll take what I can get.  Oh yeah, don't expect the Green Ranger anytime soon. 
Power Rangers NYCC photo
Goldar and the Puttys are a comin'
There was only one panel I was looking forward to during New York Comic this year, and it's been a long wait for it. On Saturday, Lionsgate held a dual panel featuring both Power Rangers and John Wick: Chapter Two. Suffice to...

Power Rangers photo
After 10,000 years...
So it's a bit earlier than planned and it's definitely taken the wind out of my sails in more ways than one. But here's the first Power Rangers reboot trailer. I'm not sure what to think. At first watch, it's pretty generic b...

Fantastic Beasts photo

Now that Fantastic Beasts and Where to Find Them is a little over a month away expect to see more and more of it leading into its November release. When you see the trailer, these are probably your immediate thoughts: 1. "Fan...

Fruit Ninja photo
Fruit Ninja

New Line Cinema will release Fruit Ninja film, first plot details revealed

Drain your brain batteries
Sep 25
// Hubert Vigilla
As we previously reported, there is a film adaptation of Fruit Ninja in the works because money. The film rights have been picked up by New Line Cinema because produce and money, too. In the brief Hollywood Reporter piece on ...
Morgan Spurlock's Rats photo
Morgan Spurlock's Rats

Trailer: Morgan Spurlock's new documentary Rats looks like an intense horror thriller

Vermin, vermin everywhere *vomits*
Sep 16
// Hubert Vigilla
Rats are the worst. Like, seriously guys, the worst. There's this vacant building next to my apartment that's rife with them and the city seems helpless about controlling the problem. We may disagree about a lot of things, bu...
Fifty Shades Darker photo
Fifty Shades Darker

Here's the darker trailer for Fifty Shades Darker

Fifty Shades Danker
Sep 15
// Nick Valdez
I read the trilogy, I reviewed the original film, and now I'm here to tell you about Fifty Shades Darker. There's honestly not much to say about it. It has the same look as the first one, has the same lack of chemistry its tw...
Assassin's Creed images photo
Assassin's Creed images

Michael Fassbender is like "Come at me, bro!" in these new Assassin's Creed images

Do you even leap of faith, brah?
Sep 13
// Hubert Vigilla
The end of the year is fast approaching, which means that the Assassin's Creed movie is almost upon us. While the people over at Ubisoft seemed to downplay box office expectations, this film may turn a pretty decent profit li...
Chris Benoit biopic photo
Chris Benoit biopic

Lexi Alexander will direct Crossface, a biopic on infamous WWE wrestler Chris Benoit

Wrestling with a painful tragedy
Sep 13
// Hubert Vigilla
Back in late 2011 we mentioned that a Chris Benoit biopic was in the works called Crossface. Benoit, as you may recall, was the professional wrestler for WCW and WWE who murdered his wife and son and took his own life in 2007...
Black Lightning photo
Black Lightning

DC's Black Lightning coming to TV, but not on The CW

Sep 09
// Nick Valdez
As we've reiterated many times in the past, what WB/DC can't seem to do in their films they've been excelling at on TV. One major player has been producer Greg Berlanti, who pretty much reinvented DC on TV with Arrow, The Fla...
Live By Trailer photo
Live By Trailer

Trailer for Ben Affleck's Live By Night tears through the prohibition era

Sep 09
// Nick Valdez
Ben Affleck's currently in a sort of revival. He may have take some hits in the 2000s, but it all changed in the 2010s with The Town. With a trio of successful directorial outings (Gone Baby Gone, The Town, and Argo), he's we...
Elle trailer photo
Elle trailer

Paul Verhoeven is back with Elle starring Isabelle Huppert, watch the trailer

An empowering, lighthearted rape movie?
Sep 06
// Hubert Vigilla
Though Showgirls eventually achieved camp/cult status, it was a major strike against Paul Verhoeven's career. He couldn't find steady footing in Hollywood afterwards, Starship Troopers notwithstanding. Showgirls also torpedoe...
Willy Wonka 35mm photo
Willy Wonka 35mm

NYC: Metrograph showing Willy Wonka in 35mm Labor Day weekend

Young lovers love the spring
Sep 02
// Hubert Vigilla
If you live in New York City and can't get into the AMC screenings of Willy Wonka and the Chocolate Factory this weekend, you may still get to see the movie on the big screen in the next few days. Metrograph (one of my favori...

Warner Bros. rumored to adapt Harry Potter and the Cursed Child into a film trilogy

Harry Potter and the Unnecessary Trilogy
Sep 01
// Geoff Henao
Warner Bros. sure loves its film franchises doesn't it? After all, when you own the rights to some of the largest film properties, it only makes sense that they'd want to milk that cash cow for as long as possible. After Harr...

HBO's Westworld gets a new trailer

Aug 31
// Rick Lash
Perhaps you've been feeling the fantasy blues on HBO of late. Game of Thrones been off the air for over two full months. True Blood for over two years. Maybe you've been hankering for some HBO-flavored western, and gosh darni...
Warcraft sequel photo
Warcraft sequel

Duncan Jones would still like to make Warcraft 2, comments on director's cut of first film

"Maybe I'm just being a masochist."
Aug 31
// Hubert Vigilla
Warcraft had a rough go critically but was able to make money thanks to the foreign box office (particularly China). While a sequel seems unlikely, director Duncan Jones is still game to make the movie given all of the time a...
Sam Mendes photo
Sam Mendes

Sam Mendes possibly tapped for live action James and the Giant Peach

Next up in Disney's live action crusade
Aug 26
// Matthew Razak
As we all know Disney is on a relentless quest to turn their animation adaptation into live action movies. And considering that the likes of Maleficient, The Jungle Book and Cinderella all did gangbusters it makes s...
The Silver Chiar photo
The Silver Chiar

TriStar rebooting Narnia series with The Silver Chair

Third times the charm
Aug 10
// Matthew Razak
If there was any movie series that should have been massive in this day and age it's C.S. Lewis' books based in Narnia. It's got an established brand, it's kid friendly and it's just plain cool. Yet, two studios have had trou...
Man of Steel 2 photo
Man of Steel 2

Warner Bros moving forward with Man of Steel sequel

Get the money, dollar dollar bill y'all
Aug 08
// Nick Valdez
Despite its poor critical reception, Suicide Squad broke crazy records last weekend. Because of this Warner Bros and DC Comics have to decided to move along with their plan, good films be damned. But something we didn't see c...

Watch Jared Leto's Joker hang out with Skrillex and Rick Ross for 'Purple Lambourghini' video

Aug 08
// Nick Valdez
Suicide Squad has come and gone. Breaking August opening records, failing critically for the most part (although our Editor-in-Chief Matt was more level headed than most), and had so many editors in the editing room (accordin...

Review: The Little Prince

Aug 06 // Nick Valdez
[embed]220747:43032:0[/embed] The Little PrinceDirector: Mark OsborneRated: PGRelease Date: August 5, 2016  Mark Osborne's (Kung Fu Panda 3) The Little Prince isn't a direct adaptation of its source material. Much like other children's book adaptations such as Where the Wild Things Are and Cloudy With a Chance of Meatballs, Prince creates its own original tale. But it takes an interesting angle as the original story serves as more of a delivery system for the original text. As Little Girl (Mackenzie Foy) deals with an overbearing, but well meaning. mother (Rachel McAdams), she meets The Aviator (Jeff Bridges, who also serves as weathered narrator from the book) who tells her about the time he met a Little Prince (Riley Osborne) who traveled across the stars. Essentially, it's a story within a story. Seeing as how difficult it might've been to translate the obtuse themes from Saint-Exupery's writing, this is probably the best possible solution.  But the main problem with taking this approach is when Prince isn't telling the book's story directly, it falls short. The film has a conventional style with character design resembling most animated films. The thin, angular bodies of Dreamworks, the larger heads of Pixar, all mash together into something resembling Hoodwinked! with a more flexible budget. That's not to say it's not done well, it's just utterly generic when juxtaposed with the incredible stop motion paper sequences directly adapting the book. These sequences are so endearing and artful, it begs the question of why we couldn't get an entire film that way. The score during these sequences is fantastic with a light jazz/French ensemble paying tribute to the book's origin and tone, the packed cast delivers humble, weighted dialogue, giving more weight to themes overall, and no matter how much you see paper style, it remains surprising. But the other 2/3 of the film feels like filler. Rather than emphasize the stop motion sequences, making each one a reward, it's like they're being held at bay.  While adapting the text as a "story within a story" seems like a good solution, Prince unfortunately waters down the thematic resonance Saint-Exupery's text is remembered for. I won't go into too much detail about what exactly it does, but suffice to say when a now adult Prince has to remember his youth, Prince loses all of the beautiful subtlety. The original novella was a fable about holding on to youth and the hope that comes from imagination, but it never explicitly said any of these things. There were slight hints about the troubles of adulthood, but it was left up to the reader to find it. The film crosses over into "preaching" territory as metatext gives way to explicit statements. It's a little too direct for comfort and becomes yet another animated film trying to teach a lesson.  The problem is wondering what could've worked better. Would the film have worked if director Osborne had gone with one style over the other? Would it have succeeded with the original book's vignette narrative? But how would that film work among current animation film needs? It's the best case scenario in a tremulous situation. Rather than encapsulate the spirit of the original text, making it viable for children and adults alike, it's more of a tribute to those who enjoyed the book as a child. In some cases, it's better to please as many people as you can.  The Little Prince distances itself from its source material more than it desired. Treating the original novella with an almost untouchable reverence, it never gives the audience time to enjoy the story and dive into it themselves. Instead Prince tells us how we should feel about it, thereby ignoring what made the original book so memorable. Essentially mirroring the actions of adults we're told to avoid.  In trying to pay tribute to Antoine de Saint-Exupery's The Little Prince, the film mistakes an elephant in a boa constrictor for a simple hat. At least it's a nice hat. 
The Little Prince Review photo
Lost in translation
Antoine de Saint-Exupery's The Little Prince is one of the most famous children's books of all time. Translated into over 200 languages, it's become a treasure worldwide. But as with all adaptations, things were bound to chan...

Ghost Rider photo

I'm not going to sit here and pretend I've kept up with Agents of SHIELD. I had watched four episodes back in season one before I gave up, but I've been hearing that it got interesting around season two. But the fourth season...

Legion Trailer photo
Legion Trailer

Check out the trailer for Fox and Marvel's Legion TV series

Jul 24
// Nick Valdez
With X-Men doing so well in theaters, Fox has been wanting to do a television series for quite a while. But since Marvel holds the rights to X-Men TV shows, it had to wait until the two companies could work together. Thankful...
Doctor Strange SDCC photo
Marvel's taken their strangest hero and given him quite an impressively stacked film. Not only is Doctor Strange packed to the brim with crazy talent (with Cumberbatch, Mads Mikkelsen, Rachel McAdams, Tilda Swinton, and Chiwe...

LOTHT Trailer photo
LOTHT Trailer

Watch the Legends of the Hidden Temple movie trailer from San Diego Comic-Con

Coming to Nickelodeon this fall
Jul 24
// Nick Valdez
With Nickelodeon tapping into the 90s kid frenzy with The Splat and shows like Hey Arnold! getting a resolution, they have also been re-working some of their old properties. Case in point is Legends of the Hidden Temple. Base...
Justice League Action photo
Justice League Action

SDCC: First Justice League Action trailer is colorful and fun

Like a pocket Justice League Unlimited
Jul 23
// Nick Valdez
With as wonky of a movie universe it has. DC have really succeeded on the small screen. They've been dominating since Dini's run from Batman: The Animated Series to Justice League Unlimted and now CW's got a whole universe. S...
The Tick reboot photo
The Tick reboot

Here's an underwhelming first look at Amazon's The Tick reboot

SPOOOO--whoa, what?
Jul 21
// Hubert Vigilla
When we reported about Amazon's reboot of The Tick a few months ago, we learned that the reboot would be "darker and more grounded," which is exactly what people wanted from a parody of superheroes. Now we have our first look at this darker and more grounded version of The Tick and it's thoroughly underwhelming. Just take a look at the new costume:

Legendary Pictures to bring Detective Pikachu to the big screen

No sleep 'til Danny DeVito
Jul 21
// Geoff Henao
Can you believe it's been 20 years since Pokemon first told us we gotta catch 'em all? I wouldn't necessarily call the franchise untouchable, but it quickly became one of Nintendo's most profitable and successful tentpoles al...
Dark Tower photo
Dark Tower

First look at Idris Elba in The Dark Tower

And a very photoshopped EW cover
Jul 14
// Matthew Razak
If everything goes to plan Stephen King's Dark Tower adaptations will be a long running movie and TV franchise and it all officially kicks off with this image (and a cover) of Idris Elba as the gunslinger Roland and a fe...

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